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Style: Contemporary
Style: Abstract
Medium: Archival Paper
"IMAGINED HEAT SPOTS 06212018 807pm", Abstract, Digital, Rose, Pink, Blue, Gold
By Justin Neely
Located in Toronto, Ontario
The abstract print "IMAGINED HEAT SPOTS 06212018 807pm" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on June 12, 2018 at 8:07 pm.
While Justin Neely...
Category
21st Century and Contemporary Abstract Geometric Archival Paper Paintings
Materials
Archival Paper, Archival Pigment, Digital Pigment
"My Princess Forever Heart" Colorful Acrylic & Gold Leaf Painting on Paper
By Cindy Shaoul
Located in New York, NY
Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic displ...
Category
2010s Contemporary Archival Paper Paintings
Materials
Gold Leaf
"Parisian Mornings" Figure Chanel Gown Haute Couture Oil Painting on Paper
By Cindy Shaoul
Located in New York, NY
Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...
Category
2010s Abstract Archival Paper Paintings
Materials
Oil, Archival Paper
Mixed Media on Woven Fabriano Painting "Feminin Reign"
Located in Cape Town, ZA
This unique artwork is created through interweaving and twisting strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is fram...
Category
2010s Contemporary Archival Paper Paintings
Materials
Gold Leaf
Home Series, Gouache, Red, White, Pink Yellow, Indian Artist "In Stock"
Located in Kolkata, West Bengal
Uday Mondal - Tango (Beauty @Home Series) - 30 x 20 inches (unframed size)
Acrylic on Paper
Inclusive of shipment in roll form.
Style : His paintings present details of the society ...
Category
2010s Contemporary Archival Paper Paintings
Materials
Gouache, Archival Paper
Tribal Swag
By Kim Frohsin
Located in Burlingame, CA
'Tribal Swag' by celebrated figurative artist Kim Frohsin, painted in 2018. The artwork is 10 1/4 x 8 1/2 inches and it is professionally framed in a museum quality white maple hardw...
Category
21st Century and Contemporary Contemporary Archival Paper Paintings
Materials
Mixed Media, Gouache, Archival Paper, Ink, Tempera, Watercolor, Pencil
Indian Contemporary Art by Sumit Mehndiratta - Composition No.252
Located in Paris, IDF
Indian ink on archival paper - artwork can be shipped in a tube or framed in a crate
Category
2010s Abstract Archival Paper Paintings
Materials
India Ink, Archival Paper
Finding My Way 2 , oil on paper on wood Abstract, "THREE I's", Framed
Located in Houston, TX
Finding My Way 2
Cheryl D. McClure
oil on paper on wood panel
20 x 20 x 0 in
Inv #: 795
Price $1800
To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT.
Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.”
If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there.
Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art.
2020
University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX
Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX
Stable, Cerulean Gallery, Dallas, TX
2019
Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth
Small Works, Gallery Mack, Seattle, WA
2017
Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass.
Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss.
You Name It, Cerulean Gallery, Amarillo, Texas
2016
N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass.
2015
One + One, Invitational, A Gallery Art, Provincetown, Mass.
2014
East Texas Regional...
Category
2010s Abstract Archival Paper Paintings
Materials
Oil, Wood Panel, Archival Paper
Mixed Media on Woven Fabriano Painting "Shadow"
Located in Cape Town, ZA
This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...
Category
2010s Contemporary Archival Paper Paintings
Materials
Charcoal, Pastel, Spray Paint, Acrylic, Archival Paper
Alert
Located in Bozeman, MT
This is an unframed original painting on paper. Rocky Hawkins was born in 1950 in Seattle, Washington and grew up in small towns near the Cascades Mountains. His interest in the myst...
Category
2010s Abstract Expressionist Archival Paper Paintings
Materials
Acrylic, Archival Paper
"My Horizon - St. Ives" Abstract Color Field Contemporary Pop Painting on Paper
By Cindy Shaoul
Located in New York, NY
An acrylic and oil on heavy weight paper piece with bright use of color and texture. We are focused on the simplicity of beauty in the moment as Shaoul creates a translucent but very...
