Building Landscape Paintings

Beautiful carved marble pillars in soft shades of green, pink and creamy white dominate this interior scene of the Duomo in Lucca, Italy. A darkened doorway off to the right brings ...

Title: British Impressionist Watercolor of Rural Farmstead and Horse Riders by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15...

Scene of a road in a small town by Dorothy Gill (American, 20th Century). Signed "Dorothy Gill" in the lower left corner. Presented in a distressed wood frame. Image size: 18"H x 24"W

Pierre Edouard FRERE Paris, 1819 - Ecouen, 1886 Oil on paper on canvas Signed lower left "Ed. Fr" 24.5 x 33 cm (32 x 39 cm with the frame) Beautiful 19th century frame with canes and...

This artwork "The Harbor" c.1990, is an acrylic painting on canvas by noted American artist Robert (Bob) Logrippo, 1947-2021. It is signed at the lower left corner by the artist. The canvas size is 24 x 36 inches, framed size is 31 x 43 inches. Framed in a wooden gold frame, with fabric liner and gold color bevel. It is in excellent condition. About the artist: Bob LoGrippo's paintings have appeared on magazine, book and album covers, as well as calendars, greeting cards and puzzles. The New York Times Sunday Magazine, Readers Digest, Six Flags...

Rodion Petroff (b. 1985) graduated from the Vilnius Academy of Fine Arts and has been exhibiting in Europe and abroad since 2005. He has had 15 solo exhibitions in Lithuania, Sweden...

Signed, verso, 'A Heinsbergen' for Antoon Heinsbergen (Dutch-American, 1894-1989), inscribed 'Painted in Paris from the top floor of the Grand Hotel Paris' and dated 1941. A panoramic view of early twentieth-century Paris with early automobiles, charabancs and pedestrians filling the boulevards converging on the Paris Opera beneath sunny blue skies. Painter and theatrical designer, Antoon Heinsbergen immigrated to Los Angeles as a small boy and first studied at the Chouinard Art School and the Otis Art Institute. He subsequently became sought after as a decorator of theaters and, working with a crew of 185, designed and painted wall and ceiling decorations...

Laimonis Bubieris (1934-2012) Costs of channels, cardboard/oil, 36x54.5 cm

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Clifford...

Rome with St Peter is an oil paint on canvas realized by a follower of Gaspar Van Wittel in 19th century. The artwork depicts a view of St. Peter in Rome. ...

"Crystal Cove Beach Cottage" is a colorful example of Bryan Mark Taylor's modern approach to Impressionism. This beautiful oil on panel captures the moo...

Signed figures in landscape oil on canvas circa 1920 by French post impressionist painter Lucien Adrion. The painting depicts people going about their daily lives on the streets of Paris, France on a sunny spring day with trams travelling along the boulevards. Signature: Signed lower right Dimensions: Framed: 33"x39" Unframed: 26"x32" Provenance: Galerie Vildrac - Paris (labels verso) Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure and landmark paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of eighteen, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich and Frankfurt. As the World War broke out he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, Lucien would study engraving under Franz Ritter von Struck...

Rome by Arthur A. Wilkinson (British, c.1860-1930) signed and dated 1878 watercolor on artist paper , unframed artist paper : 11 x 17 inches Provenance: private collection, the Cotsw...

A picturesque rural church covered in thick snow under a blue sky. The artist has signed and dated to the lower right. At the reverse of the panel is an unfinished oil portrait of a ...

Blue Venice. Landscape series. In creating this piece, I was drawn to the enchanting play of light and shadows across the iconic Venetian architecture. My strokes of oil paint captur...

Saint Germain-des-Prés under the snow. Oil on canvas, 60x92 cm Constantin Kluge was a Russian-born French painter best known for his naturalistic scenes of Paris and French countrys...

Original late 19th century, oil on canvas. Unsigned. Well presented in a gilt-effect frame. On canvas on stretchers.

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Ken Howard RA (1932 - 2022) Hampstead Church (St Stephen...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only members...

Old Riga. 1986. Paper, watercolor, 47x34 cm Street view in old city at winter Edwin Andersons (1929-1996) 1956 – graduating Art Academy of Latvia, de...

Finely detailed hand tinted color landscape photograph of Stanford Memorial Church produced by Bear Photo Service (American, 1930s). Photographer is unknown. Numbered 904 bottom right. Displayed in a rustic gilt-toned wood frame with antique glass. Image size: 7"H x 11"W. Stanford Memorial Church is located on the Main Quad at the center of the Stanford University...

Contemporary acrylic landscape painting by Polish artist Andrzej Borowski. Artist is fascinated with mediterranean views and how the landscape is changing during the day and with eve...

A rustic, late 19th Century oil showing a grand church with domed spire. Outside, a horse drawn carriage has stopped and a young girl in Sunday school cl...

Work on wood Beige wooden frame 78 x 38 x 3 cm

This beautiful oil-on-panel painting of a tranquil waterfront farm that is over 120 years old is by the Belgian painter Louis Dubois (1830–1880). Dubois...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

'New Orleans Streetscape" is an original watercolor painting by William Collins. It features a view of a street in New Orleans,. Tall houses with large...

