Panel Landscape Paintings

"The Sun Flower 06.29.2024" Still life plein air painting of yellow flower . Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artist...

The study of negative space and how it implies depth and perspective has always interested me. I enjoy playing with the idea of foreground and background, and I love the idea of sugg...

"Dante", oil painting of a tree by Peter Hoffer. Peter Hoffer is a Canadian artist who has enjoyed a successful career in Northern America. Peter Hoffer portrays trees. He invites t...

San Rafael Reef #2, acrylic on panel, 11 x 37 1/2 inches, $2,200 “It is my feeling that the desert country of the American West is too large, too wild, too gorgeous to be encompassed by traditional landscape painting. Our inherited aesthetic defines beauty in landscape as green and arable land or grand, breathtaking places. I feel the need to expand that definition. I want to portray the desert as it is right now; to dispense with the limitations of what has come before, to quietly point out the beauty of places that are harsh and forbidding to habitation but express an aesthetic of the wild. I strive to go beyond the sentimentality that often defines our images of the West. The scale of many of my pieces (an extreme horizontal) is a compositional strategy to capture the vastness of these places.” – M. Knudsen Mark Knudsen...

Plein-air landscape painting of a dog park in Zagreb, Croatia. Artist Bio Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest yea...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

A male bald eagle screeches to be heard above the stormy backdrop of Lake Michigan's Manitou Passage in Northern Michigan. Extraordinarily painted with such realistic detail, this majestic bird's feathers beg for the viewer to come in for a closer look at its plumage. The piece is framed in a simple black wooden frame measuring 31 x 51 inches. Rick Pas Calls in the Manitou Passage acrylic on panel 28h x 48w in 71.12h x 121.92w cm RPA022 ARTIST'S STATEMENT Creating is an addiction. With all the highs and lows you would expect. I am interested in the surface textures and creating paintings that portray them in realistic detail. Hopefully a viewer will feel they can run a hand over the feathers and moss, or grasp an object in the painting. This detail is usually composed in an abstract design. The design can occur naturally or be arranged by me. RESUME Rick Pas b. 1958, Flint, MI Education Eastern Michigan University, Ypsilanti, MI - Bachelor of Fine Arts - Pearson Art Scholarship SELECTED EXHIBITIONS 2022 Gallery Victor Armendariz, Chicago, IL, Take Flight William Baczek Fine Arts, Animal Kingdom & Winter National Museum of Wildlife Art, Jackson, WY, Western Visions Lovetts Gallery, Tulsa, OK, Braveheart 2021 William Baczek Fine Arts, 25th Anniversary Exhibition 2020 William Baczek Fine Arts, Landscape Exhibition & Summer Gallery Victor Armendariz, The Palette of Pride 2019 The James Museum, St. Petersburg, FL, Environmental Impact II Lovetts Gallery, Realism, Reveries, & Rhapsody Gallery Victor Armendariz, New Work 2018 Gallery Victor Armendariz, Front and Center Corporate Art Advisory, Chicago, IL, Portraits and Places: Redefining Realism William Baczek Fine Arts, Animal Kingdom Lovetts Gallery, Rear Window 2017 William Baczek Fine Arts, Winter, Animal Kingdom, Summer Lovetts Gallery, The Good, the Bad, and the WTF? & Red 2016 William Baczek Fine Arts, 20th Anniversary Exhibition, Summer, & Landscape Exhibition Monroe Community Church, Grand Rapids, MI, ArtPrize Ann Nathan Gallery, Chicago, IL, Group Exhibition Lovetts Gallery, Cauldron 2015 William Baczek Fine Arts, Landscape Exhibition & Summer JW Marriott, Grand Rapids, MI, ArtPrize Handwright Gallery, New Canaan, CT, Small Works Ann Brierly Gallery, Winnetka, IL, Ann Nathan Gallery Satellite Exhibition RJD Gallery, Sag Harbor, NY, A Magical Menagerie 2014 William Baczek Fine Arts, Spring & Landscape Exhibition 2013 Canton Museum of Art, Canton, OH, Environmental Impact Gallery Project, Ann Arbor, MI, Interspecies 2012 Alden B. Dow Museum of Science & Art, Midland, MI, The Nature of Art: An Invitational Exhibition William Baczek Fine Arts, Landscape Exhibition & Summer Exhibition Ann Nathan Gallery, Group Exhibition Twisted Fish Gallery, Elk Rapids, MI, A Natural Selection Dennos Museum Center, Traverse City, MI, Art and the Animal Gallery Project, Extremes & Umvelt 2010 William Baczek Fine Arts, Landscape Exhibition & Summer Group Exhibition Crooked Tree Arts Center, Petoskey, MI, Juried Fine Arts Exhibition San Diego Natural History Museum, San Diego, CA, Art and the Animal 2009 West Michigan Center for Arts & Technology, Grand Rapids, MI, ArtPrize William Baczek Fine Arts, Landscape Exhibition Birmingham Bloomfield Art Center, Birmingham, MI, Michigan Fine Arts Competition Gallery Project, Shrines and Altars Ann Nathan Gallery, Fall Group Exhibition 2008 William Baczek Fine Arts, Landscape Exhibition & Summer Group Exhibition Gallery Project, Animal Intelligence Holland Area Arts Council, Holland, MI, The Natural Eye Neville Public Museum, Green Bay, WI, Art and the Animal 2007 William Baczek Fine Arts, Landscape Exhibition & Summer Group Exhibition 2006 WARD Gallery, Harbor Springs, MI, New Dimensions in the Natural World Bennington Center for the Arts, Bennington, VT, Art and the Animal Gallery Project, Nature Reperceived 2005 Light Street Gallery, Baltimore, MD, Animal House Bennington Center for the Arts, Bennington, VT, Art of the Animal Kingdom The Wildlife Experience, Parker, CO, AMERICAN BIRDS: A Flight Through Time WARD Gallery, Summer Celebration 2004 Fraser Gallery, Washington, DC, Contemporary Realism Hiram Blauvelt Art Museum, Oradell, NJ, Art and the Animal Washington Street Gallery, Ann Arbor, MI, Fifth Year Celebration 2003 Fraser Gallery, Georgetown International 2001 Sioux City...

