Building Landscape Paintings

Wonderful 1940s genre landscape of traditional English cottage painted in the European style by Henry T. Harvey (English/American, 1908-2000). Signed lower right corner. Presented in...

Artist/ School: French School, circa 2007, indistinctly signed and dated Title: Chateau de Sceaux Medium: oil painting on canvas, unframed, signed canvas: 19.75 x 24 inches Prove...

Old Farm Buildings at Carrog by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches titled and dated 'April 1990' *FREE SHIP...

➡️Rustic Cottage in a Woodland Clearing⬅️ This painting, signed simply 'Adam,' appears to be the work of an artist closely associated with the Barbizon school—a movement that emerge...

Stephanie Hartshorn's beautiful original impressionist oil landscape "Open Road" (2023) depicts an American midwestern plains scene of a small-town during sunset. Artist Biography: ...

This late 17th-century Italian oil painting depicts a view with distinctive Italianate architecture including a building with an iconic portico and pediment. Popular in mid-17th-cen...

View over the Bay of Naples is an orginal old master artwork realized by Master of Northern Europe School of the second half of 19th Century. Mixed colored oil on canvas. Relined....

Charming and colorful mid century watercolor of a small coastal neighborhood and orchard by Zella Mae (Wunderlich) Dickinson (1895 - 1982). Initialed and dated "ZD '64" lower right c...

A charming 20th Century oil landscape, showing quaint cottages on the bank of an idyllic river. The artist has signed to the lower right corner and the painting has been presented in...

'Lady of the Manor' - depicts a historic San Francisco apartment building with warm sunlight and shadows cascading across the facade of the white building with...

Title: Port Quinn North Cornwall Stone Cottage and Hillside Watercolour Painting 1977 By Tony Herbert (1927-2024) Medium: Watercolor on watercolour board Size: 10.25 x 13 inches Anno...

Title: Historic Miniature Watercolor of St John the Baptist Church Chipping Sodbury by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measureme...

"Tuscan Moon" Nocturnal Landscape in Acrylic on Masonite Serene nocturnal seascape by Richard M. Bacon (American, 20th Century). The viewer stand atop a hill above the coastline, wi...

This contemporary landscape painting by Carol Young features a cool, vibrant painting and a horizontal format. It depicts small cottages with light, warm purple roof tops under a pin...

Original oil on canvas painting attributed to the Canadian artist, Keith Holmes. Signed lower right. Condition is excellent. Circa 1975. Original walnut stained wood frame in fine ...

Signed lower right, 'F. Coburn' for Frank Coburn (American, 1862-1938); additionally titled, verso, 'Henry, Ill., June, 1918' and titled, 'The Old Mill'. Framed dimensions: 30 x 1.75...

Antonio Stom (Venice, Italy, c. 1688 - 1734) Title: Architectural Capriccio Medium: Oil on canvas Dimensions: without frame 88 x 113 cm - with frame 106 x 132 cm Carved, sculpted and...

Laundry Day (Untitled), c. 1940s, oil on canvas, signed lower left, 30 x 24 inches Florence Walton Pomeroy was a New Jersey-based artist who primarily created portraits, still life...

Wonderful iconic vintage gold country landscape of wood barn with golden grasslands surrounded by blue mountains by N. McCarroll (American, 20th Century),...

Rome with St Peter is an oil paint on canvas realized by a follower of Gaspar Van Wittel in 19th century. The artwork depicts a view of St. Peter in Rome. ...

