1950s Landscape Paintings

Leona Turner (1929 - 2004) West Texas / Albuquerque Artist Image Size: 14 x 18 Frame Size: 21 x 25 Medium: Oil "Cottonwoods at Peralta" Biography Leona Turner (1929 - 2004) Leona Marie Turner was born and raised in West Texas, where she is well-known and her paintings are sought after. In Albuquerque, she taught classes to most every aspiring artist in New Mexico and many from Arizona, including Curt Walters. She was proficient with oil paints, watercolor and pastels, and her works hang in numerous important places in the Southwest. Many portraits were commissioned from Jackson Hole, Wyoming, to Amarillo, Dallas and El Paso, Texas. Internationally known artist Curt Walters commissioned a 40x60 oil portrait in 1990. Ms. Turner was a member of many art societies, including the National Portrait Society, National Water Color Society, New Mexico Watercolor...

Belgium. Antwerp, a Market Square by Leonard Machin Rowe (1880-1968) Unsigned to the front, signed and inscribed to the back watercolour painting on artist's paper, unframed Sheet 9.75 x 11 inches Pretty little painting by Leon. Rowe, likely to be 1950 as many of the Antwerp and Bruges / Brussels scenes we have were dated. Inscribed to the back as Antwerp and "morning". This sheet is smaller than the others we have by this artist from Belgium...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

Painting with boat in warm brown colors A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by...

GREGOIRE MICHONZE 1902-1982 KiChinev (Bessarabia) 1902-1982 Paris (Russian / French) Title:Pique Nique beside the Lake, 1957 Technique: Original Si...

Signed lower left, dimensions listed include the frame. Joseph Wolins was born in Atlantic City, New Jersey in 1915. He studied at the National Academy of Design from 1935 to 1941 un...

Italian painting from the first half of the 20th century. Artwork oil on panel depicting landscape with shepherd and cows of good pictorial quality. Beautifully sized and pleasantly ...

Landscape in earth colors with view on the river with bridge and ship. A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latv...

An original oil on board by American artist Julius Richter. Julius Richter, was a physician, surgeon and educator. He was born Dec. 19,1876, in Alleghany, Pennsylvania. He was educ...

Toits Rouges à Menton by Georges Manzana Pissarro (1871-1961) Oil on board 40 x 56.5 cm (15 ¾ x 21 ⅞ inches) Signed and dated lower left, Manzana Pissarro 1953 The last years of his...

Jack Grisham (1913-1994) California, Texas Artist Image Size: 24 x 30 Frame Size: 31 x 37 Medium: Oil 1953 Adobe Huts. Professionally Cleaned. Some craquelure that adds to the character of the piece. Unusual scene looking out from inside. Original Period Frame has some scuffing. Bio: Jack Grisham was born in Denton Country, Texas in December of 1913. He died in Denton County, Texas in May of 1994. He lived most of his life in southern California where he owned Jac's Art Shoppe...

Surrealist style painting painted with casein paint. Titled and dated by the artist as well as signed. Painting was shown in many exhibits around Texas. Framed in a rustic wooden fra...

Claude Muncaster R.W.S. 1903-1974, was an English painter and watercolorist. He originally signed his works Hall being the son of Oliver Hall R.A. , however to forge his own career t...

By Gustav Likan This pieces is from the Eva Perón commissioned mural sketch collection from Likan's time as a commissioned artist in Argentina between 1950 and 1952. 6.5" x 8" Water...

Mid Century Abstract Expressionist Painting of Yosemite's Half Dome 1950's abstract expressionist painting of Yosemite's iconic Half Dome by San...

Wild period abstract expressionist painting by Morris Shulman. The painting is egg tempera on Masonite measuring 32" x 22". Signed M Shulman and dated '51 at the lower right. Titled...

By Gustav Likan This pieces is from the Eva Perón commissioned mural sketch collection from Likan's time as a commissioned artist in Argentina between 1950 and 1952. 8.25" x 10.5" A...

Understated town-scape in grays and muted blues. It's a painting that looks better as you get closer to it. Koch brings the same serene intimacy to an outdoor scene as his interiors....

SUNSET HARBOUR Size: 56 x 65 cm (including frame) Oil on board A stunning impressionist style painting that captures a fleeting moment during sunset at a harbour. As the sun begins...

Signed lower right: "Kupferman". Inscribed lower right: "1204". Titled, signed, dated, and inscribed verso: "EG: 1,204.J / "September Landscape, 1967" / Lawrence Kupferman". From the...

