Panel Paintings

“Essence of the Forest” by Catherine Picard-Gibbs is an abstracted nature scene of a forest. This gestural oil painting on panel is painted in a pale...

This painting entitled "The Prophet Returns" is semi nude male. His hard chiseled body contrasts with the soft flower crown and halo he wears. It is beautifully balanced on the de...

We are please to announce that we are now representing the Pop Art paintings of the artist Matt Straub. We at the gallery have been following his career a...

Alpay Efe's "Vessel" is an original, handmade oil painting that depicts three hands gently overlapping on each other in an almost tender embrace. About th...

Abstract geometric three-dimensional wood wall sculpture in bright pastel hues of sage green, light grey, and beige "Turnabout", hand-carved wooden wall sculpture by Hudson Valley ar...

Eric Michaels is known for his impressionistic scenes from all over the world. His extensive travel allows for his inspiration to flow free and to render locations of the Mid-west, across the US and Europe. Mostly known for his pastoral strong use of oil and watercolor, we are drawn to the poignant brush strokes and vivid use of light throughout each one of his paintings. This piece is a tremendously vivid and alive scene from Pecos, Texas, landscape with snow...

oil and wax on canvas over panel Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of ligh...

Artist: Maya Kabat Title: Super Spatial 18 Medium: Oil on Canvas on Panel Size: 34x20 in Year: 2020 Price: 3,800

