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Nancy Baker
Nancy Baker, Alien Nation , 2010, Oil on board, Surrealist Landscape

2010

$2,250
£1,696.51
€1,954.99
CA$3,121.36
A$3,497.47
CHF 1,820.56
MX$42,786.11
NOK 23,108.69
SEK 21,825.88
DKK 14,594.41
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About the Item

These paintings reflect the love Nancy Baker has for combining classical imagery with an image that is strange. The most direct example is in Alien Nation where i have a potter at a wheel in an almost medieval setting, but then there are hummingbirds in the foreground (kind of strange) and a flying saucer hovering over all (really strange). The other paintings all have some classical elements like clouds and trees in the background, but each painting is dominated by the strange three dimensional medallions. Nancy Baker earned her BFA from the School of Visual Arts, New York, NY. Her work has been widely exhibited throughout the US, including ODETTA in New York City; Front Room Gallery in Brooklyn, NY; Mark Moore Gallery, CA; Winkleman Gallery, NYC; Schema Projects, Brooklyn, NY; Marcia Wood Gallery, Atlanta, GA; Greenhill Center, Greensboro, NC; Jancar Gallery, Los Angeles, CA; NC Museum of Art, Raleigh, NC; 1708 Gallery, Richmond VA; Heriard Cimino Gallery in NOLA; and Lump Gallery, Raleigh, NC. She has received numerous awards, including two North Carolina Artists Fellowships, a Tennesse Individual Artist Fellowship, and an NEA Southern Arts Fellowship. She was awarded a commission with MTA Arts and Design for two train stations in Brooklyn, which was fabricated in stainless steel. Last year she was commissioned to create a new work for Karen Brooks Hopkins, the Director of Brooklyn Academy of Music. Her work is included in numerous public and private collections including the International Collage Center, Bucknell, PA; US Embassy, Kiev, Ukraine; Wellington Art Collection, Boston; City of Raleigh Municipal Art Collection, Raleigh, NC; North Carolina Museum of Art, Raleigh NC; MCI Corporation, Raleigh NC; Reynolds Industries, Winston-Salem, NC; Herman Miller, New York, NY; Bellevue Hospital Center, New York, NY; TRW, Cleveland, OH; American Hospital Corporation, Nashville, TN; First Nation Bank, Nashville, TN, among others. She has participated in several artist residencies including Casa de Mateus, Vila Real, Portugal, and Studio Camnitzer, Valdottavo, Italy.
  • Creator:
    Nancy Baker (American)
  • Creation Year:
    2010
  • Dimensions:
    Height: 19 in (48.26 cm)Width: 16 in (40.64 cm)Depth: 0.5 in (1.27 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Darien, CT
  • Reference Number:
    1stDibs: LU172214305222

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Nancy Baker, Pretty Pearls, 2020, Oil on canvas, Surrealist Landscape, Painting
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In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...
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