Category
2010s Contemporary Archival Paper Paintings
Materials
Oil, Archival Paper, Acrylic
Woman in Yellow with Stripes_America Martin_Pastel/Ink/Japanese Paper_Nude
Located in 326 N Coast Hwy. | Laguna Beach, CA
America Martin
"Woman in Yellow with Stripes"
Pastel & ink on Japanese Paper
43" x 31" Image 50.25" x 37.75" Overall, Framed
Exploring the identity of both her namesake and country...
Category
2010s Contemporary Archival Paper Paintings
Materials
Pastel, Archival Paper, Ink
Portrait, Abstract Acrylic and Mixed Media on Paper Painting by David Stern
By David Stern
Located in Long Island City, NY
Artist: David Stern
Title: Portrait
Year: 1997
Medium: Acrylic & Mixed Media on Paper, signed l.r.
Size: 30 x 22 inches (76.2 x 55.88 cm)
Category
1990s Abstract Archival Paper Paintings
Materials
Mixed Media, Acrylic, Archival Paper
Abstract Mixed Media on Fabriano Painting "The New is Upon Us""
Located in Cape Town, ZA
The artwork is framed and floated to the backboard. The dimensions of 44 x 50 cm are that of the artwork only, excluding the size of the frame.
Category
2010s Contemporary Archival Paper Paintings
Materials
Paper, Charcoal, Pastel, Spray Paint, Acrylic, Archival Paper
Leaping From the Box
Located in Bozeman, MT
This is a framed painting on paper.
Biography
Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979.
For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator.
His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana.
Artist Statement
For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives."
I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light.
My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...
Category
2010s Contemporary Archival Paper Paintings
Materials
Acrylic, Archival Paper
Shape 10 (2018) - Abstract shape, minimalist gestural, black & white on paper
Located in Jersey City, NJ
Shape 10 (2018) by Ryan Park of Shapes Only
Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral pal...
Category
2010s Abstract Archival Paper Paintings
Materials
Acrylic, Archival Paper
In the Forest, green abstract watercolor painting on archival paper
Located in New York, NY
Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...
Category
2010s Abstract Expressionist Archival Paper Paintings
Materials
Watercolor, Archival Paper
Expressionist Figurative Portrait Painting on Fabriano "Woman in a Blue Dress"
Located in Cape Town, ZA
A unique oil painting on 300 gsm fabriano paper, framed with a thin, black aluminium box frame and non-reflective museum glass. The artwork is floated and raised to the gray backboar...
Category
2010s Contemporary Archival Paper Paintings
Materials
Oil, Archival Paper
The Real - A unique ink on paper work by Philip Wittmann
Located in New York, NY
Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a thin Blond wood frame, glass.
Philip Wittmann work is based on signs. Sign...
Category
2010s Contemporary Archival Paper Paintings
Materials
Ink, Archival Paper, Paper, Acrylic, Watercolor
Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Archival Paper Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Nuance, pastel pink abstract watercolor painting on archival paper
Located in New York, NY
Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...
Category
2010s Abstract Expressionist Archival Paper Paintings
Materials
Charcoal, Mixed Media, Watercolor, Archival Paper
'Gang of Four' - collage portrait, bright colors, abstract, pop, risograph
Located in Atlanta, GA
This abstract collage portrait features hues of yellow, green, pink and black.
This work is 30 by 20 inches unframed and 35 by 27 inches framed.
Colombian-born, Atlanta-based artist Esteban Patino...
Category
2010s Contemporary Archival Paper Paintings
Materials
Archival Paper
Untitled
Located in Vancouver, CA
Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...
Category
1660s Abstract Archival Paper Paintings
Materials
Oil, Board, Archival Paper
E'stelle II
Located in Clayton, MO
In E'stelle II color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. The softness o...
Category
2010s Abstract Archival Paper Paintings
Materials
Encaustic, Archival Paper, Rice Paper, Washi Paper
Donkey Boogie Woogie, limited color mixed media woman animals
By Jenny Toth
Located in Brooklyn, NY
This is drawing made with pen, pencil and watercolor on wood done from life of donkeys the artist observed in Mexico, and cacti, and a woman holding up the hoof of one donkey. Whims...
