Panel Landscape Paintings

In an original Harer frame. Illustrated in "Daniel Garber Catalogue Raisonne" Vol. II, pg. 271, and in book titled "Blue Chips", pg. 33 Jim’s of Lambertville is proud to offer this artwork by: Daniel Garber (1880-1958) One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

Description Alfred Mitchell’s plein air oil paintings often measured sixteen by twenty inches, the size that fit his sketch box, and could be easily ca...

Samuel Halpert Paris (possibly Bois de Boulogne), 1907 Signed and dated lower left Oil on wood panel 18 x 15 inches Provenance Private Collection, Massachusetts Born in Bialystok, ...

Great piece by well-known artist Marc Hanson. Marc has shown his work in galleries and museums nationally and internationally since the early 1980s. He is ...

This charming carnival scene by Charles Leroux, a 20th-century French painter, offers a beautiful glimpse into the joy and spirit of French cultural life. The painting, with its live...

Choosing a contemporary English Impressionist figure painting inspired by Philip Wilson Steer, specifically capturing the Henley Regatta ...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Axel Fahlcrantz’s "Summer Evening at Vanadisvägen, Stockholm" captures a serene sunset over the Vanadisvägen street in central Stockholm. The painting showcases Fahlcrantz's masterfu...

Oil on panel view of Lourdes in France by Jacques Buecher. The painting is signed, titled and dated bottom left. There is an inscription to the back of the board top left. A very ch...

A colorful impressionist townscape with women walking along a road with houses by American artist Pauline Lennards Palmer (1867-1938). Born in ...

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...

Born in Adelaide, Australia, Hayley Lever was known for his town-shore landscapes and still-life painting in a style that combined impressionism with vivid colors and strong lines of...

Provenance Acquired by American Legacy Fine Arts from a Los Angeles collector who acquired the painting directly from the Timkov Family in Russia. UNFRAMED: 6.75" x 9.88" FRAMED: 12...

Serene winter landscape by an unknown artist. A dusting of freshly fallen snow covers the landscape. Two large trees are in the forefront of the composition, with a small farmhouse b...

Alberto Zardo, Italian Impressionist painter. Born in 1876, died in 1959. Framed (12.75 x 16.75 inches)

Charles Merrill Mount was born Sherman Merrill Suchow in Brooklyn, New York in 1928. Mount attended Columbia University, leaving to study at the Art Students League of New York. In a...

Well painted late 19th century/early 20th century English Impressionist landscape oil painting. Ernest Charles Walbourn was born on 16 February 1872 at Dalston, Middlesex. The secon...

Cipriano Mannucci (1882-1970) Village Landscape Oil Painting c.1927 Original oil on panel by listed artist. The painting shows an outdoor market in a small village. Oil on panel. ...

Artist: Vincent Manago, French (1880 - 1936) Title: Two Fishermen Year: 1926 Medium: Oil on Board, signed l.l. Size: 29 x 36 inches (73.66 x 91.44 cm) Frame Size: 33 x 40.5 inches

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Koronthály Jenő (Hungarian, 1883-1973) Untitled, 1923 Oil on wood panel 11 3/8 x 14 1/2 in. Framed: 14 1/8 x 17 1/4 x 1 in. Signed and dated lower left A Hungarian artist, Koronthál...

In the style of Johannes Evert Hendrik Akkeringa Oil on Panel Beach Scene C.1920 Original oil on panel Dimensions 23" wide x 20" high The painting is in good condition - Signed in...

Canal View of Bruges – The Beguinage Van Middel Maurice Bruges 1886 – 1952 Belgian Painter Bruges School Signature: Signed bottom right Medium: Oil on panel Dimensions: Image size 40 x 50 cm, frame size 52,50 x 62 cm Biography: Van Middel Maurice ( Van Middel Maurits) was born in 1886 in Bruges. He was a Belgian painter and draughtsman. He painted Bruges townscapes, marines, portraits and figures among others lace-workers. He found his inspiration in the Bruges Beguinage. Van Middel studied at the Bruges Academy of Fine Arts under master teacher and artist Edmond van Hove (1851 – 1913) and was a classmate of Constant Permeke...

"Old House, Built in 1848" by painter Gilbert F. Neumann Medium: Oil paint on panel Size: 9 x 12 inches Frame Size: 14 x 18.5 inches A nostalgic painting of ...

