Mathilde ARBEY (1890-1966)

1930's French Post-Impressionist Signed Oil Elegant Figures with Parasols Garden

1930's

20th century figurative landscape oil on canvas on board painting by Polish artist Magdalena Spasowicz. Artwork is in classic style, it resembles impressionism. Composition is painted with wide brush strokes. Colors are muted. Artwork depicts a cityscape of Strasburg in France. MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. Her works have been presented in numerous exhibitions in Poland and abroad, among others in Warsaw, London, New York, Bratislava, Washington, Moscow, Berlin, Budapest, and are to be found in private and public collections around the world. In 2017 two individual exhibition of the artists took place - at the Regional Museum in Kozienice Palace and at the Museum of Western Mazowsze in Zyrardow. Magdalena Spasowicz has been spending every single moment on painting for many years now. Most of her paintings are monochromatically coloured landscapes, of places where eye cheers soul with a sight close to heart, known and well remembered. French painting of Pissarro and Utrillo has been a very important inspiration for Magdalena Spasowicz. A desire to still-frame every moment when the artist meets Nature and beloved places is an imperative, which obliges to come back to canvas and paint, paint with a total devotion. The artistry of the places represented in the paintings of Magdalena...

20th century figurative landscape oil on canvas painting by Polish artist Magdalena Spasowicz. Artwork is in classic style, it resembles impressionism. Marine landscapes, seascapes, boats, harbors are motifs in Spasowicz's art to which she often comes back. Composition is painted with wide brush strokes. Colors are muted with stronger accent of red in bottom right corner. MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. Her works have been presented in numerous exhibitions in Poland and abroad, among others in Warsaw, London, New York, Bratislava, Washington, Moscow, Berlin, Budapest, and are to be found in private and public collections around the world. In 2017 two individual exhibition of the artists took place - at the Regional Museum in Kozienice Palace and at the Museum of Western Mazowsze in Zyrardow. Magdalena Spasowicz has been spending every single moment on painting for many years now. Most of her paintings are monochromatically coloured landscapes, of places where eye cheers soul with a sight close to heart, known and well remembered. French painting of Pissarro and Utrillo has been a very important inspiration for Magdalena Spasowicz. A desire to still-frame every moment when the artist meets Nature and beloved places is an imperative, which obliges to come back to canvas and paint, paint with a total devotion. The artistry of the places represented in the paintings of...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...

Signed with monogram lower left * The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...

Large and historically significant post-impressionist painting by Albert André. Exhibition: Exposition Post et Néo-Impressionniste, Durand-Ruel Gallery, Paris, 10–31 March 1899, n...

Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...

Gabriel Godard (1933-2023) The Red Bush, 1979 Oil on canvas Artwork: 28 x 20 1/2 in. l 71 x 52 cm Framed: 31 1/2 x 24 in. l 80 x 61 cm Signed lower left Condition: Perfect condition...

Marie-Lucie Nessi Valtat Horseman in Summer, ca. 1950 Oil on canvas mounted on board 10 2/3 x 13 3/4 in l 27 x 35 cm Frame size: 12 2/3 x 15 3/4 in. l 32 x 40 cm Marie-Lucie Nessi V...

Marie-Lucie Nessi Valtat South of France, ca. 1950 Oil on canvas mounted on board 13 3/4 x 10 2/3 in l 35 x 27 cm Frame size: 15 3/4 x 12 2/3 in l 40 x 32 cm Marie-Lucie Nessi Valta...