“Ash Wednesday of Ashes” March 4, 1908 At approximately 9:30 a.m. on Wednesday, March 4, 1908, a fire started in the basement near the furnace, under the front stairwell of the school, which blocked the front door. Panicked children were trapped by a crush of bodies in the doorway of the exit of the rear stairwell, trapping the rest of the students and teachers in the upper floors. The community rushed to the school for rescue efforts only to find an impenetrable wall of bodies at the doors. Unable to help, rescuers could do nothing for nearly four hours but watch in horror as some children jumped from the windows to escape, while others remained trapped in the inferno. Firefighters eventually arrived from 10 miles away in nearby Cleveland, but they were too late. 175 perished including two teachers and one rescue worker. Eric Edward Esper Collinwood School Fire, Ohio 1908 oil on canvas 22h x 28w in (29.5h x 34w in, framed) 55.88h x 71.12w cm EEE010 Eric Edward Esper After obtaining my BFA in Illustration from Northern Michigan University in 1996 I relocated to Chicago to pursue my artistic endeavors. Here, I began exclusively oil painting and have assembled a body of paintings chronicling scenes of Chicago done primarily in plein air. Capturing parts of the city’s landscape during its cultural evolution had been my way of conveying history as a painter. My fascination with landscapes and history has led me to create oil paintings of scenes that have affected us in dramatic ways. Recently I have begun painting aerial views of locations that have interesting historical significance, encapsulating true stories that are hard to imagine and harder to forget. My latest paintings capture these places and depict them with historically accurate attention to detail. Using various sources I recreate these scenes with as many photographs of every angle of the incident and research the stories, submersing myself in the event. My newest body of paintings depicts events with a more historically tragic significance, depicting scenes of the darkest hours in America’s Midwest history, where the landscape became the backdrop for tragedy and calamity. These events that irrevocably altered so many lives are important to remember, not only for the people lost and how it affected our culture, but also to remind us that disaster can occur at any time, anywhere. Eric Edward Esper EDUCATION 1995 BFA, Illustration, Northern Michigan University, Marquette, Michigan SELECT EXHIBITIONS 2013 Chicago Catastrophes, Conflagrations, and Calamities, Solo show, Linda Warren Projects, Chicago, Illinois 2012 Group show, Metropolitan Capital Bank, Chicago, Illinois 2012 Ten year anniversary show, Sulzen Fine Art Studio, Chicago, Illinois 2010 Group show, Concordia University, River forest, Illinois 2009 Holiday Show, Sulzen Fine Art Studio, Chicago, Illinois 2008 Somewhere, Elsewhere, Group show, Linda Warren Gallery, Chicago, Illinois 2008 Scene in Chicago, Group show, Judy Saslow Gallery, Chicago, Illinois 2007 Holiday Show, Sulzen Fine Art Studio, Chicago, Illinois 2007 Cityscapes, Solo Exhibition, Oculus Gallery, Chicago, Illinois 2006 Solo exhibition, Meztli Gallery, Chicago, Illinois 2005 Around the Coyote 2005, Biannual Art Festival, Chicago, Illinois 2004 Chicago Art Open 2004, Chicago Artists' Coalition annual exhibit. Chicago, Illinois 2004 Chicago Images, Group show, Frederick Baker Inc. Chicago, Illinois 2004 Around the Coyote Winter Festival, Curator's Choice Show, Biannual art festival, Chicago, Illinois 2003 Landscape Unlimited, Group show, Fine Arts Building Gallery, Chicago, Illinois 2002 Chicago Art Open 2002, Chicago Artists' Coalition annual exhibit, Chicago, Illinois 1998 Shoe Show, Group show, Ariana Gallery, Royal Oak, Michigan 1998 Art and Design Alumni Exhibit, Lee Hall...

Vincenzo Re (Parma, Italy, 1695 - Naples, Italy, 1762) Title: The Pool of Bethesda Medium: Oil on canvas Dimensions: without frame 50 x 62 cm - wi...

An original oil painting by British artist Oliver Walker depicting a secluded farmhouse in the fells. Initialled by the artist to the lower right. On canvas on stretchers.

'Shadowdance' depicts an historic San Francisco home with warm sunlight and shadows cascading across the facade. The subtle and brilliant work of art is meticulously hand painted by ...

Lokre. 20ème Siècle Toulon, Le Port, La Vieille Darse, Mai 1939. (Quai Cronstadt). Oil On Canvas. Signed Lower Left. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame ...

Represented by George Billis Gallery, NYC. Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas can ea...

Wonderful watercolor of early Avalon, Santa Catalina Island by Guy Bedford (American, 1866-1916), 1898. Signed, titled and dated lower left corner. Cond...

This original circa 1935 oil painting by acclaimed Colorado artist Robert Wesley Amick captures a serene winter scene in a quiet town grove. The composition depicts a peaceful moment...

A striking moonlit view of the London embankment with the Houses of Parliament and Big Ben Lit up. The artist has initialed at the lower left. On canvas.

