1890s Paintings

Substantial and period painting of Yellowstone Falls by an unknown artist (American, 19th-20th Century), c.1880-1898. Unsigned. With a plaque "Yellow...

This is a spiritually inspired oil painting by noted American artist Caroline W. Pitkin. The Japanese themed setting is well composed with figures, a screened backdrop and a folded f...

Gorgeous late 19th Century Russian landscape with stream in the shade by Nikolai Aleksandrovich Sergeev (Nikolai Alexandrovich Sergeyev ...

A fine impressionist painting of peonies on a palette by French artist Felix François Georges Philibert Ziem (1821-1911). Ziem was born in Beaune,...

Oil on canvas "Cupid" circa 1900 after Anthony van Dyck additional info: Title: cupid Style: baroque Medium: oil on canvas Signature: unsigned Provenance: private collection Canvas...

Date: 1898 Medium: Oil on Canvas Dimensions: 21.00" x 34.00" Signature: Signed Lower Left Exhibited: The Triumph of Winter, National Arts Club, New York, December 16, 2013- January ...

"L’étranglement du Verdon à son entrée dans le lac de Sainte-Croix" – Provence, France "The narrowing of the Verdon as it enters Lac de Sainte-Croix” Oil on canvas, signed at the bot...

Francesco Brunery (1849–1926) Portrait at the Artist's Workshop Oil on wood panel Old frame gilded with leaves Dim panel : 30 X 24 cm Dim frame : 54 X 46 cm Francesco Brunery (1849...

Léon Joubert (1870-1920) was a pupil of Léon Germain Pelouse ans Fernand Cormon. He exposed at the Salon des artistes français very often from 1876. he was a landscape painter, most...

Oil On Canvas, pointer Hunting Dog French Painting 19Th Sold without frame Title: pointer Hunting Dog Materials: oil on canvas Signature: not signed Provenance: private collection...

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

il dipinto senza la cornice in legno finemente decorata a ornato vegetale in pastiglia e dorata misura 35 x 27 cm senza cornice, è firmato e datato: E. Meyer 1892. La scena si svolg...

Oil painting on canvas “portrait of an Elegant woman with fan” dated 1890 Additional info: Title: Elegant with a fan Style: Art Nouveau style painting Medium: oil on canvas Signatu...

La obra va firmada por el artista en la parte inferior La obra se presenta enmarcada con un marco de la época de la obra (el marco presenta algunas faltas) Medidas obra: 35 cm. alt...

A very attractive antique oil on canvas landscape painting by the French Post Impressionist artist Max Bouvet (1854-1942), the painting circa 1890. The painting depicts a pastoral sc...

English 19th century set of four oils on card, two horse racing scenes, and two-point to point scenes all in extensive landscapes. Edward Algernon Stuart Douglas...

Bernard Hemy - Bernard Benedict Hemy (1844 - 1910). Marine and Coastal painter in oil and watercolor. Born in Newcastle to Henry F. Hemy, brother...

Antique panoramic landscape painting. Watercolor and gouache on board, circa 1900. Signed. Image size, 17L x 11H. Housed in a period g...

J. Bonnevay (active in France in the late 19th century) Portrait of a Gentleman Signed upper left (the signature is quite difficult to read, but without a doubt Bonnevay's) Oil on c...

19th Century Dutch

VINCENT G. STIEPEVICH Russian, 1841-1910 Harem Girl with a Lute Signed ‘VG. Stiepevich’ L/R Oil on canvas 24 x 18 inches Frame: 31.375 X 25.25 inches

Oil painting on canvas portrait of a poodle dog 19th Century *** This painting is one of a pair *** ( see photo attached ) Title: portrait of a poodle dog Materials: oil on canvas...

A Venetian scene of the Palazzo Dario by F. R. Unterberger Austrian, c.1898-1900 Frame: height 97cm, width 85cm, depth 7cm Canvas: 83cm, width 70cm, depth...

Raja Ravi Varma - Untitled (Lord Rama’s reunion) Oleograph 14.5 x 10.1 inches, Circa ( Framed & Delivered ) Raja Ravi Varma (29 April 1848 – 2 October 1906) was an Indian painter an...

