Skip to main content

Watercolor Paintings

to
2
84
15
69
2
81
18
1
61
31
5
2
1
Overall Height
to
Overall Width
to
27
1
54
50
39
22
19
16
11
9
6
5
5
5
5
3
2
2
2
2
2
1
324
4,179
3,937
57
58
123
200
213
310
334
279
285
232
89
41
2
1
1
1
23,254
2,035
1,906
915
913
Period: 18th Century and Earlier
Medium: Watercolor
George Edwards: 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Engraving

George Morland (1763-1804) "Piglets" Watercolor. Original Signed & Dated 1791
Located in San Francisco, CA
George Morland (1763-1804) "Piglets" Watercolor. Original Signed & Dated 1791 Unframed 14" x 18" Framed 21 x 26
Category

18th Century Watercolor Paintings

Materials

Watercolor

A Pair of 18th cent Dutch Still Life Watercolors Flowers in a Glass Vase 1797
Located in Rancho Santa Fe, CA
Cornelis Johannes de Bruyn (c. 1763- c. 1828) A lovely pair of 18th century Dutch still life watercolors depicting assorted flowers in a glass vase. Watercolor on paper 13 5/8 x 9 ...
Category

1790s Dutch School Watercolor Paintings

Materials

Paper, Watercolor

The Abduction of the Sabine Women , a Renaissance drawing by Biagio Pupini
Located in PARIS, FR
This vigorous drawing has long been attributed to Polidoro da Caravaggio: The Abduction of the Sabine Women is one of the scenes that Polidoro depicted between 1525 and 1527 on the façade of the Milesi Palazzo in Rome. However, the proximity to another drawing inspired by this same façade, kept at the Ecole des Beaux-Arts, and to other drawings inspired by Polidoro kept at the Musée du Louvre, leads us to propose an attribution to Biagio Pupini, a Bolognese artist whose life remains barely known, despite the abundant number of drawings attributed to him. 1. Biagio Pupini, a Bolognese artist in the light of the Roman Renaissance The early life of Biagio Pupini, an important figure of the first half of the Cinquecento in Bologna - Vasari mentions him several times - is still poorly known. Neither his date of birth (probably around 1490-1495) nor his training are known. He is said to have been a pupil of Francesco Francia (1450 - 1517) and his name appears for the first time in 1511 in a contract with the painter Bagnacavallo (c. 1484 - 1542) for the frescoes of a church in Faenza. He then collaborated with Girolamo da Carpi, at San Michele in Bosco and at the villa of Belriguardo. He must have gone to Rome for the first time with Bagnacavallo between 1511 and 1519. There he discovered the art of Raphael, with whom he might have worked, and that of Polidoro da Caravaggio. This first visit, and those that followed, were the occasion for an intense study of ancient and modern art, as illustrated by his abundant graphic production. Polidoro da Caravaggio had a particular influence on the technique adopted by Pupini. Executed on coloured paper, his drawings generally combine pen, brown ink and wash with abundant highlights of white gouache, as in the drawing presented here. 2. The Abduction of the Sabine Women Our drawing is an adaptation of a fresco painted between 1525 and 1527 by Polidoro da Caravaggio on the façade of the Milesi Palace in Rome. These painted façades were very famous from the moment they were painted and inspired many artists during their stay in Rome. These frescoes are now very deteriorated and difficult to see, as the palace is in a rather narrow street. The episode of the abduction of the Sabine women (which appears in the centre of the photo above) is a historical theme that goes back to the origins of Rome and is recounted both by Titus Livius (Ab Urbe condita I,13), by Ovid (Fasti III, 199-228) and by Plutarch (II, Romulus 14-19). After killing his twin brother Romus, Romulus populates the city of Rome by opening it up to refugees and brigands and finds himself with an excess of men. Because of their reputation, none of the inhabitants of the neighbouring cities want to give them their daughters in marriage. The Romans then decide to invite their Sabine neighbours to a great feast during which they slaughter the Sabines and kidnap their daughters. The engraving made by Giovanni Battista Gallestruzzi (1618 - 1677) around 1656-1658 gives us a good understanding of the Polidoro fresco, allowing us to see how Biagio Pupini reworked the scene to extract this dynamic group. With a remarkable economy of means, Biagio Pupini takes over the left-hand side of the