Original acrylic on canvas painting by the well known Saint Tropez artist, Michel Guy Nochet. Signed lower right, “Guy Nochet. Dated in pencil on frame verso, 1983. Condition is e...

Charming vintage oil painting of the iconic La Canada Building on the corner of North Santa Cruz Ave and W. Main Street in downtown Los Gatos, California by ...

Vivid vintage landscape of a blooming Statice flower field beneath the hills with a farmhouse at the focal point by Pasha Polikarpov (American, 20th Cent...

Title: French Watercolor of Château de Chambord with Reflective Canal Scene by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed ...

Nicely painted European impressionist cityscape oil painting. Framed. Oil on canvas. Signed.

A delightful scene depicting a figure walking in fields surrounding a quaint village. Unsigned. Acquired as part of a collection of works by the artist, many of which are signed. On ...

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

Gorgeous landscape of a farmhouse and other buildings by Thomas (Tom) Theodore Craig (1909 - 1969) . Unsigned. Presented in a modern wood frame. Image size: 14"H x 18"W. One of two with one signed T. Craig on wood stretcher on verso (this one is unsigned). Born in Upland, California, Tom Craig became a landscape, portrait and figure painter whose early career was in illustration but whose later focus was fine-art painting. He became a major figure in The California Style* of watercolor painting. As a young student, Craig studied botany at the University of California at Berkeley, and living in Los Angeles, continued botanical studies at Pomona College. With a persistent interest in art, he studied briefly at Chouinard Art Institute* with Stanton Macdonald-Wright, Millard Sheets and Barse Miller. In 1928, when he was 21, he got tuberculosis, and for his health, moved for several years to Palm Springs, California for the dry desert climate. During this period, he became a serious fine-art painter, and returning to Los Angeles, studied with Frank Tolles Chamberlain and Clarence Hinkle...

Edwin Child Hillside Landscape, 1896 Signed and dated lower right Oil on canvas 18 x 28 inches Edwin Burrage Child was a prominent New England portraitis...

Circa 1940 Signed lower right Newly matted and framed Sight size 9.5 x 12 in. Overall size with frame 16 x 18 in.

Title: British Impressionist Watercolor of Rural Farmstead and Horse Riders by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Richard Bankes Harraden...

Quaint historical landscape of the Wells Fargo Express Office building in the gold country town of Columbia State Historic Park in Columbia, California by ...

Title: Southwold Suffolk Landscape with Red Roofed Cottages and Cloudy Sky Watercolour By Tony Herbert (1927-2024) Medium: Watercolor on board Size: 14.25 x 21.25 inches Condition: ...

The painting depicts an early hour on the Grand Canal in Venice. It is not yet dark, and the motif is immersed in a misty turquoise haze. The outlines of the buildings on the far ban...

Title: Coastal Village with Boats and Hillside Harbour Scene Watercolour By Tony Herbert (1927-2024) Medium: Watercolor on board Size: 14.5 x 16 inches Condition: good Provenance: F...

Title: Southwold Promenade in Early Morning Light with Figures and Seafront Houses By Tony Herbert (1927-2024) Medium: Watercolor on artists paper Size: 11 x 14.75 inches Inscribed ...

Title: Weathered Coastal Boathouse with Fishing Boats and Dunes Watercolour Painting By Tony Herbert (1927-2024) Medium: Watercolor on artists paper Size: 10 x 13.75 inches Conditio...

A slightly surreal study of a large cathedral like structure in a desert landscape. The naive yet structured composition is wonderfully unique and somewhat otherworldly. Well present...

Artist: Stanley Sobossek, American (1918 - 1996) Title: City Street Year: circa 1965 Medium: Oil on Canvas, Signed Size: 43 x 34 inches [109 x 86 cm]

This charming mid-century oil depicts a picturesque view of the River Tee, on the North bank of Barnard Castle. The artist has painted the scene in an impressionistic manner with tex...

Pierre Edouard FRERE Paris, 1819 - Ecouen, 1886 Oil on paper on canvas Signed lower left "Ed. Fr" 24.5 x 33 cm (32 x 39 cm with the frame) Beautiful 19th century frame with canes and...

A wonderful winter village landscape in Bucks County by painted by American artist Paul Bernard King (1867-1947). King was born in Buffalo, New York, and ...

