Paint Paintings

Still Life with fruits is an original oil on canvas realized in the 16th Century by an Italian School Master. Original oil painting on Canvas. The painting represents a still life...

Doggie Shmul and a cup of coffee, 100x100cm, Oil, Canvas, Sand

Internalised / remembered imagery is brought to the surface as I work. Applying thin layers of paint allows the image to grow intuitively creating an image of an unknown landscape.In...

My little wizard, 160x120cm, Oil, Canvas, Sand

There's a certain amount of risk involved, 2018 by Ramonn Vieitez Oil on cotton canvas Size: 59 H x 39.3 W in. Unique Signed on the back by the artist ___ Ramonn Vieitez is a self-...

Embracing the sky, 100x100cm, Oil, Canvas, Sand

This stunning Italian Baroque Old Master portrait oil painting is attributed to the circle of Guercino, Giovanni Francesco Barbieri (1591 - 1666) and it is ascribed verso. The paint...

Me and my owner Benya, 140x100cm, Oil, Canvas, Sand

Magic horse racing, 100x200cm, Oil, Canvas, Sand

« Abstraction» , 110x100cm

Sea, France, Brittany France, Impressionist, 20th, 1930, Gray, Blue, Celestial Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and ...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Antique American modernist signed mural study oil painting. Oil on board. Signed. Framed.

ffen Segun was born in 1993 in Lagos, Nigeria. A native of Bayelsa State, he discovered his love for art at a young age, and later got enrolled in a roadside art shop to start to hon...

19th Century German School Br: Venus aus Chemnitz 50 Jahre alt 58 24/5 39, 1839 Oil on canvas Signed lower left 25.5 x 20 inches 30.5 x 24.75 inches, framed The gentleman is Johann ...

Oil on canvas by VILLERS, France, 1972. Pride. With frame : 84.5 x 65 x 5 cm - 33.3 x 25.6 x 2 in. , without frame : 80 x 60 x 2 cm - 31.5 x 23.6 x 0.8 in. Signed and dated lower ...

Blue Impression by Sikiu Mendez Samelnik

Untitled 002 by Katarzyna Zawada

El Dorado 2 , 120x100cm

Janssart, pseudonym Wouter W. Janssen As early as the age of six, the talented Wouter painted the blossoming blossom trees in his parents' garden. At fourteen, he painted a portrait of his teacher at school and was rewarded with a ten for ‘drawing’ on his diploma. His fascination with painting of the 15th and 16th centuries led to a nearly perfect copy of "El Greco's Madonna" at age 16. This love of artistic expression continued to grow over the years, fuelled in part by the success of his creations. At the age of eighteen, this passionate painter decided to devote his life entirely to fine art, combining his studies at art school with working in a restoration studio. Here he discovered the secrets and painting techniques of the old masters, it fuelled his interest in art history and art movements. The extraordinary thing is that so coincidentally the history of painting became synchronized with his artistic life. Wouter Janssen studied the painting technique of his favourite painter Rembrandt for more than ten 10 years. He became wanted to unravel the mystery of the master. The paints used at that time were naturally rubbed by himself to approximate a historical effect. In a subsequent episode, he immersed himself in the technique of Romanticism. His paintings, mostly landscapes, were made in the style of the Dutch Romantic School. And led to unprecedented success in America. For example, with one-man exhibitions on Rodeo Drive in Beverly Hills. After watching a documentary on the life of Vincent Van Gogh, Wouter Janssen wondered what it would be like to paint in an impressionist style. It came naturally, after consuming half a bottle of gin, with extraordinary results as a result. The urge to complete the historical circle was further completed by his transition to Zero Art...

Hungary, 1936 – 2015 Gyula Bubarnik was born in 1936 in a village near Budapest where he spent his childhood in the countryside. Surrounded by pure nat...

Original painting by artist Airom

"Sweet Licorice I" is a framed mixed media work on canvas by Maura Segal, with abstract shapes in a monochromatic field of black with a continuous line in lavender to draw the eye ar...

Artist: Boris Serdyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2020 Title: On the Lawn Size: 19.5" x 27.5" x 0....

This stunning British American Impressionist portrait oil on canvas painting is by Sir James Jebusa Shannon circa 1905. The painting is of the artist and his wife Florence and daught...

This charming French 19th century Impressionist landscape oil painting is by noted artist Edouard Frere. Painted circa 1860 it depicts a village, drenched in sunshine with not a clou...