fresco and depicts in a very dense space two main groups, each consisting of a Roman and a Sabine, completed by a group of three soldiers in the background (which seems to differ quite significantly from Polidoro's composition). The balance of the drawing is based on a very strongly structured composition. The drawing is organised around a median vertical axis, which runs along both the elbow of the kidnapped Sabine on the left and the foot of her captor, and the two main diagonals, reinforced by four secondary diagonals. This diamond-shaped structure creates an extremely dynamic space, in which centripetal movements (the legs of the Sabine on the right, the arm of the soldier on the back at the top right) and centrifugal movements (the arm of the kidnapper on the left and the legs of the Sabine he is carrying away, the arm of the Sabine on the right) oppose each other, giving the drawing the appearance of a whirlpool around a central point of support situated slightly to the left of the navel of the kidnapper on the right. 3. Polidoro da Caravaggio, and the decorations of Roman palaces Polidoro da Caravaggio was a paradoxical artist who entered Raphael's (1483 - 1520) workshop at a very young age, when he oversaw the Lodges in the Vatican. Most of his Roman work, which was the peak of his career, has disappeared, as he specialised in facade painting, and yet these paintings, which are eminently visible in urban spaces, have influenced generations of artists who copied them abundantly during their visits to Rome. Polidoro Caldara was born in Caravaggio around 1495-1500 (the birthplace of Michelangelo Merisi, known as Caravaggio, who was born there in 1571), some forty kilometres east of Milan. According to Vasari, he arrived as a mason on the Vatican's construction site and joined Raphael's workshop around 1517 (at the age of eighteen according to Vasari). This integration would have allowed Polidoro to work not only on the frescoes of the Lodges, but also on some of the frescoes of the Chambers, as well as on the flat of Cardinal Bibiena in the Vatican. After Raphael's death in 1520, Polidoro worked first with Perin del Vaga before joining forces with Maturino of Florence (1490 - 1528), whom he had also known in Raphael's workshop. Together they specialised in the painting of palace façades. They were to produce some forty façades decorated with grisaille paintings imitating antique bas-reliefs. The Sack of Rome in 1527, during which his friend Maturino was killed, led Polidoro to flee first to Naples (where he had already stayed in 1523), then to Messina. It was while he was preparing his return to the peninsula that he was murdered by one of his assistants, Tonno Calabrese, in 1543. In his Vite, Vasari celebrated Polidoro as the greatest façade decorator of his time, noting that "there is no flat, palace, garden or villa in Rome that does not contain a work by Polidoro". Polidoro's facade decorations, most of which have disappeared as they were displayed in the open air, constitute the most important lost chapter of Roman art of the Cinquecento. The few surviving drawings of the painter can, however, give an idea of the original appearance of his murals and show that he was an artist of remarkable and highly original genius. 4. The façade of the Milesi Palace Giovanni Antonio Milesi, who commissioned this palace, located not far from the Tiber, north of Piazza Navona, was a native of the Bergamo area, like Polidoro, with whom he maintained close friendly ties. Executed in the last years before the Sack of Rome, around 1526-1527, the decoration of Palazzo Milesi is considered Polidoro's greatest decorative success. An engraving by Ernesto Maccari made at the end of the nineteenth century allows us to understand the general balance of this façade, which was still well preserved at the time. The frescoes were not entirely monochrome, but alternated elements in chiaroscuro simulating marble bas-reliefs and those in ochre simulating bronze and gold vases...
Category

16th Century Old Masters Watercolor Paintings

Materials

Ink, Gouache, Pen

Tending Ducks China Trade Painting 18th cent.
Located in Greenwich, CT
Fine China Trade Paintings depicting local farmers tending their ducks. Excellent condition Lovely collectible and cultural subject Provenance : Martyn Gregory Gallery, London dim...
Category