Dramatic and beautiful, this painting captures the power of the ocean in photorealist detail. The artwork is actually loosely painted in brushy active strokes which give the effect of movement. The blue turquoise water appears translucent and back lit. The white sea foam moves toward the viewer and leaps into the sky against the gray background. Jeff Aeling Wave, Kauai, 2018 oil on panel 24h x 48w in 60.96h x 121.92w cm Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO 2016 William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL 2015 Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ 2014 Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL 2013 Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO 2012 William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO 2011 Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL 2010 Richard Demato Fine Arts Gallery - Sag Harbor, NY 2010 William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ 2009 Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL 2008 William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM 2007 Philip Slein Gallery - St. Louis, MO 2007 Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI 2006 William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN 2005 Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO 2005 Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM 2004 William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ 2003 Lisa Kurts Gallery - Memphis, TN 2003 Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM 2002 Perimeter Gallery - Chicago, IL 2002 Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ 2001 J Mark Sublette Gallery - Santa Fe, NM 2001 Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM 2000 Perimeter Gallery - Chicago, IL 2000 Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM 1999 Elliot Smith Contemporary Art - St. Louis, MO 1999 Sherry Leedy Contemporary Art - Kansas City, MO 1998 Charlene Cody Gallery - Santa Fe, NM 1998 Elliot Smith Contemporary Art - St. Louis, MO 1998 Leedy-Voulkos Art Center Gallery - Kansas City, MO 1998 Perimeter Gallery - Chicago, IL 1996 Grand Arts - Kansas City, MO 1994 Gallery V - Kansas City, MO 1993 Sean Kelly Gallery...

Autumn Scene by Rosie Shorrock [2022] original and hand signed by the artist Acrylic on panel Image size: H:18 cm x W:24 cm Complete Size of Unframed Wo...

Judd Mercer’s "Transmission" (2024) is an original, handmade oil painting rendered on panel, capturing a luminous moment of human presence within the wild. Measuring 24 x 24 inches (...