Charles Henry Miller (American, 1842-1922) Untitled (Country Cabin), c. late 1800s-early 1900s Oil on wood panel 18 x 19 1/2 in. Signed bottom: Chas. H. Miller, N.A. Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

Serene depiction of Loch Na Keal, Iona, Scotland by William Mervyn Glass, Royal Scottish Academy and Scottish Academy of Artists (PSSA,SSA) (Scott...

Boats at the Nieuwpoort Harbour Clesse Louis Brussels 1889 – 1961 Belgian Painter Signature: Signed bottom right, verso signed and titled "Barques de por...

George Lambert (1863-1946) * Alternate title for painting is "Stonington Lighthouse". Signed lower right. Beautiful example of Lambert's best work. Painted very much in the style and...

Wonderful oil on panel circa 1920 by French impressionist painter Andre Devambez. The work depicts a soldier leading his horse along a dirt track during...

A fine impressionist coastal scene of the Provincetown docks or piers by Estonian American artist Andrew George Winter (1893-1958). Winter was born in Sindi, Estonia and spent much o...

Painting measures 10 ½" x 16" and framed 20 ½" x 26" x 4"

Town Gate of Bruges – Kruispoort Poupaert Lionel Bruges 1900 – 1989 Belgian Painter Bruges School Signature: Signed bottom right Medium: Oil on panel Dimensions: Image size 60 x 71 cm Biography: Poupaert Lionel was born on September 27, 1900 in Bruges. His father was a goldsmith. In 1931 he got married and went to live in the Biezenstraat. He died on February 12, 1989. He was a painter, restorer of paintings and copyist of Flemish Primitives. In 1912 he entered the Bruges Academy of Fine Arts with director Flori Van Acker as his teacher and famed artist. In 1926 the Municipal Council of Bruges appointed him as a teacher at the Bruges Academy. He would remain in this position until 1966, the year he retired. Poupaert turned out to be a solid painter with high qualities. He painted numerous Bruges townscapes and also made portraits of important Bruges figures. In the period 1952-1956, he painted two portraits of guardians and superiors of the convent of Our Lady of the Pottery. In 1955 he collaborated with Jules Fonteyne on the murals of the Church of Christ the King. In 1961 he copied for the second time Memling’s triptych “The Adoration of the Magi” by order of Bruges Naval College who gave it as a gift to the King and Queen of Belgium...

Maryn Hunzeker "Explorers" Original Casein Painting c.1960 Fantastic mid modern painting by noted artist Maryn Hunzeker. Created with casein on panel. Dimensions 26" x 18 1/4". The...

A Garden with Tulips Daens Antoine Brussels 1871 – 1946 Belgian Painter Signature: Signed bottom left and dated 1936 Dimensions: Image size 53 x 69 cm, frame size 61 x 77 cm Medium...

Helen M. Goodwin (1865 - 1955) Nantucket, Massachusetts Oil on canvas laid on panel 12 x 16 inches Signed and titled lower right Helen M. Goodwin was born in New Castle, Indiana in ...

Hayley Lever (1876 - 1958) Concarneau, Brittany, France, 1905 Oil on panel 6 3/4 x 9 1/2 inches Signed by the artist lower left Inscribed by another hand on the reverse Provenance: Clayton-Liberatore Galleries, Bridgehampton, New York Hayley Lever’s (1875-1958) versatility has worked against his posthumous reputation. He was never associated with a single artistic movement, instead producing impressionist, post-impressionist, and expressionist works. While best known as a painter of post-impressionist marine scenes, his subject matter included landscapes, urban scenes, and still lifes across his 60-year career. This lack of a singular style or subject has given him an amorphous place in U.S. art history despite his obvious accomplishments. [Richard] Hayley Lever was born in Bowden, South Australia in 1875. He excelled in painting classes at Prince Alfred College (1883-91) and Norwood Art School (1891-93) in Adelaide. In the 1890s, Lever moved to England, studying art in London and painting at St. Ives, a fishing port and popular artistic colony on the Cornish coast. In St. Ives, Lever shared a studio with Frederick Waugh, and studied painting with Albert Julius Olsson and Algernon Talmage. Lever was a plein air painter particularly interested in the effect of sunlight on the sea. He painted in a distinctive style, strongly influenced by the works of Vincent van Gogh, that might now be called post-impressionism. He used a limited palette to paint the St. Ives harbor, particularly at dusk or in the moonlight. His strong contrasting colors and thick use of paint created a crisp and physical surface that earned him acclaim in Europe. Lever’s many St. Ives seascapes are among his most popular works. In 2017, his painting entitled “The Old Lighthouse and Fleets of St. Ives” sold at auction for $162,500. In 1912, Lever moved to New York to test the art market in the United States. In Manhattan, Lever met prominent U.S. painters such as Ernest Lawson, Robert Henri, William Glackens, John Sloan, and George Bellows. Lever exhibited with this group regularly in New York City, painting parks, streets, bridges and the Manhattan waterfront. However, he soon discovered the scenic potential of Gloucester, Rockport, and Marblehead in the Cape Ann area of Massachusetts...

