Paper Paintings

Paritosh Sen - Untitled - 12 x 18 inches (unframed size) Mixed Media on Paper , 2002 An illustrator and a painter, Paritosh Sen is one of the most celebrated painters of the Indian...

He is a multidisciplinary visual artist wherein his works critically intervene with natural resources, ecology interlacing them with a social consciousness to reflect interactions between humans and the natural world. "Conflict between nature and culture is always settled with the victory of the former." Dhiraj Pednekar.

"A Small City Park", acrylic and watercolor on paper by Denver artist Edward Marecak (1919-1993) of an abstract park broken into four quadrants, separated by brown and white striped borders with different shaped ponds. Inspired by City Park in Denver, Colorado where the artist frequented. Presented framed with all archival materials, outer dimensions measure 21 ¾ x 18 ¾ inches. Image size measures 12 x 15 inches. Painting is clean and in good condition - please contact us for a detailed condition report. Provenance: Estate of Edward Marecak Expedited and international shipping is available - please contact us for a quote. About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of "Peter and the Wolf," awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier ouevre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s he was influenced by surrealist imagery and Paul Klee, and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish, foreshadowed the output of his entire Colorado-based career, distinguished by a dramatic use of color, intricacy of execution and attention to detail contributing to their visual impact. He once observed, "Each time I start a new painting I always fool myself by saying this time keep it simple and not get entangled with such complex patterns, color and design; but I always find myself getting more involved with richness, color and subject matter." An idiosyncratic artist proficient in oil, acrylic, watercolor, gouache and casein, he did not draw upon Colorado subject matter for his work, unlike many of his fellow painters in the state. Instead he used Midwest landscape imagery, bringing to life in it witches and spirits adapted from the Slovakian folk tales he heard growing up in Ohio. A number of his paintings depict winter witches derived from the Slovak custom in the Tatra Mountains of burning an effigy of the winter witch in the early spring to banish the memory of a hard winter. The folk tale element imparts a dream-like quality to many of his paintings. A devote of Greek mythology, he placed the figures of Circe, Persephone, Sybil, Hera and others in modern settings. The goddess in Persephone Brings a Pumpkin to her Mother, attired as a Midwestern farmer’s daughter, heralds the advent of fall with the pumpkin before departing to spend the winter season in the underworld. Train to Olympus, the meeting place of the gods in ancient Greece, juxtaposes ancient mythology with modernity creating a combination of whimsy and thought-provoking consideration for the viewer. Voyage to Troy #1 alludes to the ancient city that was the site of the Trojan Wars, but has a contemporary, autobiographical component referencing the harbor of the Aleutian Islands recaptured from the Japanese during World War II. In the 1980s Marecak used the goddess Hera in his painting, Hera Contemplates Aspects of the Art Nouveau, to comment on art movements in the latter half of the twentieth century Marecak’s love of classical music and opera, which he shared with his wife and to which he often listened while painting in his Denver basement studio, is reflected in Homage of Offenbach, an abstract work translating the composer’s musical colors into colorful palette. Pace, Pace, Mio Dio, the title of his earliest surrealist painting, is a soprano aria from Verdi’s opera, La Forza del Destino (The Force of Destiny or Fate, a favorite Marecak subject). His Queen of the Night relates to a character from Mozart’s opera, The Magic Flute. In addition to paintings and works on paper, he produced hooked rugs, textiles and ceramics. He likewise produced designs for ceramics, tableware and furniture created by his wife Donna, an accomplished Colorado ceramist. Both of them generally eschewed exhibitions and galleries, preferring to quietly do their work while remaining outside of the mainstream. He initially exhibited at the Colorado Springs Fine Arts Center in 1948 receiving a purchase award. The following year he had his first one-person show of paintings and lithographs at the Garrett Gallery in Colorado Springs. In the 1950s and early 1960s he participated in group exhibitions at the Print Club (Philadelphia); Amarillo Public Library (Texas); annual Blossom Festival Show (Canon City, Colorado); Adele Simpson’s "Art of Living" in New York; Denver Art Museum; and the Fox Rubenstein-Serkey Gallery (Denver); but he did not have another one-person show until 1966 at the Denver home of his friends, John and Gerda Scott. They arranged for his first one-person show outside of Colorado held two years later at the Martin Lowitz Gallery in Beverly Hills and Palm Springs, California. That same year his work was featured at the Zantman Galleries in Carmel, California. Thereafter he became an infrequent exhibitor after the 1970s so that his work was rarely seen outside his basement studio. In 1980 he, his wife and Mark Zamantakis exhibited at Denver’s Jewish Community Center, and four years later he had a one-person show at the Studio Gallery in Denver. In 1992 he was included in a group show at the Rule Modern and Contemporary Gallery in Denver, and a year later received a large, posthumous retrospective at the Emmanuel...