Oil Painting by Andre Eugene Louis Chochon "Bridge over the Seine" 1910 -2005 Studied Beaux Arts in Reines then exhibited at the society des Artistes. Francois from 1933, Grand Prix ...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. Alexander Farnham (b.1926) Alexander Farnham studied with Anne Steele Marsh, Van Deering Perrine, and at the Art Students League with George Bridgman...

Commercial illustration depicting happy California framers for California Prunes. The work is rendered in a charming and highly stylized manner. Unfr...

"Antenna Birds" New Yorker Mag Cover Proposal Mid-Century American Scene Modern Antonio Petruccelli (1907 – 1994) Antenna Birds New Yorker cover proposal, c. 1950s 12 1/2 X 9 1/4 in...

Born on June 25 1911 - she died just before her 100th birthday, fond of drawing and painting from an early age, she did her first drawing when she was four years old. She later studi...

Original Holiday Greeting Card Christmas Illustration featuring a snowy scene with dogs chasing a horse-drawn sleigh Medium: Egg Tempera on Illustration Board Signature: Unsigned Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John Lodge...

Blueprints into Reality - Full-page ad for United Engineers that ran in Fortune Magazine, March 1958, and other business magazines. As Fred Taraba stated, this image is symbolic of optimism and potential. Work includes the original issue of Fortune Magazine with the ad in which United Engineers mentions Stanley Meltzoff. "Here Stanley Meltzoff dramatizes with tools and massive concrete forms...

Date: circa 1957 Medium: Gouache on Board Dimensions: 25.50" x 17.75" Signature: Signed Left Original illustration for a poster for the Grace Line Travel c...

Mid Century Bell Tower Courtyard Figurative Landscape Mid Century monochromatic figurative landscape oil painting in yellow tones, featuring a courty...

Born Anders Gittelson, painter André Gisson adopted the brush name Gisson to emphasize his connection with the French Impressionists. Born in Brooklyn, New York in 1921, Gisson studi...

Film noir crime drama painted in a single frame. In narrative art, telling a story in a single image is harder than doing it in episodes. "'That police officer...

The Mid-Century mindset As expected, 65 years ago.. people looked at art/painting a little differently. Back then, many artists were concerned with depicting simple and beautiful t...

Oil on canvas board. Signed and dated lower left. Unframed. Salvador de Regil’s 1951 surrealist oil painting transports viewers into a mesmerizing dreamscape where architecture and ...

Signature: Signed Center Right: John Clymer Ballantine Beer advertisement, 1953

"Green Landscape" is a landscape painting by Philadelphia born Expressionist painter Bernard Harmon from 1955. The 18" x 24" oil on canvas features a spring or summer landscape, pain...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Paysage d'Annay-sur-Serein by Michel Kikoïne (1892-1968) Oil on canvas 54 x ...

SNOWFALL Size: 41.5 x 67 cm (including frame) Oil on canvas A beautifully detailed mid century winter snow landscape composition, executed in oil onto canvas. A lone figure is depi...

Squares is a bridge between Mondrian and the Hard-edge abstraction movement. Clearly, this is a very early work because the artist has not yet found his mature style. The flat squares of uneven proportion, are in a formal but off-axis vertical /horizontal grid structure. Perhaps it's the artists take on a "drunk Mondrian" where the squares stumble to align themselves. Each square shape is different in shape and color and with visible brushstrokes and light impasto. Look carefully at the gray squares. They all have a slightly different hue. The squares are all unique individuals and not a repetition To Goodnough this was his departure from his influencer. Squares show the influence of his teachers including Hans Hofman...

An early example of Abstract Expressionism executed in 1955 during the movement's heyday and it's period of peak inventiveness. However, this work is still rooted in representation. The dark area the runs along the base of the picture is the ground and to the left, right and center there are black structures that represent trees. The work is very tactile and is composed of globs of paint that grow out from the surface and form a thick impasto. Rich vibrant saturated blues, reds and oranges create optical drama. The work look better in person. frame: 29 x 39 1/2 inches , Provenance: Kennedy Galleries The Currier Gallery of Art...

American Abstract/Modernist painter Blanche Schmeidler (B 1915), depicts a view of New York City Skyline with Manhattan Bridge...painted in the 1950's with wonderful color palettes o...

Narrative artist Robert Riggs captures a highly-charged scene of an Indian firewalking ceremony. Firewalking is part of a religious ritual and is associated with the mystical powers...

The Board measures 13.5 x 12.5 Ernest Hamlin Baker is one of America's greatest artist that no one has ever heard of. Take a look at his full body of work. If you haven't noticed, Er...

RED COTTAGE Size: 25.5 x 33.5 cm (including frame) Oil on canvas A small and characterful mid century modernist landscape painting, executed in oil onto canvas. This atmospheric an...

