Items Similar to The Pool of London
Want more images or videos?
Request additional images or videos from the seller
1 of 13
Norman WilkinsonThe Pool of London1902
1902
$37,881.33
£27,600
€32,870.27
CA$52,020.53
A$58,558.24
CHF 30,984.08
MX$726,343.06
NOK 382,784.89
SEK 366,099.91
DKK 245,228.55
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Signed and dated '1902' lower right
Contemporary style hand made frame
Provenance:
Tryon Gallery
Private collection
In this painting we can we Blackfriars Bridge in the background reaching across the River Thames with smoke billowing up into the sky behind. On the far right the unmistakable, and instantly recognisable, silhouette of St Pauls also breaks the sky line of the city. Finished in the early 18th Century, St Pauls has been a noticeable addition to the London cityscape ever since.
This work by Wilkinson depicts 'The Pool' of London, a stretch of the River Thames from London Bridge to below Limehouse. As part of the Tideway of the Thames, the Pool was navigable by tall-masted vessels bringing coastal and oversea goods to the wharves that originally made up the Port of London. In 1909 the Pool came under the jurisdiction of the Port of London Authority. The docks here thrived until the late 1950s, despite suffering from extreme bomb damage during the Second World War.
The tall-masted ships that Wilkinson has depicted here are perfect examples of traditionally rigged sailing craft of the time. They differ from modern sailing vessels in that they did not use newer materials (such as aluminium and steel) and have more complex rigging as a result. The term tall ship later came into widespread use in the mid-20th century with the advent of Tall Ships' races. Here, incredible attention to detail has been applied by Wilkinson in the accurate depiction of the various ships rigging, specific attention being given to the ship in the left foreground.
Smoke arises from the city, blending into the clouds. The juxtaposition of the steam ships hint at the unavoidable dominance that steamships would eventually have over the favoured sail ships. Indeed, while sails provided supplementary power to ships with oars, as sails were not designed to sail to windward, steamships' complete independence from the wind gave them the ability to take shorter routes internationally. The new ability to pass through the Suez and Panama Canals made sailing ships uneconomical
- Creator:Norman Wilkinson (1878 - 1971, British)
- Creation Year:1902
- Dimensions:Height: 24 in (60.96 cm)Width: 32 in (81.28 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU52410476162
Norman Wilkinson
Born in Cambridge in 1898 and educated at Southsea School of Art, Norman Wilkinson is known for his graphic art, specifically his British Railway poster images, and also for something quite incredible; Wilkinson revolutionized the art of naval camouflage. Having been assigned to submarine patrols in Dardanelles, Gallipoli, and Gibraltar during WWI as a member of the Royal Navy Volunteer Reserve, Wilkinson was deeply troubled by the unprecedented success the German submarine fleet had torpedoing British ships. He hoped to find a solution to this gaping vulnerability, and in a lightning bolt moment, he had an epiphany that would change everything. Wilkinson says in his autobiography, A Brush With Life (Seeley, 1969), that he realized a ship could be painted to hide its shape against the sea and sky. In his own words, Wilkinson states that the hull of a ship could be camouflaged "not for low visibility, but in such a way as to break up her form and thus confuse a submarine officer as to the course on which she was heading." After some preliminary testing, the theory Wilkinson called "dazzle camouflage" was accepted by British Admiralty and Wilkinson was placed in charge of the naval camouflage unit. The unit, which was headquartered in the basement of the Royal Academy of Arts, consisted of Wilkinson and about two dozen "camoufleurs;" they were artists, students, model makers and consultants, including a zoologist. The dazzle schemes were tested on models and then distributed to artists who were stationed at the docks, where the ships would be painted. At the end of the war Wilkinson was formally declared the inventor of dazzle camouflage and awarded for his contribution. Wilkinson went on to enjoy a long and celebrated career as a painter of maritime scenes, naval vessels, and warships. He served as the president of the Royal Institute of Painter in Water Colours (RI) from 1936 until 1963 (elected member in 1906); he was elected Honourable Marine Painter to the Royal Yacht Squadron in 1919, and he was a member of the Royal Society of British Artists, the Royal Institute of Oil Painters, the Royal Society of Marine Artists, and the Royal Scottish Society of Painters in Watercolour. In 1918 he was appointed an Officer of the Order of the British Empire (OBE), and a Commander of the Order (CBE) in 1948. In January 1920 he was appointed knight (chevalier) of the Belgian Order of the Crown. Among many notable points of interest regarding Wilkinson's career is that his painting Plymouth Harbour, which was commissioned by Cunard White Star Lines for the first class smoking room of the RMS Titanic, was lost at sea when it perished with the ship. Wilkinson had also created a comparable painting entitled The Approach to the New World, for the Titanic's sister ship, the RMS Olympic. This work may be seen in the 1958 film A Night to Remember in scenes aboard the Titanic, where is served as the stand-in for Plymouth Harbor.
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 2007
1stDibs seller since 2014
80 sales on 1stDibs
Typical response time: 6 hours
- ShippingRetrieving quote...Shipping from: London, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllA Riverside Conversation
Located in London, GB
British School
Oil on Canvas
Image Size: 31 inches x 25 3/4 inches (79 x 65.5 cm)
Original gilt frame
Gathered along a riverside are two fishermen turned in conversation, one of who...