This superb vibrant Post Impressionist African landscape oil painting is by noted British artist Gerald Spencer Pryse. It was painted about 1925 when Pryse was visiting Morocco and N...

Johannes Truyen

Johannes Truyen

Johannes Truyen

Mark Schwartz's "M.Y. 3" is an original, handmade oil painting that depicts a portrait of a female model gazing downward as her black hair blends into the darkness of the background.

This White Persian Cat stares upward with her yellow eyes fixated on an unknown object out the viewer's sight. But what is in focus is the item that the cat has taken under it's paw - an effigy of the 45th President. The artwork is framed in a carved gold toned frame measuring 27.5h x 21.5w inches. Rose Freymuth...

Rini Dhumal - Watercolour on Paper 9 x 10 inches Signed Style : She have been a printmaker and a painter. For some time now she have been painting and enj...

Oil painting of a study of "Blue Boy" standing with his hat in his left hand by Mary Welch (American, 1875-1967). Circa 1918. Signed "M. Welch" lower left and gifted circa "1955" on verso. Image: 6"L x 9"H. Mary Welch, born 10 years after the end of the Civil War, was a woman ahead of her time. She signed her paintings M. Welch, hoping that potential buyers wouldn't discover she was a woman. More often than not, when they learned her sex, art dealers lost interest. The Hutchinson artist never married, never had children. But when she died in 1967, she left an impressive body of paintings, many of them familiar Kansas landscapes...

I am fascinated by the individual’s relationship within society. It is in this context that I exist. Along the beaten path, I allow myself to observe from a multitude of vantage points; towards the recent past or a future yet to occur. This is what inspires me- the creative moment yet to happen, laden with limitless possibilities. When I take a look at the past, I identify social and personal nuances and their direct influence on my work, and then with excitement look for what comes next. In this process I take distance from myself and view with a critical eye. Ever evolving, I search for more. I am neither a painter nor sculptor, much less a photographer or director, but I am a little bit of everything. I don’t feel bound to one specialized art form, and this allows me to navigate free and unencumbered by norms and expectations. My goal is not to achieve perfection in any one area, but rather to explore all disciplines- joyfully challenging myself, provoking and exploring beyond any pre-conceived limits. In my work I try to establish a connection between my reality and the reality of those who dedicate a few minutes of observation. I’m constantly searching for the vanishing point that gives diverse expression to my artistic production. This is the creative fuel that drives me ever forward. Paulo Canilhas...

Acrylic on linen painting

Hungary, 1936 – 2015 Gyula Bubarnik was born in 1936 in a village near Budapest where he spent his childhood in the countryside. Surrounded by pure nat...

Hermann Armin Kern Hungarian (1839-1912) Siesta Oil on panel, signed, with wax seal to reverse Image size: 18.25 inches x 12.25 inches Size including frame: 23.75 inches x 17.75 inc...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed verso.

Evocative yellow figure in black stockings oil painting by San Francisco artist Michael William Eggleston (American, 20th Century). From a collection o...

'Balancing Act' by Ben Waddams is a Contemporary Realist Wildlife oil painting of an English Blue Tit Bird int he wild, on a branch. Colours of Blue, yellow ...

An original, very large Dutch Old Master oil on canvas which is attributed to circle of Jan Wijnants and was painted circa 1680. The huge canvas is in good clean condition and depicts a wooded landscape with travellers passing through. A delightful very large country house old master painting. Provenance. Private collection, Christies. Condition. Oil on canvas. Very large, image size is 53 inches by 41 inches and in good clean condition. Framed size is 63 by 51 inches. The carved original 17th Century wood frame...

This abstract painting from series “Organic Forms” is inspired by minimalism, modern art and hard edge. This work is signed by Artist on the back. Signed certificate of authenticity....

Hungary, 1936 – 2015 Gyula Bubarnik was born in 1936 in a village near Budapest where he spent his childhood in the countryside. Surrounded by pure nat...

Looking-glass games. 2021, 74x130 cm

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2005 Title: Battle of the pyramids Size...

John Teyral (American, 1912-1999) Abstract, 1965 Oil on canvas Signed and dated lower right 32 x 30 inches John Teyral was one of Cleveland's most acclaimed artists. He exhibited in...

Mystic Ghosts is a plein air painting done at the Mystic Seaport by award winning contemporary artist Michael Budden that I have kept until now as it is one of my favorite plein airs...

