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Victor Gabriel GilbertThe Bathers Impressionist Figurative Landscape Painting of nude bathers, lake
$33,950
£25,544.22
€29,511.66
CA$47,980.21
A$52,097.18
CHF 27,589.27
MX$638,562.22
NOK 341,428.09
SEK 322,631.47
DKK 220,262.95
About the Item
Framed size: 28" x 32.5"
The Bathers, depicts a serene riverside featuring nude or partially nude bathers engaged in both swimming and leisure. Lush greenery surrounds a calm body of water, framing the figures with natural elegance. Gilbert’s brushwork blends delicate realism in the figures with looser strokes in the foliage and landscape. The palette harmonises soft, natural hues, gentle flesh tones, greens, and muted earth colours; creating an atmosphere of pastoral tranquility and quietude.
Gilbert’s composition offers a graceful balance between the natural world and human forms. His technique synthesises Realism’s attention to detail, particularly in the rendering of the figures, with Impressionist subtleties in light and colour, suggesting texture and atmosphere without over-defining. The gentle application of paint and considered strokes build a cohesive, harmonious scene.
The Bathers showcases Gilbert’s versatility beyond Parisian markets—bringing tenderness to a traditional motif of female bathers in nature. Such scenes were popular among late 19th- to early 20th-century French artists, echoing traditions established by Courbet and Impressionists while softening into narrative charm with characteristically Gilbert grace. The Bathers offers a beautifully intimate window into Gilbert’s softer vision—elegant figures harmonising with silent water and lush greenery. Balancing realism and lyrical Impressionism, the painting captures both a timeless coastal reverie and Gilbert’s empathetic artistry.
- Creator:Victor Gabriel Gilbert (1847-1933, French)
- Dimensions:Height: 19.5 in (49.53 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Shrewsbury, GB
- Reference Number:1stDibs: LU81216778392
Victor Gabriel Gilbert
Victor Gilbert's natural ability as an artist was recognized early, but his family lacked the financial resources to send the young man to the École des Beaux-Arts. Rather than enrolling in the École, Gilbert was apprenticed to Eugene Adam as an artisan painter and decorator. His only formal education was evening classes with Pierre Levasseur at the École de la ville de Paris. Perhaps it was his early immersion into la vie quotidienne that formed the basis for his later choices of subject matter for his art, that of the markets and streets of Paris. Despite his lack of formal training, Gilbert's admissions to the Paris Salons of 1873 and 1874 were very well received by audiences and critics alike; at this time he was supported by the dealer Paul Martin, who was an important proponent of the Impressionist movement. Gilbert emerged in the early 1880s as the primary Realist painter to record the French marketplace. He achieved considerable success, while firmly establishing his reputation, at the 1880 Salon when he obtained a second-class medal, critical acclaim and a state purchase for his painting entitled A Corner of the Fish Market, Morning. His oeuvre is punctuated with very large canvases depicting the various sections of the largest marketplace in Paris, Les Halles. His painting styles encompassed both the naturalist manner of the late nineteenth century and the vibrant technique of plein-air light and brushwork that emerged in his paintings of the early twentieth century. He was honored with a gold medal in 1889 and the Bonnat Prize in 1926. His reputation was confirmed by his nomination to the Legion d'Honneur in 1897.
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