Gouache Landscape Paintings

Gouache of a Shipwreck in a Storm with Gothic Ruins, Early 19th Century Technique: Gouache on paper Period: Early 19th century Description: This romantic painting depicts a dramatic ...

Sandy Litchfield’s "Latent" reflects her signature approach of transforming landscapes into lyrical, abstracted visions. Drawing from memory, walking, and direct observation, Litchfi...

Title: French Street Scene with Windmill and Figures in Impressionist Style by Fanch Lel (French b. 1930) Size: 10.5 inches (height) x 8.75 inches (width) Gouache painting on board, ...

Framed size: 26" x 33". Signed bottom right This dynamic and vividly expressive painting by Eugène Paul, titled Moulin Rouge, captures the energy and atmosphere of Paris in the mid-2...

Paris: City Winter Scene by Henri Miloch (1898-1979) watercolour and gouache painting with charcoal on artist's paper, unframed Sheet: 9.75 x 13.5 inches Intriguing painting by the...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: Sunset at Sea Medium: signed gouache on paper, loosely laid over card,...

This painting, titled New England Town by the Sea and created by A. Hatmaker in 1989, captures the charm of a quaint coastal village in New England. Executed in a folk-art style, the...

Early 20th Century European School, view of the city, with buildings in the background, gouache on paper unsigned in a beautiful custom made Haydenryk frame under glass.

This artwork might be one of two versions, the other one being in the Museum in les Invalides Paris. Note. This version has a more accomplished academic style. Dimensions with original gold frame 107 x 87 cm Conditions Excellent overall, supported by an original frame withan antique glass. EDOUARD DETAILLE The emperor is accompanied by his aide-de-camp, Colonel Castelnau, and Marshal Canrobert. In a gilded wooden frame, under a Marie Louise blue background. Life and time Born in 1848 into a close-knit bourgeois family, Édouard Detaille, the eldest of eight children, displayed early talent in drawing. “He was a prodigy,” notes François Robichon. By the age of thirteen, he exhibited an astonishing surety of hand and a phenomenal sense of composition. His father, connected to Horace Vernet, encouraged him. At seventeen, after passing his baccalaureate, he entered Meissonier’s studio. This relationship, which developed into mutual affection, spared Detaille the academic detour through the École des Beaux-Arts. Rather than dictating an official art style, Meissonier, at the peak of his fame, traveled with his students, introducing them to the nuances of Titian, Rembrandt, and Rubens in Brussels and Lille. In 1867, the Paris of “free trade” dominated the world through the technological revolutions of the Universal Exhibition, and the amiable young man, striking in appearance, discovered the salon of Princess Mathilde and the theater of Dumas fils. He even approached the Empress, noting in his journals, “Not bad, the Empress.” This observation encapsulated Detaille: he had no doubts about his talent, cultivated panache, enjoyed the company of beautiful women, and aimed to conquer the circles of power without sacrificing his freedom. From childhood, he listened to his calling: “Before I could read, I could guess the subjects of battles, the names of famous generals, the weapons of officers and soldiers from the images I admired in the books of Norvins and Laurent de l'Ardèche.” He mingled with collectors and regularly attended military reviews on the Champs-Élysées. His first painting exhibited at the Salon in 1868, “La Halte de tambours,” was praised by critics who immediately recognized “a remarkable truth of observation and simplicity of effect.” The purchase of this work by Princess Mathilde, cousin of Emperor Louis-Napoleon, made Detaille, at twenty, an envied celebrity known to Sainte-Beuve, Théophile Gautier, the Goncourt brothers, and Flaubert. The young artist’s humanistic vision contrasted with the compositions of his predecessors, depicting soldiers in maneuvers, contemplative and resigned as war loomed. **The Combatant’s Vision** The Siege of Paris, where he nearly lost his life in 1870, and the deaths of two brothers in that defeat darkened his outlook. From 1871 onward, Detaille no longer concealed the cruelties of war: German riflemen mowed down by machine gun fire, cavalrymen and panicked horses caught in ambushes, fields plowed by shells strewn with dead animals. The unvarnished tragedy: “It is an absolute fact that no painter has ever rendered a battlefield covered with corpses as it is,” commented Jules Claretie. The fallen bodies still bear the appearance of life in their frozen rigidity. Detaille’s testimony of the devastating defeat and the catastrophic effects of the first total war in history was not a celebration of heroism but a lament, a “lesson in darkness.” “From war, once considered the supreme effort of human genius, we now see only melancholy and horrors,” judged one writer in response to his canvases. “Detaille experienced the reality of combat at a young age during a war that foreshadowed the two world conflicts of the 20th century,” explains François Robichon. With great realism, Detaille painted war from the perspective of the combatant. He introduced a humanity and a critical lucidity regarding the evolution of warfare. His works intensely captured the violence and firepower of new weapons like machine guns. Before he turned thirty, Detaille had become a chronicler of these painful years. He exhibited, as a critic noted, a “striking portrait of modern war” that both French civilians and soldiers had experienced firsthand. He embodied a youth humiliated and eager for revenge. Yet this scrupulous artist also remembered, in his expansive landscapes—from the chalky plateaus of Île-de-France to the Russian plains—the lessons of Corot and Courbet. Manet was not far off. “I wouldn’t want my art to be reduced to mere patriotic art,” he asserted. “A system I often employ and love is to first execute the landscape, very effective, very tight, based on nature…” Echoing Meissonier’s advice: “Always nature, always nature!” Detaille remained close to this father figure, constructing a grand townhouse next to his mentor’s studio at 129 boulevard Malesherbes at the age of 26, having purchased 425 m² of land from the Pereire brothers. He even chose the same architect as Meissonier: Paul Boesvilwald. A bachelor and incorrigible seducer, the painter welcomed his conquests, including Valtesse de la Bigne, amidst his collections, having built his studio in the courtyard. Diplomatic Actor As Detaille’s fame grew, his Malesherbes townhouse quickly became a gathering place for foreign princes, politicians, and heads of state, where Juliette Adam, Léon Gambetta’s muse, offered him valuable advice. The Prince of Wales, the future Edward VII, developed a genuine friendship with the painter. “This fervent patriot, friend of Déroulède, was extraordinarily open to the world,” recounts François Robichon. In just a few years, he gained considerable social, cultural, and international stature. Received at Windsor, at the English court, he was close to Tsar Alexander III and a great friend of Félix Faure. In this capacity, Detaille played a decisive role in the Entente Cordiale, signed in 1904 between England and France, and in the Franco-Russian alliance of 1894, thereby contributing to the Triple Entente among the three powers. An engaged witness of his time—associated with the birth of the “Ligue des Patriotes” alongside Alphonse de Neuville...