This beautiful semi-abstract harbor scene of a flock of birds is rendered in Martin's signature style

This oil painting by the artist Gregoire Michonze signed and dated "Michonze 58" in the lower right corner. There is a hand written label verso where the work is described as “Compo...

Most likely for a magazine like Saturday Evening Post interior editorial spread. The empty space to the right was for the art director to surprint type. The empty space acts as a com...

Before there was Photorealism, there was Austin Briggs. Done in 1951, this work has all the hallmarks of the 1970's fine art movement and more. Briggs is using photographs as a refer...

Medium: Oil on Board Signature: Signed Lower Left Cover illustration for the book Many Rivers to Cross by Steve Frazee (Fawcett Gold Medal #935, October 1959) - (#S1371, December 1963)

This meticulously planned, designed, and executed work depicts an ultra-wide angle view of a rock quarry/mine. The viewer looks down at close-up-stylized rock formations and then out at a horizon line with rust-colored mine trestles. Atherton hints at perspective with a broken white line that is wider in the foreground and tapers to a hairline as it recedes to the background. The work was done in 1951 at the height of America's most important art movement: Abstract Expressionism. John Atherton absorbs its influences but retains elements of representation. Atherton was an in-demand commercial artist who worked for most blue-chip clients. It is possible that this was an editorial assignment for Fortune Magazine. At the same time, Atherton was also a fine artist and the work could be an expression of pure creative pursuits. The work looks better in person and one can look at it for hours and not get bored. Look carefully and you may discover a deeper meaning in this painting of precisely arranged rocks. Signed lower right. Brooklyn Museum of Art, New York, sold to benefit the acquisitions program ____________________ From Wikipedia, the free encyclopedia John Carlton Atherton (January 7, 1900 - September 16, 1952) was an American painter and magazine illustrator, writer and designer. His works form part of numerous collections, including the Museum of Modern Art,[1] Whitney Museum of American Art and the Smithsonian American Art Museum.[2][3][4] Early Years He was the son of James Chester Atherton (1868-1928) and Carrie B. Martin (1871-1909). He was born in Brainerd, Minnesota.[5] His father was Canadian born. His parents relocated from Minnesota to Washington State, with his maternal grandparents whilst he was still an infant. He attended high school in Spokane, Washington. Career During his early years he never displayed an aptitude for art; rather, his first love being nature and the activities he relished there, mainly fishing and hunting. He enlisted in 1917, serving briefly in the U.S. Navy for a year during World War I. At the end of the war, determined to get an education he worked various part-time jobs, as a sign painter and playing a banjo in a dance band to pay his enrolment fee at the College of the Pacific and The California School of Fine Arts (now the San Francisco Art Institute). Once there, he also worked in the surrounding studios developing his oil painting techniques. A first prize award of $500 at the annual exhibition of the Bohemian Club in 1929, financed his one way trip to New York City, which helped to launch his career as an artist.[6] Atherton had aspired to be a fine artist, however his first paid jobs were for commercial art firms designing advertisements for corporations such as General Motors, Shell Oil, Container Corporation of America, and Dole. However, by 1936, encouraged primarily by friends, such as Alexander Brook, an acclaimed New York realist painter, he returned to the fine arts. Atherton continued to accept numerous commissions for magazine illustrations; such as Fortune magazine, and over the years he would paint more than forty covers for The Saturday Evening Post starting with his December 1942 design, “Patient Dog.” This picture is reminiscent of his friend Norman Rockwell ‘Americana style’ and captures a poignant moment of nostalgia, where a loyal dog looks toward a wall of hunting equipment and a framed picture of his owner in military uniform. Selected One person Exhibitions Atherton accomplished his first one-man show in Manhattan in 1936. His Painting, “The Black Horse” won the $3000 fourth prize from among a pool of 14,000 entries. This painting forms part of the Metropolitan Museum of Art collection in New York.[7] Atherton achieved recognition in New York City and elsewhere during the 1930s. Having exhibited at the Julien Levy Gallery in New York,[8] his paintings began to be collected by museums; including the Museum of Modern Art[9] and the Metropolitan Museum of Art. His reputation increased with his art deco stone lithograph poster for the 1939 New York World's Fair. In 1941, his design won first place in the Museum of Modern Arts “National Defense Poster Competition”. Selected Public Collections Fleming Museum of Art, Burlington, Vermont Albright-Knox Art Gallery,[10] Buffalo, NY Art Institute of Chicago,[11] Chicago Wadsworth Atheneum,[12] Hartford, CT Brooklyn Museum of Art, New York Metropolitan Museum of Art, New York The Museum of Modern Art,[13] New York Whitney Museum of American Art,[14] New York Pennsylvania Academy of the Fine Arts,[15] Philadelphia De Young Museum,[16] San Francisco Smithsonian American Art Museum,[17] Washington DC Butler Institute of American Art[18] Youngstown, OH The Famous Artists School Founded in 1948 in Westport, Connecticut, U.S.A. The idea was conceived by members of the New York Society of Illustrators (SOI), but due to the Society's legal status, could not be operated by it. SOI member Albert Dorne led the initiative to set up a separate entity, and recruited the support of Norman Rockwell, who was also an SOI member. For the founding faculty, Dorne recruited Atherton, as well as accomplished artists such as Austin Briggs, Stevan Dohanos, Robert Fawcett, Peter Helck, Fred Ludekens, Al Parker, Norman Rockwell, Ben Stahl, Harold von Schmidt and Jon Whitcomb.[19] He collaborated with Jon Whitcomb with the book “How I Make a Picture: Lesson 1-9, Parts 1”.[20][21] Society of Illustrators Atherton as an active member from his arrival in New York. The society have owned many of his works. Ex-collection includes: Rocking Horse (ca. 1949) [22] Atherton, as his peers had many of his works framed by Henry Heydenryk Jr.[23] Personal On November 2, 1926, he married Polly “Maxine” Breese (1903-1997).[24][25] They had one daughter, Mary Atherton, born in 1932. Atherton's often chose industrial landscapes, however found himself spending considerable time in Westport, Connecticut, with an active artistic community, and it became home for him, and his family. He then moved to Arlington, Vermont.[26] Norman Rockwell enlisted Atherton in what was to be the only collaborative painting in his career.[27] He was part of a group of artists including a Norman Rockwell, Mead Schaeffer and George Hughes who established residences in Arlington.[28] Atherton and Mead Schaeffer were avid fly fishermen and they carefully chose the location for the group,[29] conveniently located near the legendary Battenkill River. In his free time, Atherton continued to enjoy fly-fishing.[30] He brought his artistic talent into the field of fishing,[31] when he wrote and illustrated the fishing classic, “The Fly and The Fish”.[32] He died in New Brunswick, Canada in 1952,[33] at the age of 52 in a drowning accident while fly-fishing.[34] Legacy The Western Connecticut State University holds an extensive archive on this artist.[35] His wife, Maxine also published a memoir “The Fly Fisher and the River” [36] She married Watson Wyckoff in 1960. Ancestry He is a direct descendant of James Atherton,[37][38] one of the First Settlers of New England; who arrived in Dorchester, Massachusetts in the 1630s. His direct ancestor, Benjamin Atherton was from Colonial Massachusetts...

