Oil Landscape Paintings

Village Scene signed by Fanch Lel (French b. 1930) Size: 9 x 10.5 inches Oil painting on board, unframed Condition: The painting is in good condition, with minor signs of aging. Prov...

Vintage Landscape oil painting of a woman feeding chickens. Post-impressionist mid-century oil on wood framed farmyard painting by French artist, R...

HARBOUR LIGHT Size: 39.5 x 66 cm (including frame) Oil on board A charming mid-century modernist coastal painting that captures a serene dockside scene bathed in soft daylight, exec...

Artist/ School: English late 20th century, by Gordon Allen, signed Title: The Riverside Inn Medium: oil on canvas , framed Framed: 25 x 35 inches Canv...

FINE ORIGINAL ANTIQUE 18th CENTURY BRITISH OLD MASTER OIL PAINTING MAN O WAR IN HARBOUR Description Good Condition canvas but very old with some browning in places (see picture). C...

This painting by Ture Ander, created in 1917, depicts a serene landscape from Värmland, Sweden. At the center of the composition is a large tree, likely a deciduous species, as suggested by the hints of autumn seen in both the tree and the meadow below it. The short brushstrokes used to depict the leaves and grass evoke a sense of movement and texture, typical of the early 20th-century artistic style. Another beautiful detail is the bluish-tinted forested mountains in the background, creating a sense of depth and tranquility. Ture Ander played a significant role in the Racken group (Rackstadkolonin), an important artistic collective in Sweden at the time. Ander was born on September 17 in Askers socken, Örebro. At the age of 13, he became an apprentice painter in Stockholm, attending evening classes at the Technical School (now known as Konstfack) while working during the day. He earned his journeyman’s certificate in 1902, and the following year, he graduated from the Technical School with the highest honors in painting. In 1905, he was accepted into the Konstnärsförbundets skola (School of the Artists' Association), where he studied alongside notable artists like Leander Engström, Isaac Grünewald, and Einar Nerman...

Artist/ School: Jill Jackson (British, contemporary) Title: Golden Fields Medium: oil on artist paper, unframed Painting : 16 x 20 inches Provenance: all the paintings we have b...

Josine Vignon (French 1922-2022) ...

Beached Boats Simone Forge 1950's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection, France Condition: great condition For more any m...

This vibrant piece captures the serene beauty of the Étang de la Clarette in Grez-sur-Loing. The artist expertly blends oil and acrylic techniques to create dynamic textures and a ri...

Study Of Wild Hares, 19th Century by William Melchior (1817-1860) 19th century English study of a pair of wild hares hiding with a huntsman in the distance...

