Evgenij Klenø

'Charlotte with Carnations', Paris, Royal Academy of Art, Denmark, Copenhagen

1977

Signed lower right, 'Mogens Hertz' (Danish, 1909-1999) and dated 1949. A large, Post-Impressionist figural oil showing a pregnant young woman, draped from the waist down, with her hands resting serenely in her lap. Seated beside a garden door, she is gently dappled by golden sunlight that filters in through verdant foliage. Painted when the artist was forty years old, Hertz has accomplished a lyrical, light-suffused study of his beautiful and enigmatic young subject. Mogens Hertz first studied with the Academician, Laurits Ring and, subsequently, with the Danish Impressionist, Rostrup Boyesen. In 1930, after an influential study trip to Paris, Hertz continued his formal studies at Copenhagen's Charlottenborg Academy before moving to the countryside outside Gudhjem. There, he became a co-founder of the Bornholm School. His work there came to exemplify the group's lyrical portrayal of idyllic landscapes, painted in a loose and painterly, Impressionist style that often borders on abstraction. From 1930-1941, Hertz traveled and studied widely, including to France, Holland, Germany, Norway and Sweden. He was the recipient of numerous medals, prizes and juried awards including the August Schiøtt scholarship (1948) and the Frederik Sødring prize (1939). Over the course of a long and distinguished career, he exhibited widely and with success including, from 1937, at the Royal Danish Academy's Charlottenborg Spring Exhibition, at the Bornholm Art Museum and the Vejen Art Museum, among others. Mogens Hertz is well-listed in relevant art biographical reference works including Benezit's definitive dictionary of artists. We are pleased to offer a major work from the artist's middle period. Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 6, p. 954; Weilbach, Dansk Kunstnerleksikon, the Castle and Cultural Agency, Copenhagen; Chr. F. Beck i: Da. Kunst, nr. 90, maj 1950; Helge Ernst...

Signed lower left, 'Mogens Hertz' (Danish, 1909-1999) and dated 1953. A substantial figural oil of a young woman, shown seated at a table and arranging her hair before an open wind...

'Seated Nude', Louvre, Académie Chaumière, LACMA Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Ge...

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with Victor di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the L...

Alan Lambirth b 1959 RA Schools graduate RA Schools student from 1980 to 1983 Piece is in a light wooden frame. Keywords: young woman, flowers, outside, park, green, field, fields...

This artwork "Woman with Bouquet" c.1985 is an oil on canvas by noted Spanish artist Juan Garces Espinosa, 1935-2014 It is signed at the lower right corner...

Artist: Georg Kalmar (Austrian, 1913-1994) Title: Portrait of a Young Woman Year: circa 1975 Medium: Oil on Canvas Size: 43 in. x 27 in. ...

Signed nude oil on original canvas circa 1910 by French post impressionist painter Georges D'espagnat. The work depict a nude woman seated on a stall turned away from the artist. Paintings hang on the wall and there's a vase filled with pink and red flowers on the wooden mantlepiece beside her. Signature: Signed upper left Dimensions: Framed: 30"x26" Unframed: 22"x18" Provenance: Private French collection. Exhibition stamp verso From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier...