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Maurice Prendergast
Study St. Malo

c. 1907

About the Item

Provenance The Artist; Charles Prendergast (acquired from the above in 1924); Mrs. Charles Prendergast (thence by descent from theabove in 1948); Kraushaar Galleries, New York; Mr. and Mrs. Julius Jacobson (acquired in 1958); ACA Galleries, New York; Private Collection (acquired in 1981); Thence by descent in the family until 2024 Exhibitions New York, Macbeth Galleries, Exhibition of Paintings by Arthur B. Davies, William J. Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice B. Prendergast, Everett Shinn, John Sloan, February 3–15, 1908 Wilmington, Delaware Art Center, The Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, January 9–February 21, 1960, no. 72, n.p. Literature "Widely Shown Exhibition of 'The Eight' American Artists at the Public Library," Newark Evening News, May 1, 1909, p. 3 (titled Studies, St. Malo) Hedley Howell Rhys, "Maurice B. Prendergast," Maurice Prendergast 1859–1924, Boston, 1960 Richard J. Wattenmaker, "Maurice Prendergast," Allen Memorial Art Museum Bulletin, vol. XL, no. 1, 1982-1983, footnote 28, p. 36 Carol Clark, Nancy Mowll Mathews and Gwendolyn Owens, Maurice Brazil Prendergast, Charles Prendergast: A Catalogue Raisonné, Williamstown, 1990, no. 95, p. 233 (illustrated) Born in St. John's, Newfoundland, Maurice Brazil Prendergast moved to Boston with his family in 1861. By his early twenties, the young man was apprenticed to a card painter, to which he attributed his life-long interest in flat, boldly-colored patterns. In 1891, Prendergast traveled to Paris, where he studied and painted for the next four years. His Parisian watercolors focus on the city's cosmopolitan splendors and invoke the fêtes champêtres of Watteau and the idylls in French parks by Edouard Manet, Claude Monet, and Pierre-Auguste Renoir. Unlike these artists, however, Prendergast's technique assimilated the latest advances by Post-Impressionists including Paul Gauguin, Edouard Vuillard and the Nabis. This second group of artists revolted against fidelity to nature by permitting artistic expression to dominate subject matter, and their innovations liberated Prendergast from a strictly representational approach in his work. He would replace nature with his own imagination, painting whimsical patterns in bold colors to create charming and sophisticated views of leisure – the parade of strollers in the park, the bustle of shoppers along the streets, and the holiday atmosphere of summer outings at the beach. During the next twenty years, Prendergast spent time in Boston, Venice and Paris, where he continued to develop his painting technique. During the late 1890s, he began exhibiting at the New York Watercolor Club and by 1900, had his first one-man show at Macbeth Gallery. In 1908, he participated in the exhibition of The Eight, also at Macbeth, and several years later, exhibited seven paintings in the pivotal 1913 Armory Show.
  • Creator:
    Maurice Prendergast (1858 - 1924)
  • Creation Year:
    c. 1907
  • Dimensions:
    Height: 10.5 in (26.67 cm)Width: 13.75 in (34.93 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Excellent condition. There a few small, scattered dots of inpaint in the middle-ground of the sky.
  • Gallery Location:
    Bryn Mawr, PA
  • Reference Number:
    1stDibs: LU2773215699482

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