Cosmas and Damian is an original painting realized by the Italian artist Salvatore Travascio in 2012. This beautiful artwork is a diptych in oil pai...

Blooming Flower Pots is a Watercolor and Gouache over Pencil on White Paper .It is framed and ready to be shipped. One artists described Santoli's paintings as "Now that is a world class oil painting! Realistic casual brush work. The best I have seen. Delicious !! " Artist Statement: I simply love painting and my goal is to capture sunlight and color so that viewers can enjoy it as well. Eric...

Vladimir Udatny (Russian, * 1920, † 1972) Abstract Composition • Polychromatic Monotype on heavy paper • Sheet, ca. 50 x 65 cm • Inscribed in pencil lower left & signed lower righ...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

This painted work-on-paper is an abstract geometric design that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The densely layered compositio...

Paritosh Sen - Untitled - 12 x 18 inches (unframed size) Mixed Media on Paper , 2002 An illustrator and a painter, Paritosh Sen is one of the most celebrated painters of the Indian...

"Fume" Acrylic on canvas 39" x 39" inch painting by Tom Barnabi Tom Barnabi is a part of the modern generation of artists, who managed to absorb several c...

Mixed media on paper, Framed 29 x 17 x 2 cm

ARTIST: Aibek Begalin WORK: Original acrilic graphics, handmade artwork Medium: Acrylic and ink on paper YEAR: 2020 STYLE: Modern SUBJECT: FAIRY QUEEN SIZE...

Detail #6 - Part of Jon Rowland's 'Portraying the Essence' theme. As with Detail #4 this theme has emerged as some of the paintings and sketches themselves have been deconstructed and abstracted. This provides the opportunity to play with colour and shape, and to create paintings of detail and depth. Scenes are painted over and over. Each picture dissects the landscape to expose its essence and abstracts and ‘decorates’ the result of this analysis. This has been the case when I have painted a favourite area in Scotland where the landscape is both sensual and evocative. The theme of Details is built up from the landscape in SW Scotland. Discover new paintings by Jon Rowland and his abstract expressionism with Wychwood Art. Each work has been carefully selected by Deborah Allan our Chief Art Curator. Wychwood Art have exhibited Jon Rowland in London during a pop-up exhibition of theirs at the Darren Baker Gallery. His paintings have been displayed at the Royal Academy and at the Berthold and Darren Baker Gallery in London. He has also exhibited in group exhibitions at Linacre and Green Colleges, at Swann Gallery in Woodstock, and with Wychwood Art at Battersea Art Fair. He was one of six contemporary artists who took part in an exhibition of views of Blenheim Palace, juxtaposing the original visions with today's, as part of the celebration of the 300th anniversary of Capability Brown's birth. Solo exhibitions have been at the Said Business School, Wolfson College in Central Oxford, and most recently at the Sewell Centre Art Gallery and Cornerstone Art Centre in Oxfordshire, and the Boiler Room...

Mixed media on paper, Framed 19 x 14 x 2 cm

Beautifully vivid early 20th century Pebble Beach, Carmel landscape. Signed illegibly lower right. Condition: Good. Presented in vintage frame with new mat. Image size: 7"H x 10"W.

Mixed media on paper, Framed 19 x 14 x 2 cm

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Interior design paintings. The diptych is made with india ink in black, grey color on Yupo paper. Each work is 11 by 14 inches in size, framed (black) with a styrene face on a mat board in white with sizes 16 by 20 in. Mila Akopova...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

In “Nadia”, French Painter and Photographer Ayline Olukman takes us on a road trip. Between fiction and reality, the road trip develops into an American intimate experience of a pers...

This abstract landscape painting by Elwood Howell features a cool green palette. Abstracted foliage can be seen growing up from a subtle horizon line, with small red, blue, and yello...

Represented by George Billis Gallery, NY & LA --The process of endless building and reconfiguring transcends the mere physical and encompasses the spiritual and symbolic. The scars a...

Sekhar Kar - Untitled, Mixed Media on Paper, 2019 22 x 30 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

Marcus Cain Untitled Diptych Acrylic on paper Year: 1999 Size: 16.75x13.5 (each) Framed: 20.25x17x1.75in (each) COA provided Ref.: 924802-1069 Marcus Cain is a resident of Kansas Cit...

Sekhar Kar - Untitled, Mixed Media on Paper, 2022 22 x 30 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

This dramatic work-on-paper is an abstract geometric painting that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The rich, dark background i...

"City of joy" - Kolkata. Old roads, old buildings, auto rickshaws, trams, trains and a variety of typical colours and sounds make this city beautiful in its own way. This city even h...