Signed oil on panel landscape circa 1940 by popular French impressionist painter Alexandre Louis Jacob. The work depicts a man fishing on the bank of the River Seine in France on a c...

A fine impressionist townscape oil painting by American artist Nancy Maybin Ferguson (1872-1967). Ferguson was born in Philadelphia, PA, and studied with academic realists Charles Hawthorne...

La Chapelle de la Protection in Cagnes, circa 1925 Oil on panel, signed with the monogram lower left 27 x 34.5 cm Bibliography: The Painters of Cagnes, exhibition catalogue, Château-Musée Grimaldi, 2011, p.62 Paul Leduc...

View of a Venetian Harbor oil painting on wood panel 2Oth C Additional information about the work: Title: View of a Venetian Harbor Medium: oil on wooden panel Signature: not sign...

This original oil painting from Bogomir Bogdanovic is is a perfect representation of his paintings that he is most known for. of New York. The piece was painted in 1989 and is entitl...

This original oil painting from Bogomir Bogdanovic is a perfect representation of his paintings that he is most known for of Central Park New York in the snow. In this original oil painting you can see people with their families walking around in the snow next to bow bridge surrounded by the large buildings in the largest city of New York. The piece was painted in 1996 and is entitled " Winter in New...

This original oil painting from Bogomir Bogdanovic is is a perfect representation of his paintings that he is most known for of New York. The piece was painted in 1998 and is entitle...

This original oil painting from Bogomir Bogdanovic is a perfect representation of his paintings that he is most known for of landscapes in upstate Pennsylvania. In this original oil painting the sun is setting on the snowy mountains in Allegheny Pennsylvania. The piece was painted in 1996 and is entitled "Sunset in Allegheny" and is available for $14,500. Bogdanovic’s work consists of varied subjects, primarily of breathtaking landscapes dotted with people from New York City, Warwick, and neighboring Sussex...

This original oil painting from Bogomir Bogdanovic is a perfect representation of his paintings that he is most known for of upstate New york Landscapes. In this original oil painting the water of Pine Creek in New Jersey is rushing down stream through bushels of pink and yellow flowers . The piece was painted in 1993 and is entitled "Pine Creek in September VIII" and is available for $14,500. Bogdanovic’s work consists of varied subjects, primarily of breathtaking landscapes dotted with people from New York City, Warwick, and neighboring Sussex County...

This original oil painting from Bogomir Bogdanovic is a perfect representation of his paintings that he is most known for of Central Park New York in the snow. In this original oil painting you can see a couple of people with their families and pets walking around in the snow in central park by Shakespeare Theatre in the largest city of New York. The piece was painted in 1986 and is entitled "Central Park - Shakespeare Theater" and is available for $14,500. Bogdanovic’s work consists of varied subjects, primarily of breathtaking landscapes dotted with people from New York City, Warwick, and neighboring Sussex County...

Jim’s of Lambertville is proud to offer this artwork. Signed and dated lower right. Hayley Lever (1876-1958) Hayley Lever's exceptional career path took him from the shores of ...

'Paysage Marin' is an exceptionally powerful work. Olive has visibly used both a brush and a palette knife. As on a painting palette, the painter has mixed his colours directly on th...

Searching for Clams with the Horse Cart By. Gerhard Munthe (German, 1875-1927) Signed Lower Left Unframed: 11" x 14" Framed: 19" x 23" Born in Dusseldo...

Beach at Playa Del Rey California by Louis Carl Hvasta (1913-1993) Signed and Dated Lower Left Unframed: 21" x 34" Framed: 28.25" x 41" Frame was Hand made by ...

Little Village by Louis Carl Hvasta (1913-1993) Signed Lower Left Unframed: 9" x 11" Framed: 16" x 19" Frame was Hand Made by the artist himself A local Californian Artist, Hvasta i...