18th Century Watercolor Paintings

Materials

Gouache

French School (18th Century) Dancing Putti.
Located in Sydney, NSW
French School (18th Century), Dancing Putti. This gouache on vellum scene of the dancing putti is derived from a drawing by Giovanni Antonio de' Sacchis (Italian 1484 -1539) known a...
Category

Late 18th Century Rococo Watercolor Paintings

Materials

Gouache, Vellum

Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Insubria
Located in Cirencester, Gloucestershire
'Insubria' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches ...
Category

18th Century Old Masters Watercolor Paintings

Materials

Ink, Watercolor, Archival Paper

Rare Hand Colored "Cabane Des Hold" - 1st Ed "Description de l’Univers" C. 1683
Located in Soquel, CA
Rare Engraving "Cabane Des Hold, Terres Artiques, Fig CII," 1st edition "Description de l’Univers, page 281 This rare image depicts the Willem Barentsz expedition of 1597 to Novaya Zemlya, Russia. The engraving, with later hand-coloring, shows the cabin and ship of the Dutch arctic expedition of Barentsz on Novaya Zemlya (Nova Zembla), with the party being attacked (and in some cases apparently eaten) by bears and wolves. Dutch explorer, Willem Barentsz, reached the west coast of Novaya Zemlya in 1594, and in a subsequent expedition of 1596 rounded the northern point and wintered on the northeast coast. Barentsz died during the expedition, and may have been buried on the northern island. This artwork is a page from a book by 17th century cartographer and engineer, Allain Manesson Mallet (French, 1630-1706), "Description de L'Univers, contenant les differents systêmes du monde, les cartes générals et particulières de la géographie ancienne et modern." Paris: Denys Thierry, 1683. Presented in an cream colored mat. Text on verso shown in images. Mat Size: 11.5"H x 9.07"W Paper Size: 8.25"H x 5.44"W Image Size: 5.63"H x 3.75"W Alain Manesson Mallet (French, 1630-1706) was a 17th century cartographer and military engineer. He started his career as a musketeer in the army of Louis XIV, became a Sergeant-Major in the artillery and an Inspector of Fortifications. He later served under Alfonso VI, King of Portugal...
Category

1680s Realist Watercolor Paintings

Materials

Paper, Ink, Gouache

1700's Venetian Old Master Ink Drawing St. Marks Lion Angelic Figures Flowers
Located in Cirencester, Gloucestershire
The Lion of St. Mark Venetian Old Master, mid 18th century circle of Giovanni Battista Tiepolo (Venetian, 1696-1770) ink and watercolour drawing on paper mounted on a card frame, unf...
Category

Mid-18th Century Rococo Watercolor Paintings

Materials

Ink, Watercolor

Early Naturalistic Wildlife Animal Rendering of a Possible Capuchin Monkey
Located in Houston, TX
Early naturalistic wildlife rendering by the English artist Peter Paillou. The work features a delicately rendered depiction of a possible capuchin monkey from an 18th century specim...
Category

Mid-18th Century Naturalistic Watercolor Paintings

Materials

Gouache

Fine 17th Century Dutch Old Master Watercolor Drawing Hunting Party Landscape
Located in Cirencester, Gloucestershire
The Hunting Party Attributed to Dirk Maes (1659-1717) Dutch. Figures in a Classical Landscape, Watercolour and wash on paper, Mounted, unframed image 6.75" x 9.75" (17.1 x 24.7cm)...
Category

17th Century Old Masters Watercolor Paintings

Materials

Watercolor

The Old Ruined Tower, Watercolour Early 19th Century, Period Frame
Located in London, GB
Watercolour on paper Image size: 4 x 5 inches (10 x 12.75 cm) Period gilt frame The Artist John Varley (17 August 1778 – 17 November 1842) was an English watercolour painter and astrologer, and a close friend of William Blake. They collaborated in 1819–1820 on the book Visionary Heads, written by Varley and illustrated by Blake. He was the elder brother of a family of artists: Cornelius Varley...
Category