Thelma Corbin Moody Blue Mountains c. 1960's Gouache on Arches Paper 19 1/4" x 24 3/4", Unframed Unsigned Lovely, mid century gouache painting, b...

3874 Japanese gouache landscape with trees and cranes Set in brass finish metal frame

"Natura Locum", 2021 by Susan Hope Fogel Abstract Deconstructionist watercolor painting of figures strolling down the lane in Harlem Park 39.5 x 50 inches, archival watercolor and go...

signed lower right. size includes frame. The French artist Claude Hemeret was born on May 23, 1929. After classical studies at the lycée du Parc Imperial in Nice, he started at the l...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Flower Garden Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75...

Pair of early 20th Century French watercolours of a Mediterranean garden. The paintings are signed bottom right, Songa, and are presented under a hand coloured custom mount in a plain wood frame under glass. A pair of charming representations of a garden in spring and early summer. The first shows a line of majestic Cyprus trees...

This artwork captures a serene rural landscape, dominated by lush greenery and vibrant colors. The scene features a bright blue sky that contrasts with the red and gray tones of rust...

In this contemporary landscape painting on paper, luminous green ferns line the forest floor in this rich, highly detailed Virginia landscape set in springtime. The many shades of ve...

“First Tracks at Courchevel, French Alps” Marius Chambon (French, 1876-1962) Gouache on paper Signed lower right. 16 1/2 x 10 1/2 (24 x 18 frame) inches Capturing the moment in the...

Judd Mercer's (US based) "Telluride in Fall" is an original, handmade gouache painting that depicts a flowing stream cutting through a landscape of trees with their fall plumage of y...

