Modern Landscape Paintings

Being born into a family of six children all of them artists, designers, and musicians…a future in the creative arts was unavoidable. A North Carolina native, Marlise obtained a degr...

Work on cardboard Golden wooden frame 46.5 x 43 x 5.5 cm

Antique American modernist landscape painting. Oil on canvas, circa 1930. Signed. Housed in period frame. Image size 45L x 32H.

Early 1960s work on paper of a group of trees at Buckfast Abbey in Devon, England, by Alban Atkins. Signed bottom left, titled and dated to the reverse. There is also a collection or accession number to the backboard. Atkins has captured the sculptural nature of the tree trunks as they have grown in the landscape giving the work a feeling of living, writhing things as well as an abstract feel in the composition. Atkins was one of the group of important artists chosen and commissioned by Sir Kenneth Clark...

Artwork on canvas Golden wooden frame 51 x 62 x 2.5 cm

A Spring Landscape Jespers Floris Antwerp 1889 – 1965 Belgian Painter Signature: Signed bottom left and dated 43 Medium: Oil on canvas Dimensions: Image size 42 x 61 cm, frame size...

Work on canvas Molded frame in gilded wood 45 x 55 x 4 cm

French Landscape by Bernard Labbe (French mid 20th century) original pencil drawing on artist paper, unframed size: 12 x 9 inches condition: very good and ready to be enjoyed proven...

French Landscape by Bernard Labbe (French mid 20th century) original pencil drawing on artist paper, unframed size: 8 x 9.5 inches condition: very good and ready to be enjoyed prove...

Antique American modernist oil painting by Harry Lane. Oil on canvas, circa 1940. Signed. Exhibited. Framed. Image size, 20L x 16H.

Suhas Roy - Landscape Etching on Paper , 9.5 x 9.5 inches , 1985 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are ...

Nice quality modernist painting. Oil on canvas. Framed. Image size, 16L x 12H.

French Landscape by Bernard Labbe (French mid 20th century) original gouache on artist paper, unframed size: 13 x 10 inches condition: very good and ready to be enjoyed provenance: ...

Work on wood Golden molding frame 62,5 x 54,5 x 4 cm

Meshberg was a master of metaphysical landscape/city scape painting. He deeply admired metaphysical still life paintings by Giorgio Morandi and ha...

Work on canvas

French Landscape by Bernard Labbe (French mid 20th century) original pencil drawing on artist paper, unframed size: 11 x 9.5 inches condition: very good and ready to be enjoyed prov...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Robert Murdoch Wright...

Cumulus and Wide Field (Contemporary Landscape Painting Billowing White Cumulus Clouds Against a Pale Blue Sky Over Country Fields) oil on two panels, assembled diptych, with a white painted wood frame 33 x 45.25 x 2.5 inches painting is wired on reverse for easy installation Signed by the artist, verso This painting is an exquisite example of the artist's unique ability to paint billowing clouds - bouncing between light and shadow with a subtle palette of warm white and pale blue, we cannot help but associate it with the iconic Hudson River Valley landscape...

