Building Landscape Paintings

French School, late 20th century signed Sinai inscribed verso oil painting on canvas, unframed canvas: 18 x 10.5 inches provenance: private collection, France condition: very good a...

Parisian rains - oil acr. on canvas, impressionism painting by Dmitry Spiros size - 17,5" x 26,7" (44cm x 68cm), 2021 Thin as a thread, a long-legged rain ran through the streets o...

Oil on Unstretched Canvas, 2006 30 x 24 in, Unframed Signed by Artist, comes with Certificate of Authenticity Good Condition-shows signs of wear due to age and handling.

The collection of paintings has the name of the "Gothem City". The paintings are drawn with oil on the canvas with stretcher The night city calls you for a walk and the rain does no...

In his artwork entitled “Spuyten Duyvil (Bridges on the Hudson),” Jack Lorimer Gray paints a cluster of buildings set up on a hill above the Hudson River with the city skyline in the...

This original landscape painting by Carlos Arriaga depicts a spectacular, fantasy cityscape scene, combing familiar Chelsea landmarks. Incorporating the stylish attributes of the are...

Butko paints the natural, sprawling light of early, mid, and late day. In this composition–his largest of 2023—Butko takes on early summer's mid-day light in Northeastern U.S. The cl...

Ascension Day in Venice 17th century Antwerp School Louis de Caullery (1582-1621) Oil on oak panel Dimensions: h. 12.8 in, w. 23.03 in (h. 32,5 cm, w. 58,5 c...

Oil on board Image size: 13 1/2 x 9 inches (34.25 x 23 cm) Hand made contemporary style frame This is a classic Italian landscape painted in an academic style, taking inspiration fr...

Up For Sale is a Beautiful Original Oil Painting On Canvas depicting a Parisian street Scene. Signed In the Lower-right corner K.Pacino. Presented in a nice wood frame. The frame an...

signed Sinai French Post-Impressionist School, late 20th century signed oil painting on canvas, unframed canvas: 18 x 15 inches inscribed verso provenance: private collection conditi...

signed Sinai French Post-Impressionist School, late 20th century signed oil painting on canvas, unframed canvas: 18 x 15 inches inscribed verso provenance: private collection conditi...

Mew Island Lighthouse, Copeland Islands, Co Down Oil on Board 20 x 24 in 50.8 x 61 cm "Painting is trial and error, somewhere between this there is a balance in which a painting wil...

Framed dimensions are 16 x 20 inches Without an overt theme, Errol Barron’s recent work seeks primarily to convey the pleasures and mysteries of curiosity, speculation, and reflecti...

Autumn removed from the forests, from fields, from all over nature, dense colors, washed away greens by rains. Groves were made through. The dark colors of summer were replaced by ti...

New York City - Empire State Building Landscape - Sky scrappers, office- NYC Building Painting Technique: oil, acrylic, and ink on old book page...

I'm fascinated by the phenomena of murmuration, when birds gather in large numbers and swoop back and forth across the sky. Here, depicting a Victorian house in an imaginary winter, ...

A delightful oil study of West Hanney House, painted by D L Chalk, the property's proprietor in the late 1960's. Well-presented in a distressed finished frame. Monogrammed to the low...

Ethereal city scene by Canadian master, France Jodoin. Her cityscapes are imagined by France as she develops a painting on the canvas. She creates a sense of mystery and narrative in...

Original oil painting on canvas, cityskape painting made under natural light. This artwork is painted using high-quality fine cotton canvas and sold unframed, already stretched and r...

Framed dimensions are 16 x 20 inches Without an overt theme, Errol Barron’s recent work seeks primarily to convey the pleasures and mysteries of curiosity, speculation, and reflecti...

Ethereal city scene by Canadian master, France Jodoin. Her cityscapes are imagined by France as she develops a painting on the canvas. She creates a sense of mystery and narrative in...