The scenic beauty of the village is magnificent. The fresh air, smoky horizon, the reflection of blue is heart touching. I could feel the cool breeze of the morning once I was alone...

'Greek Key' 2022 by Kate Roebuck. Ink and watercolor on handmade watercolor paper. 40 x 60 inches. This work features classic greek forms in white exposed...

This piece titled "Lego Madonna" is an original artwork made from oil on paper by Lauren Rinaldi. This piece is shipped with the pictured white frame and measures 15"h x 12"w. This ...

Gewitter, 2022 by Hunter & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 20.8 in H x 15.7 in W Unframed The “visible” spectrum, probabl...

Susan English Nocturne No. 3, 2022 tinted polymer on 140 lb. Yupo paper 26 x 20 in. (eng163) At the core of Susan English's work are the ideas of space, boundaries, and perception. ...

Print engraving, soft ground and scouper on paper; ed. 45/50 24 x 20 inches; 26.25 x 23 inches framed Signed and dated lower center, "SW Hayter 47", titled in pencil lower center Pro...

Donald Stacy "Sitting in Chair" c.1950s Gouache and oil pastel on paper 24" x 18" unframed Came from artist's estate *Custom framing available for additio...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and...

Ink, graphite, oil pastel and charcoal on Yupo paper 110 x 76 x 0.1 cm - Framed 116 x 82 x 4.5 cm

An original abstract oil painting by American artist Martin Rosenthal signed by the artist and created in the late 1950's, early 1960's. This colorful dynamic work comes housed in a...

This came from the collection of the Horace Richter Gallery These were done in the 1990's Hand signed and dated by the artist. Old Jaffa Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical beliefs of the Kabbalah, are recurring themes in Milder’s paintings which are presented as archetypal images that recur in the basic karma, make-up and need of human nature. Internationally exhibited, Milder is included in the collections of many national and international museums. He has been the subject of two, recent retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. He is renowned in Sao Paulo, one of the major international centers for street and public art, as a seminal influence on graffiti artists. Jay Milder was born in Omaha, Nebraska, in 1934. His grandparents, who came from the Ukraine, were descendants of the Hasidic mystic, Rabbi Nachman. As he listened to family stories his interest in spiritualism and mysticism increased, and became an important influence on his philosophy of life and art. Later, when he arrived in New York, he was drawn to the Theosophical Society and the teaching of Helena Blavatsky. In 1954 Milder visited Europe where he studied painting with André L’Hote, and sculpture with Ossip Zadkine. He spent much time studying at the Louvre Museum, and at the studio of Stanley Hayter. During his Paris years the paintings of the Jewish painter Chaim Soutine, primarily influenced him. Milder returned to the United States in 1956, and he began studying painting at the Chicago Art Institute. He exhibited with the Momentum Group, an alliance of artists who were particularly dedicated to the progression of figurative art and its global origins. In 1957, Milder spent the summer in Mexico for a summer where he exhibited in Puebla. That year he received the Mexican Government’s Honor Award for artists. In the summer of 1958, Milder studied with Hans Hofmann in Provincetown, Massachusetts. He exhibited his work at the Sun Gallery, with his contemporaries, including Mary Frank, Red Grooms, Bob Thompson...

A psychological landscape, a journey back to the age when the earth was flat. A vast world where no end has existed, a state of the utopian moment, a snapshot of the forgotten ages. In this hustling world, I sometimes get nostalgic. Which is very much portrayed in this work. It is a time of the world when human was exploring the world on foot, a snapshot of the past, a rainy yet silent evening when a tribe took rest in a tree trunk and a celebration of life taking place, looking back on the simple life...

Mixed media on paper, Framed 19 x 14 x 2 cm

Ink on paper

This came from the collection of the Horace Richter Gallery These were done in the 1990's Hand signed and dated by the artist. Old Jaffa Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical beliefs of the Kabbalah, are recurring themes in Milder’s paintings which are presented as archetypal images that recur in the basic karma, make-up and need of human nature. Internationally exhibited, Milder is included in the collections of many national and international museums. He has been the subject of two, recent retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. He is renowned in Sao Paulo, one of the major international centers for street and public art, as a seminal influence on graffiti artists. Jay Milder was born in Omaha, Nebraska, in 1934. His grandparents, who came from the Ukraine, were descendants of the Hasidic mystic, Rabbi Nachman. As he listened to family stories his interest in spiritualism and mysticism increased, and became an important influence on his philosophy of life and art. Later, when he arrived in New York, he was drawn to the Theosophical Society and the teaching of Helena Blavatsky. In 1954 Milder visited Europe where he studied painting with André L’Hote, and sculpture with Ossip Zadkine. He spent much time studying at the Louvre Museum, and at the studio of Stanley Hayter. During his Paris years the paintings of the Jewish painter Chaim Soutine, primarily influenced him. Milder returned to the United States in 1956, and he began studying painting at the Chicago Art Institute. He exhibited with the Momentum Group, an alliance of artists who were particularly dedicated to the progression of figurative art and its global origins. In 1957, Milder spent the summer in Mexico for a summer where he exhibited in Puebla. That year he received the Mexican Government’s Honor Award for artists. In the summer of 1958, Milder studied with Hans Hofmann in Provincetown, Massachusetts. He exhibited his work at the Sun Gallery, with his contemporaries, including Mary Frank, Red Grooms, Bob Thompson...