Joan Gillchrest. English ( b.1918 - d.2008 ). Cornish Fishing Boats At First Light. Oil On Paper Mounted On Board. Signed Monogram Lower Right. Image size 26.2 inches x 22 inches ( 66.5cm x 56cm ). Frame size 35.8 inches x 31.3 inches ( 91cm x 79.5cm ). Available for sale; this original oil painting is by the Cornish artist Joan Gillchrest and dates from around the late 1980s. The oil painting is presented and supplied in a sympathetic new replacement frame (which is shown in these photographs) that suits the artwork’s color palette and behind non-reflective Tru Vue UltraVue® UV70 glass. This painting is in excellent condition and presents superbly. It wants for nothing and is ready to hang and display. The painting is signed with her monogram lower right. Joan Gillchrest is one of Mousehole’s and Cornwall’s most recognised and celebrated artists. Her vibrant art sits firmly alongside other great artists of the St. Ives School from the 1960s. She was born Joan Scott in London in 1918 into a wealthy and illustrious family. She was the third of four children. Her father was a pioneer of radiology – and a skilful caricaturist - and her Australian mother was an accomplished pianist. Sir George Gilbert Scott was her great grandfather, who designed the imposing Midland Grand Hotel at St. Pancras as well as countless parish churches. Grandfather, George Gilbert Scott Jnr, is remembered for three Cambridge colleges, Christ’s, Pembroke and Peterhouse. Her uncle Giles, (Giles Gilbert Scott) to whom Joan was close, is best known for his magnificent Anglican Liverpool Cathedral, Battersea Power Station and the iconic and ubiquitous red telephone box. Coming from such a long line of eminent architects it is not surprising that Joan always loved architecture and the churches and chapels of the Penwith peninsula feature prominently in her work. She said that buildings were “in her blood”. Her early childhood was spent at the family home in Buckinghamshire, but she was a difficult child – the family hired one nanny for her and one for the other three children- and at one point she was sent to Upper Chine School in the Isle of Wright to give her family some peace! She was however the apple of her father’s eye and he encouraged her obvious artistic talent. In 1934, aged only 15 but encouraged by her parents, she went to Paris to study art and learn the language. There she met Gwen John and studied in various studios, sometimes working as a model. In 1936 she enrolled at the Grosvenor School of Art and subsequently studied there under Iain McNab, whom she described as a marvelous teacher. Her early artistic career was very promising; she first exhibited at the Royal Academy when she was just 18 and showed works at the New England Art Club in 1937 and the London Group in 1938. When the Second World War broke out Joan was 21. She took a crash course in nursing and first aid and volunteered as an ambulance driver for Westminster Hospital. She later drove a mobile rescue unit. She was not able to paint much during the war but kept in touch with McNab; when the area around St Paul’s was blitzed, leaving the cathedral relatively unscathed, McNab got Joan and a few others to paint the scene. Her work, created with a thick paint and a palette knife, hung in the art school for many years. Joan’s painting career stalled in the 1940s. In 1942 she married a barrister and Coldstream Guards officer Samuel Gillchrest, and they soon had a son, then a daughter. With a young family, she had little time to paint, and had to hide the work she did produce as her husband thought that work as an artist was beneath them. Sadly, the marriage broke down and in 1953 they divorced. In leaving a difficult marriage at this time, she forfeited money, security and her previous place in society. Despite the huge changes in her life, her overwhelming desire to paint remained constant. She ignored the disapproval of her friends and family and started to explore new ways of expressing herself on canvas. She moved to a studio in Chelsea, an area much favored by the artistic community. To support herself, her children and her painting she also found regular work as an artist’s model. She was tall, strikingly good looking and combined elegance with bohemianism. She also carried an air of mystery from her rich and privileged past, and so she became sought after as a fashion model. In the flat below hers lived an artist who had enjoyed some professional acclaim, Adrian Ryan...

"Western Travellers" by Rudolf Stone, British late 19th Century signed by the artist on the lower left hand corner oil painting on wood panel, framed framed size: 8 x 14 inches Won...

European artist, second half 20th century signed lower corner oil on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private ...

Yuri Krotov was born 1964 in Grivenskaya Cossack Settlement, Krasnodar Territory, located close to the Azov Sea. At the age of 8 he met a local painter G.A. Polugaev who became his...

Oil on canvas Canvas size: 13 x 18 inches Framed size: 20 x 25.25 inches Signed lower right

Verdant Hills by Bernard Labbe (French mid 20th century) original oil on artist paper size: 19 x 26 inches condition: very good and ready to be enjoyed Description: This expressive ...

In the vast realm of art history, there are certain works that transcend time and space, transporting us to a world of beauty and serenity. One such painting is by the renowned Swedi...

In my creation, I've captured the essence of holiday delight. Through the vibrant strokes of oil, I've woven a tale of innocence and joy. The snowman, adorned with a playful red scar...

Title: Original Oil Painting of Coastal Cottages with Boats Along a Tranquil Shoreline Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: 9.75 (height) x 16.25...

The French City French School, circa 1970's, signed lower corner oil painting on canvas: 31 x 38.5 inches framed: 23.5 x 32 inches condition: sound condition though with minor crack...