A nice impressionist oil on masonite city scene with a young crowd in Rome, Italy, probably the Fontana del Prigione, illegibly signed lower right, title inscribed on verso “Trastev...

ABRAM ADOLPHE MILICH 1884-1964 Tyszowce, Poland 1884-1964 Paris (Polish) Title: Chateauneuf, 1957 Technique: Original Signed Oil Painting on canvas size: 65.5 x 81 cm / 25.8 x 31...

Signed lower right and dated 1950.

This is an original Oil painting by Joseph Pressmane. The work is hand signed and dated by the artist at the lower left part. It was painted in 1957-58 in France. The painting is furthermore titled verso. Condition: Very good condition. Unexamined out of the frame. Note: This lot will be shipped from Israel.

"Civil Rights." Evergood's early commentary on racial issues in the 1950s depicts four black men gagged, roped and hanging from a tree. In the background, imprisoned blacks look on through a barbed-wire fence. Whites watch in horror but do nothing to help. Meanwhile, a two-legged and three-headed serpent wraps himself around the tree that physically and symbolically separates the races. This is an important work in the history of American art. It may be one of the very earliest examples of a major American painter doing a major work that challenges racial segregation and injustice at a time when no one else would. The title of the work is inspired by a Historic Supreme Court decision on racial segregation. The Little Rock...

Saturday Evening Post sticker and editorial and production marks on verso. This is more than just a simple semi-silhouette. It's a carefully crafted and wonderfully composed image. T...

Most likely for a Magazine like Redbook, Cosmopolitan and Good Housekeeping, Ladies Home Journal or Woman's day Lorraine Fox is Hall of Fame member of the Society of Illustrators She...

JOHN PIPER (1903-1992) COALPORT SHROPSHIRE, 1957 Signed lower right 57x78cm PROVENANCE : Private Collection Paisnel Gallery Private Collection Comprehensive cataloguing available on ...

This square-format oil on canvas dates from the French painter's mature period, when his pictorial search for a passage between the natural world, art and the spiritual world was ful...