'Winter in Provence', gouache on art paper, by Raymond Debiève (circa 1970s). There is both beauty and melancholy in this delightfully charming artwork. The artist's naive style is at odds with the refinement, poise and sophistication of the painting. Perhaps the artist was making a statement as well with the broken wall...

Expressionist Landscape signed gouache painting on artist paper painting: 9.75 x 12.75 inches provenance: private collection, England condition: very good and sound condition Descr...

St, Louis River Mural Study American Scene Social Realism Mid 20th Century WPA Jo Cain (1904-2003) The Drama of the St. Louis Great River 23 1/4 x 25 ½ inches Gouache on board c. 19...

This painting, created around 1935, showcases Axel Olson's experimentation with surrealism during the 1930s. Executed with a technique reminiscent of pointillism, the artwork capture...

This artwork vividly captures the grandeur of a rugged mountain landscape, reflected serenely in an expansive body of water. The mountains boast a rich tapestry of earthy tones, intr...

3905 Impressionist French village colorful landscape gouache on laid paper Image size 16x11.5"

“Blue and Red Marine Flora" is a dynamic mixed media diptych inspired by the vivid biodiversity of underwater ecosystems. Layered with expressive texture and vibrant pigment, this pi...

Antique Hudson River School landscape painting by William Louis Sonntag, Sr. (1822 - 1900). Watercolor and gouache on board. Framed. Signed. Measuring: 13 by 17 inches overall, and ...

This artwork masterfully captures an autumn landscape, brimming with rich, earthy tones. A symphony of russet, amber, and gold dominates the canvas, as deciduous trees stand tall und...

AKOS BIRO (HUNGARIAN 1911-2002) watercolour/gouache size: 7.75 x 11 inches Beautifully colourful, original painting by the very popular and highly regarded Hungarian/ French painter...

Vibrating Corals captures the rich diversity and texture of underwater coral life. The artist uses confident lines and bold, layered colors—reds, blues, yellows, purples, and earthy ...

Title: French Watercolour of Beached Fishing Boats in Brittany by Fanch Lel by Fanche Lel Signed: Yes Size: 7.75 inches (height) x 12.5 inches (width) Gouache painting on card, unfra...

Original Painting Undersea Whale Life Mag Published 1953 Illustration Ocean Sea Antonio Petruccelli (1907 – 1994) Underwater Whale Life Illustration published, c. November 7, 1953 1...

Starfish Among Corals captures the vibrant beauty of marine life through bold lines and expressive color. Blue, red, yellow, and green coral-like forms weave across the composition, ...

“Colorful Marine Vegetation” is a vibrant diptych by Romina Milano, evoking the organic rhythm of underwater flora through bold linework and joyful chromatic contrasts. The two pane...

Judd Mercer's (US based) "076 - Plein Air-Flat Irons Vista, CO" is a gouache painting depicting a landscape. Artist bio/statement Judd Mercer is a contemporary landscape painter an...

This vibrant artwork vividly captures a bustling harbor scene with an array of colorful fishing boats gently bobbing on the reflective water. Each vessel, painted with meticulous det...

Judd Mercer's (US based) "053 - Plein Air-Aurora, CO" is a gouache painting depicting a few trees on a hill. Artist bio/statement Judd Mercer is a contemporary landscape painter an...

Judd Mercer's (US based) "044 - Plein Air-Englewood, CO" is a gouache painting depicting a forest. Artist bio/statement Judd Mercer is a contemporary landscape painter and Colorado...

This original 1940s American Modernist gouache on archival paper painting, "Artists Sketching (California)," captures a dynamic scene of three artists at work against a majestic mountain backdrop. With expressive brushwork and a rich color palette, the piece embodies Frederick E. Shane’s signature blend of realism and modernist abstraction. Signed, titled, and dated by the artist in the lower margin, this remarkable artwork reflects the era’s Regionalist influence and the artist’s keen eye for capturing creative moments in the natural landscape. The painting is professionally housed in a custom archival frame, ensuring long-term preservation. Frame dimensions: 25.5 x 37.5 x 1.5 inches. Image size: 20.25 x 29.75 inches. Provenance: Estate of the Artist, Frederick Shane About the Artist: Frederick E. Shane (1906-1992) A celebrated Missouri Regionalist painter and printmaker, Frederick E. Shane was known for his compelling genre scenes, landscapes, seascapes, and portraits in a variety of media, including oil, watercolor, gouache, tempera, and lithography. While fundamentally a realist, Shane often incorporated elements of abstraction, expressionism, and surrealism, adding depth and emotion to his compositions. During the summers of 1925-26, Shane studied under Randall Davey at the Broadmoor Academy in Colorado Springs, an institution founded in 1919 by philanthropists Spencer and Julie Penrose. Shane remained closely connected to the Colorado Springs Fine Arts Center, the Academy’s successor, throughout the 1940s and early 1950s, participating in Artists West of the Mississippi exhibitions and forming lasting friendships with key figures like Boardman Robinson and Adolph Dehn...