"female Nude" oil on canvas by Otto Scholderer (1834-1902)" Franz Otto Scholderer (1834 - 1902) was a German painter. His work is rooted in Romanticism, with influences from Impres...

Antique American important and historic drawing by John Avery, Ink on paper. Provenance from Kennedy Gallery. Framed. Measuring 19 by 23 inches overall and 12 by 15.5 drawing alone. ...

GRACIANO MENDILAHARZU Argentinian, 1857 - 1894 "REFLECTION" signed "Mendilaharzu" (lower left) oil on canvas 18-1/4 X 15 inches (46 X 38 cm.) framed: 27-1/4 X 23-3/4 inches (69 X 60...

Charles Lewis Fussell (American, 1840–1909) Fort Hamilton, Brooklyn Oil on canvas, 8 x 11 ½ inches FRAMED: 15 x 19 inches (approx.) Signed and inscribed at lower left: "C. L. FUSSEL...

Georges Redon (1869-1943) is a famous French painter, draftsman, caricaturist, poster designer and engraver. Art Nouveau portrait oil on canvas mounted on panel "The elegant with the...

William Gale British 1823 - 1909 A Restful Moment signed with artist's monogram WG lower left oil on canvas Unframed: 30.6 by 41cm., 12 by 16¼in. Framed: 52 by 62cm., 20½ by 24½in. William Gale was a talented history and genre oil painter, born in London in 1823. He won many accolades as a student at Royal Academy Schools, and travelled to Italy in 1851 and the Middle East in 1862 and 1867. Due to his many influences , Gale's paintings are in an array of styles including sentimental, biblical, mythological subjects, portraits and orientalist pictures. Examples of his work are held by the Tate, Glasgow City Art Galleries and Museums and Art Gallery of New South Wales. William Gale was one of the many artists who, upon finishing his study at the Royal Academy Schools, set out to explore the east: namely North Africa, Algeria, Palestine and Syria. These remote countries at the crossroads of civilizations captivated his imagination, which he explored through his work. Following in the footsteps of the great Orientalists John Frederic Lewis and Jean Leon Gerome, William Gale evokes the Eastern Woman, the bright colors and delicate textures that can be found in the East. Using pure, rich glazes and extraordinary attention to detail, he renders the luxurious, beautifully embroidered headscarf. Eastern women kindled a curiosity in almost every Orientalist artist...

Antique American impressionist flower landscape painting by Arthur William Best (1859 - 1935). Oil on board. Signed. Framed. Image size, 14L x ...

This charming English Victorian painting by Arthur Jackson beautifully captures a rustic scene of chickens in a barn. The artist's meticulou...

'His First Suit,' a large Victorian oil painting, signed 'Fred Morgan' English, c.1899 Frame: Height 109cm, width 133cm, depth 8cm Canvas: Height 92cm, width 116cm, depth 2.5cm Executed in oil-on-canvas, and mounted in a carved giltwood frame, this beautiful English painting, titled 'His first suit,' is by the late Victorian artist Frederick Morgan, an artist working in a similar style to that of the more well known Arthur John Elsley...

Raja Ravi Varma - Laxmi, 19 x 14 inches Oleograph with embellishments, Circa (Unframed & Delivered) Raja Ravi Varma (29 April 1848 – 2 October 1906) was an Indian painter and artist...

Imogen Mary Collier (1873-1952) Portrait of Jerry and Dot Circa. 1895-1900 Oil on Canvas 49 X 42.5 Imogen Mary Collier (1873-1952) was born in 1873 at Whitchurch, Devon, England. She was the daughter of Mortimer John Collier...

Georges-Antoine Rochegrosse French 1859 - 1938 The Palace Courtyard Oil on canvas, signed lower left Image size: 26 ¾ x 19 ¾ inches (68 x 50 cm) Ornate orientalist gilt frame (Image ...

Henri De Toulouse-Lautrec (French 1864 - 1901) BABYLONE D'ALLEMAGNE Printed in 1894 Lithograph printed in colors, 1894, on linen-backed wove paper, printed by Chaix, Paris, tasteful...

