Riznischenko Feodor Petrovich

Vue d'un sous bois, tableau daté 1901, huile sur toile de Feodor Petrovich Rizni

"Evening Sky On A Vast Moor." British school Second half of the 19th century. A very powerful and precise painting of a sunset in a landscape of moors with umbrella pines. The in...

River landscape with mill, 1839 Dimensions: 51 x 70 cm (canvas) Oil on canvas (original canvas), Signed and dated lower left Canvas by Legendre Wi...

Hermann Baisch began his career in his father's lithography workshop. When he moved to Stuttgart, he became acquainted with local artists and enrolled at the Stuttgart Academy of Fine Arts. He made study trips in 1868 and 69 to Paris and Munich. At the Musée du Louvre, he studied the Dutch painters Paulus Potter and Albert Cuyp. Shaped by the influences of Théodore Rousseau, Charles-François Daubigny, Constant Troyon, Jules Dupré and the landscape painting of the Barbizon school, he went to Munich in 1869 to study with Adolf Lier...

Thomas Sidney Cooper was one of the foremost animal painters of the Victorian period. He was born in Canterbury, Kent, and as a small child he began to show strong artistic inclinations, but the circumstances of his family did not allow him to receive any systematic training. By the time he was twelve years old, he was working in the shop of a coach painter. Later he obtained a job as a scene painter, and he alternated between these two occupations for about eight years. He still felt a strong desire to become an artist, and all his spare moments were spent drawing and painting from nature. At the age of twenty, he went to London, drew for a while in the British Museum, and was admitted as a student of the Royal Academy. Subsequently, he returned to Canterbury, where he was able to earn a living as a drawing master and by the sale of sketches and drawings. In 1827, he settled in Brussels and married before taking up a position as a teacher in Brussels in 1829. There he befriended Eugène Joseph Verboeckhoven, the great Belgian animal painter, who greatly influenced his style. He was also influenced by the 17th Century Dutch School. Because of the Belgian Revolution, he returned to London where he settled and first exhibited at Suffolk Street in 1833. He exhibited forty-eight pictures at the British Institution between 1833 and 1863. ‘Landscape and Cattle’, Royal Academy 1833, was shown until 1902 without a break - a record for a continuous exhibit at the Royal Academy. Sheep and cattle were his most frequent subjects, although he did paint a few figurative subjects. Cooper collaborated between 1847 and 1870 with Frederick Richard Lee...

Very Large Landscape Oil on canvas by Henry Bright, Signed by the artist. Exceptional size. Great Wall filler by this accomplished artist...

Theo Meier (1908-1982) View of the Village of Iseh, painted from the house of Theo Signed and dated 48 Theo Meier lower left Oil on canvas, 68.5 x 50 cm In original frame carved by the artist. Note: Theo Meier arrived in Bali in 1936 with the intention of going on to Tahiti where he had been before. However Bali turned out to be the paradise he had been searching for in his dreams and he had no desire any more to move elsewhere. Bali at that time was still a very traditional place where society lived according to an acient religious system and in a luscious tropical setting the modern world was ignored. Here he met Walter Spies...

An excellent example of Doragh's best work. The scene is believed to be New Castle, Delaware circa 1920. The painting has been professionally restored. The ...

23 1/4" x 27 1/2" in frame. Signed lower right.