"Le Port de Marseille" Eugène Galien Laloue (French, 1854-1941) Gouache and watercolor on paper, original carved and gilded frame. 12 3/8 x 7 3/4 (14 1/2 x 9 5/8 frame) inches Signe...

Framed size: 26.5" x 33". Signed bottom right This dynamic and vividly expressive painting by Eugène Paul, titled Harbour Life, captures the energy and atmosphere of Paris in the mid...

Village Scene by Fanch Lel (French b. 1930) size: 7 x 8.25 inches inscribed verso gouache painting on board, unframed condition: the painting is in very good condition. It has previo...

Title: Impressionist Harbour Scene with Lighthouse Fishing Boats and Seagulls in Motion By Fanch Lel Signed: Yes Size: 16.25 x 12.25 inches (height x width) Gouache painting on board...

Frank Duffield (British, 1908-1982) signed original gouache painting on board, unframed size: 10 x 15 inches condition: overall very good, minor wear to the edges as is normal for an...

Orange Grove Landscape, 1941, gouache on illustration board, 14 inches x 18 inches (image), 22 x 26 inches (framed) signed and dated lower right, newly framed with museum glazing ...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on artist paper mounted on board, unframed size: 18.5 x 15.5 inches condition: very good and ready to be ...

Paris: Two Views of Notre Dame Cathedral by Henri Miloch (1898-1979) both signed lower right two watercolour and gouache paintings on artist's paper, unframed Sheet: each measure 9....

Antique American modernist landscape oil painting. Oil on canvas, circa 1940. Signed illegibly lower left. Image size, 36L x 24H. Housed in a period modern frame.

Mane-Katz (1894-1962) Landscape with palm tree. Gouache on paper, signed lower right. Dimensions: (Frame) H 37.5" x W 31", (Sight) H 24.5" x W 18" Emmanuel Mané-Katz (Hebrew:מאנה כ...

Parisian Street Scene signed by Regine David (female French artist, 1910-2018) gouache painting on artist paper, unframed panting: 20 x 12.5 inches inscribed verso condition: This pa...

One of my favorite French Fauvist painters, Henri Grenier (1882 - 1940), masterfully captures the energy of the turn-of-the-century Boulevard Saint-Germain in this exciting work on p...

A French Fauvist Colour Field gouache on paper landscape by G Ricard. The painting is signed bottom left and titled to the back of the paper, Les Baux de Provence. A charming and ch...

Watercolour landscape of a lake and surrounding mountains by Nano. The painting is signed bottom left and presented in a fine period gilt frame under glass. This painting portrays a...

Detailed European Landscape in Watercolor and Gouache on Paper This finely detailed watercolor painting captures a serene countryside setting with an old stone church, a rustic hous...

Carl Frederick Gaertner (American, 1898-1952) Flower Garden, Cape Cod, c. 1940s Gouache on illustration board 17.5 x 29 inches 27 x 39 inches, as framed Carl Gaertner was one of the greatest painters to emerge from the Cleveland School...

Donald Stacy "Mound Street" c. 1950s Gouache paint on paper 24" x 18'" unframed Unsigned Came from artist's estate For sale is a striking black and white painting titled "Mound Stre...

Work on paper Golden wooden frame with glass pane 38.7 x 31 x 1.5 cm

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Park Fountain Medium: signed gouache on paper, loosely laid over c...

Title: French Gouache Street Scene of Sunlit Stone Steps and Tower by Fanche Lel Signed: Yes Size: 10.5 inches (height) x 8.5 inches (width) Gouache painting on card, unframed Condit...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Parkland Medium: signed gouache on paper, loosely laid over card, ...