Whitney was born in Connecticut in 1981, lived in Surrey, England for nearly a decade, and currently resides in Richmond, Virginia. She earned her Bachelor of Fine Arts Degree from D...

Pipa [2021] Original Flowers Oil paint on wood panel Complete Size of Unframed Work: H:24 cm x W:32 cm x D:0.5cm Framed Size: H:30 cm x W:38 cm x D:2.5cm Sold Framed Please note that...

Ewe in a Sunflower Field, Oil on Panel Painting by Jo Aylward B. 1974, 2023 Additional information: Medium: Oil on panel Dimensions: 22 x 40 cm 8 5/8 x 15 3/4 in Signed Jo Aylward ...

Giovan Battista Discepoli, also called the "Zoppo from Lugano" [Castagnola (Lugano), Switzerland, 1590 - Lugano, Switzerland, 1654] Title: Coronation of Thorns Medium: Oil on panel D...

Howard Everett Giles (1876 - 1955) MacMahan's Maine Oil on canvas backed with board 30 x 30 inches Signed lower right Provenance: Art Institute of Chicago Christie's New York, December 8, 2011, Lot 2 Howard Giles spent most of his career in New York City, where he was an educator, magazine illustrator, and painter who espoused the theory of Dynamic Symmetry. He was born in Brooklyn, and as a young man worked in a New York railroad office. Financial support of a family friend allowed him to study at the Art Students League with H. Siddons Mowbray. In early 1910, he became an illustrator for Scribner's Magazine, and in 1912, on sketching assignment for Scribner's went to England. During World War I, he did illustration for Harper's Monthly Magazine, and many of his images were 'roaring twenties' genre and figure paintings. In 1912, he began teaching life classes at the New York School of Fine and Applied Arts (later Parsons School of Design), and remained there until the late 1920s. During that time, he was also a part-time instructor at the Childs-Walker School in Boston, and accepted numerous invitations to lecture including at Carnegie Institute in Pittsburgh, Pennsylvania Academy of the Fine Arts, Detroit Institute of Arts and Wellesley College. His initial painting style was Impressionism, but he grew increasingly interested in other scientific, aesthetic theories. He worked with Jay Hambridge from 1916 to 1919, applying Hambridge's theory of Dynamic Symmetry to his painting and his lecture topics. From 1922 to 1926, Giles also worked with and was influenced in his own painting by colorist theorist Denman Ross, who espoused a limited and related color palette. For many of his paintings, Giles used watercolor although he also painted in oil and pastels. During the last years before his retirement when he moved to Woodstock...

In this sunset harbor scene, everything is enveloped in calm. The last rays of the sun bathe a fishing building, while the moored boats play with light a...

Clyde Steadman's "Country Road" is an original, handmade oil painting that depicts an impasto painting of a pastoral setting.

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. Wit...

Oil painting of bare, shady woods in California. Sunlight hitting the trees and dappling shade onto the ground is what interests the artist. Joseph Altwer is a traditional realist ...

A deeply impressionistic plein air painting of the beach and its flora. Clouds along the horizon, waves crashing on the beach. Framed dimensions: 13.5 x 17.5 inches Artist Bio: Mar...

C.Dimitri has received fellowships in painting from the Vermont Studio Center and the RI State Council on the Arts. He is represented by Tabla Rasa gall...

Here for your consideration is a very well executed and highly detailed oil on mahogany wooden panel painting by one the the leading Victorian artists of the day, Joseph Thors. Sign...

'Landscape with Two Bathers', oil on panel, by Guillaume Dulac (circa 1920s). Dulac's oils and drawings manifest an elegant classicism with an immediately identifiable style. It is these qualities which are so attractive both aesthetically and in the context as an investment in fine art. Our gallery holds virtually the entire remaining collection of Guillaume Dulac's sketches and memorabilia with impeccable provenance. In this acquisition of a Dulac oil painting, one finds a depiction of two women, one of them in the nude, seated on the edge of a bathing pool. The other is peacefully seated on a comfortable boulder stone...

