Panel Paintings

Ewe in a Sunflower Field, Oil on Panel Painting by Jo Aylward B. 1974, 2023 Additional information: Medium: Oil on panel Dimensions: 22 x 40 cm 8 5/8 x 15 3/4 in Signed Jo Aylward ...

Yellow Tree Painting by Nicholas Turner B. 1972, 2023 Additional information: Medium: Oil on panel Dimensions: 20.3 x 25.4 cm 8 x 10 in Signed, dated and titled on the reverse. Nic...

Diego Benéitez began his career in the world of urban art. He pursued artistic training and since 2010 has focused on painting, exhibiting widely both nationally and internationally....

Kevin Frank is represented by George Billis Gallery. Kevin Frank statement: For me, combining the techniques of the ancient Greco-Roman painters with those of the old and new master...

Paula Cahill's linear abstract compositions are often comprised of a single, luminous line that meanders, changes color, and seamlessly connects back to itself. This piece combines C...

Alberto Zardo, Italian Impressionist painter. Born in 1876, died in 1959. Framed (12.75 x 16.75 inches)

Light blue and pale golden yellow encaustic (pigmented beeswax) painting on birch panel accented with light orange highlights and pale peach edges. Signed, dated and titled on verso....

This painting features vibrant hues of yellow, red, and green. Chattanooga-based artist Christina Renfer Vogel holds an MFA from the Massachusetts College of Art and a BFA from Tyle...

In this horizontal landscape painting on panel, a sense of wonderment and whimsy is conveyed in McAdams' blending of fantasy and realism. The artist's unique ballpoint ink process creates striations of bright pink, blue, and yellow in vertical stripes across the background. Hot air balloons float through a colorful striped sky, while layers of resin suggest depth within the surface. A vast mountain range is depicted in oil along the bottom of the composition. Signed, dated and titled on verso. McAdams’ work is about landscape in the broadest sense. The artist grew up in the desert southwest...

This piece titled "Home Plate 8" is an original artwork made from oil paint and acrylic on panel by Lauren Rinaldi. This piece is freestanding and measures approx. 7.25"h x 2.5"w x 2...

This piece titled "Home Plate 7" is an original artwork made from oil paint and acrylic on panel by Lauren Rinaldi. This piece is freestanding and measures ...

'Cherries & Peach' by Casas. Contemporary Photorealist Still life painting with peach, cherries, glass and jug. Perfect for a kitchen or dining room. M...

A yellow encaustic (pigmented beeswax) painting on birch panel accented with light neon lemon yellow edges. Signed, dated and titled on verso. Joanne Mattera’s paintings can be desc...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Mixed media on Korean traditional paper (Jangji) & wood panel

Mixed media on Korean traditional paper (Jangji) & wood panel

Mixed media on Korean traditional paper (Jangji) & wood panel

On and Off the Grid 2 (Abstract painting) acrylic and Flashe on wood panel His paintings have an overwhelming presence with their colour and structure, where gestural curves, unco...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

keywords; materiality, texture, oil painting, contemporary painting, ooze, perforation, Lucio Fontana, process-based, repetition, abstract painting, patterns, impasto, yellow, bee, p...

Robin Hextrum's (US based) "Peony with Yellow Patterns" is an original, handmade oil painting that depicts a pink and white peony with a yellow pattern in the background. Robin Hex...

PLAYLIST In the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and...

In the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...

PLAYLIST In the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and...

n the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans o...

In the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...

n the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans o...

In the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...

In the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...

PLAYLIST In the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and...

Honey Cream Violet Ink (Abstract Painting) Oil on Panel - Unframed The dimension of the entire piece (the way it is shown hanging) is approximately 17X19/43.2x48.3cm Dimensions of ...

Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...

Contemporary Still Life Painting 'Loquats & Chinese Bowl' by Barbara Vanhove. Inspired by the Dutch Masters. Barbara was born in Watermael-Boisfort in Belgium in 1974. She showed an...

Study after Laocoon 1 El Greco (Abstract painting) Acrylic on panel - Unframed. This work is part of the series Abstract Studies after Old Masters. Dana Go...

Artist Commentary: This piece is part of a series I've been working on about my recent trip visiting family in the Philippines. The paintings all contain layered elements of plants, ...