This listing contains a set of Four paintings on panel: Goddess of the Subtle Matrix #1, 2020, by Jeanette Fintz 12 x 12 x 2 inches, acrylic on wood panel Signed verso Goddess of the Subtle Matrix #2, 2020, by Jeanette Fintz 12 x 12 x 2 inches, acrylic on wood panel Signed verso Goddess of the Expansion and Manifestation of All Things, 2020, by Jeanette Fintz 12 x 12 x 2 inches, acrylic on wood panel Signed verso Mistress of Realities, 2020, by Jeanette Fintz 12 x 12 x 2 inches, acrylic on wood panel Signed verso Each panel is $2600 each or $9900 for set of four. D-rings on reverse, simple hanging on two nails Four Contemporary abstract geometric paintings on 12 x 12 inch wood panel in colorful shades of orange, burnt sienna, peach and neutrals with pops of Hot Pink, Black and Cobalt Blue The basic form, comprised of rotating circles stems from a geometric configuration created in a large abstraction from 2019 that strongly evoked a maternal quality because of it’s self generating fractal - like growth pattern. Off - shoots of hexagons and rhomboid shapes extend from the circles like building blocks, cellular connections, the underpinnings of unity at the base level of life Working in a space between planning and chance, Jeanette Fintz presents a series of paintings that fuse gestural and geometric abstraction. This body of work continues Fintz’s use of the circle, ellipse and hexagon; motifs that embody references to nature, architecture and the decorative arts. The small paintings from this series offer a bright burst of form and color that would compliment any modern interior. Jeanette Fintz is an established artist working in the Hudson Valley, NY. She has taught at the School of Design Strategies at Parsons the New School for Design, SUNY Purchase, and Pratt Institute, among other American universities. Her work is collected in both private and corporate collections worldwide. To read more about her career, please scroll down for see her detailed CV and biography. Artist Statement: My paintings evolve in a space between planning & chance, systems & spontaneity, conveying contradictions that I view as metaphors for maneuvering through “real “life. In this work I play a fairly high stakes game of improvisation around a motif. Using a working method akin to jazz, I counterpoint systematically repeated elliptical shapes against gestural pours & drips and something unexpected emerges. I am drawn to create complexity, and challenged to unify multiple layers through the physicality of the paint, which fuses & knits together, as well as, ultimately, through the power of color to stabilize & resolve. The ellipse, which is hypnotic & spatial in repetition, & monumental, but not static as a shape unto itself, embodies references to nature and to the decorative arts which are both alluded to in the paintings. (The egg, the mirror, the vulva, or the shield.) Dynamic visual rhythms, in these pieces, the momentum of the repetitive ellipse, are typical of my work and help to maintain order within complexity. Their sources for me are both musical, notably the poly-rhythms of Latin jazz, Brazilian & East Indian music, and are also derived from the decorative arts, particularly textiles. The latter have been a source of excitement, often contributing a playful aspect to the paintings. I intentionally disturb the regularity of pattern, encouraging discordance & uniqueness, and then bring it back home after finding another by - way to work things through. Color is my most intuitive source of inspiration, connecting me to nature; It is also, ironically, my most passionately calculated element. In the primal struggle among sometimes apparently random components, subtlely modulated color clarifies purpose, builds context, and holds the structure together. The intuitive rhythmic order of Jeanette’s paintings prior to 2009 which featured repetitive lines, circles and ellipses clashing with fluid gestural streams of color have given way fully in the new work to a given crystalline geometric substructure that unifies all visual events. This work embraces and employs the Oneness found in sacred geometry as the underpinning for improvised pathways that give each work its uniqueness. Shapes that are found have a “role” to play, to riff off some of Jeanette’s series titles. The earlier pieces acknowledge through the unexpected visual event, the imperfection of the human condition while the newer geometries strive for the expression of spiritual wholeness and connection. About the artist: Jeanette Fintz is an abstract painter, who resides and paints in Hudson, NY. She is also an arts writer and independent curator. The intermix of being a native New Yorker and now, happily, a resident of the lush Hudson River Valley is evident in her work, which combines an urban edginess with the lyrical influences of her natural surroundings. Ms. Fintz was born in Brooklyn NY, educated at Queens College, The New York Studio School and Boston University. Her personal amalgam of NY School formalist principles, and love of natural light and color was initially forged during her summer at the Skowhegan School of Painting & Sculpture where she painted from the Maine landscape. Ms. Fintz lived and worked in the artist communities of Tribeca and Williamsburg, exhibiting regularly in NYC. Jeanette in part, credits the importance of natural light for her decision to transplant home and studio to Surprise. Ms Fintz has filtered nature through her urban sensibility, stretching color motifs towards the heightened and intensified palette often found in the realms of design and fashion. Her pieces have a rhythmic impact stemming