1940s Paintings

Early original oil on canvas painting of sailboats in stormy seas by the American artist, Nahum Tschacbasov. Artist signed lower right and dated 1945. Condition is very good. Prese...

Shooting Gallery Mid 20th Century American Scene Social Abstract Realism Modern *William Kienbusch (1914 – 1980) Shooting Gallery, Sixth Avenue Post...

Recently, women artists have been soaring in price to millions of dollars. In many cases, many of these women were quite obscure. For example, recently acknowledged Gertrude Abercrombie, a naive surrealist artist, has recently seen her paintings rise to the area of $400K. Lorraine Fox, who is a consummate female artist/ illustrator whose work rivals any of the recently anointed female stars is still an unknown quantity. She has exhibited at the Brooklyn Museum and is in the collection of the Smithsonian Archives of American Art, and she is a member of the Famous Artists School in Westport, Connecticut along with Norman Rockwell, Today she is relatively unknown and completely off the radar of the so-called art establishment. Wedding Day is a wonderful example of her mid-century, somewhat naive style. The work is signed lower right and was exhibited at the Brandywine River...

Signed and dated nude figure in interior oil on canvas by French post impressionist painter Pierre De Belay. This work depicts a painting of Pierre De Belay's wife - Helene. Here she...

Born in Ontario, Canada, Rolph Scarlett left home at age eighteen for New York City, making that city his home for long periods during his lifetime. While beginning his career as an ...

Signed by Artist Advertisement for the Interwoven Stocking Company, New Brunswick, NJ. (Reverse also signed with Philadelphia address of artist)

A modern interpretation of the biblical story Suzanna and the Elders. Signed lower right Ink and wash on paper The Downtown Gallery Felix Landau Gallery Ernest Brown & Phillips, Ltd...

"A Girl with Her Cat" was painted by EM Watts in 1947. The portrait is oil on canvas The painting measures 26 3/4" x 22 3/4" with its frame.

This is an original oil on velvet painting created c. 1942. Syd Cockell was an accomplished American illustrator during World War II.

Heavy impasto pained in alla prima ( Wet-on-wet ) technique. Layer of damar varnish. Frame burn, On Masonite. Unframed Signature: Signed Max Weber upper left.

Emile Gruppé (1896-1978) Fishing Boats A large and commanding marine sailboat fishing boat scene with blue waters and blue skies. Birds are flying up above and fish swimming below ...

"Self Portrait" is an original oil painting on masonite board by Francesco Spicuzza. The artist signed the piece in the lower left. It depicts the artist holding a pipe in front of a...

Atul Bose - Rajgir-1 & Roadside Tea Stall, Bankura Pencil on Paper 7 x 10 inches & 9.3 x 7 inches, 1943 (Set of 2 Works) (Framed & Delivered) In this evocative sketch, Atul captures...

Atul Bose - Squatting Man-2 & 4 Pencil on Paper 4.5 x 3.5 inches & 4.5 x 5.4 inches, 1943 (Set of 2 Works) (Unframed & Delivered) His poignant sketch captures the quiet vulnerabilit...

Signed lower right

Constantin Font, born January 11, 1890 in Auch (Gers) and died in 1954 in Paris, is a French artist, painter of genre, nudes, landscapes, orientalist, sculptor and engraver. Outstand...

VAUTHRIN Ernest Germain Born in 1878 in Rochefort-sur-Mer (Charente-Maritime) 20th Century. French. Landscape painter, marine. He exhibited in Paris at the Salon of the National So...

Lambert Werner (1900-1983) Untitled, 1948 Oil on canvas 29 1/8 × 26 1/3 in l 74 × 67 cm 30 3/4 x 28 in l 78 x 71 cm (Frame included) Signed and dated lower right Exhibition history:...

Stunning and powerful dead nature starred in a bouquet of lush flowers in a blue vase leaning on a small auxiliary table. The background is dark, enhancing the luminosity and chromat...

Baron Michael D`Aguilar was born on May 15, 1922 in London to Spanish parents. He was brother of the artist Paul D`Aguilar. He spent much of his early life in Spain. He studied at...

Rolph Scarlett (Canadian/American, 1889 - 1984) “Abstract” Signed and dated 1947, lower right Gouache on paper Provenance: Private collection, Miami Florida About Rolph Scarlett w...

"Abstractions" by American modernist painter Leonard Nelson is a double sided work on paper. The front is 10.5" x 7.5" and the back side drawing is 10" x 6.75". Both sides are signed and dated "Nelson 46", and the artworks are matted and framed behind glass. Leonard Nelson (1912 - 1993) Born in Camden, New Jersey, Nelson applied for a scholarship at the Pennsylvania Academy of the Fine Arts, regardless of having no portfolio. He was persuasive enough to be given one semester and subsequently was awarded an Academy fellowship to study painting. Nelson went on to earn the Academy's prestigious Cresson Traveling Scholarship award in 1939. He studied at PAFA from 1936 - 1940 with, among others, Henry McCarter...