Oil on board. Surrealist/Modernist painting with a female nude reaching into a wood burning stove, hilly landscape with barn, houses, still life with a bowl of fruit, stormy sky and a small male figure. Presented in a custom frame, outer dimensions measure 29 ¼ x 35 x ¾ inches. Image size is 24 ¼ x 30 inches. Provenance: Private Collection, Colorado About the Artist: The daughter of a classically-trained pianist mother and a concert violinist father, she had an intellectually stimulating upbringing enhanced by Christian Science values. After graduation from high school in Hannibal, Missouri, she enrolled in the College of Education at Butler University in Indianapolis, Indiana in 1919. Soon, however, she gave up the idea of becoming a teacher and entered at the John Herron Art Institute (whose collections are now part of the Indianapolis Museum of Art). The Institute’s early faculty included artists from the Hoosier Group trained at the Royal Academy in Munich, Germany, who educated artists in the realist tradition. True’s teacher and mentor, William Forsyth, gave her an excellent foundation in drawing and the technical aspects of painting and composition. When the failure of her father’s business in the early 1920s forced her to start earning a living, the Herron Institute hired her as an instructor for its art school, allowing her to support herself while she finished her studies. Following graduation from the Institute in 1925, she received a one-year scholarship to the Pennsylvania Academy of the Fine Arts in Philadelphia. Her former teacher William Forsyth wrote in his recommendation: "I can say without exaggeration that she was one of the best pupils I ever had during the twenty-five years I was a teacher at the John Herron Art School." At the Academy, she studied with Daniel Garber, an impressionist landscape painter associated with the New Hope art colony, and Hugh Breckenridge noted for his bold palette and expressionistic use of color, as well as the abstract work he started doing by 1922. She also studied briefly in the art department at Columbia University, perhaps in1928 when she produced some of her New York street scenes. From Pennsylvania, she returned to Indiana teaching for several years at Shortridge High School in Indianapolis. She also began showing her work at several area venues, including the Herron Institute, the Artists of Indiana, and the Hoosier Salon held early on in Chicago. Among the Salon’s exhibitors were Gustave Baumann, Victor Higgins, and Olive Rush, who either were Indiana natives or whose careers included connections with the state. By the 1920s all three of them had become associated with the Santa Fe and Taos art colonies. In the summer of 1928 True experienced both New Mexico communities and Southwest culture firsthand with Francis Hoar and her husband Clement Trucksess, her friends from the Herron Institute. They had relocated to Boulder in 1927 and were teaching at the University of Colorado. She recorded in her journal her initial reaction to the New Mexico landscape: "Might I preserve on canvas my thrill and deep feeling of the grand things of nature I have beheld today….There’s a wideness in God’s country that expresses peace to me." Inspired by her trip, True created a group of watercolors for her solo exhibition in 1928 at the Lieber Gallery in Indianapolis. They marked a transition from the realist style she learned at the Herron Institute to the more modernist, semi-abstract one she soon adopted. In the summer of 1929, she accepted an instructor’s position on the faculty of the Fine Arts Department at the University of Colorado (CU) in Boulder. She after that joined the Art Association of Boulder founded in 1923 by Mrs. Jean Sherwood, an art patron and club woman who relocated from Chicago to teach at the Boulder Chautauqua. Sherwood helped convince Dean Fred B...

James Fellowes Flourished 1719 - 1750 Portrait of William Henry Kerr, Earl of Ancram, 4th Marquess of Lothian Oil on canvas, signed & dated 1747 Image size: 29 1/2 x 24 1/2 inches (75 x 62 cm) Original gilt wood frame William Henry Kerr was born a member of the Scottish peerage to William, third Marquess of Lothian, and his first wife Margaret, daughter of Sir Thomas Nicholson of Kemnay, first Baronet. William was styled Master Jedburgh until 1722, when his father was elevated to a Marquessate, after which he was referred to as Lord Jedburgh until 1735. Following his father’s military footsteps, on 20 June 1735 Ancram was commissioned as a cornet to the regiment (11th Dragoons) of his grand-uncle, Lord Mark Kerr. Ancram married Lady Caroline...

Wine riot. 2021, 70x120 cm

Feu d’artifice

‘Red Roses in Delft pot’, oil on canvas by Henrietta Caledon, still life, unframed, signed. Henrietta Caledon is available online and in our gallery at Wychwood Art...

A fine late 19th century Newlyn School oil on canvas portrait of a Cornish man. Fine quality portrait of the elderly working man seated in a chair wearin...

Antique American modernist cityscape oil painting. Oil on board. Framed.