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Pierre Eugène MontezinAn Afternoon Stroll Impressionist Landscape Painting of two figures, dog, wood
$26,750
£20,114.17
€23,258.17
CA$37,751.64
A$40,962.42
CHF 21,729.80
MX$503,015.35
NOK 268,727.07
SEK 254,484.22
DKK 173,612.57
About the Item
Framed size: 35" x 35"
An Afternoon Stroll by Pierre Montezin. This painting unfolds a peaceful, sun-dappled moment along a shaded path, where figures leisurely walk under a canopy of leafy trees. The interplay of light and shadow softly defines the figures and foliage, inviting viewers into a tranquil, intimate scene of rural life. The palette; gentle greens pulsing with golden sunlight, captures the soothing essence of a late-day promenade.
Montézin paints with Impressionist spontaneity and lush sensitivity - loose, layered brushwork conveys shifting light and natural tranquility. His method merges structural clarity with lyrical atmosphere, showing his mastery of tonal contrast and the nuances of outdoor painting. Montézin worked predominantly en plein air, affirming his deep commitment to directly observing nature and light.
Montézin belongs to a second wave of French Impressionists. Though Parisian-born, he sought solace in rural retreats—often painting in Dreux and Moret-sur-Loing, capturing countryside life, rivers, and village scenes. He famously commented that a landscape painter’s subject comes not just from sight, but from the heart.
An Afternoon Stroll exemplifies Montézin’s gift for capturing rural serenity with expressive brushwork and sensitive light balance. Through quick, evocative strokes, he delivers a scene rich in sunlight and mood - a quintessential moment of leisurely grace captured by a master of Impressionistic landscape.
- Creator:Pierre Eugène Montezin (1874-1946, French)
- Dimensions:Height: 29 in (73.66 cm)Width: 29 in (73.66 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Shrewsbury, GB
- Reference Number:1stDibs: LU81216781812
Pierre Eugène Montezin
French artist Pierre Eugene Montézin, originally trained in decorative arts and mural painting under his father’s guidance. From the age of 18 he worked in a decorative atelier, painting floral panels and ornamental motifs. His exposure to the Impressionist movement inspired a pivot towards plein-air landscape paintings, setting him on the path to becoming a true Impressionist. Montézin passionately pursued Salon recognition for a decade; in 1903, he finally debuted at the Salon des Artistes Français after repeated rejections. Under the mentorship of Ernest Quost, he honed his drawing and painting technique, embracing a painterly style marked by spontaneous strokes and radiant light. Montézin enlisted during WWI and received the Médaille Militair for his service, spending significant time after the war in Dreuz and Moret-sur-Loing, painting landscapes in the tradition of Alfred Sisley with the influence of Claude Monet remaining present. Montézin remained a steadfast Impressionist, resisting contemporary movements like Cubism or Surrealism, and stayed devoted to natural, atmospheric subjects seen through ‘the heart’ as he reportedly told critic Louis Vauxcelles. He suddenly died in 1946 whilst painting Britany. Montézin’s work embodies a lifetime of devotion to light, landscape, and the authentic roots of Impressionism.
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