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Pierre Emmanuel Damoye
19th Century French Impressionist Landscape

1892

$10,325.98List Price

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Serene Seago Landscape Oil Painting of Reclining Figure Reading by a Riverbank
By Edward Seago
Located in London, GB
Edward SEAGO (1910-1974, British) Seated Figure Reading by a River Oil on canvas Stamped signature on reverse Framed 18 ½ x 22 ¾ inches Provenance: Private Estate, Maryland A beaut...
Category

Mid-20th Century Impressionist Landscape Paintings

Materials

Oil

Grand 19th Century English Marine Painting in Stunning Light
By John Wilson Ewbank
Located in London, GB
John Wilson Ewbank (1799 - 1847) Shipping in the Harbour, South Shields Oil on canvas 39.5 x 58 inches unframed 47.75 x 66.5 inches framed Provenance: Christie's October 2002; Lot 11. Fine Art Society; Private Collection This marvellous up to scale Ewbank is full of light and warmth and almost certainly his greatest work of the sort rarely - if ever - seen on the market. John W. Ewbank (4 May 1799–28 November 1847), was an English-born landscape and marine painter largely operational from Scotland. The Humber river is a large tidal estuary on the east coast of Northern England. Life Ewbank was born at Darlington on 4 May 1799, the son of Michael Ewbank, an innkeeper. He was adopted as a child by a wealthy uncle who lived at Wycliffe, on the banks of the River Tees, in the North Riding of Yorkshire. Intended for the Roman Catholic priesthood, he was sent to Ushaw College, from which he absconded. In 1813 Ewbank was apprenticed to Thomas Coulson, an ornamental painter in Newcastle. In around 1816 he moved with Coulson to Edinburgh, where he had some lessons with Alexander Nasmyth. He found work both as a painter and a teacher. He was nominated in 1830 one of the foundation members of the Royal Scottish Academy. In 1833 he is listed as living at 7 Union Street on the eastern fringe of the New Town in Edinburgh. Works His sketches from nature were especially admired, and a series of 51 drawings of Edinburgh by him were engraved by W. H. Lizars for James Browne's Picturesque Views of Edinburgh (1825). He also made a reputation with cabinet pictures of banks of rivers, coast scenes, and marine subjects. As an illustrator he illustrated some early editions of Scott's Waverley Novels and one edition of Gilbert White...
Category

19th Century Old Masters Figurative Paintings

Materials

Oil

Beautiful 19th century Oil on Panel Landscape by Richard Hilder
By Richard H. Hilder
Located in London, GB
Richard Hilder (1813-1852) Pastoral Landscape Oil on Panel 8 3/4 X 10 3/4 inches, Framed Provenance: Important Private Collection Richard H. Hilder was a landscape painter and occa...
Category

Early 19th Century Landscape Paintings

Materials

Oil

A Beautiful and Large Marine - A Ship in Two Positions Off Dover
By William John Huggins
Located in London, GB
William John Huggins (1781-1845) A Ship in Two Positions Off Dover oil on canvas Unsigned 33 x 45 inches, inc. frame William John Huggins, of wh...
Category

19th Century Old Masters Figurative Paintings

Materials

Oil

18th Century Neoclassical Oil Painting of the Trojan War: Briseis & Achilles
By James Thornhill
Located in London, GB
James Thornhill (1674-1735) Oil on canvas 12 x 14 inches; 16 ½ x 18 ½ in. Inc. frame The subject matter and inclusion of herms on both sides shows the influence of Louis...
Category

Early 18th Century Old Masters Figurative Paintings

Materials

Canvas, Oil

Beautiful 19th century Oil on Panel Landscape by Richard Hilder
By Richard H. Hilder
Located in London, GB
Richard Hilder (1813-1852) Pastoral Landscape Oil on Panel 10 X 16 inches, Framed Provenance: Important Private Collection Richard H. Hilder was a landscape painter and occasional ...
Category

Early 19th Century Landscape Paintings

Materials

Oil

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Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...
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19th Century Italian Landscape Oil Painting - Via Flaminia on a Sunday morning
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Located in Rome, IT
Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...
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Home Safe
By James Gale Tyler
Located in Greenville, DE
Very well executed seascape. Alternate title "In Point" inscribed on the rear. 17 x 15in in frame, including linen liner. ...
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Yellow House #18
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Cityscape, typical of Loper's early work
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Summer ST Simeon
By Bruno Côté
Located in Greenville, DE
Beautiful example of Cote's later work. Executed with heavy impasto. 28.5" X 32.5" framed.
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