Late 18th Century Watercolor Paintings

Materials

Watercolor

17th C Dutch Old Master Ink & Wash Painting Biblical Figures Rembrandt Pupil
Located in Cirencester, Gloucestershire
Figure being Comforted (Job?) circle of Willem Drost (Dutch 1633-1659) *See notes below ink and wash drawing on paper (Arms of Amsterdam watermarked) Dutc...
Category

Mid-17th Century Old Masters Watercolor Paintings

Materials

Ink, Watercolor

Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Providenza
Located in Cirencester, Gloucestershire
'Providenza' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inche...
Category

18th Century Old Masters Watercolor Paintings

Materials

Watercolor, Ink, Archival Paper

Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Figure Fame
Located in Cirencester, Gloucestershire
'Fame' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches cond...
Category

18th Century Old Masters Watercolor Paintings

Materials

Watercolor, Archival Paper, Ink

Roundel depicting St. Catherine
Located in Fairlawn, OH
Unknown French Art and Workshop, Middle 15th century Roundel depicting St. Catherine (?) Gouache, ink gold wash and gold burnishing on vellum Book of Hours folio attributed to the C...
Category

15th Century and Earlier Old Masters Watercolor Paintings

Materials

Gouache, Pigment

Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical India
Located in Cirencester, Gloucestershire
'India' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches con...
Category

18th Century Old Masters Watercolor Paintings

Materials

Watercolor, Archival Paper, Ink

Fine 1700's Italian Old Master Ink & Wash Drawing Roman Female Statue of Beauty
Located in Cirencester, Gloucestershire
Belleza (The Art of Beauty) Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed...
Category

18th Century Old Masters Watercolor Paintings

Materials

Ink, Watercolor, Archival Paper

Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Magnaminita
Located in Cirencester, Gloucestershire
'Mgnaminia' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches...
Category

18th Century Old Masters Watercolor Paintings

Materials

Watercolor, Ink, Archival Paper

Pair of Grisaille paintings Rustic scenes 18th century French Rococo Master
By Jean-Baptiste Pillement
Located in Stockholm, SE
Attributed To French Master Jean-Baptiste Pillement (1728 - 1808). Magnificent rococo pair paintings depicting scenes from the life of Europe of the 18th century. Two scenes tell us about the lives of travelers and fishermen of the time. Two frames of the same century perfectly complement these paintings. Paintings made in the technique: Pastel, Bodycolor, chalks, and perhaps gouache on paper or paperboard supported by wooden boards. Gold leaf neoclassical frames of early 1800s (not examined under frames). On the reverse side of the wooden substrate, there is a stamp, "Bundesdenkmalamt Wien", Perhaps Jean-Baptiste Pillement (1728 –1808). Antique old paintings...
Category

18th Century Rococo Watercolor Paintings

Materials

Wood, Paper, Chalk, Pastel, Gouache, Wood Panel

Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Sicilia
Located in Cirencester, Gloucestershire
'Sicilia' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches c...
Category

18th Century Old Masters Watercolor Paintings

Materials

Watercolor, Ink, Archival Paper

Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Marriage
Located in Cirencester, Gloucestershire
Concordia Maritale (harmonious marriage) Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches o...
Category

18th Century Old Masters Watercolor Paintings

Materials

Watercolor, Archival Paper, Ink

Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Napoli
Located in Cirencester, Gloucestershire
'Napoli' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches co...
Category

18th Century Old Masters Watercolor Paintings

Materials

Watercolor, Ink, Archival Paper

Antique French Miniature Portrait of Lady Biographical details with painting
Located in Cirencester, Gloucestershire
Miniature Portrait French School, late 18th/ early 19th century framed: 5.5 x 5.5 inches board: 2 x 2 inches provenance: private collection, France condition: very good and sound c...
Category

Late 18th Century Old Masters Watercolor Paintings

Materials

Watercolor

Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Africa
Located in Cirencester, Gloucestershire
'Africa' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches co...
Category