Free shipping all Continental US, and all other countries, Europe, Asia etc... Enhance your space with this captivating vintage painting by Tengnagel Jan (1584-depicting The meeting...

Family Scene, Children by the Victorian Cottage By T. Stevens, British late 19th century Signed oil painting on canvas, framed Framed: 12.75 x 19 inches canvas: 10 x 16 inches Condi...

Subject : Small oil painting of a landscape in the French countryside, in excellent condition. An original work, rich in texture. This handmade oil painting reflects the raw beauty...

This is a beautiful oil painting of an array of flowers in a vase in front of a dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ...

George Morland (1763 London - 1804 Brighton). Sheltering from the Storm. Oil on canvas, relined, 37.5 x 29.5 cm (visible size), 53.5 x 45.5 cm (...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Maggy Clarysse (1931-2011) Oil on thick card, unframed 7.5 x 9.5 inches Signed ...

The painting "The Road to Emmaus in a Landscape" by Gillis de Hondecoeter is a masterful example of early 17th-century Dutch landscape painting. The sce...

William Luker Snr British, (1828-1905) Sheep in a Sussex Lane with Pevensey Bay in the distance Oil on canvas, signed & dated 1875 Image size: 17.25 inches x 25.25 inches Size including frame: 23.25 inches x 31.25 inches A tranquil landscape scene of a shepherd and his flock resting in a lane near Pevensey Bay, Sussex by William Luker. The ruins of Pevensey Castle can be seen in the distance with the sea beyond. William Luker Snr was born in 1828 at Faringdon, Berkshire to William and Jane Luker (née Charlwood). His father was a plumber and glazier by trade and the family lived at London Street in Faringdon. Little is known about his early education and it is believed for the most part he was self -taught. However, given the quality of his work and the fact that his family were able to keep a servant, he may well have received some artistic tuition. By the early 1850’s, he had begun earning a living as an artist by advertising in local directories, earning commissions from local landowners. He made his debut at the Royal Society of British Artists in 1851 and was a prolific exhibitor there for over 40 years. He began exhibiting at the Royal Academy in 1852 and also exhibited at the British Institution. He married the artist Ada Augusta Margetts (1839-1930) on 27 October 1864. Their eldest son William Luker Jnr (1867-1951) also became a well-known artist. The couple soon moved to London where they lived at 22 Gloucester Terrace, Campden Hill from where they both exhibited. From 1867, they lived at 15 Sheffield Terrace in Kensington until 1874 when they moved for the final time to 22 Notting Hill Square, later renamed Campden Hill Square in 1893. He died at Campden Hill-square on 28 February, 1905. Luker specialised in landscapes featuring animals such as sheep and cattle, horses and deer. He travelled around visiting areas such as Sussex, Buckinghamshire, Kent, Wales and the Highlands. However, he also made trips to Egypt and Libya producing a series of Oriental scenes in the early 1860’s. His works show a great attention to detail and his use of a lighter palette gives his subjects a luminous quality that instantly attracts the viewer. Examples of his paintings are held by the Atkinson Art Gallery, National Library of Wales, Newstead Abbey...

Manuel Isidor Valle Micolau (1874-1959) - Spanish landscape - Oil on board Oil mesures 18x11 cm. Frame measures 28x22 cm. Photographer and artist from Lleida trained at the "Círculo...

New York Harbor by John Chapman LEWIS (American, 1920-1994) signed & dated 1948 oil on canvas, unframed Canvas: 14 x 22.5 inches Provenance: Private colle...

A very stylish image of a French harbour. Painted with great panache - wonderful brushwork and a vivid palette, reminiscent of the work of Chaim Soutine Circle of Chaïm Soutine (189...

Rest as the World Goes By Juan Soler, Spanish b.1951 signed oil painting on canvas, framed framed: 20 x 22 inches canvas: 13 x 16 inches provenance: private collection, London condi...