Clyde Steadman's "On the Arkansas" is an original, handmade oil painting that depicts an impasto painting of cows gathered along a river with a pasture behind them.

"Friday Morning in Sag Harbor" is an oil painting of a small village Main Street painted en plein air by Amy Florence. Framed in gold tradition frame made in Italy, 18 x 21.5 inches...

Spring Song by Polly Dutton [2020] Original Oil on birchwood panel Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:2cm...

Encaustic, abstracted, impressionistic landscape of a wintry forest at evening "Snow at Dusk" made in 2024 by Regina Quinn encaustic, India ink, and oil with wax on panel 24 x 24 x 2...

Kimberly Blackstock’s luminous abstract painting, "Breathing," is a masterful blend of fluid abstraction, serene landscape, and contemporary mixed-media techniques, offering a tranqu...

Inspired by the ancient trompe l'oeil roman frescos of the Villa di Livia, this gardenscapes by artist Carol Pylant focuses on the most deteriorated and weathered sections of the frescos. Amidst the flora, the artist inserts an architectural element, an ode to her travels and teaching in Italy. By combining the present with the past, the artist continues her exploration of our spiritual and concrete connections with the ancient world. This piece is framed measuring 25.5h x 25.5w inches. Carol S. Pylant Entrata Severa oil on panel 24h x 24w in 60.96h x 60.96w cm CSP031 CAROL PYLANT Resume Title Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 "All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1970 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 " Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore...

Katheryn Holt (American, born 1951) "Tropic" 2022 "Tropic" by Katheryn Holt is a mesmerizing 40" x 40" framed oil painting that embodies the tranquil essence of abstract expression...

Marie Yvonne Picard-Pangalos [French Title Illegible], 1930 Oil on wood panel 25 1/2 x 19 in. Signed, dated, and inscribed lower left Exhibition label verso According to the 1999 "...

Oil on mahogany panel Panel size: 47 x 36 inches Signed lower right

Samuel S. Carr was born in England in 1837. He studied at the Royal School of Design in Chester before immigrating to the United States around 1862, where he settled in Brooklyn, New York. He began exhibiting genre paintings in the 1870s. He was known for his paintings of children, seashore life and pastoral subjects. Carr was a member of the Brooklyn Art...

Loneliness – Nijoujou Pine is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, Indian ink and gold leaf on Japanese paper mounted on panels...

William Jean Beauley Great Kills, circa 1917 Signed lower right Oil on panel 40 x 50 inches Housed in its original Newcomb-Macklin gilt frame Pro...

Kim Ford Kitz grew up in Southern California Beach towns, lived in San Francisco as a young adult, and now lives and works in a former furnit...

Highland Pastures by Thomas Sidney Cooper RA British, 1803-1902 Oil on panel Panel size: 16.5 x 21 inches Framed size: 23 x 27 inches Signed and dated 1851 lower right

