
"Late August" abstracted acrylic landscape of a path on the water, storm clouds
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Paul Norwood"Late August" abstracted acrylic landscape of a path on the water, storm clouds2024
2024
$7,900List Price
About the Item
- Creator:Paul Norwood (American)
- Creation Year:2024
- Dimensions:Height: 38 in (96.52 cm)Width: 38 in (96.52 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Edgartown, MA
- Reference Number:1stDibs: LU164215061932
Paul Norwood
“Communicating sensation through figuration has always been a central theme in my work. I never tire of the endless challenges and opportunities the human form presents. And by combining the figure with bold graphic elements, an invisible, layered reality emerges. Concentric circles echo the rippling of water and heighten the already charged world the figures inhabit. The aggressive handling of palette knife and paint mimic the fluidity and energy of the subject matter. I’m constantly striving to represent form with fewer strokes and a simpler palette, engaging the viewer to complete the piece in their own minds eye. I draw my inspiration from many different sources. The Bay Area figurative artists, the colorist approach of Fairfield Porter and the abstraction of Sonia Delaunay.” Paul Norwood grew up on the coast of Maine and decided early on that he’d rather paint the sea than fish from it. He went on to study fine art and graduate from Syracuse University with a BFA. His career as an art director and creative director has had a lasting influence on his work. He now paints full time at his studio in Mill Valley, California and on Martha’s Vineyard.
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Artist Statement:
My work is inspired by my emotional response to places I've seen and experienced. In particular, the contrasts of light and dark. I enjoy using a palette knife for the immediate bold statement it offers. I started painting as a young child and studied for a while at the School of the Art Institute of Chicago but ultimately decided to be a self-taught artist, My style of painting is called abstract impressionism. I work Alla Prima, wet into wet, not reworking a picture that has dried. I started using the palette knife to do color charts, then kept using it for immediate effects and fun texture. The challenge is making the whole painting cohesive enough in a single session, which can be a fun challenge working big!. I paint intuitively, and I enjoy painting landscapes best, scenes all people can relate to at a fundamental level, green fields in Ireland, Paris alleys, and little white barns.
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