both from her enjoyment of jazz and poly-rhythms of Brazilian and Indian origin, which she also sees displayed in the visual rhythms found in textiles and Islamic tile patterns. Jeanette’s involvement with these resources was enhanced by sabbatical travel to Spain’s Andalusia Region (2005 & 2009) to investigate patterning systems found in Moorish tiles and architecture, and to Turkey (2013), where she focused on the Iznik, Byzantine and Greco-Roman tiles and frescoes. Jeanette also had immersed herself in textile patterns and Ikat designs during her yearlong sojourn in Malaysia, where she was founding faculty in a new Parsons School of Design affiliate in Kuala Lumpur (1996-97). Selected Grants and Awards include 2015 EYP Architecture & Engineering Award, Artists of the Mohawk Hudson Region 2015 Trustees Award, Albany Institute of History & Art 2013 Sabbatical, Parsons the New School For Design 2008 The Emil & Dines Carlsen Award / Painting, National Academy of Design 2005 Sabbatical, Parsons the New School for School Design 2005 Sudden Opportunity Stipend 2003 Faculty Development Award, Parsons, the New School for School for Design 1995-92 Sudden Opportunity Stipend, NYFA Rensselaer County Council for the Arts 1993 N Y F A, Artists Fellowship / Drawing 1990 E. D. Foundation Grant / Painting 1984 Ludwig Vogelstein Grant / Painting 1980 The Ingram Merrill Award / Painting 1975 Purchase Prize, Painting, Skowhegan School for Painting & Sculpture Ms Fintz has taught as an Assistant Professor of Art & Design, in the School of Design Strategies at Parsons the New School for Design for 17 years. At Purchase College, SUNY, Jeanette taught all levels of painting and drawing for 12 years as Assistant Professor in the BFA conservatory program. She also has taught at Pratt Institute, Brooklyn, NY, Hobart & William Smith Colleges, Geneva, NY, The University of Southern Maine, Portland, The University of the Arts, Philadelphia, PA, and SUNY, Albany. Jeanette shows her work at the Garvey Simon Gallery, New York, NY, Fox Gallery, New York, NY, Geoffrey Young Gallery, Great Barrington MA, the Thompson Giroux Gallery, Chatham NY, Cross Contemporary Gallery, Saugerties, NY. Recent projects include a solo show at Garvey Simon Gallery, NY NY (Sept. 7 - Oct, 2017), and a curatorial project, "The Ritual of Construction," at the Kleinert James Center, Woodstock Byrdcliff Guild (May 19 - July , 2017). Ms Fintz’s Residencies and Fellowships include: The MacDowell Colony, The Millay Colony for the Arts, The Ucross Foundation, and Altos De Chavon & Ossabaw Island Project. Jeanette’s selected Visiting Artist spots include Art New England, Bennington College, Bennington, VT, Ohio State University, Columbus, OH, Illinois State University, Normal, IL, Hobart & William Smith Colleges, Geneva NY. Ms. Fintz received her MFA from Boston Universtiy SFA (1975 ), and her BA from Queens College CUNY (1972). She attended the New York Studio School (1972-73), and received a scholarship to the Skowhegan School in 1975. Ms Fintz’s work can be found in many national & international collections. Collections Par Capital Management Boston MA VYV Apartments, Luxury High Rise, Jersey City, NJ Boca Raton Yacht Club, Waldorf Astoria Resort, Boca Raton, FL Liberty Mutual Insurance Company, Boston, MA, and Plano, TX Robert A.M. Stern Architectural Project, Washington DC Capital G Bank Hamilton, Bermuda Brigham & Women's Hospital, Foxboro, MA Wilmer Cutler Pickering Hale & Dorr, Boston, MA Posternak Blankstein & Lund, Boston, MA Hale & Dorr, Boston, MA Analysis Group, Boston, MA National Televison, 7 Kuala Lumpur, Malaysia Christmas Island Phosphate, Singapore Jewish Free Loan Association, Los Angeles CA Rabobank NYC Commerzbank, New York, NY Commerzbank 2, World Financial Center, New York, NY National Television 7, Kuala Lumpur, Malaysia Hobart & William Smith Colleges, Geneva, NY Skowhegan School, Skowhegan, Maine Collection of Minister of Agriculture Datuk Effendi & Datin Norwawi Collection of the Former Prime Minister Datuk Seri Dr Mahathir Mohamed of Malaysia Jim & Debbie Ellickson -Brown, Cultural Attache, American Embassy, Kuala Lumpur Malaysia (1996) Rohana Tan Sri Mahamad, Kuala Lumpur, MY Suherwan Abu, Kuala Lumpur, MY & Singapore Valentine Willie, Kuala Lumpur, MY Aloysious Goh, Singapore Betsey Swan & Chris Calder, Albuquerque NM Carrie Chen & Stanley Cohen Center Hill, Copake, NY Albert & Linda Eskenazi, Montreal, CA Barbel & Peter Starz, Toulouse, FR Clarissa & Jean Kueller, Rio de Janeiro, Brazil Mr. & Mrs. Andre Keller, K L, MY & Geneva, Switzerland Shirley Greitzer, Esq. Washington DC Mark Meltzer, Los Angeles & Palm Springs, CA Joel & Fran Soroka, Aspen, Colorado Estate of Hella and Carl Ossenberg, NYC & Palm Beach, FL Estate of Gabriel Laderman, New York, NY Stephen Westfall, New York, NY Dr & Mrs Joseph Delisi, Lake Hopatcong, NJ Dr & Mrs Chris Calder & Besty Swan, Menands, NY Carol & Joachim Frank, NY, NY Mark Pettygrove, Los Angeles, CA George A Schulman, Los Angeles, CA Gerald De Silva, Los Angeles, CA Caryl Horn, Port Richmond, CA Joe & Cathy Plumber, Cold Spring, NY Molly Doland, Esq. Washington DC Bethany Beardslee Winham, Rhinebeck, NY David Fox & Associates, Inc. Briarcliff Manor, NY Eric & Carolyn Egas, Greenviille, NY & Vieques, PR Jin Zeng, New York, NY Selected Solo Exhibitions 2017 “Worldline Schreiber Paintings, plus...," Garvey/Simon Gallery 547 W 27th St, New York, NY 2016 "The Presence of the Invisible Proposition," Koussevitsky Art Gallery, Berkshire Community College, Pittsfield, MA 2012 "Andalusian Shards," The Wall Street Journal Bldg Lobby, New York, NY 2012 "The Plaid Paintings...