Oil painting over ink on paper. Figurative expressionist, moody, poetic nude.

the painting is being offered with a work and authenticity certificate

the painting is being offered with a work and authenticity certificate

Aleifar, Oil on Canvas and Ash on Paper Painting by Andrea Mariconti, 2016 With a major in visual arts and scenography, Andrea Mariconti’s work is about exploration of raw materials...

LVII, 2022 by Hunter & Gatti From the series Lous and The Yakuza Acrylic and oil wax on fine art paper 255 grs. Image size: 20.6 in H x 15.7 in W Unframed This is a project together...

Interior design paintings. The work was done with acrylic and watercolor in red and black color on watercolor paper 360g. The work is 11 by 15 inches in size framed (black) with a s...

Acrylic paint and ink on tracing paper Hand-signed and dated lower right

Signed in graphite, lower right. Title and date in graphite on reverse. Deckled edges to paper inherent to artwork; pinholes noted at corners inherent to the artist's process. Artist Bio: Patricia Tobacco Forrester...

Yvonne Jacquette uses pastel on a heavy rag paper to depict an ariel city scene at night with pulsing lights. There is a heavy texture to the paper and the surface is rich and vibra...

This piece titled "La Cadavre Exquis Sera La Maman Du Vin" is an original artwork made from oil on paper by Lauren Rinaldi. This piece is shipped with t...

Elizabeth Osborne (b.1936). Irises, 1966. Casein and charcoal pencil on paper, sheet measures 10.5 x 12 inches. Unframed. Excellent condition with no fading or damage. A very tiny area of paper loss in lower right corner. Biography: Elizabeth Osborne, born in Philadelphia PA, has exhibited extensively throughout the United States for over forty years. She lives and works in Philadelphia. Her work is included in the collections of the Philadelphia Museum of Art; the Pennsylvania Academy...

The painting depicting a Hasidic Jewish Wedding, Hupah scene, an exciting and colorful painting by the Israeli artist Zvi Malnovitzer.

"The story of a Forest" presents a biographical account of a forest in a series of six charcoal drawings. The story moves from the lush green forest in the first drawing to the dark ...

Laßt Blumen sprechen, 2022 by Hunter & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 20.8 in H x 15.7 in W Unframed The “visible” spectrum, probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelenghts between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

This piece is executed with hundreds of hand cut butterflies, and comes displayed in an acrylic shadow box. These works conjure sensations of nostalgia, created from maps, cutting out words, symbols, and places to create feelings of unity within the piece. Standing in juxtaposition with the contrast to clean, pixelated designs that the butterflies form, Laila creates a Heart that pops off the canvas in three-dimension. Art measures 36 x 36 inches Laila Jalallar...

Aharon Gluska (b. 1951) Pigment and oil paint, mixed media painting on archival paper. Dimensions (H, W, D): 22.5"h, 13"w image; 32"H, 24"w frame Provenance: Siegel Collection, Florida. The Siegels' collection was acquired under the guidance of Lawrence Salander of Salander-O'Reilly Gallery in New York in the late 1980s. Aharon Gluska (born 1951) is an Israeli–American painter. Gluska was born in 1951 in Hadera, Israel. He studied at the Académie des Beaux-Arts in Paris and Avni Institute of Fine Arts in Tel Aviv. Grants Gluska received grants from the National Endowment for the Arts and the Jackson Pollock- Lee Krasner Foundation. Awards Gluska was one of two winners along with Moshe Kupferman, of the 1996 Zussman Prize for artists dealing with the Holocaust, from the Yad Vashem museum, for his paintings of prisoners at Auschwitz based on photographs of them taken by their Nazi guards. Exhibitions: Bertha Urdang Gallery, NY, USA 1983 Aharon Gluska: Painting and Drawings 1985-1986 Bertha Urdang Gallery, NY, USA 1986 Group Exhibitions The Disciplined Spirit, Exit Art, New York, USA Artists: Nahum Tevet, Micha Ullman, Aaron Gluska, Jacob El Hanani, Moshe Kupferman, Gilad Ophir, Joshua Neustein, Bertha Urdang Gallery, NY, USA Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...