A fine 20th Century oil scene showing North Street in the Welsh province of Blaenavon. The painting holds a pragmatic realism, whilst adding a gentle beauty to the scene with a delic...

"Corner Shop" is a fine example of Bryan Mark Taylor's modern approach to Impressionism. This sun drenched oil on panel packs a lot of the scenic beauty of a uniquely Amalfi Coast p...

Artist: Raphael Soyer, American (1899 - 1987) Title: City Street Year: circa 1930 Medium: Oil on Board, signed verso Size: 20 in. x 13.75 in. (50.8 cm x 34.93 cm) Frame Size: 26 x 20...

KARL KAUFMANN Austrian, 1843 - 1901 VIEW OF VENICE signed & dated "K. Kaufmann 1894" (lower right) oil on canvas 38-3/4 x 56-1/8 inches (98 x 142 cm.) framed: 41-1/2 x 59-1/4 inches ...

Daud Akhriev's (EUR and US based) "Piazza Signoria" is an original, handmade oil painting that depicts a European city street and square lined with old brick and stone buildings and ...

Conditions : Very good overall Conditions, few minor retouching, original canvas. No restauration necessary, mint conditions. Free US CONTINENTAL Shipping, incl Europe and Asia. Hi...

A wonderful winter village landscape in Bucks County by painted by American artist Paul Bernard King (1867-1947). King was born in Buffalo, New York, and ...

Raymond Bonilla's (US based) "Study for 'Last Light on Bidwell'" is an original, handmade mixed media painting that depicts a dark surreal still life of a gazebo surrounded by nature...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Beautiful mid century landscape of a Japanese tea house and trees in a misty valley in autumn, by an unknown artist (Japanese, 20th Century). Circa ...

KARL KAUFMANN Austrian, 1843 - 1901 VIEW OF VENICE OF THE DOGE'S PALACE, VENICE signed & dated "K. Kaufmann 1894" (lower right) oil on canvas 38-3/4 x 56-1/8 inches (98 x 142 cm.) fr...

CHURCH IN ROME - Italian oil on canvas painting cm.100x100, Alfonso Pragliola Italia 2010

Drottningholm Royal Palace, Stockholm, Sweden, 19th Century European School Architectural Study Large 19th Century European School architectural study of Drottningholm Royal Palace...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Richard Bankes Harraden...

Cottage in Notgrove, Gloucestershire by Elizabeth Chalmers [2022] original and hand signed by the artist Pen and Ink with Watercolour Image size: H...

Depicting a continental villa surrounded by trees. Signed to the lower right. Presented in a silver gilt frame with a blue painted cove. On canvas laid to board.

ULPIANO CHECA Spanish, 1860 - 1916 VENICE CANAL signed & located "U. Checa" Venezia (lower left) Also dedicated: "A Marguerite Pinédo affectueusement" ...

Reaching into his past and choosing the Flatiron Building of Manhattan in New York City for his subject, is vintage Twerell. However, this New Jersey artist from New York City, expr...

Lush watercolor landscape by unknown artist Erazo (20th Century). In a small village, a lone figure walks down the street, away from the viewer. A large, snowcapped mountain rises dr...

Heather Neill's (US based) "New Easel View" is an original, handmade oil painting that depicts an eerie overcast farm landscape, with a decaying tree in front of a collapsed fence, w...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. A wonderful rare early painting (1982) by Charles Ford of the classic "Victory Corset" shop in New York City...

"Heisler Park Twilight" is a colorful example of Bryan Mark Taylor's modern approach to Impressionism. This beautiful oil on panel captures the mood and feel of the Cambodian scene....

Coastal Farm Landscape. Oil on canvas painting, created in 1972 by James Torlakson who is known for his photorealist oil paintings, watercolors and aquatint intaglio etchings. Torla...

Signed and dated lower left: "Molly Luce 27". In fine condition. A similar painting, The Zoo (1926), is in the collection of the Whitney Museum of American Art. Exhibited: The Soci...

In this artwork, I've sought to capture the serene essence of a snow-covered architectural landscape. The tranquil mood and muted palette evoke a pang of nostalgia and quiet reverenc...

Oil on board. Signed in oil, lower left recto, and inscribed "no. 20" in watercolor verso. With the "Douane Centrale" ink stamp verso. Provenance: Private collection, Chicago.

Maria Poroy (American, born 1952) "Meet Me at the Corner" 2024 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom right and back of the painting. This striking origi...

A capriccio with the Colosseum in Roma 17th century Italian school Circle of Viviano Codazzi (1604-1670) Oil on canvas Dimensions: h. 35.43 in, w. 51.18 in Modern 17th century style ...

Early 20th Century Carmel Mission Landscape Vibrant early 20th Century painting of Mission San Carlos Borromeo del río Carmelo, aka Carmel Mission, pr...

The Blue Light of Venice In this painting, I sought to capture the enchanting allure of Venice under a mystical blue light, emphasizing the historic architecture and reflective water...

Gorgeous landscape of artist's interpretation of Santa Cruz and what appears to be Holy Cross Roman Catholic church during late 19th Century by Esther Roebuck (American 1902-1970), p...