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Jefferson Market Library (Courthouse), c. 1930s, oil on canvas, 30 x 24 inches, signed lower right; presented in a newer silver painted frame About the Painting Writing about an exhibition of Charles W. Adams’ work at the Eighth Street Art Gallery in the mid-1930s, Emily Grenauer observed in The World-Telegram that the artist’s paintings were “distinguished for their solid form, well organized design and sumptuous color” and the art critic for The Herald Tribune found Adam’s work “a strong, formal realization of his subject . . . he paints with vital emphasis on structure and composition.” Although we do not know which works these critics referenced, it is likely they were writing about paintings like Jefferson Market Library (Courthouse). With its carefully designed reality, strong angles, solid forms, and well-disciplined puffs of smoke in the background, Adams presents a highly structured version of the Greenwich Village landmark, the Jefferson Market Library, which was a courthouse at the time Adams completed this work. The Jefferson Market Library was a prized subject for downtown painters, including the Ashcan School painter, John Sloan, the modernist, Stuart Davis, and the precisionist, Francis Criss...

Bobert Brown (British, b.1936). Perugia, Italy. Oil on canvas measures 14.5 x 22 inches; 19.5 x 27 inches framed. Signed lower left. One faint area of scratching on paint surface in ...

To shed. Oil on canvas. 21,3x26,8 cm

This artwork "Ponte Vecchio" is an oil painting on canvas by noted Italian artist Lido Bettarini, 1927-2019. It is signed at the lower right corner by t...

Beautiful carved marble pillars in soft shades of green, pink and creamy white dominate this interior scene of the Duomo in Lucca, Italy. A darkened doorway off to the right brings ...

Jean Salabet French, B. 1900 Le Grand Hotel, Paris ,1954 Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work i...

Cathedral with Green Domes in Acrylic on Masonite The front of a large cathedral by an unknown central California coast artist Maria Pavao Hadsell (Portugal/American, 20th Century). The cathedral has two large towers, each with a large green dome at the top. It resembles St. Stephen's basilica in Passau, Germany. This piece has a loose style, but nonetheless has fine details in the architecture. Maria Pavao Hadsell was born in Portugal and is mostly a self taught artist originally from Portugal. Later she immigrated to the USA and lived in Massachusetts, then she moved to Sunnyvale, California. Studied watercolor in Italy, and with Los Gatos artist William Wray Signed "M Pavao...

Enter Cannes et Vence Josine Vignon (French 1922-2022) ...

Original oil on canvas painting by the well known Spanish/French artist, Jean Salabet. Signed lower left and dated 1952. In excellent original condition with no restorations. The pa...

Original oil painting on canvas, cityscape painting made under natural light. This artwork is painted using high-quality fine linen canvas and sold unframed, already stretched and re...

Follower of Paul Bril (Antwerp 1554 - Rome 1626) - River landscape with characters. 81 x 99 cm without frame, 94 x 112 cm with frame. Antique oil painting on canvas, in a gilded wo...

Nestor Fruge (1916-2012). Bayou Landscape, ca. 1970. Watercolor on paper, 11 x 15.25 inches. Unframed. Excellent condition. Signed lower right. Born in Bayou Lafourche, Louisiana i...

A beautiful signed and dated 1955 oil on canvas by Paul Lucien Dessau depicting the famous Place Royale in Bruxelles (Brussels). A leading example of the artists work which is signed...

A beautiful oil on canvas painting by the French artist, Jean Salabet. Salabet was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His wor...

Antique American Hudson River School artist working in Italy. Oil on canvas. Framed nicely. No signature found.

This contemporary realistic landscape painting by Carol Young captures a barn in a rural setting. It features a vibrant, contrasting p...