Walter Anderson ( American, 1903 - 1965) Hydrangeas, circa 1950 Mixed media on paper 11 x 8 1/2 inches Provenance: Luise Ross Gallery, New York Private Collection, New Jersey Acquired from the estate of the above, 2021 Walter Anderson firmly believed that quality art was an important part of life and should be made available to everyone. As he said, "There should be simple, good decorations, to be sold at prices to rival the five-and-ten." Noticing that only poor quality art was available in stores and little was available for children, he resolved to make art which could be reproduced easily and sell inexpensively — linoleum block prints. This technique enabled him to provide affordable, quality art. The technique of linoleum block printing is a simple concept; however, it requires much skill and talent to actually produce memorable art. Anderson purchased surplus "battleship linoleum," thicker than ordinary linoleum with a burlap backing for better support, to create his blocks. During the mid-1940s, he created almost 300 linocuts working in the attic of the sea-side plantation house, Oldfields, his wife's family home in Gautier. Masses of linoleum chips accumulated at the foot of the attic stairs as he often worked night and day. He began with sketching out a design directly on the linoleum. Once he had carved the image into the surface, he used the back of faded, surplus stock wallpaper that a friend sent him, laying long strips on top of the inked linoleum. A roller made of sewer pipe filled with sand served as his press. When the print was completed, he often colored it by hand with bold strokes and vivid colors. The prints were sold at Shearwater Pottery, the family business, for a mere dollar a foot. But "what about a well-designed fairy tale for a child's room?" he asked himself. Since there was a lack of affordable art for children, much of his work with linoleum blocks focused on subjects for children. He depicted fables and fairy tales ranging from Arabian Nights, to Germany and the Grimm Brothers' Rapunzel, to the French story of The White Cat, to the Greek tales such as Europa and the Bull, and to tales from China, India, and other cultures. Anderson also created "mini" books featuring the alphabet and Robinson Cat. The blocks are not only alive with the story being depicted, but they are also filled with designs taken from Best-Maugard's Method for Creative Design. Swirls, half-circles and zig-zag lines fill every available space on the linoleum block making them come alive and capture their audience. But fairy tales, children's verses and the "mini" books, consisting of about 90 blocks, were not the sole subject of Anderson's linoleum block prints. In total, he created approximately 300 linoleum blocks with subjects ranging from coastal flora and fauna, coastal animals, and sports and other coastal activities. Anderson even created linoleum blocks to be used to print tablecloths and clothing, some worn by his own children. Color and subjects of the linoleum block prints were not the only things that got them noticed. In 1945 when Anderson was creating these prints, the standard size of linoleum block prints was only 12 by 18 inches. These small dimensions were due to the common size of the paper available and the restrictions made by national competitions. Since Anderson used wallpaper...

Oil, acrylic, gesso on panel. One of a series. The UFO image has a compelling way of summing up or reflecting these norm-breaking times. These are also about composition, color, and ...

In the evening, 1950-ties, cardboard, oil, 46,5х34 cm Anatoly Lebedev (1935-2014)

Work on canvas

Work on canvas

Hollands Canal Face with Figs is a splendid oil paint on panel realized by the Dutch artist Gerard Diepeveen . Beautiful and suggestive view of Dutch canals. Dimensions: cm 35 x ...

The oil painting by Edgar Chahine shows an alley in Paris in a playful and romantic way. The evening atmosphere is generated by the contrast of cool and warm colours. The alley is on...

View of Rome is an original watercolour on paper realized by Alfonso Avanessian in the 1990s. The piece is hand signed on the lower right. Frame included (59,5x70 cm). Good conditi...

Moonlight Shanties, c. 1940s, oil on canvas, 24 x 18 inches, signed lower right, signed and titled verso About the Painting In Moonlight Shanties, Joachim depicts a lower-class neighborhood sitting along-side an elevated road or railway which crowds out the small nearby houses and structures. Joachim’s use of an expressionist palette and gestural brushstrokes together with the isolated figures obscured in the shadows, create a feeling of unease, isolation and even loneliness. From the 1920s through 1940s, American artists commonly employed expressionist conventions in their social realist works which portrayed the gritty side of urban America, especially the communities of the city-dwelling poor. Expressionist styles were considered appropriate for bridging the gap between the modernist idea of art-for-art’s-sake and the narrative qualities demanded by the dual crises of the Great Depression and World War II. Moonlight Shanties successfully uses these expressionist methods to portray a neighborhood and its people who appear to be literally and figuratively “on the edge.” About the Artist Paul Lamar Joachim...