The Police, unique painting on panel with black frame. Enamels and acrylics, hand-signed. Realized in 2018. Dimensions with frame: approximately 76 x 86 cm.

INTERGALACTIC BOTTLE SERVICE is a playful title, it draws the viewer into the work by activating the imagination—that playful part of ourselves that makes artistic creativity possible. I titled this work based on my wife’s reaction, who upon seeing the work exclaimed "It's like drinking champagne on a spaceship!" When viewers look at this piece, I would delight in them having the same reaction, and running away with their imaginations. Now, when I look at this work, I imagine my partner and I propelled five hundred years into the future, where this work is displayed in a very exclusive VIP lounge on a luxury spaceship. Here, in the red velveteen booth beneath this painting the bourgeoisie are wearing white 1920’s...

Broken Bridge (Abstract Painting) Oil on panel - Unframed Ashlynn Browning's recurring use of grids, networks may recall architectural structures, but these are only created in res...

Harry P Jr Sutton (1897 - 1984) was active/lived in Massachusetts. Harry Sutton is known for figures, interiors, and still life painting. This is a uniq...

James Havard draws from Native American, African tribal and outsider art for his abstract figurative style which evokes the psychological renderings of a dream. The American artist was known as a pioneer of “abstract illusionism...

Oil & acrylic on panel colorful cityscape childlike abstraction In 2012, Dimitri received Fellowships in Painting from the Vermont Studio Center and the Rhode Island State Council o...

Eddy Lee’s figurative surrealist portrait paintings on exposed wood depict emotive sirens who evoke a sense of mystery and seductiveness. His original artworks combine geometric elements with innocent women portraits seeking to trigger emotions, rather than communicating specific explanations. He reconciles the unconscious with rational life, exploring the power of dreams, embracing automatism, and freeing his subjects from the constraints of conscious thought. This colorful, intriguing portrait is painted with acrylic and gouache on a hand-built cradled wood panel. This one-of-a-kind original artwork is 48 inches high by 36 inches wide and is signed by the artist on the back. It is wired and ready to hang. It does not require framing. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included with this unique work. Originally from Seattle, Washington, Eddy Lee relocated to Los Angeles in late 2012 to pursue a full-time career as a fine artist. He started his career on the Venice Beach Boardwalk and quickly gained a large following across the United States with exhibitions in San Francisco, Las Vegas, and Los Angeles. The artist’s work is inspired by the works of Audrey Kawasaki...

"Red angel" is a wood decorated colored Panel. It is created by the French artist Maestro Eric Liot. About the artwork: TECHNIQUE: Mixt, Low reliefs, wo...

Michael Tole is a figurative painter currently living in Tempe, AZ with his wife and daughters. A Texas native, most of his 20 year long career was spent...

BOOM! mixed oils on panel 40 x 70 inches (unframed, raw wood sides) $14,500 Joe Ostraff is a professor of art at Brigham Young University. He received a BFA from Brigham Young Univ...

Michael Tole is a figurative painter currently living in Tempe, AZ with his wife and daughters. A Texas native, most of his 20 year long career was spent in Dallas. After relocating to Tempe, his work experienced a significant shift from photo-based paintings of retail interiors to fantastical figurative inventions based on pop culture imagery he has encountered via his two daughters’ taste in music videos, and his proximity to Southern California and it’s particular brand of Disney-esque hedonism. Mr. Tole’s career includes shows in New York, Los Angeles, San Francisco, Dallas, and Miami. His work has been reviewed in Art Forum International...

Dana Hawk's "Waterspout - Webber's Reward" is an original, handmade oil painting that depicts a brown spider inching along a branch of blooming white flowers...

"Vanitas de Plata" is a wood decorated colored Panel. It is created by the French artist Maestro Eric Liot. About the artwork: TECHNIQUE: Mixt, Low reliefs, wood panel assemblag...

Condensate B

Original Orit Fuchs Painting

Artist

Spanish school, circa 1400 The prophet Daniel Tempera on panel with gilding 35.1/4 x 10.5/8 in. (89.5 x 28 cm.) Condition: The painting has been recently stabilised and cleaned up. ...

Matteo Di Ventra's (US based) "Restful Fairy" is an original, handmade oil painting that depicts a surreal nude figure with butterfly wings

Michael Tole is a figurative painter currently living in Tempe, AZ with his wife and daughters. A Texas native, most of his 20 year long career was spent in Dallas. After relocating to Tempe, his work experienced a significant shift from photo-based paintings of retail interiors to fantastical figurative inventions based on pop culture imagery he has encountered via his two daughters’ taste in music videos, and his proximity to Southern California and it’s particular brand of Disney-esque hedonism. Mr. Tole’s career includes shows in New York, Los Angeles, San Francisco, Dallas, and Miami. His work has been reviewed in Art Forum International...

Winter Study #4, 2020

Nan Hass Feldman's “The Village Lamps" is a 20 x 20 x 2 inch oil painting on panel that is from The Interiors series inspired by visits to the homes of va...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconscious associations. His paintings are thick with paint, poured pigment and saturated washes with layers of drawing and collage. While Nelson's work is akin to outsider, folk art, it should be noted that he received his MFA from Arizona State University in 1995 and has completed commissions for clients as diverse as the National Endowment for the Arts, the United States Postal Service...

Artist: Josef Hallberg (Austrian, Born in 1912- ) Title: The Ploughman Medium: Oil on Panel Dimensions: Framed 14” x 12”, Unframed 9” x 7” Description An oil painting of an Aust...