Impressionist view of the Paris National Opera House with figures and vehicles to the foreground. Well-presented in a decorative gilt frame with internal slip and delicate running pa...

Snowy New York [2020] Please note that insitu images are purely an indication of how a piece may look Snowy New York is an original work by artist Gill Storr...

The factories of Art Chartow's "Double Overtime Shift" represent strength, industrial might, and the ability to vanquish nature. This place is strange, sinister and forbidding yet at the same time beautiful and fragile. The artist's uses paint to express the power of light at this particular time of day. The winter sun has cast it's light onto the cold metal silos to bring some hope of warmth - as seen on the melting snow covered road. This contemporary realist painting is framed in a simple black wooden frame measuring 23.25h x 45.25w inches. Arthur Chartow Double Overtime Shift oil on canvas 22h x 44w in 55.88h x 111.76w cm ACH014 Arthur Chartow b. 1951, New York, NY Education 1972-74 M.F.A, Cranbrook Academy of Art, Bloomfield Hills, MI 1968-72 B.F.A, Carnegie – Mellon University, Pittsburgh, PA. Selected Exhibitions 2019 Earth Wind Fire, Gallery Victor Armendariz, Chicago, IL 2018 Portraits and Place: Select Works from Gallery Victor Armendariz, curated by Corporate Art Advisory, Metropolitan Capital Bank, Chicago, IL 2017 Scene Change, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2016 Michigan Fine Arts Competition, Birmingham Bloomfield Art Center, Birmingham, MI 80th Annual Midyear Show, Butler Institute of American Art, Youngstown, OH 2015 Michigan Fine Arts Competition, Birmingham Bloomfield Art Center, Birmingham, MI 2012 City Streets II, George Billis Gallery, New York, NY 2010 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2009 Selections, Ann Nathan Gallery, Chicago, IL 2006 Ann Nathan Gallery, Chicago, IL The Four Seasons, Sherry French Gallery, New York, NY Gallery and Invited Artists, Sherry French Gallery, New York, NY Michigan Fine Arts Competition, Birmingham Bloomfield Art Center, Birmingham, MI 2005 Mainely Maine, Sherry French Gallery, New York, NY 45th Annual Greater Michigan Art Exhibition, Dow Museum of Science and Art, Midland, MI 2004 Poetry = Painting: ut picture poesis, Sherry French Gallery, New York, NY Arthur Chartow: Quiet Places, Sherry French Gallery, New York, NY 2003 Mainely Maine, Sherry French Gallery, New York, NY Poetry = Painting: ut picture poesis, Sherry French Gallery, New York, NY Flowers in February, Sherry French Gallery, New York, NY 2002 Art of Collecting, Flint Institute of Art, Flint, MI Arthur Chartow: At Water’s Edge, Sherry French Gallery, New York, NY The Four Seasons, Sherry French Gallery, New York, NY Poetry = Painting: ut picture poesis, Sherry French Gallery, New York, NY Land and Water, Art Placement...

This mid-20th century oil painting depicts a serene farm landscape near Cabrillo, California, painted by renowned artist Jon Blanchette circa 1955. The scene features a vibrant red b...

Old master painting featuring a busy port city in the 17th century. Most likely Dutch and very close in style to the work of Thomas Heeremans. This is...

Alfejs Bromults (1913.3.IV – 1991.11.I) Alfej Bromults received his first professional education at Tautas University under R. Suta, J. Bīne and G. Šķilters. From 1938 he studied in...

Paul Ayshford Methuen, 4th Baron Methuen of Corsham (1886 -1974) Corsham Court Oil on board Signed and dated 1957 9×11 inches A view of Corsham Court, Methuen's own house - where he invited the Bath School of Art after their premises were bombed during the war. Painter, zoologist and landowner, he was the first child of Field Marshal Paul Sandford Methuen, 3rd Baron. After Eton and reading Engineering and Zoology at New College, Oxford, he worked in the Transvaal Museum in Pretoria collecting and describing southern African species. He served with the Royal Wiltshire Yeomanry in both the First and Second World Wars, moving to the Procurement and Fine Art branch...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Ken Howard RA (1932 - 2022) Hampstead Church (St Stephen...