1940s Paintings

Signed and titled verso on stretcher "Lea Ancient Revel". Subtitled verso on label in artist's hand: "An attempt to marry ancient mineral matter with people". Exhibited at the 194...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Harry Leith-Ross (1886 - 1973). The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist. There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 26.00" x 19.50;" Framed 61.60" x 26.00" "The Fantastic Armada" by Dorothy Black and illustrated by Rico Tomaso for Ladies Home Journal...

Marta Sawyers. Illustrator Journalist. She was sent to war-ravaged countries to “Paint the Story”. What's unique here? This represents the work an Artist Journalist/War Correspondent...

Exhibited: Vanderwoude Tananbaum Gallery, New York Caldwell Gallery, Manlius, N.Y.

Calendar art, from the 1940's. Man working in his shop

Signature: Farmer Smoking his Pipe Medium: India and colored inks "Dorne never got around to producing his volume of instruction for the Famous Artists Schools, but a lot of that ma...

Approximate Date: 1949 Medium: Mixed Media on Paper Dimensions: 18.50" x 22.00" Signature: Signed Lower Right Story Illustration

Dressed in traditional clothing, a handsome Chinese man is depicted as he sits resolutely with one hand on his leg and the other holding a baton. Female Artist Joyce Ballantyne...

A recent Kuhn Circus Performer sold for $312,000 at Bonhams, NY Bert Lahr shined in the role of The Cowardly Lion in the Wizard of OZ. Here he is depict...

MANE KATZ [Katz Emmanuel] 1894-1962 Kremenchug, Ukraine 1894-1962 Tel Aviv (Russian / Ukrainian / French / Israeli) Title: Fishermen by the Boats, circa 1941 Techinique: Original Signed Oil Painting on Canvas Size: 51 x 61 cm / 20.1 x 24 in Additional Information: The work is signed "Mane Katz" on the right hand side. This work was painted circa 1941. Provenance: Graham Gallery...

Purple tonal naturalistic watercolor landscape by Texas artist Harry Worthman. This watercolor is an early watercolor made by the artist. It is signed, titled, and dated by the artis...

Marcel Dyf French, 1899-1985 “Place de La Concorde” , 1948 Signed Dyf and dated 1948 Paris (lr) Oil on canvas Canvas: 29 x 39.75 Inches (73.6 x 99 cm) Framed: 35 x 45.25 Inches ...

Medium: Watercolor on Paper Signature: Unsigned

Includes a Certificate of Authenticity

Approximate Date: 1949 Medium: Mixed Media on Paper Dimensions: 18.50" x 22.00" Signature: Signed Lower Right Story Illustration

Includes a Certificate of Authenticity

Signed lower right Agnes Hart was born in Meridan, Connecticut. She studied at the Ringling School of Art in Sarasota, Florida; at Iowa State University with Josef Presser, Paul Burlin and Lucile...

GRUPPE Emile Albert, (American, 1896-1978) Title: “Gray Day, Gloucester” Oil on Canvas Painting: 20' x 24 Inches Signed lower right: Emile A Gruppe Framed: 24.5 x 28.75 Inches (N...

Journalist Portraiture. Gouache on board Signed Lower Right matted to 17.75 x 16.75 inches. Archivally Matted Not Framed 
 He illustrated more than 300 covers for Time magazine a...

Oil on panel, inscribed and dated '1946' bottom right Image size: 19 1/2 x 15 1/2 inches (49.5 x 39.5 cm) Period frame This painting stands out for its use of full-bodied brushstrokes and thick impasto application of paint. It depicts an Italian harbour in the 1940s, probably on one of the islands in the bay of Naples, such as Procida. The Artist Ezelino Briante was born and trained in Naples and he traveled around Italy and abroad (France, Switzerland, Sweden, Brazil, United States of America) looking for naturalistic subjects that he preferred. This celebrated painter studied at the Accademia di Bella Arti di Napoli and his scenes of Italy won him great support and fame in Italy and internationally. His paintings of Italian piers, in particular those of Campania; well known are also his marine landscapes of Sorrento, Capri, Maiori, Amalfi Coast and Sorrento Coast...

Date: 1940s Medium: Oil on Canvas Dimensions: 28.00" x 21.00" Signature: Signed Lower Right "Lucy, you are a lonely woman." Story illustration for "The Enchanted Circle," published ...

Alternate cover for Fortune Magazine February, 1940. Gouache on board. 350x285 mm; 13 3/4x11 1/4. Signed "A. Petrucelli" in lower left image. Tipped t...

Medium: Oil on Board Signature: Signed Lower Right Father and Son, Women's Day Magazine Cover, January 1945 The illustrations of Douglas Crockwell were often simply signed “Douglass” to avoid confusion with the signature of Norman Rockwell, particularly since their work was being published on the covers of The Saturday Evening Post during the same period. Necessary too, because Crockwell also worked very realistically, and like Rockwell, was particularly good with children. Their backgrounds, however, were entirely different. Crockwell was born in Chicago, Ohio, and took his degree in Science at Washington University, followed by study at the Academy of Fine Arts in Chicago and the St. Louis School of Fine Arts. He received his first commission for a cover for The Saturday Evening Post in 1933, and this was followed by many more, as well as work for other periodicals and a long list of national advertisers. During the ‘thirties, he also completed Post Office murals in Vermont, New York State and Mississippi, and began to work on experimental animated films. The films, and inventing a “pan-stereo” viewing...

While most can not even count all 102 stories of the Empire State Building, artist Alice Smith accurately paints each and every story with exacting detail ...

