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Peter HofferConstable - green, blue, tree, impressionist, resined, acrylic, resin on panel
$4,600
£3,415.26
€3,979.71
CA$6,386.29
A$7,143.46
CHF 3,717.50
MX$87,938.45
NOK 47,294.30
SEK 44,371.38
DKK 29,692.62
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About the Item
A large, leafy tree framed by scumbled washes of pale blue, moss green and cerise dominates this rich landscape by Peter Hoffer. The artist's skilled rendering is reminiscent of the landscapes of John Constable -- Hoffer's use of red is an homage to the British painter who used the colour to represent man. The work is finished with a layer of resin and evokes nostalgia for classical, romantic forms and periods.
Peter Hoffer (b. Brantford, ON 1965) holds a MFA. from Concordia University and degrees from the University of Guelph and the Ontario College of Art. He has lived and worked in Toronto, New York City, Paris and now divides his time between Montreal and Berlin. Hoffer has exhibited widely at art fairs in Basel, Toronto, New York, Stockholm, London, Milan, Amsterdam and Hong Kong. His paintings are held in many private, corporate and public collections including the Musèe des Beaux Arts, the Musèe du Quèbec and the Kitchener-Waterloo Art Gallery.
- Creator:Peter Hoffer (1965, Canadian)
- Dimensions:Height: 16 in (40.64 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bloomfield, CA
- Reference Number:1stDibs: LU2913379583
Peter Hoffer
Peter Hoffer's contemporary paintings have been described as being as much about studio materials and techniques as the subjects they convey. Peter Hoffer portrays trees. He invites the audience to take a closer look at their posture, their details and their expressions. The subject is as important as the technique: the way trees grate, scratch and age is as much of a concern to Hoffer as the trees themselves. They are painted in a very classical, realistic and almost photographic manner, but they have a strong contemporary feeling imparted by the epoxy resin finish and the rough wooden box on which the artist paints. Hoffer’s work is a paradoxical mix of past and present, old and new, rough and sophisticated, realistic and abstract, outside perspective and intimate feeling. The trees that Peter paints are not a copy of an existing geography. Sometimes he paints from photographs, but most of the time these trees are reminiscences. However, whether they exist or not, he sees his work as more about technique, about how he perceives the world, rather than the reality of the world itself. A few kilometres from Montreal, Peter has a cottage in the middle of the forest, which has become his lair, a place where he loves to paint. When he gets started, he starts by painting with oil on wood, then the more creative part begins: he applies touches of acrylic paint and several coats of epoxy varnish, which he makes himself. This process was inspired by the varnishes used in the academic painting salons of the 19th century, a way of embellishing paintings and conserving them. For the artist, it is a question of staging evocative landscapes, which will awaken memories, dreams, a feeling of déjà vu in each one. But at the second reading, if we see more than a landscape but a true reflection on art, the representation of nature and the painting as an object in itself, then he will have succeeded in his wager.
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