Category
18th Century English School Landscape Paintings
Materials
Oil, Canvas
Scene Near London Bridge
Located in London, GB
Cyril Walduck Edwards RI RBA
Scene Near London Bridge
1902-1982
Oil on canvas, signed lower left, titled on verso
Image size: 23 1/2 x 30 3/4 inches (60 x 78 cm)
Original frame
Exh...
Category
20th Century English School Landscape Paintings
Materials
Canvas, Oil
Morning Drive in Hyde Park, 20th Century English Oil Painting
By Doris Zinkeisen
Located in London, GB
Oil on canvas, signed lower right
Image size: 28 3/4 x 28 3/4 inches (73 x 73 cm)
Contemporary frame
Doris Zinkeisen was a British painter, stage-set and costume designer, writer a...
Category
Mid-20th Century English School Landscape Paintings
Materials
Canvas, Oil
At Twilight, Late 19th Century oil Landscape
Located in London, GB
Oil on board, signed bottom left
Image size: 6 1/2 x 9 1/4 inches (16.5 x 23.5 cm)
Contemporary hand made frame
A painter in oils of both landscapes and the sea. Not a lot is known...
Category
Late 19th Century English School Landscape Paintings
Materials
Adhesive, Oil, Board
The White Cross Inn, Richmond, New English Art Club Oil Painting
By William Henry Innes
Located in London, GB
Oil on canvas, signed
Image size: 20 x 24 inches
Framed
New English Art Club label to the back and his address for Herne Hill, London
Category
20th Century English School Landscape Paintings
Materials
Canvas, Oil
Open Seas, Late 19th Century
Located in London, GB
Oil on board
Image size: 14 3/4 x 11 3/4 inches (37.5 x 30 cm)
Contemporary hand made frame
A dramatic, and highly colourful, depiction of the crashing waves of the open seas.
The ...
Category
Late 19th Century English School Landscape Paintings
Materials
Oil, Board
You May Also Like
Edward Robert Smythe, Figures & Horses On A Beach With Buildings
By Edward Robert Smythe
Located in Cheltenham, GB
This late 19th-century oil painting by English artist Edward Robert Smythe (1810-1899) depicts a picturesque bay with buildings, fishing boats, figures and horses. Smythe was a maste...
Category
1880s English School Landscape Paintings
Materials
Canvas, Oil
Edward Williams (Circle), River Landscape With Thatched Cottage & Windmill
By Edward Williams
Located in Cheltenham, GB
This charming mid-19th-century oil painting depicts a river landscape with a thatched cottage, boatmen, and windmill. It’s reminiscent of works by English artist Edward Williams (178...
Category
1850s English School Landscape Paintings
Materials
Oil, Canvas
The Highlands of Scotland by Francis E Jamieson AKA W. Richards 1910
Located in Soquel, CA
Splendid Landscape of the Scottish Highlands Loch in summer by Francis E Jamieson, also known as W. Richards, was an English painter who, after a holiday to the Highlands of Scotland, became obsessed with painting highland landscapes and became one of the most prolific artists of his time.
Image, 20.5"H x 30.38"W
Frame, 26.5"H x 36.5"W x 3"Deep
(please note for shipping quote purposes we marked it as 1" deep in the details section)
The paintings of FE Jamieson were so fashionable he was contracted to paint exclusively for various furniture stores painting scenes on furniture.
Jamieson is believed to have painted under eleven different artist names so he could sell more of his paintings undetected by his employers. These aliases include J McGregor, Graham Williams, Henry Stewart, HB Davis and W Richards. There are other pseudonyms that include Aubrey Ramus...
Category
1910s English School Landscape Paintings
Materials
Linen, Oil, Illustration Board
$2,120 Sale Price
20% Off
A quiet country lane in England with Foxgloves in the Hedgerow by British Artist
Located in Preston, GB
A quiet country lane in England with Foxgloves in the Hedgerow by 20th Century British Artist, Pamela Derry (1932-2002)
Art measures 20 x 16 inches
Frame measures 25 x 21 inches
Vi...
Category
20th Century English School Landscape Paintings
Materials
Oil, Board
Setter On Point
Located in Hillsborough, NC
'Setter on Point' is by 19th century British artist John Sutcliffe known for his paintings of animals. One of his paintings of a dog in a landscape, same size as this one, sold at Ch...
Category
19th Century English School Animal Paintings
Materials
Canvas, Oil
$3,200 Sale Price
20% Off
Fording the River Landscape British Master Nasmyth 19th century Oil Painting
Located in Stockholm, SE
Signed lower right "Nasmyth" leading to one of the whole pleiad of renowned Scottish artists starting with Alexander Nasmyth (1758 -1840). This painting showcases a scene of a landscape with shallow water, where a family is seen wading through a river ford in knee-deep water. The presence of a shepherdess on a high bank, observing the travelers with keen interest, adds a sense of pastoral charm to the composition. One of the focal points of the painting is a picturesque tree that has fallen into the river, adding a touch of drama to the overall scene. The contrast between the lush woodland and bushes on the right side of the foreground and the rolling valley on the left side further enhances the depth and perspective of the painting and superbly illustrates the traditions of the early 19th century British Art...
Category
Mid-19th Century English School Landscape Paintings
Materials
Canvas, Wood, Cotton Canvas, Oil