Watercolor Paintings

Mixed Colors Composition is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2020. Mixed media in tempera and watercolor on paper Hand- signed and dated by the artist ...

Painting of Abstract Red, Pink, Yellow & White Wild Flowers on an Orange Background by British Contemporary Artist, Angela Wakefield. From the 'Spring Burst' Interior Design Series. ...

Photo-realist watercolor painting on paper of colorful wooden children's blocks in bright hues of rose pink, golden orange, and blue "Toys" painted by Scott Nelson Foster in 2020 13"...

"Homelessness" is a contemporary work of art by Indian artist, Binay Sinha. His surrealistic style captures the balance of flora & fauna, man kin...

Modern small-scale watercolor and collage, a mixed media composition featuring a modified photograph with colorful watercolor accents by Dick Crispo (American, b. 1945). Titled "Elite Workers" at the top. Signed and dated "D. Crispo 87" in the lower left corner. Presented in a cream mat with foamcore backing. No frame. Paper size: 10"H x 7"W Dick Crispo, born in New York City on January 13, 1945, has resided on the Monterey Peninsula since 1955. An award winning artist, Crispo has studied at the Carmel Art Institute under John Cunningham and Sam Colburn...

Costume is an original painting artwork in mixed media, tempera and watercolor on paper realized by the Greek-French artist Alkis Matheos. Good conditio...

Sunset. 1975. Watercolor on paper, 14,5x22,7 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many militar...

Watercolour on 100% rag hot press paper. Unframed. Melissa Meyer has created a diverse oeuvre that includes oil paintings, drawings, watercolors, prints and large-scale public commi...

Throughout her career as a painter Patty Fabricant has pivoted back and forth between figurative and abstract work. Each time she makes the switch it feels abrupt, and yet increasing...

African Lady is an original painting and collage artwork in mixed media -ink, tempera and watercolor- realized by Sergio Barletta in 1997 Hand-signed on ...

JAZZU - Reflection head 2020 21x29,7 Watercolours and pencils on 220gr Canson paper Signed on the back Jazzu is the signature of an autodidact whose modesty borders on timidity. ...

Michel Guignard Fauvist rose, 1997 Original gouache painting Hand signed and dated at the bottom left Countersigned on the back On red canson paper 65 x 50 cm (c. 25,5 x 19,6 inch) ...

"Suspend" is an evocative contemporary op art painting, depicting a female nude lounging amongst a planar background of optics and geometric visual effects. Vibrant colors of violets, reds, yellows and blues in geometric patterns create illusion and optical effects that surround and absorb the figure in this painting by Emily Roz. Referencing op art and a 1970's sensibility, volumizing shaded stripes, polka dots, stripes and radiating lines of color in contrasting angles creates a distorted planar ground that the figure extends across, facing away from the viewer. Emily Roz, "Suspend" acryla gouache on paper, 12 x 16 inches, 2020 Emily Roz (b. 1972, New Haven, CT) is a New York based artist. She has had multiple solo exhibitions at Front Room Gallery...

"Blooming Jaguar" by Oliver Flores is a whimsical watercolor and charcoal drawing of a beautiful colorful elephant. This artwork comes in a white floater frame, ready to hang. Frame...

Colorful abstract gouache on paper painting

Concipe Spes Certes = Indulge Sure Hopes Art Sz: 8 3/4"H x 6"W Frame Sz: 14 1/4"H x 11"W

"Abstract Composition" by Arlette Martin (French, b.1924) signed lower corner gouache painting mounted on card, unframed mount: 6 x 7.5 inches painting: 2.75 x 4.5 inches Stunning ...

"Abstract Design" by Arlette Martin (French, b.1924) signed and dated lower right hand-side, painting mounted on card, unframed painting: 2.75 x 6 inches card: 6.5 x 12 inc...

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

Kurt Herrmann creates both figurative and abstract work, but above all he is a colorist at heart. He intends for his paintings to radiate across the room but to also whisper quietly ...