This artwork titled "Medieval City" c.1960 is an oil painting on canvas by Czech/American artist Alois Lecoque 1891-1981 It is signed at the lower right corner by the artist. The canvas size is 24 x 32 inches, framed is 30.35 x 38.25 inches. Framed in a wooden gold frame, with gold color bevel and fabric liner. It is in excellent condition. This artwork is a perfect example of the work of Alois Lecoque whom continued through the end of the 20 Century, the style of the famous French impressionists like Manet, Renoir, Cezanne and Monet. About the artist. Alois Lecoque was born in Prague in 1891 as Alois Kahout. His father, an engineer specializing in the regulation of rivers and hydraulic stations, wanted him to follow in his footsteps but Alois wanted to be an artist and his father wisely assented. After six years of formal study at Prague's Real Schule, he went to Zagreb to study at the Art Institute under Professor Crncic. There he mastered the technique of capturing scenic objects in effervescent color. Alois Kahout was such an outstanding student who applied himself assiduously that he left the institute with high honors. So pleased was his father that he agreed to allow his son the dream for opportunity to go to Paris where the art world was in such an excited ferment. In Paris he attended the Academie Julian studying under professors Baschet, Emile Bernard and others who were highly respected by the Post Impressionist school of painting. Kahout now became Lecoque - the French name for Rooster, which had the same meaning in the Czech language. Renoir, the great master took a liking to the young artist and taught him many of his secrets; predicting that his drive and originality would one day make him famous. Establishing his own studio in "La Ruche des Artistes" located in the famed Vauguirard quarter, he met and became friends with many artists whose works have since achieved world acclaim, including the sculptor Zadkine, Miossi Kogan, Modigliani, Soutine and many others. In 1913, his works were exhibited at the Anglo German Exhibition at the Crystal Palace in London. In 1914, Lecoque returned to Prague where he was highly honored by winning the first prize of Frs.3,000 in gold by Architect Turek. The press raved with acclaim and Lecoque basked in the glory of local celebrity. His paintings were in great demand and as befits a successful painter he moved into an entire floor of the Coloredo Mansfeld Palace. Here he played well the role of social lion and entertained lavishly like a Seigneur. Important personages found it fashionable to be linked with his name. But World War I exploded and so did Lecoque's high style of living. He spent the war years in Prague because of a medical exemption, and the Austrian government realized that it was better to keep such a famous painter home than to send him to the front. Meanwhile Lecoque endured an unhappy marriage and left Prague in 1920 to journey to Algiers at the invitation of his friend Dinet in Bou - Sada, deep in the heart of the Sahara desert. He remained for two years in different places of North Africa and then his restless soul compeled him to return to Paris, which he loved and missed intensely. There - at the Rue Jacob - Lecoque concentrated on scenes of the Siene River, the Cathedral of Notre Dame and the interesting bridges. He worked feverishly, and in two years he had enough paintings for an exhibit at the Andree Galarie where his works were avidly snapped up by collectors. Restless again, he went to the coast of Brittany, Brignogan, where he painted with such fury that he was able to go back to Paris with enough works for a second showing that brought such favorable reviews from the critics and such financial rewards that his friends urged him to remain in Paris and reap his due there. However, Emile Bernard longed for his company and beckoned him to Venice. On the Canal Rio del Piombo he occupied a studio in one of the palaces and here he settled down to serious work. Evenings were spent in the company of Emile Bernard, the Russian painter Resrodni and the Italian poet, Luigi Gentina. They debated politics, art, women, and not necessarily in that order. One of his crowning achievements was capturing vividly a few gondolas lazily moving over the surface of the Canale Grande, while white snow fell over the Bysantine-like rooftops. This and other paintings were accepted for the exhibit in the Biennale of Venice in 1926 and again in 1928. But as much as he enjoyed Venice, Lecoque had to depart hastily, due to his innocent involvement in a plot to assassinate Benito Mussolini. Back to Prague he went in 1925 where he settled down to enjoy 13 of the most exciting years of his life. Here in his beloved home city, Lecoque's popularity rose immensely. Overnight his paintings increased in value and many of his works were purchased by the government. Meanwhile he exhibited in Prague, Ostrava and Bratislava and often traveled to Paris to meet his friends, George Kars, Kupka, Utrillo and others. He also took time to remarry and find happiness for a while with his second wife. The clouds of War descended again on Europe and because of his bold and controversial political philosophies Lecoque again was forced to flee. Hunted like an animal by the Nazis, he escaped to free Yugoslavia, where he boarded his yacht, "Angela," sailing from one picturesque harbor to another down the Dalmatian coast and the Greek islands. Then both Yugoslavia and Greece were occupied by the Nazis and fascist armies, Lecoque saved his life in Dubrovnik, in the Italian zone. However after the capitulation of the Italian army in Dalmatia, Lecoque was captured by the Germans and sent to Sarajevo where he spent many months in prison. After a trial the military confined him to Dubrovnik. But, before the end of the war he was again arrested by the Gestapo and together with 43 partisans, imprisoned. One morning, when the Gestapo came to execute Lecoque and his friend Spitzer the director of Police, a Croate who liked Lecoque's paintings