AWARDS Second Place Award for “View of Zug,” at “Urban Edge,” Grosse Pointe Art Center, Grosse Pointe, MI Henry Billings Award for “Skyway,” at “71st National Midyear show,” Butler Institute of American Art, Youngstown, OH Juror’s Award for “Rouge River” at “Michigan Artists Competition,” 1993 Honorable Mention at “Midwest Pastel ’88” for “Schoodic Point V,” 1988. Juror’s Award from Michael Luchs for “Mind of Flight,” pastel, at “Tunnel Vision II,” Detroit, 1981. PUBLICATIONS Art Journey America Landscapes: 89 Painters’ Perspectives by Kathy Kipp. North Light Books, 2012. Paintings of Maine by Carl Little. Down East Press, 2006. “City Lights,” The Artist’s Magazine, October 2010. “Eye on the Environment,” American Arts Quarterly, Spring 2008. “Artist wins exposure, support on Internet,” Detroit Free Press, September 1, 1996. “Michigan Artists Share Ecological Concerns,” Los Angeles Loyolan, February 7, 1996. “Imaginative art makes powerful impact,” Grand Rapids Press, September 26, 1995. “Painting from Sketches, Photographs, and Memory,” American Artist, January, 1986. Cover artist. “The two art worlds of Art Chartow,” The Daily Tribune, Royal Oak, MI, June 23, 1984. SOLO EXHIBITIONS 2004 “Quiet Places,” Sherry French Gallery, New York, NY 2002 “At Water’s Edge,” Sherry French Gallery, New York, NY 1986 Rubiner Gallery, West Bloomfield, MI. MUSEUM EXHIBITIONS 2016 “80th National Midyear show,” Butler Institute of American Art, Youngstown, OH 2010 “2010 Contemporary Realism Biennial,” Fort Wayne Museum of Art, Fort Wayne, IN 2008 “72nd National Midyear show,” Butler Institute of American Art, Youngstown, OH 2007 “71st National Midyear show,” Butler Institute of American Art 2002 “Art of Collecting,” Flint Institute of Art, Flint, MI GALLERY GROUP EXHIBITIONS 2017 “Scene Change,” Gallery Victor Armendariz, Chicago, IL 2017 “Coming Attractions,” Gallery Victor Armendariz, Chicago, IL 2012 “City Streets II,” George Billis Gallery, New York, NY 2009 “Selections,” Ann Nathan Gallery, Chicago, IL 2008 “Eye on the Environment,” Sherry French Gallery 2007 “Panoramas,” Sherry French Gallery. “The Four Seasons,” Sherry French Gallery. “Poetry = Painting,” Sherry French Gallery. 2006 “The Four Seasons,” Sherry French Gallery. Gallery and Invited Artists, Sherry French Gallery. “Mainely Maine,” Sherry French Gallery. Summer invitational, Ann Nathan Gallery, Chicago, IL Featured Artist, Susan Maasch Fine Art, Bangor, ME 2005 “Mainely Maine,” Sherry French Gallery. 2004 “Poetry = Painting: ut pictura poesis,” Sherry French Gallery. 2003 “Mainely Maine,” Sherry French Gallery. “Poetry = Painting: ut pictura poesis,” Sherry French Gallery. “Flowers in February,” Sherry French Gallery. 2002 “The Four Seasons,” Sherry French Gallery. “Poetry = Painting: ut pictura poesis,” Sherry French Gallery. 2001 “Mainely Maine,” Sherry French Gallery, New York, NY. “Small Sizes, Precious Pieces,” Sherry French Gallery. “Contemporary American Landscapes: An Urban and Rural Perspective, ” M. A. Doran Gallery, Tulsa, OK 1991 “Nine Views of Landscape,” Ruth Volid Gallery, Chicago, IL. Landscape show, Rubiner Gallery 1990 “LANDscape,” Ruth Volid Gallery. 1989 “Landscape,” Rubiner Gallery. 1986 “Works on Paper,” Gallery Henoch, New York, NY. SELECTED GROUP EXHIBITIONS 2016 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center, Birmingham, MI. 2015 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center, Birmingham, MI. 2008 “Urban Edge,” Grosse Pointe Art Center, Grosse Pointe, MI “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center, Birmingham, MI. 2007 “Michigan Annual XXXIII,” Anton Art Center, Mt. Clemens, MI “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center. 2006 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center. 2005 “45th Annual Greater Michigan Art Exhibition,” Alden B. Dow Museum of Science & Art, Midland, MI. 2002 “Land and Water,” Lobby of 717 Fifth Ave, New York, NY; Art Placement...

Image dimensions: 41.5cm x 33cm Framed dimensions: 58.2cm x 50.5cm Signed lower left. This beautiful original oil painting by Alexandre Jacob depicts a snowy river scene. Alexandre ...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 18.5 INCHES X 22.5 INCHES** Pieter Cornelis Dommersen Dutch, (1833-1918) Goeser Veerhuis with Goes in the Distance & Elburg on the Zuiderzee Oil on panel, pair, both signed & dated 1904 with wax seals verso Image size: 11.5 inches x 15.5 inches (each) Size including frame: 18.5 inches x 22.5 inches (each) A wonderful pair of seascape paintings by Pieter Cornelis Dommersen. The first painting depicts the Goeser Veerhuis or Goes Ferry House on the left with the Dutch town of Goes in the distance. The ferry house was a popular landing stage for barges and fishing boats. Goes church, with its distinctive spire can be seen in the far distance. The second painting is of Elburg, a fishing port on the east shore of the Zuiderzee in the Dutch province of Gelderland. Dommersen often returned to these areas to paint when he travelled back to the Netherlands and these fine examples were most likely painted on one of these trips. Pieter Cornelis Dommersen was born Pieter Cornelis Dommershuizen or Dommerhershuisen on 6 December, 1833 in Utrecht, Holland. Little is known about his father and he appears to have been brought up solely by his mother Cornelia into an artistic family. His younger brother was the artist Cornelis Christian...