A painting by Paul Grimm. "Rooted Silence" is a landscape painting, oil on board in an earth-tone palette by artist Paul Grimm. It is signed in the lower right, "Paul Grimm". Paul Grimm (1891-1974) was an artist born to German parents in South Africa in 1891. As a small child, he moved with his parents to the United States. He reportedly was seen as having artistic talent as a child and, as an adult, attended a university-level art school in New York. Between 1910 and 1920, he reportedly went to South America for a few years before returning stateside and settling in southern California. Grimm gained much of his present-day fame by painting landscapes of southern California in the 1920s. Many works depict alluvial fans and desert vegetation in the eastern half of Riverside County. The San Jacinto Mountains appear frequently in his work. Most of the works are oil on canvas. A residence on Calle Palo Fierro in the Palm Springs Warm Sands Neighborhood was built for him in 1935. He had a studio on Palm Canyon Drive in Palm Springs from the 1950s until his death in 1974. Provenance: with George Stern Fine Arts...

WPA era signed framed modernist oil painting of houses and trees in summer with a stormy cloud in Colorado by Paul K. Smith in shades of green, ...

Vintage American modernist landscape oil painting. Oil on canvas, circa 1940. Unsigned. Unframed. Image size, 24"L x 20"H.

Lionel S. Reiss (1894 - 1988) New York City Skyline View from the East River Watercolor on paper 13 x 19 inches Signed lower left In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

This is an oil painting on board probably from Woodstock or Cape Cod Frederick Serger (1889-1965) He was born in Czechoslovakia, studied art in Vienna, and in Munich with t...

The Dome is an original Contemporary artwork realized by Nazareno Gattamelata in the 1970s. Original colored oily pastels on paper. Dimensions: 25.5 x 36 cm. Good conditions. Th...

Mid 20th Century oil on canvas painting of a Paris street scene with the columns of La Madeleine in the distance, signed Deuvray bottom left. The canvas is on its original stretcher ...

Work on canvas

Beautiful vivid painting of an old town Pacific Grove by Monterey artist Deitra "Dee" Hahn Steiner (American, b. 1948). Circa 1980. Signed lower left "De...

Landscapes with Views of Ancient Rome is an original pair of oil on canvas realized in the Second Half 19th Century. Mixed colored oil on canvas, mounted on panel. Minor damage to ...

Antique American modernist abstract landscape painting by Ann Anderson. Oil on canvas, circa 1961. Signed. Displayed in a period modern frame. Image, 16"L x 20"H.

Marcel MOULY Seascape : Storm is Coming, 1957 Original Oil on canvas Signed and dated bottom right On canvas 65 x 81 cm (c. 26 x 32 in) Excellent condition

"Peeking Through" was painted in Arizona. While the painting is not signed, it is from the Aukon Family Collection. Larisa was an important painter who lived the last twenty years of her life in Arizona. She was very popular nationally and was a well-known teacher. The body of work she left behind in private collections is significant in its quality, uniqueness and identifiable style. A secondary market for this artist who passed away in 50's in 2018 is already starting to unfold. “My goal as a painter is to infuse nature around me with spiritual qualities. Everything I observe, whether it is a tree, building, mountain, flower or rock is alive to me. I want to show more than just the obvious beauty in them. I want to show their spiritual nature and how they all combine in harmony. I sometimes carry my initial images with me for months or even years before it becomes a painting. The excitement is the moment I catch the idea!” Over the 20+ years Latvian-born painter Larisa Aukon...

"Lake's Edge" was painted during a trip Larisa spent in New Mexico. Larisa was an important painter who lived the last twenty years of her life in Arizona. She was very popular nationally and was a well-known teacher. The body of work she left behind in private collections is significant in its quality, uniqueness and identifiable style. A secondary market for this artist who passed away in 50's in 2018 is already starting to unfold. “My goal as a painter is to infuse nature around me with spiritual qualities. Everything I observe, whether it is a tree, building, mountain, flower or rock is alive to me. I want to show more than just the obvious beauty in them. I want to show their spiritual nature and how they all combine in harmony. I sometimes carry my initial images with me for months or even years before it becomes a painting. The excitement is the moment I catch the idea!” Over the 20+ years Latvian-born painter Larisa Aukon...

