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Wolf Kahn
"Barns and Silos in New Jersey" Wolf Kahn, Landscape, Abstract Impressionist

1985

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"Summer Studio" Wolf Kahn, Vermont Landscape, Abstract Impressionist, Pastels
By Wolf Kahn
Located in New York, NY
Wolf Kahn Summer Studio, 2012 Signed lower center Pastel on paper 9 x 11 1/2 inches An important member of the second generation New York School, Wolf ...
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2010s Abstract Impressionist Landscape Paintings

Materials

Paper, Pastel

Abstract Modernist Urban Skyline Landscape, New York City Harbor Lights
Located in New York, NY
Artist Unknown (20th century) New York City Skyline, 1950s Oil, watercolor and gouache on paper 13 1/2 x 19 1/2 inches A bright abstract skyline view of a metropolis on a blue / teal background with red, yellow, and blue lights...
Category

Mid-20th Century Abstract Expressionist Mixed Media

Materials

Oil, Watercolor, Gouache

"Harvard vs Yale" Charles Green Shaw, Football, Ivy League Sports, Abstract
By Charles Green Shaw
Located in New York, NY
Charles Green Shaw Harvard vs. Yale, 1944 Signed and dated on the reverse Oil on canvasboard 9 x 12 inches Provenance: Harvey and Francois Rambach, New Jersey Private Collection, California Washburn Gallery, New York D. Wigmore Fine Art, New York Private Collection, New York Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...
Category

1940s Abstract Geometric Landscape Paintings

Materials

Oil, Board

"Park Street, Boston" Arthur Clifton Goodwin, Impressionist Snowy Urban Scene
By Arthur Clifton Goodwin
Located in New York, NY
Arthur Clifton Goodwin Park Street, Boston Signed lower right Oil on canvas 25 x 30 inches A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goo...
Category

1920s American Impressionist Figurative Paintings

Materials

Canvas, Oil

"The Green Parasol, " Henry Hannig, American Impressionist, Woman in Beach Scene
By Henry Hannig
Located in New York, NY
Henry Charles Hannig (1883 - 1948) The Green Parasol Oil on canvas mounted on board 6 x 7 3/4 inches Provenance: R.H. Love Galleries, Chicago, Illinois Private Collection, Lake Orion, Michigan Hannig, born in Hirschberg, Germany on 27 February 1883, came to America with his parents at the age of seven. He attended school in the southwest suburbs before the family settled in Chicago. Young Henry enrolled in the Chicago Academy of Fine Arts where Lawton Parker became his mentor. He made ends meet by working in industrial design and illustration. By 1908 he was a pupil in the School of the Art Institute of Chicago where students followed the traditional European drawing curriculum, beginning with the copying of master engravings and drawing after plaster casts, then concentrating on the nude figure. Students worked toward the goal of winning various academic prizes. One of Hannig's fellow students was Louis Ritman...
Category

1910s American Impressionist Figurative Paintings

Materials

Canvas, Oil, Board

"Springtime Landscape" William Anderson Coffin, American Impressionism Barbizon
By William Anderson Coffin
Located in New York, NY
William Anderson Coffin (1855 - 1925) Springtime Landscape, circa 1910 Oil on canvas 30 x 24 inches Signed lower right Landscape and figure painter William Anderson Coffin was born...
Category

1910s American Impressionist Landscape Paintings

Materials

Oil, Canvas

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