Panel Landscape Paintings

Georges Seurat 1859-1891 | French Le mouillage à Grandcamp Oil on panel Entitled Le mouillage à Grandcamp, this exceptional oil on panel was painted by Georges Seurat at a pivotal...

A creek bed overflows its banks in early spring in this Jeff Aeling landscape painting. The meandering creek is bordered by trees bursting with life in various shades of green and yellow as they emerge from the grips of winter. Loose brush strokes and gentle dabs of paint evoke impressionist painting while the palette sets a tranquil scene. The painting is framed in a heavy black wooden frame measuring 33.25h x 24.5h inches. Jeff Aeling Creek, Early Spring oil on panel 24h x 16w in 60.96h x 40.64w cm FRAMED DIMENSIONS 30.50h x 22.50w in 77.47h x 57.15w cm JAE027 Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO 2016 William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL 2015 Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ 2014 Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL 2013 Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO 2012 William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO 2011 Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL 2010 Richard Demato Fine Arts Gallery - Sag Harbor, NY 2010 William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ 2009 Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL 2008 William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM 2007 Philip Slein Gallery - St. Louis, MO 2007 Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI 2006 William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN 2005 Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO 2005 Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM 2004 William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ 2003 Lisa Kurts Gallery - Memphis, TN 2003 Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM 2002 Perimeter Gallery - Chicago, IL 2002 Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ 2001 J Mark Sublette Gallery - Santa Fe, NM 2001 Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM 2000 Perimeter Gallery - Chicago, IL 2000 Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM 1999 Elliot Smith Contemporary Art - St. Louis, MO 1999 Sherry Leedy Contemporary Art - Kansas City, MO 1998 Charlene Cody Gallery - Santa Fe, NM 1998 Elliot Smith Contemporary Art - St. Louis, MO 1998 Leedy-Voulkos Art Center Gallery - Kansas City, MO 1998 Perimeter Gallery - Chicago, IL 1996 Grand Arts - Kansas City, MO 1994 Gallery V - Kansas City, MO 1993 Sean Kelly Gallery - Kansas City, MO 1991 Tribal Textile Gallery - Kansas City, MO Selected Group Exhibitions 2004 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2004 FADA - Los Angeles, CA 2004 "5 Views of the Midwest" Traveling Museum Show 2003 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2003 FADA - Los Angeles, CA 2002 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2002 "Exhibition of Works from Permanent Collection," Daum Museum - Sedalia, MO 2002 FADA - Los Angeles, CA 2002 "Winter in Tucson," Medicine Man Gallery - Santa Fe, NM 2001 Los Angeles Art and Antique Show 2001 Medicine Man Gallery - Santa Fe, NM 2001 FADA - Los Angeles, CA 2001 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2000 Art San Francisco - San Francisco, CA 2000 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2000 FADA - Los Angeles, CA 2000 "Landscape," Des Lee Gallery, Washington University - St. Louis, MO 2000 "Landscape," Tory Folliard Gallery, Milwaukee, WI 1999 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 1998 "Going Places," Elliot Smith Contemporary Art - St. Louis, MO 1998 "Summer," Sherry Leedy Contemporary Art - St. Louis, MO 1998 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 1998 "Air, Land and Sea," Elliot Smith Contemporary Art - St. Louis, MO 1997 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 1997 "Summer Show," Elliot Smith Contemporary Art - St. Louis, MO 1994 Summer Invitational, Sean Kelly Gallery - Kansas City, MO Collections 4 Point Energy American Century Investments Art Embassies Program - Zimbabwe Biltmore Hotel - Phoenix, AZ Capri Capital - Chicago, IL Charles Schwab - Denver, CO D.S.T. Systems Daniel Taylor and Associates Exeter Oil Corporation Federal Reserve Bank - Denver, CO Federal Reserve Bank - St. Louis, MO Federal Reserve Bank -Kansas City, MO First Western Trust Bank Gates Rubber Company Grand Hyatt Denver Convention Center H&R Block Hall-Marshall Collection, Hallmark Hall-Silva Collection, Hallmark Johnson County Community College Johnson National Bank - Racine, WI Kansas City Art Institute Kansas State University Madison Dearborn Partners National Association of College Business Offices Renaissance Grand Hotel - St. Louis, MO Sprint St. Regis Hotel - Los Angeles, CA Wilmington Trust Company Museum Collections Beach Museum - Manhattan, KS Daum Museum - Sedalia, MO Denver Art Museum - Denver, CO Museum of the West - Tucson, AZ Nerman Museum of Contemporary Art - Overland Park, KS Tucson Museum of Art - Tucson, AZ Selected Bibliography 2015 Jul Westword - Denver, CO 2015 Oct Crossroads Art District 2014 Dec Western Art Collector 2014 Sep Riverfront Times - St. Louis, MO 2014 Sep St. Louis Magazine 2013 Jan Southwest Art 2013 Sep Huffington Post 2012 Sep Dan's Papers - Southampton, NY 2011 Riverfront Times - St. Louis, MO 2010 Sep American Art Collector Cover 2008 Jul Western Art Collector 2008 Sep New City Art - Chicago, IL 2006 Oct American Art Collector 2005 Sep Chicago Tribune 2003 Jul-Aug Frontier Magazine 2003 Review Magazine 2002 Aug Southwest Art 2002 Sep Artsope 2002 Chicago Tribune 2001 Feb Southwest Art 2000 Jan St. Louis Post Dispatch 1999 Jan Kansas City Star 1999 Jul Santa Fe New Mexican 1999 Sep Southwest Art "People to Watch" 1998 Aug New American Paintings 1998 Feb Dialogue Magazine 1998 Jan Focus Santa Fe, "Searching for Essentials" 1998 Jan Southwest Art, "What's New in Santa Fe Galleries...