The Outing Magazine commissioned Parrish to provide a cover illustration for their 1899 Last Rose of Summer edition (published December 1899). In the poster, Maxfield used his own face and figure to portray a youth in Grecian costume examining a rose he holds in his hand. The figure is shown sitting below one of the massive oaks on the artist’s property, flanked by two plaster lions the artist had moulded in his studio. The depiction harks back to the 1805 poem by the Irish poet, Thomas Moore: ‘Tis the last rose of summer, Left blooming alone; All her lovely companions Are faded and gone; No flower of her kindred, No rose-bud is nigh, To reflect back her blushes Or give sigh for sigh! I’ll not leave thee, thou lone one...

An artist who knew the vessels he painted firsthand, Baltimore artist Otto Muhlenfeld has captured the Great Lakes Steam Tug CALUMET in a colorful, working profile. Her American Ensi...

RICARDO BRUGADA Y PANIZO Spanish, 1867 - 1919 LA HORA DEL TÉ signed & dated "Ricardo Brugada. 1897." (lower left) oil on canvas 22-1/8 x 31.5 inches (5...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Paysage d'Automne à Nesle la Vallée by Gustave Loiseau (1865-1935) Oil on canvas 65 X 81.2 cm (25 ⁵/₈ x 32 inches) Signed lower left, G Loiseau Executed in 1898 This work is accompanied by a certificate of authenticity issued by Didier Imbert. Painted in 1898 this oil landscape, shows Loiseau’s sophisticated approach to capturing rural landscapes. In both 1890 and 1896, Loiseau exhibited in the Impressionist exhibitions, with this piece proving indicative of the level of artistic maturity he had acquired towards the turn of the twentieth century. Provenance: Wally Findlay Galleries, Palm Beach ​Private collection, USA,​ acquired from the above in April 1975 Artist biography: Gustave Loiseau was born 3 October 1865 in Paris. A Post-Impressionist painter, he is remembered above all for his landscapes and scenes of Paris streets. Brought up in Paris and Pontoise by parents who owned a butchers shop, Loiseau served an apprenticeship with a decorator who was a friend of the family. In 1887, when an inheritance from his grandmother allowed him to concentrate on painting, he enrolled at the École des arts décoratifs where he studied life drawing. However, a year later he left the school after an argument with his teacher. While working as a decorator, Loiseau redecorated the apartment of the landscape painter Fernand Quignon (1854-1941). After he left the École des arts décoratifs, Quignon tutored him in painting. In 1890, he went to Pont-Aven in Brittany for the first time, fraternizing with the artists there, especially Paul Gauguin and Émile Bernard. After experimenting with Pointillism, he adopted his own approach to Post-Impressionism, painting landscapes directly from nature. His technique, known as en treillis or cross-hatching, gave his works a special quality. Loiseau first exhibited at the Salon des Indépendants in 1893 and at the Salon de la Société Nationale in 1895. He also exhibited at Impressionist exhibitions in 1890 and 1896. Loiseau's paintings, revealing his passion for the seasons from the beginning of spring to the harvests later in the autumn, often depict the same orchard or garden scene as time goes by. Series of this kind, which also include cliffs, harbours or churches, are reminiscent of Claude Monet. Although Loiseau did not complete many portraits, he often painted people at work: dockers together with their boats, villagers leaving a Sunday service in Brittany or arriving at the market in Pont-Aven, or even carriages in Paris driving across the Place de la Bastille and the Étoile. He is also remembered for his paintings of Paris streets...

A gorgeous novecento animalier painting, depicting a curious colt and.a white rabbit, by Gaetano Jerace (1860-1940) Gaetano Jerace was born in Polistena in Calabrian into a dynasty of artists: his brothers Francesco (1894-1937) and Vincenzo (1862-1947) also became painters. Gaetano moved to Naples as a young man, where a attended the Academy of Fine Arts, studying with Francesco Lojacono...

LEBAS Léonie (19th-20th) "Lady in Paris Street 1900" Oil on wood panel signed low right Old Frame regilded with gold leaves Dim panel : 16 X 22 cm Dim frame : 50 X 41 cm LEBAS Léoni...