18th Century Old Masters Watercolor Paintings

Materials

Watercolor, Ink, Archival Paper

18th Century French School , South American Landscape, Brazil.
Located in East Grinstead, GB
French School watercolour of a group of sailors from a French Frigate in the region of Fernando de Noronha off the coastline of Brazil. The picture is inscribed, lower left, and depi...
Category

18th Century Watercolor Paintings

Materials

Watercolor

Italian Old Master Ink & Wash Drawing St. Anne & The Virgin Mary with Cherubs
Located in Cirencester, Gloucestershire
Pietro Fancelli (Italian 1764 - 1850) bio details attached to the frame 'St. Anne & The Virgin' ink with watercolor wash on paper, framed framed: 22 x 16 inches image: 11 x 6.5 inche...
Category

Late 18th Century Old Masters Watercolor Paintings

Materials

Ink, Watercolor

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Etching

1600’s Flemish Old Master Ink Wash Drawing Biblical Figures Group on paper
Located in Cirencester, Gloucestershire
Figure Studies Attriubted to Cornelis Schut (1597 - 1655) Flemish ink drawing on paper, inscribed on mount size: 4.75 x 7 inches private collection, France The painting is in overa...
Category

Early 17th Century Old Masters Watercolor Paintings

Materials

Ink, Watercolor

George Edwards, Engravings of Birds, published by Seligmann, 1770.
Located in Richmond, GB
Price is per each framed print. "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origin...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Engraving

George Edwards: 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Engraving

George Edwards: 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Engraving

George Morland
Located in East Grinstead, GB
George Morland (1763-1804) A Conversation by the Cottage Gate Unsigned original watercolour on paper Circa 1780
Category

1780s Watercolor Paintings

Materials

Watercolor

George Edwards: 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Engraving

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Etching

Pavilion with waterfall, an ink wash attributed to Hubert Robert (1733 - 1808)
By Hubert Robert
Located in PARIS, FR
This large wash drawing is a slightly enlarged version of a composition executed by Hubert Robert in 1761, at the end of his stay in Rome. This composition is a marvellous synthesis of the painter's art: the clatter of the waterfall, in a grandiose setting inspired by antiquity, is opposed to the intimacy of a genre scene, made up of a few peasant women performing some agricultural work. 1. The stay in Italy, an important founding stage in Hubert Robert's carrier Hubert Robert came from a privileged family of Lorraine origin, linked to the Choiseul-Stainville family, where his father was an intendant. The protection of this powerful aristocratic family enabled him to study classical art at the Collège de Navarre (between 1745 and 1751). After a first apprenticeship in the workshop of the sculptor Slodtz (1705 - 1764), he was invited by Etienne-François de Choiseul-Beaupré-Stainville (the future Duke of Choiseul, then Count of Stainville) to join him in Rome when the latter had just been appointed ambassador. Hubert Robert arrived in Rome on 4 November 1754, aged twenty-one, and remained there until 24 July 1765. Thanks to his patron, he obtained a place as a pensioneer at the Académie de France without having won the prestigious Prix de Rome. On his arrival in Rome, he frequented the studio of the painter Giovanni Paolo Panini (1691 - 1765), the inventor of the ruins painting, and also benefited from the proximity of Giovanni Battista Piranesi’s studio (1720 - 1778). During his eleven-year stay in Rome, Hubert Robert studied the great Italian masters and drew many of the great archaeological sites, multiplying the sketches which he would use throughout his career, becoming one of the masters of the "ruin landscape". Back in Paris in 1765, he was very successful. He was accepted and admitted to the Royal Academy of Painting and Sculpture on the same day, July 26th 1766, which was very unusual. He was appointed draughtsman of the king's gardens in 1784, then guard of the Royal Museum from 1784 to 1792. Arrested in 1793 and detained in the prisons of Sainte Pélagie and Saint-Lazare, he was released in 1794 after the fall of Robespierre and undertook a second trip to Italy. In 1800, Hubert Robert was appointed curator of the new Central Museum and died at his home in Paris in 1808. 2. Description of the artwork This composition, formerly called "La Cascade du Belvédère Pamphile" , is undoubtedly inspired by the water theatres of the Frascati villas. Hubert Robert presents a hemicycle of columns with rustic bossages at the foot of which is a cascade of water falls into a basin. The hemicycle is flanked by two high walls, pierced by window wells topped with antique masks...
Category