very much, surrendered only Spitzer to the Germans. That same morning, one of the Partisan women came to bring Lecoque food. Under her shawl she was hiding a machine gun and a large rusted can with some cooked vegetables for him. When Lecoque went to the cell with all the forty three Partisans he noticed that inside the can were three hand grenades. As he did not know how to handle the grenades he learned that his companions had also received various weapons and in this way he was able to exchange the grenades for a Mauser pistol. Then Lecoque called for help and the guard came. When he opened the door Lecoque forced him inside, pressing his gun to the guard's chest, he ordered him to call the other guard. Lecoque promised him he would live providing he followed Lecoque's orders explicitly. They immediately handed over their guns as well as the entire prison arsenal, which Lecoque distributed amongst his fellow partisans. Then, well armed, they all escaped to a medieval tower where they waited until all the Germans had left the city. Dubrovnik, was already occupied by partisans, and they were more than happy to see Lecoque and his fellows alive. They had feared for their lives. Thus with Guile, audacity, genius and multi-language as his arsenal, Lecoque managed to keep his neck intact while his poetic elegance expressed itself in the innumerable canvasses he managed to paint. Finally in the Fall of 1944, the Partisan's whom he had aided in their battled against the Germans, spirited him aboard a Naval vessel in the harbor of Split. It took him to the harbor of Bari in Southern Italy, now in the hands of the Allies. From there an American truck convoy took him to Rome where he was joyously received by the Czechoslovakian Legation. From 1945 to 1951 Lecoque's colorful career as an artist gained new luster and his personal life was enriched by new challenges and opportunities. Rome, Milan, Florence, and Capri now became sources of inspiration for his prolific paint brush and his unique canvases of scenes in those famous cities won him acclaim in numerous exhibits. His keen and perceptive eye, said one critic, "had revealed the splendor of the Italian cities to the Italians." Two of his books were published there but another art form beckoned his versatile talents. His commanding presence and flair for dramatic expression caught the eye of the famed movie director, Carmen Galloni, and he won a role in the motion picture Avanti a lui tremava tuta Roma. His role was that of General Melzer, in charge of the Nazi occupation of Rome. Ironic indeed for the man who strenuously fought the Nazis. The great Italian actress, Anna Magnani, who starred in the film, profusely commended his performance and they became good friends. The picture was highly successful at the box office and brought Lecoque new friends and funds that enabled him to live in a spacious villa on the enchanting Isles of Capri. He settled down there for a while to paint and host elaborate parties. With a studio in Rome, a villa in Capri, once again Lecoque played well his favorite role - that of the Grand Seigneur. Now he could move to the intellectual circles to which he was quite at ease with. Among his friends were Enrico Prampolini, Giorgio de Chirico, Mario Mafai, Josef Jarema, Guttuso Renato and Monachesi Sante. In 1945 he exhibited at the Galleria San Marco in Rome and in 1946 at the Galleria Salvetti in Milano. In 1948 new honors cascaded upon him for his stunning exhibit at the Al Blu de Prussia in Naples and at the Studio de Guillio Parisio. His last exhibit in Italy was held at the elegant Galleria Nazionale de Arte Moderna in Rome, which drew capacity crowds. The sunny skies of Italy, the warmth and animation of the Italians in all walks of life and the sumptuous living made Lecoque's existence there quite endurable - for a while. But the Gods of Adversity had other plans for Lecoque. A hard core of Fascist carry-overs attained some influence in the shaky Italian Government, and Lecoque's alleged part in the attempted assassination plot against Mussolini was not forgotten. A move was made to deport him, and he was sent to the Campo de Capua, a displaced persons camp. He could not go back to Prague which was clamped under the despotic rule of the hated Communists, who were anathema to everything he believed in and fought for. All of the property that he had in Prague was lost. Because of his age, which made immigration impossible to every country he attempted to enter, even his beloved France, he became a man without a country. After many heartbreaking and humiliating experiences in Switzerland, Sweden, and France, he was finally granted permission to enter the United States. But more heartbreak awaited him in America. When he arrived in Chicago during a cruel harsh winter, at age 60, with five dollars in his pocket, he found that the job his sponsor had promised him was just a promise. The promise of full freedom was now ironically fraught with the promise of starvation and despair. But Lecoque's indomitable spirit again prevailed. Soon, with the help of the Czech community and especially Roderick A. Gorman, who became his friend and biographer, Lecoque began painting and exhibiting again. Subsequently, he went to California, and after several successful years in Laguna Beach, he settled in Los Angeles where he maintained an art gallery and frequently sponsored exhibits for other artists striving for recognition. In 1960 he gained one of the greatest treasures of his life - his American citizenship and thus his freedom to roam the world and exhibit his work in the countries of his choice. Paris - which once refused him - welcomed him with open arms when he returned to exhibit in 1961 at the Gallerie Benezit and in 1962 at the Galerie Mercel Bernheim. Again in 1963 he exhibited at the Palais Royal Galerie in Paris and sold one of his paintings to Sir James Farmer Norton, who invited him to visit England. During his visit with Sir James he finished a large painting of Venice...