Paul Shimon (American, 1919-2011), "The Three Hebrew Lads Going into the Furnace", Gouache on Paper, 1948, depicting a scene from the Book of Daniel, signed and dated lower right, ti...

Graphis International Poster Design Gouache 31 x 24 cm Provenance: The family of A. E. Halliwell Graphis is a renowned international journal of visual communication and graphic arts...

E Davis Graphis International Poster, December 1947 Gouache 30 x 23 cm Signed to reverse Provenance: The family of A. E. Halliwell Graphis is a renowned international journal of vi...

This captivating Modernist watercolor painting of a serene forest scene by Richard Sorby (1911-2001) beautifully captures the essence of nature through a minimalist and expressive lens. Painted in the 1940s, the piece features stylized trees in bold, dark hues of green, blue, and black, complemented by earthy tones of brown, orange, and white. The watercolor on paper is signed by the artist in the lower right corner and beautifully framed with archival materials. The outer dimensions of the piece measure 26 ½ x 18 ½ x 1 inches, with the image size itself being 22 ¾ x 14 ¾ inches. About the Artist: Richard Sorby, a Colorado-based artist, was renowned for his distinctive modernist style, blending abstraction with representational themes. Sorby earned his Bachelor of Fine Arts degree from Colorado State College of Education (now the University of Northern Colorado) in 1937 and went on to study under influential mentors, including Vance Kirkland and William Joseph Eastman...

Medium: Oil on Canvas Signature: Signed Lower Right This painting was reproduced on page 151 of John La Gatta-An Artist's Life by Jill Bossert, Madison ...

ANTONI CLAVÉ I SANMARTÍ (Barcelona, 1913 – Saint Tropez, Francia, 2005). "Le balcón. París 1942". Litografía con toques de guash. Firmado, titulado y fechado en el ángulo inferior de...

Signed oil on canvas landscape circa 1940 by popular French impressionist painter Alexandre Louis Jacob. The piece depicts workers loading wood onto a cart being pulled by a white ho...

A mother helps her son put on a tie in preparation for a formal party. Original cover for The Saturday Evening Post, October 16, 1948. George Hughes used his neighbors, the Rockwells, as models. The young man is Thomas Rockwell, the son of famed Norman Rockwell, and the mother is modeled after Thomas' actual mother and Norman's then-wife, Mary Rockwell...

Beautiful modern still life done in the baroque style: staged fruit, glass with reflections of light from an unseen source, a cup of tea and a crystal server filled with a variety of...

Le Cirque is a rare and most sought after image by the artist of the circus by collectors of Bombois. This painting shows the circus ring where the performers would perform, the audience of spectators, the ring master & the clown holding a bomb behind his back. It is a painting of GREAT detail. Bombois was a self taught artist and a strongman with the circus. Painting is in a 23 K. hand carved frame, linen mat & 23 K. gold leaf bevel & hand painted 23K. name plate. The painting & frame are in pristine condition. Photo certificate of Perls Gallery...

Camille Bombois was born in Vernarey-les-Laumes, Cotes d'Or in France in 1883. He left school to work on a farm at age twelve and began drawing four years later. In 1907, Bombois ful...

This Correspondance between Max Gubler and Nesto Jacometti, written in 1949, in French, is in excellent conditions and includes 3 items: Autograph Letter S...

This is a Greeting Letter Signed by the Alberto Gerardi to the Countess Pecci-Blunt. Rome, February 29th, 1940, XVIII. One page, single-sinded. In Italian. Excellent condition, incl...

Born in Ontario, Canada, Rolph Scarlett left home at age eighteen for New York City, making that city his home for long periods during his lifetime. While beginning his career as an ...

Oil on board, signed and dated '44 lower right Image size: 15 x 19 inches (38 x 48.25 cm) Contemporary style hand made frame This portrait of an unknown man certainly captures the personality of the chosen sitter. With hat tilted to the side, eyebrow lifted and a half smile of the man's face, one gets the impression that he is finding the whole process of having his portrait painted rather amusing. Still in Ireland at this time, the sitter is likely to have been a friend of the artist, from Belfast. In 1944 there was a group exhibition in Belfast held at the textile business of William Ewart & Sons on Bedford Street. Here Smith showed his works alongside the artists Colin Middleton...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 26.00" x 19.50;" Framed 61.60" x 26.00" "The Fantastic Armada" by Dorothy Black and illustrated by Rico Tomaso for Ladies Home Journal...

The Runner is an original artwork realized by Maurice Rouzée in the 1940s. Signed by the artist on the upper left margin. Good conditions, except for a sma...

Oil on board painting by George Vander Sluis (1915-1984) titled Storm Over Victor (Colorado Mountain Town) from 1946. WPA Era Mountain Landscape wi...

Medium: Watercolor on Paper Signature: Unsigned

This evocative 1946 oil on canvas painting, titled Deserted Street, was created by Colorado/Woodstock modernist Jenne Magafan (1916–1952). The work depicts a solitary figure wanderin...