Signed lower right in arrowhead: R A Blakelock; on verso: A Spring Garden

Represented by George Billis Gallery, NYC & LA -- Kenny Harris's latest body of work was informed by two recent residencies in Tuscany, at Borgo Finocchieto and Monteverdi. Inspired by the heavy Tuscan light...

"Coral Cove Rock" is an oil painting by contemporary artist, Carl Bretzke. Coral Cove is located in Jupiter Florida, known for it's large rocks along the b...

Katheryn Holt (American, born 1951) "Distance" 2022 Oil Paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. About the Artist: Katheryn Holt paints memor...

In this contemporary still life painting in oil on panel, crimson red flowers with dark green leaves in a golden planter with a face on the side sit on a patterned yellow tablecloth ...

Gough’s interest in the elusive quality of memory has always been an invariable interest in his art practice. Rooted in memories of his upbringing in Newfoundland, Gough’s paintings ...

"St. Augustine Gates, Florida," painted by William R. Davis, captures the historic charm and architectural beauty of one of Florida's most iconic landmarks. Davis, known for his meti...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

The fragility of the environment has always played an important role in Christina Haglid's work. As a child growing up on the East Coast, the ever changing seaside landscapes intrig...

Trice’s work explores animal dignity, the cruelty of nature, and human interference. As death and suffering feed back into life and beauty, Trice breaks down and builds upon the dest...

In an original Harer frame. Illustrated in "Daniel Garber Catalogue Raisonne" Vol. II, pg. 271, and in book titled "Blue Chips", pg. 33 Jim’s of Lambertville is proud to offer this artwork by: Daniel Garber (1880-1958) One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

"Un soplo de aire fresco" (A Breath of Fresh Air. Symbolic acrylic paint. Colorful Folk Art Landscape with figure. Dimension art cm.: (H) 43 x (W) 53 x (D) 6 cm. In inches: 16.93"...

Peter Hoffer portrays trees. He invites the audience to take a closer look at their posture, their details and their expressions. The subject is as important as the technique: the way trees grate...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

Voyeur is a monochromatic architectural painting and a cityscape. It is Oil and Acrylic on Wood Panel, 30x30. It is sold individually or as a diptych with Ruled by Shapes/Destroyed by Geometry. Jason Wright was born in the United States (1975). He studied Painting and Graphic Design at the Corcoran College of Art and Design in Washington, DC. Jason was immersed in art from a young age, illustrating and designing graphics for the surfing, skateboarding, and snowboarding industry. Apart from his current body of work, he is an accomplished mix media painter, as well as a medaled action sports athlete. His current work focuses on the theory of shelter, and explores the relationship between the simplistic shape of a home and it's ever presence in our lives, his work is generally rendered in a dusk, dawn, or full moon setting. Wright’s passion for HDR and long exposure photography...

"Late Summer Light on Cornwall Cove" by the acclaimed Cornish artist Jon Doran is an enchanting oil painting that offers a glimpse into the serenity of a Cornish cove bathed in the g...

Gilbert Munger Near Bourron, France, circa 1886 Signed lower left Oil on panel 13 x 18 inches Gilbert Munger was born on April 14, 1837 in Madison, Connecticut. He showed interest ...

Represented by George Billis Gallery, NYC & LA --Much of Bennett Vadnais’ subject matter comes from his surroundings in Manhattan and Brooklyn. With a strong background in plein air ...