Oil Painting Pair by Alfred Montague "Near St.Lo" "Abberville" exhibited 1832- 1883 Townscene and landscape painter, prolific exhibitor and member of the Royal Society. Both oil on b...

A Walk Through Town California Gold Country An old town in the California Gold Country, depicting green and blue buildings with brown rooftops and gree...

Signed lower right: ATrivilini

Wonderful pastoral landscape by well-known third generation St. Petersburg painter, Alexander Kremer. Kremer's paintings are a mix of realism and impressionism in the best tradition...

The painting is done by French painter Michel PABOIS (b. 1939). Signed lower right . It has a beautiful gold frame made in Italy.

Oil on canvas Image size: 8 x 10½ inches (20 x 27 cm) Contemporary frame This charming portrayal of a rustic house in the early hours of the morning is an excellent example of the e...

Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved t...

Beautifully painted oil on canvas painting of the iconic San Remo located at 145-146 Central Park West as seen from the lake in Central Park in New York City. Celebrities that have lived there include Steven Spielberg, Diane Keaton, Bruce Willis and Bono. The painting is signed lower right by the well known contemporary artist, Jon deMartin...

Jean La Forgue (French 1901-1975) signed watercolour on card, unframed inscribed verso painting: 22.5 x 19 inches provenance: the artists estate, France condition: very good and soun...

Jean La Forgue (French 1901-1975) watercolour on card, unframed painting: 23 x 20 inches provenance: the artists estate, France condition: very good an...

This piece, "Sound of Silence", is 26x20 oil painting on canvas by artist Alexei Butirskiy featuring a view down a quiet canal waterway in Venice, It...

House on corner in New Orleans, Louisiana.

NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative Cecil Bell (1906 – 1970) Street Life Under the EL 22 x 30 inches Oil on canvas, c. 1930s Signed upper...

Carlo Grubacs (Italian, 1810 – 1870) Santa Maria della Salute, Venice Oil on panel Signed ‘C Grubacs’ (lower right) 9.3/4 x 5.3/8 in. (24.8 x 13.8 cm.)

The Riverside Pathway Italian School, early 1800's period oil painting on paper laid on board, unframed size: 12.75 x 17.5 inches condition: overall very good for age, a few very sma...

A charming, stylised study of a french landscape with a mill in the foreground. In the distance a farm sits at the top of the hill surrounded by buildings. Unsigned. On canvas.

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed initials oil painting on thick paper, stuck on board unframed. Size: painting: 13...