Peter Greenham

Beach with Dark Sky, Oil on Board Painting by Peter Greenham

20th Century

Playing on the Beach, Oil on Board Painting by Peter Greenham 1909-1992 Additional information: Medium: Oil on board 25.4 x 35.6 cm 10 x 14 in Signed with initials Peter Greenham was a distinguished figurative painter of portraits, landscapes and incidents from domestic life. His work was both sensitive and intelligent and like himself, without showiness or pretension. He was keeper of the Royal Academy Schools and a popular figure who taught many well-known artists including Martin Yeoman, Peter Kuhfeld, Edmund Fairfax-Lucy and Jane Corsellis. Greenham was born in Streatham and educated at Dulwich before studying English at Magdalen College, Oxford, followed by Fine Art at the Byam Shaw School of Art in Kensington from 1936-39 under the supervision of Ernest Jackson. After leaving Byam Shaw he became a schoolmaster at Magdalen College School, Oxford and was elected an Associate of the Royal Academy in 1951 and an R.A. in 1960. In 1964 he succeeded Sir Henry Rushbury as Keeper of the Royal Academy Schools, a position he held with distinction until his retirement in 1985. The Keeper has the responsibility of running the RA Schools and Greenham showed himself to have great sympathy and understanding for his students. In retirement he was able to concentrate entirely on his painting and tended to paint places he knew well such as the Norfolk coast, Northumberland, Oxfordshire and Annecy as well as his wife, the painter Jane Dowling...

Untitled (Beach), Oil and Gouache Painting by Keith Purser B. 1944, 2007 Additional information: Medium: Oil and gouache Dimensions: 42 x 29.5 cm (uneven) 16 1/2 x 11 5/8 in Signed ...

Beach with Cliffs (Dorset) Painting by Martin Yeoman B. 1953 Additional information: Medium: Oil on paper laid on board Dimensions: 24 x 35 cm 9 1/2 x 13 3/4 in Signed Martin Yeoma...

Keith Purser b. 1944 Dover Beach at Night, 2017 oil on board 28.5 x 104 cm 11 1/4 x 41 in signed, titled and dated Keith Purser lives and works on the edge of the desert-like enviro...

Sandra Pratt's "Impending Storm," created with oil on linen panel, is a captivating landscape painting measuring 8 x 16 inches (20.32 x 40.64 cm). This original artwork captures the dramatic atmosphere of an approaching storm over a serene landscape. Pratt's technique with oil paint creates a rich texture and depth, bringing the landscape to life. The painting showcases a dynamic sky filled with swirling clouds, contrasted against the earthy tones of the land and the shimmering waters. The use of bold brushstrokes and a muted color palette conveys a sense of movement and impending change, capturing the viewer's attention and drawing them into the scene. "Impending Storm" is an excellent example of contemporary landscape painting, blending realism with expressive brushwork. This piece is perfect for collectors who appreciate the beauty and power of nature depicted through skilled artistry. The painting is sold unframed and will require a frame to hang. We are happy to provide framing quotes upon request. This piece will add a touch of dramatic elegance to any collection, reflecting Sandra Pratt's unique vision and technical prowess. Artist Statement: My work is inspired by my emotional response to places I've seen and experienced. In particular, the contrasts of light and dark. I enjoy using a palette knife for the immediate bold statement it offers. I started painting as a young child and studied for a while at the School of the Art Institute of Chicago but ultimately decided to be a self-taught artist, My style of painting is called abstract impressionism. I work Alla Prima, wet into wet, not reworking a picture that has dried. I started using the palette knife to do color charts, then kept using it for immediate effects and fun texture. The challenge is making the whole painting cohesive enough in a single session, which can be a fun challenge working big!. I paint intuitively, and I enjoy painting landscapes best, scenes all people can relate to at a fundamental level, green fields in Ireland, Paris alleys, and little white barns. I'm drawn to old structures, falling down barns, fences, and houses. I love the sense of history, fragility, and secrets they exude. Artists I'm inspired by are Edward Seago, Kyffin Williams, Nicolai Fechin, and Sergei Bogart. These painters have a very particular style and handle of paint manipulation I find fascinating. My color palette has simplified over time. I've experimented with many colors; my basic palette is usually around seven colors plus white. I like creating color harmony, so the focus is on shape, composition, and edges, although colorful paintings have a place in my work. Overall, I intend to show my viewers simplicity in art and create transcendent experiences. My work has been exhibited at the Brattleboro Museum in Vermont, with the Allied Artists of America in NY, and at the A.R. Mitchell Museum and the Fort Collins Museum of Contemporary Art in Colorado. I'm from Chicago, IL, and currently live in the mountains of Colorado with my incredible husband, two kids, cattle dog...

20th century figurative landscape oil on canvas on board painting by Polish artist Magdalena Spasowicz. Artwork is in classic style, it resembles impressionism. Composition is painte...

One of my black and white paintings about the sea with its different light shades when it is rainy and stormy. At the sea, you can always see the light shining through and that is a ...

"Landscape" by Maurice Mazeilie (French) oil painting on artist paper, unframed painting: 6.5 x 9 inches A delightful original oil painting by the 20th century French Impressionist...