In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, to sprawling landscapes and unique architectural elements, this exhibition...

"The Walkers" is a framed mixed media work on panel by Dennis Campay, depicting a cityscape complete with tree-lined streets, a train, a harbor with a ship, and a distant bridge. Cam...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

framed, oil on panel For Kurt Meer, the images reflect a general sense of place, rather than a specific location. Water, sky and land are like mantras repeated over and over where ...

A fine impressionist coastal oil painting by American artist Edward Henry Potthast (1857-1927). Potthast was born in Cincinnati, OH and studied at the McMicken School of Design and a...

"Nature is a celebration of the mystery, promise, and complexity of life.  That is what I seek to capture in my work.  I am interested in the experience of light and shadow, color an...

Ghost Ship by California artist Stephanie Cate is Acrylic on Wood Panel. It is 48x36. This is one of her new series. She spent most of her childhood in France, before relocating t...

Duck Family By. David Adolph Constant Artz (Dutch, 1837-1890) Signed Lower Left Unframed: 9" x 12" Framed: 17" x 18.5" David Adolf Constant Artz was a 19th-century Dutch painter an...

Searching for Clams with the Horse Cart By. Gerhard Munthe (German, 1875-1927) Signed Lower Left Unframed: 11" x 14" Framed: 19" x 23" Born in Dusseldo...

"Belgian Farmhouse" Piet Lippens (Belgian, 1890-1981) Circa 1920s Oil on panel, signed 19 x 15 (23 x 18 frame) inches Piet Lippens was a Belgian painte...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly changing world. Inspired by her upbringing in a small neighborhood in Korea and her experiences with Habitat for Humanity, she seeks to immortalize disappearing places by creating works of art that connect and preserve memories. Her three-dimensional compositions are created using newspaper...

Sunny Day at the Beach By William J. Glackens (American, 1870-1938) Unframed: 6.25" x 8.5" Framed: 11" x 13.5" Born in Philadelphia, Pennsylvania in 1870, William Glackens began his career at Philadelphia's Central High School with John Sloan. In 1891 he became an artist-reporter for the "Philadelphia Record." He did the same kind of work from 1892 to 1895 for the "Philadelphia Press" with John Sloan, George Luks and Everett Shinn. He studied briefly at the Pennsylvania Academy with Thomas Anshutz...

Children at the Seashore By Josef Israels (1824-1911) Unframed: 9" x 15" Framed: 17.5" x 23.5" Signed Lower Left Born in Groningen, Holland, in 1824, Josef Israels was brought up in the traditions of the Jewish faith and destined for the rabbinate. His interest in drawing grew stronger with age however, and in 1840 his father finally relented, sending him to Amsterdam. There he spent his days working in the studio of Jan Kruseman and his evenings painting at the Royal Academy under Jan Pieneman, both leading portrait painters. In Paris, Israels studied a short time with the historical painter Francois Picot...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused ...

Sun Mountain, Adobes, Santa Fe, New Mexico By Julius Lars Hoftrup Unframed: 20" x 20" Framed: 26" x 26" Hofterup in Skane was the birthplace of J. Lars Hoftrup. Hoftrup immigrated to a farm in New York in 1881 but left to study at Cooper Union Art School and later made study journeys to paint landscapes in Canada, France, and North Africa. His work has been shown in exhibitions at the Phillips...