Graphic abstract painting on paper in complementary shades of peach, light orange, and red with details of pale sage green "Untitled 1" by Jenny Kemp, painted in 2019 gouache on paper, unframed 15 x 11 inches Signed verso Jenny Kemp’s abstract paintings are inspired by the artist’s desire to represent unseen phenomenon. With intricate and calculated line-work, the artist builds parallel layers against opaque backgrounds, while shifts in color and shape call attention to organic forms that give reference to the human body or atomic structures. Precise lines seem to vibrate the transitions of color in shades of ruby and blush red complemented by amorphous forms in peach and light orange. Two circles of pale sage green contrast against the areas of red and orange. The drawing is currently unframed, measuring 15 x 11 inches. About the artist: Jenny Kemp received a BS in Art from the University of Wisconsin - Madison and an MFA in Painting from the University at Albany. Her work has been exhibited in galleries and museums across the country, most recently at Gold/Scopophilia* in Montclair, NJ and the Mandeville Gallery at Union College in Schenectady, NY. She has been featured in publications such as 100 Painters of Tomorrow published by Thames & Hudson, New American Paintings, The Huffington Post, Seattle’s City Arts, New York Times, and The New England Review. Kemp is also a recipient of the 2015 NYFA fellowship in painting and the 2015 Emerging Artist Award recipient from the Art Center of the Capital Region in Troy, NY. She sits on the board of Collar Works, an art space dedicated to the support of emerging and under-represented artists exhibiting challenging and culturally relevant contemporary artworks in Troy, NY where she lives and works. EDUCATION MFA - Painting, University at Albany, SUNY 2012 BS - Art, University of Wisconsin, Madison 2002 EXHIBITIONS 2019 Gold / Scopophilia* Art on Paper, Pier 36, NYC Steady Curve Gold / Scopophilia*, Montclair, NJ (solo) 2018 Slow Grow Mandeville Gallery, Union College, Schenectady, NY (solo) FENCE + ECHO, Far x Wide, Brooklyn, NY (curated by Jes Cannon) Crazy Beautiful III, Kenise Barnes Gallery, Larchmont, NY Three Square, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) 2017 When We Were Young: Rethinking Abstraction from the University at Albany Art Collections (1967-present) University at Albany Art Museum, Albany, NY Surface 4, ARENA at Brooklyn Dermatology, Brooklyn, NY (curated by Renée Riccardo) The Whitney Houston Biennial: Greatest Love of All, Chashama, NYC (curated by Christine Finely) 2016 Reality is Wrong, Dreams are Real, David&Schweitzer Contemporary, Brooklyn, NY (curated by Phil and Sue Knoll) Squared, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Something Else, The Painting Center, New York, NY (curated by Dee Shapiro and Miriam Brumer) Living Color, Art Center of the Capital Region, Troy, NY (2 person) 2015 Howdy Doody, Collar Works, Troy, NY (curated by Leona Christie) Remains to be Seen, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Painting Parallels, GRIDSPACE, Brooklyn, NY (solo) Double Vision, Laffer Gallery, Schuylerville, NY (2 person) Mohawk Hudson Invitational Albany Center Gallery, Albany, NY Snowbirds Kenise Barnes Gallery, Larchmont, NY Valentine’s Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Variations in Paint (invitational), The Painting Center, New York, NY 2014 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Mohawk Hudson Regional, Albany Institute of History and Art (juror: Stephen Westfall) Tracery, PS209 Gallery, Stone Ridge, NY Connections Todd Art Gallery at Middle Tennessee State University, Murfreesboro, TN (2 person) Perceptions Opalka Gallery at Sage College, Albany, NY Modern Artists Carrie Haddad Gallery, Husdson, NY 2013 Second Nature Albany Airport Gallery, Albany, NY Admit One Collar Works Gallery, Troy, NY Works by Jenny Kemp and Richard Harrington Gallery 105, curated by MCLA Gallery 51, N. Adams, MA An Early Spring Carrie Haddad Gallery, Hudson, NY 2012 Recent work and new paintings on paper Fulton Street Gallery (solo) FISSURE GalleryEll online exhibition, curated by Amanda Kates In Orbit Little Gallery at Sage College of Albany. Albany, NY. Works on Paper Carrie Haddad Gallery, Hudson, NY MFA National Competition First Street Gallery, NYC. Juror: John Yau BioLogical Salem Art Works Carry House Gallery, Salem, NY MFA Thesis Exhibition University at Albany Art Museum, Albany, NY 2011 Back to School Fulton Street Gallery, Troy, NY Fence Select The Art Center of the Capital Region, Troy, NY. Juror: Carrie Haddad Honorable Mention Chain Letter Samson Projects, Boston, MA SUNY Best of Show New York State Museum, Albany, NY Members Only Collar Works Gallery, Troy, NY Fountain Art Fair Pier 66, New York, NY Nathan Meltz with Jenny Kemp and Doug Holst...

Medium: Watercolor on Paper Under Glass Signature: Signed Lower Right Dimensions: Approximately 12.00" x 16.00" Portrait of Football Coach Paul Bear Bryant

Red and Green Modern Abstract Landscape Painting on Canvas from leading British Artist Margaret Francis, widow of Sam Francis. Margaret Francis received her Degree in Fine Art from Winchester Art...

Artist: Charles Levier, French (1920 - 2003) Title: Blonde I Year: circa 1960 Medium: Watercolor on paper, signed l.l. Size: 16 x 11 inches Paper Size: 25 x 19.5 in. (63.5 x 49.53 cm)

Martha Mans 7 x 7 image size and 16 x 16 matted and shrink-wrapped The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch...