"We are never so well served as by ourselves" is a wood decorated colored Panel. It is created by the French artist Maestro Eric Liot. About the artwork: ...

Mixed media on wooden panel - artwork can be shipped only in a crate

Lisa Fricker's (US based) "Three Monkeys (Triptych)" is a set of three oil paintings that depict a figure who is holding their hands over their mouth, ov...

"Apple," 2019. Enamel on panel, sign painting, black, white, yellow, green and red. Hand lettering, weathered, apple, and text. ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Jodi Fuchs creates artworks that speak to the chaos and stillness (and the reconciliation of these two forces) that is inherent in the human experience. She focuses on creating moder...

Semi Precious (Abstract Painting) Acrylic on wood panel - Unframed. This artwork is exclusive to IdeelArt. The works of San Francisco Bay Area-based abstract painter Irene Nelson...

Patron of the arts and sciences Ann Getty (1941–2020) brought the same bounteousness to her interiors as she did to her philanthropy, most notably at the 191...

This artwork depicts a view of a red and white building, with white spray painted tags on the red wall, and metallic staircases. This piece was created with a mixed technique of acr...

Linear momentum (Abstract painting) Pigmented beeswax, oil and Collage on wood panel. Unframed. This work was created and exhibited at the same time as the series (r) evolution, and was conceived using a similar process: many layers of encaustic are applied, then hand cut squares of Japanese paper which have been dipped in encaustic are mounted on the panel. Finally, each square is covered with clear encaustic medium, then painted with oil to create spatial depth. It was inspired by the artist’s ongoing interest in music and music theory. It is about pattern, rhythm, and intervals of notes as exemplified by the choice and placement of color. Adams has been intrigued by math and serial systems since her days of graduate school at New England Conservatory (Boston, Massachusetts) when John Cage was composer in residence at Harvard University. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Broken Bridge (Abstract painting) Oil on panel - Unframed Ashlynn Browning's recurring use of grids, networks may recall architectural structures, but these are only created in res...

John Grabach "Artist and Model" Original Oil Painting c.1950 Original oil on panel Dimensions 16" wide x 12" high The frame measures 21" wide x 17" high Signed lower margin at ce...

"Panasonic," 2019. Enamel on panel, sign painting, black, white, yellow, green and red. Hand lettering, bananas, stamp, and text. ...

Acrylic on wood of six heads by Purvis Young. From the artist to Vanity Novelty Garden, Tamara Hendershot To Rising Fawn Folk Art, The Jimmy Hedges Collection of Outsider Art.

In this work by Laurie Barmore, the artist's hand is exceedingly present. Using strong strokes of blue and pink creates its own essences of form atop washes of whites and green. Spil...

American, b. 1948 What is “sharp focus” drawing? Put very simply, it is a rendering with refined, precise line and tone to create a lifelike representation of the subject matter. It...

In this work by Laurie Barmore, the artist's hand is exceedingly present. Using strong strokes of black and pink creates its own essences of form atop washes of whites and yellows. ...

In this work by Laurie Barmore, the artist's hand is exceedingly present. Using strong strokes of black creates its own essences of form atop washes of whites, yellow and rust. Spill...

Purity, 2019

Artist Commentary: I create abstract paintings that distill the light, the intense colors, and the constant movement in nature. The final visual is pure, ethereal, and cosmic with n...

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

Ryan Morse's "Hazel" is an original, handmade oil painting that depicts a closeup portrait of a hazel hued eye with a dark arching eyebrow.

Created with oil on panel, and using her non-dominant hand, the performers series reveals the rich brushwork and deft confidence with which Audrey Anastasi paints her compelling imag...

Linear momentum (Abstract painting) Pigmented beeswax, oil and Collage on wood panel. Unframed. This work was created and exhibited at the same time as the series (r) evolution, and was conceived using a similar process: many layers of encaustic are applied, then hand cut squares of Japanese paper which have been dipped in encaustic are mounted on the panel. Finally, each square is covered with clear encaustic medium, then painted with oil to create spatial depth. It was inspired by the artist’s ongoing interest in music and music theory. It is about pattern, rhythm, and intervals of notes as exemplified by the choice and placement of color. Adams has been intrigued by math and serial systems since her days of graduate school at New England Conservatory (Boston, Massachusetts) when John Cage was composer in residence at Harvard University. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Exploring the Wild, 2020

Artist Statement: My interest is in creating a permanent record of the impermanence of our world. In considering the exquisiteness of a moment shared, of a new connection, a new tho...