Jennifer Hornyak was born in England, where she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious ga...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

Honey Cream Violet Ink (Abstract Painting) Oil on Panel - Unframed The dimension of the entire piece (the way it is shown hanging) is approximately 17”X19""""/43.2x48.3cm Dimension...

Original oil painting by Jacob Hicks.

Contemporary abstract geometric painting on 12 x 12 inch wood panel in colorful shades of orange, burnt sienna, with pops of yellow, grey, and white 'Mistress of All Realities', 2020, by Jeanette Fintz 12 x 12 x 2 inches, acrylic on wood panel Signed verso D-rings on reverse, simple hanging on two nails *There are three other paintings in the series, see REF LU2278336542 to purchase a set of 4 works The basic form, comprised of rotating circles stems from a geometric configuration created in a large abstraction from 2019 that strongly evoked a maternal quality because of it’s self generating fractal - like growth pattern. Off - shoots of hexagons and rhomboid shapes extend from the circles like building blocks, cellular connections, the underpinnings of unity at the base level of life. Working in a space between planning and chance, Jeanette Fintz presents a series of paintings that fuse gestural and geometric abstraction. This body of work continues Fintz’s use of the circle, ellipse and hexagon; motifs that embody references to nature, architecture and the decorative arts. The small paintings from this series offer a bright burst of form and color that would compliment any modern interior. Jeanette Fintz is an established artist working in the Hudson Valley, NY. She has taught at the School of Design Strategies at Parsons the New School for Design, SUNY Purchase, and Pratt Institute, among other American universities. Her work is collected in both private and corporate collections worldwide. To read more about her career, please scroll down for see her detailed CV and biography. Artist Statement: My paintings evolve in a space between planning & chance, systems & spontaneity, conveying contradictions that I view as metaphors for maneuvering through “real “life. In this work I play a fairly high stakes game of improvisation around a motif. Using a working method akin to jazz, I counterpoint systematically repeated elliptical shapes against gestural pours & drips and something unexpected emerges. I am drawn to create complexity, and challenged to unify multiple layers through the physicality of the paint, which fuses & knits together, as well as, ultimately, through the power of color to stabilize & resolve. The ellipse, which is hypnotic & spatial in repetition, & monumental, but not static as a shape unto itself, embodies references to nature and to the decorative arts which are both alluded to in the paintings. (The egg, the mirror, the vulva, or the shield.) Dynamic visual rhythms, in these pieces, the momentum of the repetitive ellipse, are typical of my work and help to maintain order within complexity. Their sources for me are both musical, notably the poly-rhythms of Latin jazz, Brazilian & East Indian music, and are also derived from the decorative arts, particularly textiles. The latter have been a source of excitement, often contributing a playful aspect to the paintings. I intentionally disturb the regularity of pattern, encouraging discordance & uniqueness, and then bring it back home after finding another by - way to work things through. Color is my most intuitive source of inspiration, connecting me to nature; It is also, ironically, my most passionately calculated element. In the primal struggle among sometimes apparently random components, subtlely modulated color clarifies purpose, builds context, and holds the structure together. The intuitive rhythmic order of Jeanette’s paintings prior to 2009 which featured repetitive lines, circles and ellipses clashing with fluid gestural streams of color have given way fully in the new work to a given crystalline geometric substructure that unifies all visual events. This work embraces and employs the Oneness found in sacred geometry as the underpinning for improvised pathways that give each work its uniqueness. Shapes that are found have a “role” to play, to riff off some of Jeanette’s series titles. The earlier pieces acknowledge through the unexpected visual event, the imperfection of the human condition while the newer geometries strive for the expression of spiritual wholeness and connection. About the artist: Jeanette Fintz is an abstract painter, who resides and paints in Hudson, NY. She is also an arts writer and independent curator. The intermix of being a native New Yorker and now, happily, a resident of the lush Hudson River Valley is evident in her work, which combines an urban edginess with the lyrical influences of her natural surroundings. Ms. Fintz was born in Brooklyn NY, educated at Queens College, The New York Studio School and Boston University. Her personal amalgam of NY School formalist principles, and love of natural light and color was initially forged during her summer at the Skowhegan School of Painting & Sculpture where she painted from the Maine landscape. Ms. Fintz lived and worked in the artist communities of Tribeca and Williamsburg, exhibiting regularly in NYC. Jeanette in part, credits the importance of natural light for her decision to transplant home and studio to Surprise. Ms Fintz has filtered nature through her urban sensibility, stretching color motifs towards the heightened and intensified palette often found in the realms of design and fashion. Her pieces have a rhythmic impact stemming