Herman Rose (1909 - 2007) Manhattan Looking East (View from Midtown), 1952-54 Oil on canvas 26 x 28 inches Signed lower right Fairfield Porter wrote an essay in ArtNews on this exact painting in 1955. Please inquire for a copy of the article. Literature: Fairfield Porter, "Herman Rose Paints a Picture," ArtNews, April 1955 Volume 54, Number 2, illustrated. Herman Rose was best known for his depictions of cityscapes of New York City. Herman Rappaport was born in Brooklyn, New York. in 1909. Herman Rose was the professional pseudonym of Herman Rappaport. Originally trained as a draftsman and studied at the National Academy of Design from 1927 to 1929, he was later employed by the Works Progress Administration's Murals Division under Arshile Gorky from 1934 until 1939. In 1939, after experimenting with a variety of contemporary expressionistic styles, Rose decided to paint from life. Working mostly in East New York and East Canarsie in Brooklyn, and in Manhattan, Rose began to paint roof tops and street scenes. Rappaport began using the name Herman Rose when he held his first solo art exhibition in 1946 at the Charles Egan Gallery in New York City. Although he initially began as an Expressionistic painter, he became known for small, light-filled Impressionist paintings of still life, cityscapes and skies by the early 1950s. His paintings and images were often composed of very small dabs of paint and tiny, blurry "squares," which combined to create the image on canvas, his favorite medium. Often described as a "lyrical painter" Rose's work "interpreted traditional subjects: landscape, still life and the figure like the Post-Impressionists from whom he developed his own style, Rose built up forms from distinct touches of color that don't entirely blend in the viewer's eye. This gives his surfaces an active quality that flattens forms, one of the great lessons of modernism." Herman Rose's work received official recognition when Ms. Dorothy Miller of Museum of Modern Art (MoMA) included his work in an exhibition called, "15 Americans," alongside work by Clyfford Still, Mark Rothko and Jackson Pollock. New York Times art critic Hilton Kramer wrote of Rose's work in 1981, "{he} must surely be counted among the most beautiful works anyone has produced in this challenging medium for many years." The Art in America art critic Lawrence Campbell...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed stamped verso size: 10.75 x 9 inches condition: very good and ready to be e...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 8.25 x 11.75 inches condition: very good and ready to be enjoyed. p...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed stamped verso size: 9.5 x 12.5inches condition: very good and ready to be e...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Ethel Louise Rawlins (1880 - 1940) A Garden Below the South Downs...

Signed lower right, 'L. Curtis' for Lynn Curtis (American, 20th century) and painted circa 1985. Exhibited: Lodi Art Center, 11th Annual Art Exhibition (from accompanying label). Framed dimensions: 38.25 H x 60.5 W x 1.75 D Inches. A very substantial, oil and mixed media Modernist work showing a profusion of spring wild-flowers bursting through panels of wind-billowed canvas. A dynamic expression of spring's power of growth overcoming all physical restraint. Lynn Curtis holds a Bachelor’s Degree from Dartmouth College and a Masters in painting and drawing from The University of Iowa. She received a postgraduate certificate in printmaking from London's Slade School...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour with biro on artist paper, framed with white card stamped verso size: 7 x 8.25 inches condition: very...

Work on paper

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 8.25 x 11.75 inches condition: very good and ready to be enjoyed. p...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 8.25 x 11.75 inches condition: very good and ready to be enjoyed. p...

Tall French Landscape by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on paper , unframed size: 18.5 x 12.5 inches condition: very good and r...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed stamped verso size: 9 x 12.5 inches condition: very good and ready to be en...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed stamped verso size: 9.5 x 12.5 inches condition: very good and ready to be ...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 8.25 x 11.75 inches condition: very good and ready to be enjoyed. p...

Work on canvas Wood frame and gilded plaster 64,5 x 73,5 x 6 cm

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 9.5 x 12.5 inches condition: very good and ready to be enjoyed. pro...