JOSÉ JIMÉNEZ ARANDA Spanish, 1837 - 1903 PARTIDA DE TRESILLO signed, located & dated “Jz. Aranda / Madrid. 1893.” (lower right) oil on canvas 31-1/2 x 39-1/3 inches (80 x 100 cm) unframed BIBLIOGRAPHY - This picture being mentioned and illustrated in “LA ILUSTRACION ESPAÑOLA Y AMERICANA”, Madrid, September 15, 1895 - B. Pantorba, José Jiménez Aranda, 1973, p. 75, 203 - José Jiménez Aranda, 1837-1903: Centro Cultural El Monte, Seville, October 2005, illustrated p. 102 EXHIBITED Madrid National Exhibition of 1895 PROVENANCE Private Collection, USA José Jiménez Aranda (7 February 1837 – 6 May 1903) was a Spanish painter and brother of the painters Luis Jiménez...

A. C. DOUGLAS HAMILTON, 1918 - 2001 Studied at the Lancaster School of Art under Walter Bayes and won his National Diploma in 1949. Original oil on canvas, 18.5 x 25.5 inches, Fra...

A beautiful and rare example of a figurative work by the French post-impressionist Ferdinand du Puigaudeau

VINCENT G. STIEPEVICH Russian, 1841-1910 Harem Girl with a Lute Signed ‘VG. Stiepevich’ L/R Oil on canvas 24 x 18 inches Frame: 31.375 X 25.25 inches

This enchanting Swedish painting, dated circa 1890, is believed to depict the tranquil waters of Långälven in Värmland, a testament to Ohlson's prowess in capturing the essence of the Swedish countryside. The scene is a gentle narrative, where we witness a family moment frozen in time. Parents stand by their daughter on a wooden dock, poised to embark on a journey across the reflective waters. The young girl, dressed in period attire, appears eager and curious, a universal symbol of youth's anticipation for adventure. Her parents, dressed in the fashion of the late 19th century, exude a sense of calm and assurance. Ohlson's brushwork brings the scene to life with a delicate interplay of light and shadow, mirroring the cloud-speckled sky on the lake's surface. The background is dotted with other vessels, suggesting the shared pleasure of the day's end on the water. Oscar Ohlson (1847–1912), born in Linneryd, Småland, and later settling in Borås, was a multifaceted artist who, after pursuing law, found his true calling in the arts. A student of Alfred Wahlberg...

A very attractive antique oil on canvas landscape painting by the French Post Impressionist artist Max Bouvet (1854-1942), the painting circa 1890. The painting depicts a pastoral sc...

Oil on canvas, signed & dated '1890' lower right Image size: 6 1/2 x 6 1/2 inches (16.5 cm round) Cushion size: 19 x 19 inches (48cm square) Original gilt frame and cushioned mount...

Jean Baptiste Duffaud French, 1853-1927 St. Tropez Oil on canvas 13 by 21 ¾ in. W/frame 24 by 32 ¾ in. Signed lower left Jean-Baptiste Duffaud studied at the Ecole des Beaux-Arts in Marseilles under the direction of Dominique Antoine Magaud (1817-1899). Wishing to complete his artistic training, he went to Paris and received the teaching of Jean-Léon Gérôme. He exhibited at the Salon from 1875 to 1892, obtaining several honorable mentions. He was awarded the prestigious Marie Bashkirtseff...

Young Woman The Vegetable Seller Roma Francesco Ferraresi Original watercolor A courtyard painting of a vegetable seller by Francesco Ferraresi (1858 - 1942). the is pensive and awai...

William Gale British 1823 - 1909 A Restful Moment signed with artist's monogram WG lower left oil on canvas Unframed: 30.6 by 41cm., 12 by 16¼in. Framed: 52 by 62cm., 20½ by 24½in. William Gale was a talented history and genre oil painter, born in London in 1823. He won many accolades as a student at Royal Academy Schools, and travelled to Italy in 1851 and the Middle East in 1862 and 1867. Due to his many influences , Gale's paintings are in an array of styles including sentimental, biblical, mythological subjects, portraits and orientalist pictures. Examples of his work are held by the Tate, Glasgow City Art Galleries and Museums and Art Gallery of New South Wales. William Gale was one of the many artists who, upon finishing his study at the Royal Academy Schools, set out to explore the east: namely North Africa, Algeria, Palestine and Syria. These remote countries at the crossroads of civilizations captivated his imagination, which he explored through his work. Following in the footsteps of the great Orientalists John Frederic Lewis and Jean Leon Gerome, William Gale evokes the Eastern Woman, the bright colors and delicate textures that can be found in the East. Using pure, rich glazes and extraordinary attention to detail, he renders the luxurious, beautifully embroidered headscarf. Eastern women kindled a curiosity in almost every Orientalist artist...