Category
2010s Contemporary Archival Paper Paintings
Materials
Watercolor, Ballpoint Pen, Pencil, Archival Paper
"Bouquet", Pop art colorful still life flower painting, orange background framed
Located in Dallas, TX
This painting on Fabriano paper, titled Bouquet with Orange Background is one of Chantzaras latest series of pop art style and classical colorful influences of this still-life flower painting. The colors are bold and playful.
The silver wood box...
Category
2010s Contemporary Archival Paper Paintings
Materials
Mixed Media, Oil, Acrylic, Archival Paper
Lust, From the Seven Deadly Sins Series, Nude Figures, Oil on Watercolor Paper
By David Becker
Located in Chicago, IL
Seven deadly sins are the seven vices that spur other sins and further immoral behavior. First enumerated by Pope Gregory I (the Great) in the 6th century and elaborated in the 13th ...
Category
21st Century and Contemporary Contemporary Archival Paper Paintings
Materials
Oil, Archival Paper
BREAK IN THE HORIZON
Located in New York, NY
VALERIE HIRD
BREAK IN THE HORIZON, 2019
oil, monotypes, gesso, Arches paper, silver leaf, silver amulet
23 1/2 x 22 in. 59.7 x 55.9 cm.
mythology
Category
2010s Contemporary Archival Paper Paintings
Materials
Silver
Conversation II
Located in New York, NY
About the Series:
Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...
Category
2010s Abstract Archival Paper Paintings
Materials
Etching, Ink, Archival Ink, Watercolor, Archival Paper
Spring Rhododendron II (18 x 12 inch cyanotype painting)
Located in Oakland, CA
This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...
Category
2010s Contemporary Archival Paper Paintings
Materials
Paper, Mixed Media, Archival Paper, Rag Paper, Monotype, Photogram
Spring Rhododendron I (18 x 12 inch cyanotype painting)
Located in Oakland, CA
This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...
Category
2010s Contemporary Archival Paper Paintings
Materials
Paper, Mixed Media, Archival Paper, Rag Paper, Monotype, Photogram
Rhododendron Bud II (12 x 12 inch cyanotype painting)
Located in Oakland, CA
This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...
Category
2010s Contemporary Archival Paper Paintings
Materials
Paper, Mixed Media, Archival Paper, Rag Paper, Monotype, Photogram
Rhododendron Bud (12 x 12 inch cyanotype painting)
Located in Oakland, CA
This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...
Category
2010s Contemporary Archival Paper Paintings
Materials
Paper, Mixed Media, Archival Paper, Rag Paper, Monotype, Photogram
Spring Japanese Maple (18 x 18 inch cyanotype painting)
Located in Oakland, CA
This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...
Category
2010s Contemporary Archival Paper Paintings
Materials
Paper, Mixed Media, Archival Paper, Rag Paper, Monotype, Photogram
Gerona
By Fernando Diaz
Located in Phoenix, AZ
mixed media on paper
Category
Early 2000s Abstract Archival Paper Paintings
Materials
Mixed Media, Archival Paper
Composition Study No. 3
Located in Columbia, MO
Meyer studied art at University of Central Missouri, Indiana State University and received her degree in painting and drawing from Columbia College. She has had the privilege of havi...
Category
21st Century and Contemporary Abstract Archival Paper Paintings
Materials
Acrylic, Archival Paper
Under the Red Leaves gouache painting of female nude, pastel colors, white frame
Located in Dallas, TX
Beautiful original gouache paintings on Arches watercolour paper by Ellen Von Wiegand are framed in white, all archival materials, and ready to hang. "Under the Red Leaves" is a gorg...
Category
2010s Contemporary Archival Paper Paintings
Materials
Gouache, Archival Paper
"Queen of Darkness" abstract mixed media collage, (blue, red, brown, gold, grey)
Located in New York, NY
22’’ x 30" mixed media collage: ink, watercolor, origami paper, gold foil, pattern-making paper on paper, framing options available.
Linda Ganjian's artwork captivates with its or...
Category
2010s Abstract Archival Paper Paintings
Materials
Foil
Finding My Way 1 , oil on paper on wood Abstract, "THREE I's", Framed
Located in Houston, TX
Finding My Way 1
Cheryl D. McClure
oil on paper on wood panel
20 x 20 x 2 in
Inv #: 794
Price $1800
To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT.
Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.”
If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there.
Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art.
2020
University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX
Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX
Stable, Cerulean Gallery, Dallas, TX
2019
Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth
Small Works, Gallery Mack, Seattle, WA
2017
Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass.
Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss.
You Name It, Cerulean Gallery, Amarillo, Texas
2016
N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass.
2015
One + One, Invitational, A Gallery Art, Provincetown, Mass.
2014
East Texas Regional...
Category
2010s Abstract Archival Paper Paintings
Materials
Wood Panel, Oil, Archival Paper
30 x 22 inches Oil paint, cold wax medium - Purple Haze
Located in Los Angeles, CA
30 x 22 inches
oil paint, cold wax medium on
100% cotton, 140 lb Arches Oil Paper with deckled edges
The painting goes to the deckled edges of the paper—a floating frame is suggested...
Category
21st Century and Contemporary Contemporary Archival Paper Paintings
Materials
Oil, Archival Paper
Patricia Fabricant, Rosefade, 2005, Watercolor on paper, 30 x 22, Color Pattern
Located in Darien, CT
Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY.
Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...
Category
2010s Abstract Geometric Archival Paper Paintings
Materials
Oil, Watercolor, Archival Paper
Luminescent Polygon X: geometric abstract painting; red & blue-black patterns
By Jay Walker
Located in Bryn Mawr, PA
Jay Walker's Luminescent Polygons, painted on archival artist's paper with deckled edges, are infused with an internal light or glow, in much the same way that gems glow. Walker crea...
Category
2010s Abstract Archival Paper Paintings
Materials
Acrylic, Archival Paper
Luminescent Polygon XIII: geometric abstract painting; pink & green line pattern
By Jay Walker
Located in Bryn Mawr, PA
Jay Walker's Luminescent Polygons, painted on archival artist's paper with deckled edges, are infused with an internal light or glow, in much the same way that gems glow. Walker crea...
Category
2010s Abstract Archival Paper Paintings
Materials
Acrylic, Archival Paper
Chicot: Approaching Dusk
Located in New Orleans, LA
Charbonnet received an MFA from the University of New Orleans. He has work in the public collections of the Whitney Museum of American Art, the New Orleans Museum of Art, The Speed M...
Category
2010s Abstract Archival Paper Paintings
Materials
Acrylic, Gouache, Archival Paper, Graphite
Psychi 9 - The Soul, oil paint on paper, orange contemporary whimsical butterfly
Located in Dallas, TX
This is a beautiful whimsical original butterfly painting on watercolor paper, currently floated on a matboard, ready to be frame. Painting does not include frame. One of the Owls fr...
Category
2010s Contemporary Archival Paper Paintings
Materials
Acrylic, Archival Paper, Monoprint, Oil
David & Goliath - Caravaggio Inspired Monumental Double Self-Portrait, Charcoal
Located in Chicago, IL
-ARTIST STATEMENT-
I depict my person in multiplicity with different selves representing dramatis
personae. My likeness is both implicit and symbolic in the portrayal of my
narrative; the drama involved in creating art and the artist’s role in society. I
use realism to invite the viewer into mysterious inner worlds that are layered
reflections of the outer. Dehumanizing environments are imbued with art
historical references as a critique of power structures. The artist is an
Everyman who is at odds with society and his self.
Visually my work is a celebration of society’s dark undercurrents and its
overlooked absurdities. I use charcoal and printmaking media as their
tenebrous values add a fitting metaphor. The nuances of light and shadow
seduce viewers into a world their better judgment would have them avoid.
This provokes a sense of disquietude that causes viewers to assess our world
through the austerity of a colorless, yet not humorless, light.
-BIO-
Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...
Category
21st Century and Contemporary Contemporary Archival Paper Paintings
Materials
Charcoal, Archival Paper
Sweet Emotions Mixed Media on Paper
Located in Lake Worth Beach, FL
Sweet Emotions
Mixed media acrylic, watercolor, ink marker, pastel on archival.
Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Art...
