Unknown

French Impressionist Oil - Lady on Beach

c.2000

Admiring the Ancient Ruins by Etienne Auguste Krier ( 1875 - 1953) oil on board, framed framed: 10.5 x 7.5 inches board: 8 x 6 inches Provenance: private collection, Paris Condition...

Title: French Street Scene with Figures and Timber-Framed Architecture by Fanch Lel (French b. 1930) Size: 12 inches (height) x 9.5 inches (width) Oil painting on paper, unframed Con...

Artist/ School: French School, circa 2007, indistinctly signed and dated Title: Chateau de Sceaux Medium: oil painting on canvas, unframed, signed canvas: 19.75 x 24 inches Prove...

"Oil Beach Scene" by Maurice Mazeilie (French) oil painting on thin canvas paper, unframed stamped verso painting: 5.5 x 7.25 inches A delightful or...

"Red Dress" is a contemporary oil painting of a woman resting out doors, shielding her eyes from the Tuscan sunshine. Framed Dimensions: 40 x 52.5 inches Signed bottom left corner ...

A wonderful Impressionist winter pastoral scene of a colorful quaint home by the river. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much fee...

French impressionist landscape, Barbizon forest, with river and cows at Sunset Boyle was a pioneering 19th-century British artist inspired by European Impressionist painters. The i...

English Impressionist with trees and a farm house, England Keith Arthur Johnson was born at South Pickenham, Swaffham, Norfolk in 1931, son of James Arthur Johnson (9 February 1895-1982), a farmer, and his wife Florence May née Wiles (9 May 1900-1996), who married in the Freebridge Lynn district of Norfolk in 1927 and in 1939 were living at Manor Farm, Tottenhill, Downham, Norfolk. Keith painted from an early age and after attending Fakenham Grammar School, he attended Norwich School of Art from 1946, where apart from general studies, he specialized in fabric design which heightened his color awareness and composition sense. His studies were interrupted by National Service in the RAF after which studied for teacher training at Liverpool School of Art obtaining a National Diploma in Design and an Art Teachers Diploma, also studying various printing methods and Art History attached to Liverpool University. Keith returned to Norwich School of Art for more studies, including life classes and portrait painting and from 1951 went to Lowestoft Art School to lecture in Design classes and teach fabric design, including weaving. Whilst at Lowestoft he met fellow lecturers, Tom Hudson (1922-1997), Jeffery Camp...