This painting by Olof Sager-Nelson, executed during his time in Bruges in 1894, is a splendid example of symbolism. It depicts a serene canal in Bruges, surrounded by sunlit houses w...

Exhibited: Société Nationale des Beaux-arts, Paris, 1893 (as Jeune Fille arrosant ses fleurs) Literature: Michel, Jean Pierre, François Guiguet (Corbelin, France, 1996), p. 102 (n...

"Large Oil Painting On Canvas Belle époque Art Nouveau With Frame" Georges Redon (1869-1943) is a famous French painter, draftsman, caricaturist, post...

A stunning sky and cloud study by Gaston Prunier. Originally from Le Havre, the sea port where the Seine empties into the English Channel, Prunier was c...

Medium: Oil on Panel Signature: Signed "H. Pyle" Lower Right and Inscribed Indistinctly On the Reverse "At the same time he extended toward King Louis the ...

Berlin (K.P.M.) Porcelain Plaque Depicting an Exotic Nude Woman is a sheer dress carrying a vase in a courtyard. Possibly a royal or aa slave. Late 19th century Impressed "K.P.M....

Joseph THORS A very attractive piece by Joseph Thors who was one of the most sought after artists of the Victorian period. Perfect for any mantlepiece it has many of the most desira...

Jacques DELANOY (1820-1890) Still Life Fruits and vegetables Oil on canvas signed and dated 1890 low left Old frame regilded with leaves Dim canvas : 41 X 34 cm Dim frame : 53 X 44 ...

Signed and dated neo-impressionist landscape oil on canvas by French painter Leo Marie Gausson. Gausson painted this picturesque view of then fields above Triel-sur-Seine, a small to...

H.East was a painter in oils of landscapes and rural scenes, who was active at the turn of the 19th to 20th century. He did not exhibit his work in the normal exhibition galleries bu...

French School of the 19th century Portrait of a young man, 1891 Signed (illegible) and dated 91 on the lower right Oil on canvas 46 x 38 cm Framed 52 x 44 In good condition, recently...

The small fishing village of Le Pouldu, located on Cap Finistère in Brittany, south of Concarneau and Pont-Aven, was nestled between the Laita River and the sea. The area was renowned for its sand dunes. A ferry operated there, transporting people and livestock across the river. In 1886, the village consisted of only 11 households and was so small it didn't even have a bakery. In 1890, Paul Gauguin and six other artists, including Paul Sérusier, Jacob Meyer...

Impressive early European impressionist cityscape painting. Framed. Oil on board. Image size, 11H by 8L.

ENRIQUE ATALAYA Spanish, 1851 - 1913 BELEM´S TOWER, LISBON signed "ATALAYA" (lower right) oil on wood panel 6-1/4 x 8-1/8 inches (15.8 x 20.5 cm.) fram...

ADAM-LAURENS Suzanne Adrienne, aka Nanny (1861-1915) Venice, Lagoon with gondolier Oil on canvas signed lower left Frame gilded with leaf canvas size: 55 X 42 cm Frame size: 64 X 77 cm French painter born in Crest (Drôme ) February 20, 1861 Died in 1915 Landscape...

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 CA' D' ORO, VENICE signed & located "A. Reyna, Venezia" (lower right) oil on canvas 11-1/2 x 19-3/4 ...

Antique American important and historic drawing by John Avery, Ink on paper. Provenance from Kennedy Gallery. Framed. Measuring 19 by 23 inches overall and 12 by 15.5 drawing alone. ...

1666 Antique interior scene oil painting The Chess Match circa 1890's Image size 19.5x 13.5"

Antonin MERCIE (1845-1916) French Belle Époque Portrait A stylish portrait of a fashionable young woman dating to the Belle Époque period. Signe...