both from her enjoyment of jazz and poly-rhythms of Brazilian and Indian origin, which she also sees displayed in the visual rhythms found in textiles and Islamic tile patterns. Jeanette’s involvement with these resources was enhanced by sabbatical travel to Spain’s Andalusia Region (2005 & 2009) to investigate patterning systems found in Moorish tiles and architecture, and to Turkey (2013), where she focused on the Iznik, Byzantine and Greco-Roman tiles and frescoes. Jeanette also had immersed herself in textile patterns and Ikat designs during her yearlong sojourn in Malaysia, where she was founding faculty in a new Parsons School of Design affiliate in Kuala Lumpur (1996-97). Selected Grants and Awards include 2015 EYP Architecture & Engineering Award, Artists of the Mohawk Hudson Region 2015 Trustees Award, Albany Institute of History & Art 2013 Sabbatical, Parsons the New School For Design 2008 The Emil & Dines Carlsen Award / Painting, National Academy of Design 2005 Sabbatical, Parsons the New School for School Design 2005 Sudden Opportunity Stipend 2003 Faculty Development Award, Parsons, the New School for School for Design 1995-92 Sudden Opportunity Stipend, NYFA Rensselaer County Council for the Arts 1993 N Y F A, Artists Fellowship / Drawing 1990 E. D. Foundation Grant / Painting 1984 Ludwig Vogelstein Grant / Painting 1980 The Ingram Merrill Award / Painting 1975 Purchase Prize, Painting, Skowhegan School for Painting & Sculpture Ms Fintz has taught as an Assistant Professor of Art & Design, in the School of Design Strategies at Parsons the New School for Design for 17 years. At Purchase College, SUNY, Jeanette taught all levels of painting and drawing for 12 years as Assistant Professor in the BFA conservatory program. She also has taught at Pratt Institute, Brooklyn, NY, Hobart & William Smith Colleges, Geneva, NY, The University of Southern Maine, Portland, The University of the Arts, Philadelphia, PA, and SUNY, Albany. Jeanette shows her work at the Garvey Simon Gallery, New York, NY, Fox Gallery, New York, NY, Geoffrey Young Gallery, Great Barrington MA, the Thompson Giroux Gallery, Chatham NY, Cross Contemporary Gallery, Saugerties, NY. Recent projects include a solo show at Garvey Simon Gallery, NY NY (Sept. 7 - Oct, 2017), and a curatorial project, "The Ritual of Construction," at the Kleinert James Center, Woodstock Byrdcliff Guild (May 19 - July , 2017). Ms Fintz’s Residencies and Fellowships include: The MacDowell Colony, The Millay Colony for the Arts, The Ucross Foundation, and Altos De Chavon & Ossabaw Island Project. Jeanette’s selected Visiting Artist spots include Art New England, Bennington College, Bennington, VT, Ohio State University, Columbus, OH, Illinois State University, Normal, IL, Hobart & William Smith Colleges, Geneva NY. Ms. Fintz received her MFA from Boston Universtiy SFA (1975 ), and her BA from Queens College CUNY (1972). She attended the New York Studio School (1972-73), and received a scholarship to the Skowhegan School in 1975. Ms Fintz’s work can be found in many national & international collections. Collections Par Capital Management Boston MA VYV Apartments, Luxury High Rise, Jersey City, NJ Boca Raton Yacht Club, Waldorf Astoria Resort, Boca Raton, FL Liberty Mutual Insurance Company, Boston, MA, and Plano, TX Robert A.M. Stern Architectural Project, Washington DC Capital G Bank Hamilton, Bermuda Brigham & Women's Hospital, Foxboro, MA Wilmer Cutler Pickering Hale & Dorr, Boston, MA Posternak Blankstein & Lund, Boston, MA Hale & Dorr, Boston, MA Analysis Group, Boston, MA National Televison, 7 Kuala Lumpur, Malaysia Christmas Island Phosphate, Singapore Jewish Free Loan Association, Los Angeles CA Rabobank NYC Commerzbank, New York, NY Commerzbank 2, World Financial Center, New York, NY National Television 7, Kuala Lumpur, Malaysia Hobart & William Smith Colleges, Geneva, NY Skowhegan School, Skowhegan, Maine Collection of Minister of Agriculture Datuk Effendi & Datin Norwawi Collection of the Former Prime Minister Datuk Seri Dr Mahathir Mohamed of Malaysia Jim & Debbie Ellickson -Brown, Cultural Attache, American Embassy, Kuala Lumpur Malaysia (1996) Rohana Tan Sri Mahamad, Kuala Lumpur, MY Suherwan Abu, Kuala Lumpur, MY & Singapore Valentine Willie, Kuala Lumpur, MY Aloysious Goh, Singapore Betsey Swan & Chris Calder, Albuquerque NM Carrie Chen & Stanley Cohen Center Hill, Copake, NY Albert & Linda Eskenazi, Montreal, CA Barbel & Peter Starz, Toulouse, FR Clarissa & Jean Kueller, Rio de Janeiro, Brazil Mr. & Mrs. Andre Keller, K L, MY & Geneva, Switzerland Shirley Greitzer, Esq. Washington DC Mark Meltzer, Los Angeles & Palm Springs, CA Joel & Fran Soroka, Aspen, Colorado Estate of Hella and Carl Ossenberg, NYC & Palm Beach, FL Estate of Gabriel Laderman, New York, NY Stephen Westfall, New York, NY Dr & Mrs Joseph Delisi, Lake Hopatcong, NJ Dr & Mrs Chris Calder & Besty Swan, Menands, NY Carol & Joachim Frank, NY, NY Mark Pettygrove, Los Angeles, CA George A Schulman, Los Angeles, CA Gerald De Silva, Los Angeles, CA Caryl Horn, Port Richmond, CA Joe & Cathy Plumber, Cold Spring, NY Molly Doland, Esq. Washington DC Bethany Beardslee Winham, Rhinebeck, NY David Fox & Associates, Inc. Briarcliff Manor, NY Eric & Carolyn Egas, Greenviille, NY & Vieques, PR Jin Zeng, New York, NY Selected Solo Exhibitions 2017 “Worldline Schreiber Paintings, plus...," Garvey/Simon Gallery 547 W 27th St, New York, NY 2016 "The Presence of the Invisible Proposition," Koussevitsky Art Gallery, Berkshire Community College, Pittsfield, MA 2012 "Andalusian Shards," The Wall Street Journal Bldg Lobby, New York, NY 2012 "The Plaid Paintings...