Artist: Charles Levier, French (1920 - 2003) Title: Blonde Year: circa 1970 Medium: Watercolor on paper, signed l.l. Size: 16 x 11 inches Paper Size: 25 x 19.5 in. (63.5 x 49.53 cm)

Signed lower right, 'Leah Schwartz' (American, born 1920) and painted circa 1965. A lyrical Modernist still-life showing three ripe peaches in a glazed earthenware bowl. An attracti...

Gouranga Beshai - Lotus Pond - 30 x 20 inches ( unframed size ) Mixed Media, Tempera and Watercolor on paper ** Shipped in roll form Gourango is self-taught. He draws inspiration f...

Watercolor abstract by Mexican artist Oscar Arturo, 2010. The piece's brown's, reds, and yellows radiantly blend together as the viewer's eyes fo...

Leslie Wilkes’ pieces are an explosion of shape and color. With near perfect symmetry, these works exhibit opaque and smooth surfaces. “Wilkes’ geometric patterns are unique in that ...

Leslie Wilkes’ pieces are an explosion of shape and color. With near perfect symmetry, these works exhibit opaque and smooth surfaces. “Wilkes’ geometric patterns are unique in that ...

A Brun (French, circa 1900) Raising a glass Pencil, watercolour and gouache on canvas Signed ‘A Brun’ (lower right) 20.1/2 x 15.3/4in. (52 x 40 cm.)

Gold and orange yellow with black and white emblazon this figurative mixed media 'San Tropez Palette' abstracted figurative nude from Kim Frohsin's "Figures...

This gouache on paper is signed in the lower right. A specialist in floral still lives, especially informal arrangements, Raoul M. De Longpre was born in Lyons, Paris into an aristocratic, albeit poor, family that were "fleuristes", persons associated with flower painting whose center was Lyons. His father, Jean Antoine, decorated fans and exhibited floral still lifes in Paris and Lyons. He began drawing at a young age. By the time he was twelve he was earning a living painting flowers on fans for a firm in Paris. He worked and studied with his brother, Paul De Longpre...

Pratul Dash - Untitled - 30 X 40 inches (unframed size) Mixed Media on Acid free paper Will be shipped flat. Pratul’s watercolours reflects his concerns about the environment as ...

Ellen Hackl Fagan creates works of art focused on building a visual language. Molecules of Music is a large acrylic painting based on crowd sourced input of viewers pairing sounds from the Do Re Mi musical scale to colors. 260 people submitted their opinions on color to sound matches. Language is a recurring theme in Fagan's work, ranging from interactive, ColorSoundGrammar works to painting, sculpture, lost languages...

Sunny and bright watercolor and ink painting of a nude female figure in a kneeling pose against a bright yellow background by Kei Mitsuuchi, 1994. Signed and dated lower left. Orig...

Leslie Wilkes’ paintings on canvas and gouaches on paper are an explosion of shape and color. With near perfect symmetry, the colors of these works exhibit an opaque, smooth surface....

Architectural Floral Wallpaper Fragment 19th Century Italian hand painted floral designd wallpaper lined with linen, in beautiful gold leaf framed.

William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists and illuminated books, and much of his career was devoted to book illustration. Among his many successes were The Rubaiyat, The Kasidah, The Children’s Book of Northern Myths, The Witch’s Kitchen, The Frenzied Prince, Sonnets from the Portuguese, Fairy Flowers, Forty-Four Turkish Fairy Tales, Tales of the Persian Genii, A Treasury of Verse for Little Children, Stories to Tell the Littlest Ones, Hungarian Fairy Book...

Medium: Gouache on Board Signature: Signed Lower Right Sight Size 20.00" x 15.00", Framed 30.00" x 24.50" Jessie Wilcox Smith never married, but t...

Contemporary urbanscape as seen through orange construction mesh, created with acrylic paint and mixed media, including gouache, ink, pencils. Big Meshscape is the largest of Frohsin...

Gouache on paper, 1948 by Werner Reifarth ( 1919-1977 ) , Germany. Monogrammed and dated top right: R48. Framed. Height: 26.38 in ( 67 cm ), Width: 16.93 in ( 43 cm ) This captivati...

Circa 1945 Signed lower left Sight size 12 x 10.5 in Overall size in newly matted one inch wide black frame 25.5 x 21.5 in

David Hayes (1931 - 2013) Study for Vertical Motif, 1999 Gouache on paper 30 x 22.25 in

David Hayes (1931 - 2013) Sea Ray, 2001 Gouache on paper 22.25 x 30 in

Michael Ricardo Andreev Bather on Coastline, 2014 Gouache on paper 43 x 110 cm (triptych)

Seascape, 2014 Gouasche on board 20 x 16 inches

Bather on Coastline, 2014 Gouache and ink on board 20 x 16 inches

Seascape #8, 2014 Gouache on board 20 x 16 inches