OLD MASTER W . THORNLEY OIL PAINTING High Quality 19th CENTURY Gold Gilt Frame OLD MASTER LARGE OIL PAINTING 19th Century NEW COLLECTION Of RARE PIECES OF ENGLISH HISTORY “Very ...

French Post Impressionist oil on canvas view of a street scene by Jean Jacques Antoine. The painting is signed and dated bottom left. A strong and imposing view of a typical French ...

Firmado en la parte inferior por el artista La obra se presenta enmarcada El estado en general de la obra es bueno Medidas obra: 46 cm. de altura x 38 cm. de ancho Medidas obra e...

This superb British Post Impressionist oil painting is by noted female artist Doris Clare Zinkeisen. Painted circa 1950 the painting echoes the French Impressionists in their style a...

Henry Brittan Willis British, (1810-1884) Midday Rest Oil on canvas, signed & dated (18)59 Image size: 18.5 inches x 31 inches Size including frame: 26.25 inches x 38.75 inches A b...

Title: French Impressionist Oil Painting of Boats and Lighthouse in a Calm Harbour By Fanch Lel (French b. 1930) Size: 7.25 x 9.5 inches (height x ...

Oil Painting by John Bates Noel "A Rural Landscape" 1870- 1927. Noel was the son and pupil of David Bates, a leading Birmingham painter. Regular exhibitor at the Royal Birmingham so...

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

Etaples Simone Forge 1950's French Impressionist oil on board unframed board: 13 x 16 inches inscribed verso Provenance: private collection, Paris Condition: overall good and sound...

A charming highland scene showing two highland cows standing in the shallows of an expansive lake with verdant banks, under a blushing sunset. The artist has signed illegibly to the ...

Impressionist, oil on panel. The medieval alleyways of Constance with historic cathedral and bell tower visible in the background. Unsigned.

Frank Moss Bennett British, (1874-1952) In the Garden Oil on panel, signed & dated 1917 Image size: 11 inches x 13.5 inches Size including frame: 20 inches x 22.5 inches A charming genre scene of two gentlemen in 18th century costume in a garden by Frank Moss Bennett. The men drink wine and eat fruit at a linen covered table...

Rafael de Soto - Village street - Oil on canvas Oil measurements 41x33 cm. Without frame.

A charming Impressionist-style study of a forest with tree tops beginning to turn red and brown as autumn approaches. Unsigned. Acquired as part of a studio sale of the artist. Prese...

Flemish master active in Italy (17th century) - Sermon of St. John the Baptist in a landscape. 58 x 73.5 cm. Old oil painting on canvas, without frame. Condition report: Lined can...

Original small oil painting on canvas . How often are we in the moment, genuinely captivated by the beauty of nature, connecting with ourselves? Filled with the nature of Thailand,...

Josine Vignon (French 1922-2022) ...

Maria Jose Concha lived for 7 years in the Chilean Patagonia, the world’s southernmost landscape, an experience, which transformed her work and becomes the focus of her expressive pa...

Georgian or early Victorian Marine Oil on Panel of busy shipping scene with figures on Harbour, possibly the Isle of Wight A rare gem of a painting, a Georgian era oil painting sho...

This charming British Edwardian oil painting is attributed to the circle of Tom Mostyn. Painted circa 1910 it is a wooded landscape with figures stopping to rest on a path bathed in ...

French Landscape, circa 1930's period indistinctly inscribed verso oil on board, unframed board : 15 x 18 inches Provenance: private collection, France Condition: overall very good c...

This lovely painting is a British Old Master late 18th century or early 19th-century oil painting by Thomas Barker of Bath. It is stylistically very similar to his other works of the...

Journey’s End [2021] Original Landscapes and seascapes Oil paint on canvas Complete Size of Unframed Work: H:60 cm x W:60 cm x D:4cm Sold Unframed Please ...

The beaches of Luigi Christopher Veggetti Kanku represent a pictorial exploration that goes beyond the mere representation of the subject itself. The artist seeks to convey a poetry ...