Study after Laocoon 1 El Greco (Abstract painting) Acrylic on panel - Unframed. This work is part of the series Abstract Studies after Old Masters. Dana Go...

Study after Laocoon 1 El Greco (Abstract painting) Acrylic on panel - Unframed. This work is part of the series Abstract Studies after Old Masters. Dana Go...

Sargent Walker's "Black Miracle" is a 12 x 12 inch acrylic and oil painting on wood panel. A small black and red bird sits atop a branch facing a human hand drawn in graphite against...

This large, abstract painting is made with acrylic paint on panel. The piece features a bright yellow-orange background with small, blue and white rectangular shapes that criss-cross...

Represented by George Billis Gallery, NYC & LA --Having worked from a studio in the Gowanus area of Brooklyn for two decades, Elizabeth O'Reilly is at home in the abandoned precincts...

Cynara Shine, 2018 Abstract Mixed Media Encaustic cynara and encaustic on panel 16 1/2" X 16" This modern abstract encaustic painting by Allyson Levy is made with assorted cynara e...

In the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...

Growing up on the beaches of South Florida and in the mountains of Colorado, Renee became enamored by the natural world at a very young age. Exploring life’s natural cycles at variou...

These new paintings and works on paper are the outgrowth of experimentation that seeks to bring the work to a newer outpost of Baker’s search for an honest self-revelation. The new s...

These new paintings and works on paper are the outgrowth of experimentation that seeks to bring the work to a newer outpost of Baker’s search for an honest self-revelation. The new s...

About the series COLOR BOMBS I want the Color Bombs to be beacons of positivity that can radiate across the room or whisper quietly beside you. I love the freedom and openness of co...

In the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...

In the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...

In the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...

Oil on Panel

In the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...

In the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...

In the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...