1760s Old Masters Watercolor Paintings

Materials

Ink, Watercolor

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Watercolor Paintings

Materials

Watercolor

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Etching

George Edwards: 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Engraving

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Etching

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Watercolor Paintings

Materials

Watercolor

Triptych Of The Crucifixion, circa 19th Century after PIETRO PERUGINO
Located in Blackwater, GB
Triptych Of The Crucifixion, 19th Century after PIETRO PERUGINO (1446-1523) Large circa 19th Century Umbrian School Old Master triptych of the Crucif...
Category

16th Century Watercolor Paintings

Materials

Watercolor, Canvas

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Watercolor Paintings

Materials

Watercolor

Set of Twelve 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Engraving

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Watercolor Paintings

Materials

Watercolor

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Etching

18th century English scene of a groom with a horse in a landscape
Located in Woodbury, CT
Wonderful 18th century English gouache on paper of a 18th century English scene of a groom with a horse in a landscape. One of a set of five all framed in Hogarth frames. L.Green ...
Category

1780s Old Masters Watercolor Paintings

Materials

Paper, Gouache

George Edwards: 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Engraving

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Etching

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Watercolor Paintings

Materials

Watercolor

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Watercolor Paintings

Materials

Watercolor

George Edwards: 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Engraving

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Etching

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Etching

George Edwards : A Set of Twelve 18th Century Etchings of Hummingbirds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Etching

18th CENTURY FRENCH GRAND TOUR WATERCOLOUR - ROMAN MONUMENT ST. REMY PROVENCE
Located in Cirencester, Gloucestershire
Artist/ School: French School, 18th century Title: The Roman Ruins at St. Remy de Provence, France. Inscribed verso to the frame: ‘Ruins at Roman Monument...
Category

18th Century Old Masters Watercolor Paintings

Materials

Watercolor

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Etching

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century Watercolor Paintings

Materials

Watercolor, Etching

Watercolor paintings for sale on 1stDibs.

Find a wide variety of authentic Watercolor paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Natalia Roman, Bernard Labbe, Howard Tangye, and Peter Soriano. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Watercolor paintings, so small editions measuring 0.1 inches across are also available

Read More

Art Brings the Drama in These Intriguing 1stDibs 50 Spaces

The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.

Welcome (Back) to the Wild, Wonderful World of  Walasse Ting

Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.

In Francks Deceus’s ‘Mumbo Jumbo #5,’ the Black Experience Is . . . Complicated

Despite the obstacles, the piece’s protagonist navigates the chaos without losing his humanity.

With Works Like ‘Yours Truly,’ Arthur Dove Pioneered Abstract Art in America

New York gallery Hirschl & Adler is exhibiting the bold composition by Dove — who’s hailed as the first American abstract painter — at this year’s Winter Show.

Donald Martiny’s Jumbo Brushstrokes Magnify the Undeniable Personality of Paint

How can a few simple gestures — writ extra, extra, extra large — contain so much beauty and drama?

Patrick Hughes’s 3D Painting Takes Us on a Magical Journey through Pop Art History

The illusions — and allusions — never end in this mind-boggling portrayal of an all-star Pop art show on a beach.

Mid-Century Americans Didn’t Know Antonio Petruccelli’s Name, but They Sure Knew His Art

The New York artist created covers for the nation’s most illustrious magazines. Now, the originals are on display as fine art.

Learn Why There Have Been So Many Great Women Painters

Featuring iconic works by more than 300 female artists, a new book makes a more than compelling case for casting off the patriarchal handcuffs that have bound the art historical canon for far too long.

Recently Viewed

View All