Old Miner's House, Santa Fe, New Mexico By Julius Lars Hoftrup (1874-1954) Unframed: 20" x 20" Framed: 26" x 26" Hofterup in Skane was the birthplace of J...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly ...

An oil painting, painted done en plein air. Framed Dimensions: 16.5 x 19.5 inches Signed by the artist in the bottom left corner Artist Bio: Marc Dalessio was born in 1972 in Lo...

Oil on panel

This piece is framed which is reflected in the price. Unframed dimensions are 48 x 48 inches. Carol O’Malia’s paintings depict ordinary objects, people, and places and the ephemeral...

Clouds loom up and drift by showering a warm rain for a few minutes. The rain may land on one spot and avoid another, as a cloud burst blooms and fades. This painting explores atmosp...

Urban cityscape

Light Diaries, 2021, oil on panel, in custom black wooden float frame. Contemporary cityscape, architectural features. Moody color tones of a Philadelphia architectural...

This is a one of a kind modernist acrylic painting on wood panel. Its dimensions are 8x10. It unmounted and unframed and requires hardware if you wish to hang. A certificate of authe...

Using an impasto, painterly technique Dana Cowie creates cubist-inspired farm and rural landscapes. Working within controlled color schemes, her artworks appear abstract up close and...

Beach at Playa Del Rey California by Louis Carl Hvasta (1913-1993) Signed and Dated Lower Left Unframed: 21" x 34" Framed: 28.25" x 41" Frame was Hand made by the artist himself. A ...

Little Village by Louis Carl Hvasta (1913-1993) Signed Lower Left Unframed: 9" x 11" Framed: 16" x 19" Frame was Hand Made by the artist himself A local Californian Artist, Hvasta i...

Chimney Pots and Roof of Paris by Louis Carl Hvasta (1913-1993) Signed and Dated Lower Left Unframed: 24" x 28" Framed: 34" x 37" Frame was hand made by the artist. A local Californ...

"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...

Oil on panel.

Brian Sostrom's (US based) "Time Keeper" is an original, handmade acrylic painting that depicts a manmade fire burning bright orange against the dark blue overcast sky. Artist Bio...

John Ferry Modern #10 a Medium: Oil on Panel Year: 2019 Size: 10.75x12.75 in Signed, dated and inscribed by hand Framed COA provided Ref.: JF-19-26 “Ferry’...

Georges Jean Marie Haquette "Fishermans Daughter" Original Oil Painting 19th C. W/Matching Engraving Original oil on wooden panel Dimensions 8.5" wide x 10.25" high The frame meas...

English early 20th century, Impressionist river landscape with fisherman. Ernest Charles Walbourn was born on 16 February 1872 at Dalston, Middlesex. The second of five children, he...

A fine impressionist woodland scene with bather by American artist Emile Albert Gruppé (1896-1978). Gruppé was born in Rochester, NY, and is renowned for his New England landscapes a...

Peter Lyons’s still lifes self-consciously participate in the tradition of religious icons, which embody a measure of the divinity they depict. The painted...

"Three Divas" is a framed mixed media work on panel by Dennis Campay, depicting a cityscape complete with tree-lined streets, a distant train, a bustling harbor, and an imposing skyl...

"Mountain Fog" is an encaustic with oil paint and beeswax over watercolor, on a cradled panel measuring 36" high by 24" wide. The painting arrives in a custom walnut floater frame by American Frame Company. From Regina Quinn...

FERN, an oil painting on panel by Anna Ortiz, is characteristic of the artist's practice – the colors are both harmonious and surreal – with pale rose, gree...