Category
2010s Abstract Expressionist Archival Paper Paintings
Materials
Ink, Mixed Media, Acrylic, Archival Paper, Pastel
Unforgotten Series #6 - Handpainted photography, colorful abstract, graphic pink
Located in Dallas, TX
"Unforgotten Series No 6" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful abstract artwork with text and pink ba...
Category
2010s Contemporary Archival Paper Paintings
Materials
Resin, Birch, Wood Panel, Archival Paper, Photographic Paper
Prismatic Polygon V: geometric abstract painting; blue, red, yellow patterns
By Jay Walker
Located in Bryn Mawr, PA
Jay Walker's "Prismatic Polygon" paintings on archival artist's paper are signed and dated on the back. Walker's paintings work particularly well in groupings -- see photo gallery f...
Category
2010s Abstract Archival Paper Paintings
Materials
Acrylic, Archival Paper
Earth, Sky, Water
By Kim Frohsin
Located in Burlingame, CA
'Earth, Sky, Water' by celebrated figurative artist Kim Frohsin, painted in 2018. The artwork is 11.75 x 10 inches and it is professionally framed in a museum quality white maple har...
Category
21st Century and Contemporary Contemporary Archival Paper Paintings
Materials
Gouache, Mixed Media, Archival Paper
Blue and Green Gestural Abstract with Yellow Accents
Located in Austin, TX
By Roberto de la Renta
13" x 13"
Acrylic on Paper
Framed Size: 20" x 20"
Category
21st Century and Contemporary Abstract Expressionist Archival Paper Paintings
Materials
Acrylic, Archival Paper
Green Mixed Media on Woven Fabriano Painting "Sacred Thoughts III"
Located in Cape Town, ZA
This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...
Category
2010s Contemporary Archival Paper Paintings
Materials
Charcoal, Pastel, Spray Paint, Acrylic, Archival Paper
Koi Pond Caucus - Japanese Style Gyotaku Painting on Archival Kraft Paper
By Jeff Conroy
Located in Chicago, IL
In Japan they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. When I began this series of Gyotaku (Japanese fish printing) I studied the many varieties of Koi, each with their own unique colors and patterns. My particular favorites are the Tanchos which can be identified by the distinct red spot on their heads. To create these pieces I print common carp I catch myself with sumi ink using traditional techniques used by Japanese fisherman...
Category
21st Century and Contemporary Contemporary Archival Paper Paintings
Materials
Sumi Ink, Watercolor, Archival Paper
Never Ending Story
Located in New York, NY
Philip Wittmann work is based on signs. Signs are for him an intermediary between abstraction and writing. He started painting 32 years ago, at the age...
Category
2010s Abstract Archival Paper Paintings
Materials
Ink, Paper, Archival Ink, Acrylic, Archival Paper
With Smiles and Tears
Located in Clayton, MO
In With Smiles and Tears color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. The ...
Category
2010s Abstract Archival Paper Paintings
Materials
Encaustic, Archival Paper, Rice Paper, Washi Paper
Medicinal Plants, Papaver Somiferum L. (Opium)
By Peggy Kliafa
Located in New York, NY
MEDICINAL PLANTS, PAPAVER SOMNIFERUM L. (OPIUM), 2013
Tempera on paper
49,5 x 38,5 cm
Born in 1967 in Trikala, she grew up in Athens, Greece, where s...
Category
2010s Contemporary Archival Paper Paintings
Materials
Tempera, Archival Paper
Untitled 12-120
Located in Crested Butte, CO
Original abstract Acrylic Painting on Canvas, affixed to Windsor Newton paper.
The moods and whims of nature influence the work of Sarah Van Beckum. D...
Category
2010s Abstract Expressionist Archival Paper Paintings
Materials
Canvas, Charcoal, Acrylic, Archival Paper
A Conversation with Myself IX
Located in New York, NY
About the Series:
Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...
Category
2010s Abstract Archival Paper Paintings
Materials
Paper, Ink, Archival Ink, Acrylic, Archival Paper
Archival Paper paintings for sale on 1stDibs.
Find a wide variety of authentic Archival Paper paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Howard Tangye, America Martin, Cindy Shaoul, and Nina Bovasso. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Archival Paper paintings, so small editions measuring 0.75 inches across are also available
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