Park Landscape Russian-Polish, born in 1909 Born in Saint Petersburg, Russian Empire Studied painting in Paris and Warsaw Selected Public Collections Muzeum Historyczne M. St. Warszawy (Historical Museum of Warsaw), Poland Muzeum Narodowe w Warszawie (National Museum in Warsaw), Poland Muzeum Pomorza Srodkowego w Slupsku (Museum of Central Pomerania in Slupsk), Poland Muzeum Wojska Polskiego (Polish Military...

Signed lower left. A watercolor on paper medium. Gordon Grant was a master of maritime watercolors, known for his ability to capture the essence of nautical life with remarkable pr...

Medium: Oil on Canvas Signature: Signed and Dated Lower Right

Woman Pondering

WILLEM VAN DE BERG Den Haag 1886-1970 Amsterdam Portrait of a fisherman, Volendam 1940 Oil on canvas 70 x 55 cm. Signed and dated: lower left ‘Willem van den Berg...

This WPA-era signed oil painting by Paul K. Smith captures a stormy summer landscape in Colorado, featuring houses and lush trees under dramatic storm clouds. Painted in rich shades ...

This work is meticulously and brilliantly rendered to capture not only the likeness of the sitter but spirit as well. The image is pushed to the forefront of the composition and s...

Original cover for The Progressive Farmer magazine, published March 1961

Magazine story illustration for “Hero Come Home” by Ruth Burr Sanborn for The Saturday Evening Post, published September 12, 1942, page 24. This sentimental illustration, accompany...

Medium: Oil on Canvas Signature: Signed and Dated Lower Right Illustration for the Saturday Evening Post. The illustration depicts a man being booted off the ship. "Mr. Gallup Delivers the Goods" story was written by Norman Reilly Raine for the January 11, 1947 issue of Saturday Evening Post. The marine paintings by Anton Otto Fischer are as authoritative as only a working sailor could make them. Born in Munich, Germany but orphaned as a boy, Fischer ran away to sea at 16 and spent eight years before the mast on a variety of sailing ships. Paid off in New York, he stayed to apply for American citizenship and to teach seamanship on the school ship, "St. Mary's." He later served as a hand on racing yachts on Long Island Sound and worked as a model and handyman for the illustrator A.B. Frost. When he had saved enough money, he spent two years at the Academie Julian in Paris under Laurens. Returning to the United States, Fischer sold his first picture to Harper's Weekly in 1908, around the time he moves to Wilmington to receive critiques from Pyle. Everybody's magazine sent him the first of several Jack London stories. In 1910, he began a 48-year association with The Saturday Evening Post, which included illustrating seialized characters such as Peter B. Kyne's "Crappy Ricks," Norman Reilly Raine's "Tugoat Annie," Guy Gilpatrick's "Glencannon," as well as serials for Kenneth Robert...

This Gil Elvgren gouache painting on board was probably intended to be used as an ad for beer. The husband is returning from work with a bouquet of flowers behind his back, while his wife is waiting at the door with a bottle of beer for her husband. This painting was probably done in the late 1940's. The model in this image has the typical Elvgren look, which is very similar to Elvgren's models that he used for his pin up calendar...

This is one of the famous theater's in Montmartre where all the paintings and artists gathered in the famous square. Gen Paul (1895-1955 Fr.) lived in Montmartre, Paris France. He is...

Jerusalem by Ludwig Blum Oil on canvas 25.6 x 32 inches / 65 x 81cm Signed Painted circa 1940

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Bibliography Art in America, April 1951, p.78 About this artists: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Story illustration for "The Californians" by Louise Redfield Peattie, published in Cosmopolitan, February 1940, page 141. The magazine describes the story as "The brilliant saga of ...

Thomas M. Dietrich 1912-1998 The Death of Crispus Attucks, 1943 Tempera and oil on board 21 x 15 inches Signed and dated: Tom Dietrich 1943 Thomas M. Dietrich was an artist in residence at Lawrence College for 30 years and painted in the American Regionalist style. He exhibited yearly at the Art Institute of Chicago where he also received the acclaimed International William Tuthill Prize for watercolors in 1941 (Charles Burchfield won the associated Logan prize that same year) Dietrich also received a Louis Comfort Tiffany Foundation fellowship and was a founding member of the Wisconsin Watercolor Society. In 1943 Deitrich painted The Death of Crispus Attucks, depicting the historical battle known as the Boston Massacre...

Original watercolor on paper. Hand signed and dated lower right by Rolph Scarlett. Artwork size 7.5 x 9.5 inches. Frame size 17.5 x 21.5 inches. Artwork is in excellent conditio...

Chef in the kitchen cooking. William Reusswig was a fine illustrator, and married to an equally fine one, Martha Sawyers. They traveled the world together and, in collaboration, wrote and illustrated two books about the Far East, published by Grosset & Dunlap in 1961 and 1964. They worked out of a New York apartment with two studios, where each could pursue their individual assignments. William was born in Somerville, New Jersey; he studied at Amherst College and the Art Students League in New York. He was only twenty-three when he made his first illustrations for Collier’s, and then illustrated for most national fiction magazines, including Cosmopolitan, True, Redbook, The Saturday Evening Post, McCall’s, The Country Gentleman...