Tod Lindenmuth (1885-1976). St. Augustine, c.1935. Oil on primed panel, 12 x 14 inches. Signed en verso. Excellent condition. Unframed. Biography: Birth place: Allentown, PA Death place: St. Augustine, FL Addresses: St. Augustine, FL/Rockport, MA Profession: Painter, graphic artist, block printer Studied: Chase Sch. A.; & with Robert Henri, Ambrose Webster, George Elmer Browne, W.H.W. Bicknell. Exhibited: AIC; S. Indp. A., 1917-19, 1922-28; PAFA Ann., 1917-18, 1923, 1927-33; Salons of Am., 1922-24; Rockport AA; PAFA (prize); Corcoran Gal. biennial, 1930. Member: SC; A. Gld., St. Augustine, Fla.; Rockport AA; Provincetown AA. Work: PAFA; NYPL; MFA, Houston; Newark Mus.; Pa. State Col.; Allentown Mus. FA; Bibliothèque Nationale, Paris; Springfield Mus. A.; Kansas City AI; LACMA; TMA; Rochester Mem. Gal. A founder of the Provincetown Art Association and one of the original Provincetown Printers, Tod Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles. Although he was much influenced by Abstract Expressionism, his subject matter was realistic enough to be recognizable. He did linoleum cuts and was one of the first to work with that medium, and towards the end of his life, he experimented with collage. In the 1930s, he had commissions for the Public Works of Art Project and the Works Progress Administration. Lindenmuth was born in Allentown, Pennsylvania. He studied with Robert Henri at the New York School of Art in Manhattan, and in Provincetown with E. Ambrose Webster and George Elmer Browne. He first exhibited in Provincetown in 1915, and between 1917 and 1928 served on the jury for the Provincetown Art Association’s ‘First Modernistic Exhibition”. He exhibited regularly with the Society of Independent Artists in New York. He married artist and illustrator Elizabeth Boardman Warren...

A wonderful view of New York City from the water by American artist Francis Vandeveer Kughler (1901-1970). Kughler was born in New York City and atte...

Ulrich Gleiter's (EUR based) "Alley up to the castle (Redondo, Portugal)" is an oil painting that depicts the impressionistic rendering of an alley and white buildings with a bright ...

Jill Pottle’s landscape titled “It’s a long way home” is part of a continuing series titled “On Location.” In this 20 x 16 inch oil painting on a primed panel, the paint is rich, loo...

Lacquer on Wood

Lacquer on Wood

"Undersky" depicts flashes of city lights. These small paintings have so much to say and we can say they beckon viewers to draw closer and observe all that artist has been able to co...

"Light Decaying" depicts a winding river through a mountainous terrain, not unlike the many vistas and terrains of Carpenter's adventures into nature. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

Diptych. Signed and titled verso. Resa Blatman’s paintings and prints draw upon her innate draftsmanship to craft visions of a future climate dystopia. H...

Robert Elton Tindall (1913-1983) "Tending the Garden" (Girl with a Hoe) c. 1940 Egg Tempera with Resin Oil Glazes on Panel Signed Lower Left Site: 10 x 9 inches Framed: 15 x 14 inch...

Mark Swanson (b. 1958) “Mountain Springtime" Oil on Panel 18 x 22 inches/ 25 x 29 Framed Mark Swanson was born in 1958 in South Dakota and raised in California. Although his uncles, Ray and Gary...

"One Of The Ways" depicts a densely populated grove. As with other of Carpenter's paintings, this scene invites viewers to look closer and also to go out to explore nature. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

"No Escape from Nature" depicts an early morning walk through the woods. Dappled sunlight makes this scene quite tranquil. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

"Wave Breaking on the Reef" by Jeff Aeling captures a wave breaking with an impending storm on the horizon. This beautifully painted photorealistic scene captures the strength and mystery of mother nature. The blue-grey sky melds into the grey-green of the ocean thru the transparent mist of the wave. Kauai, Hawaii Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO 2016 William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL 2015 Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ 2014 Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL 2013 Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO 2012 William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO 2011 Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL 2010 Richard Demato Fine Arts Gallery - Sag Harbor, NY 2010 William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ 2009 Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL 2008 William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM 2007 Philip Slein Gallery - St. Louis, MO 2007 Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI 2006 William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN 2005 Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO 2005 Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM 2004 William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ 2003 Lisa Kurts Gallery - Memphis, TN 2003 Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM 2002 Perimeter Gallery - Chicago, IL 2002 Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ 2001 J Mark Sublette Gallery - Santa Fe, NM 2001 Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM 2000 Perimeter Gallery - Chicago, IL 2000 Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM 1999 Elliot Smith...

Mark Christopher Weber (b. 1949) "The Grand Canyon" Oil on Panel approx 37 x 60 inches Mark Christopher Weber is a master artist whose style and technique can only be compared to th...

"Door #30 (Bright)" (2018) by Francesca Reyes Original oil & acrylic wood panel; measures 8" H x 6" W x 1" D From the artist's door series, depicting doors that she has photographed ...

"Door #1 (Reanimator)" (2017) by Francesca Reyes Original oil and pastel on wood panel; measures 8" H x 6" W x 1" D From the artist's door series, depicting doors that she has photog...