Date: December, 1946 Medium: Gouache and Graphite on Board Dimensions: 17.50" x 26.75" Signature: Unsigned "The Clever Sister." Illustration for the first part of the story of the s...

Medium: Oil on Canvas Signature: Signed and Dated '1941' Upper Right This illustration was published for the interior story "Sugarfoot" by Clarence Budington Kelland in the Saturday Evening Post, February 7th, 1942. Signed and dated '1941' upper right Harold von Schmidt grew up in the West a generation after Remington...

Signed & Dated Lower Right by Artist

Book illustration for the 1946 edition of The Sermon on the Mount published by the John C. Winston Company (Philadelphia). Signed and dated 'EVERETT SHINN 1945' bottom center left

Eugene Camille Fitsch Am./Fr., 1892-1972 - Signed lower right. Framed dimensions 20 3/4" x 34 7/8" framed Provenance: Studio of the Artist to Private Collection Boston, Massachuse...

Answer the Call, 1954 Gouache on board 31 × 24 in 78.7 × 61 cm Joseph Binder was an Austrian-born designer whose influence permeated Europe and the United States. He applied reductiv...

Cover of Saturday Evening Post magazine, February 19, 1949 The parents and grandmother are taking a picture of the baby while trying to make him smile. Jack Welch was a tall Texan from Cleburne. He went through public school in Temple, Texas, took the W. L. Evans correspondence course in cartooning, and did a short turn at Southern Methodist University illustrating yearbooks. This was enough to launch him as a newspaper artist; he worked for papers in Texas, California, Chicago, Philadelphia, and New York. The next logical step was an advertising agency sketch man...

Date: 1940s Medium: Acrylic on Board Dimensions: 21.5" x 15.5" Signature: Signed Lower Right Likely an illustration from a Ballantine Books publication. 21.5 x 15.25 inches (image...

Date: 1940 Medium: Oil on Canvas Dimensions: 29.00" x 23.00" Signature: Signed Lower Left Magazine cover: Liberty Magazine (Canada), February 24, 1940;

Two men conversing with a stern look on their faces, while a woman is sitting against the pine tree. Signed Lower Right "I guessed this town wasn't goi...

Signed Lower Left by Artist Born in small town Texas, Welch first learned his trade through the W. L. Evans correspondence course in cartooning, which led him to a short-lived stint at Southern Methodist University illustrating yearbooks. This work launched him as a newspaper artist, and eventually earning a position as an advertising agency sketch man...

Medium: Watercolor Painting Signature: Signed Lower Right Cover of The Saturday Evenign Post, May 25th, 1940

A fine figural oil painting of a mother and three children with worried looks on their faces as military planes fly overhead by American artist Hope Shipee Bunin (1908-1970). Bunin w...

John Edward Costigan, N.A. American, 1888-1972 Woman and Child Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 24 by 30 in. W/frame 32 by 38 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Signed Lower Right by Artist

Signed "George Garland" Lower Left by Artist "To melt this frigid beauty required the services of an expert, someone with a wicked-and-compelling-way with women." Illustration for "...

Date: 1942 Medium: Oil on Canvas Dimensions: 24.00" x 48.00" Signature: Signed Lower Right

Cover Illustration for Complete Northwest magazine, April 1940 Exhibitions: It's a Man's World, Illustration Art by and for Men: November 14-17 2012, Illustration House NYC

Two women in a garden and two men walking and talking in the background. A Native American finding a Raggedy Ann doll on a lonely western road. A ...

A nude white woman gazes out and over a Giorgio de Chirico like surrealist landscape to an overly dramatic sunset with stylized orange rays. In the center of the composition is a cut-out of a mountain with a moat. In the extreme foreground is a silhouetted orange plane with a spiral of leaves. Along with the empty landscapes of de Chirico, it's possible that Frederick Haucke was influenced by Salvador Dalí " The Persistence of Memory" in 1931, and Dali's painting was shown at the Museum of Modern Art in 1934. In that painting, Dali, paints a vacant landscape doted with symbols from the unconscious. This painting by Frederick Haucke owes a debt to giants of the Surrealist movement but still, Haucke carves out his style. The shape of the nude's hair echoes the shape of the sunset. What the symbolism to the mountain is and the flower in the foreground we will leave to the viewer to speculate. It was shown at the very prestigious Pearls Gallery in New York City. Artists in the famous Perls' stable included Derain, Dufy, Rouault, Matisse, Picasso, Modigliani, Pascin, Soutine, Chagall and Vlaminck. With a 1971 retrospective of Alexander Calder's work. This Haucke from the Perls Gallery...

Original watercolor circa 1947 of a Palm Beach tropical pool oasis by the acclaimed German artist & architect Franz Bueb (1919-1982) who designed Town & Cou...

This work is meticulously and brilliantly rendered to capture not only the likeness of the sitter but spirit as well. The image is pushed to the forefront of the composition and s...

Medium: Oil on Canvas Signature: Unsigned Preliminary study for Life magazine, Circa 1941. Features a study of the work titled; "The Postman Always Drinks...

Medium: Watercolor and Gouache on Paper laid on Board Signature: Signed and Dated on the Reverse Study for advertisement promoting Webster Cigars at Florida's Boca Raton Club, circa...

Medium: Oil on Canvas Signature: Signed Lower Right

Medium: Oil on Masonite Signature: Signed Upper Left Original Use: Interior Illustration for The American Magazine Excellent Condition This luminous, expressive oil on masonite wa...

Watercolor on paper

Charming watercolor by B.M. Kremitske signed BMK (LL) from June, 1948 painted after Winslow Homer Art Sz: 6"H x 10 1/4"W Frame Sz: 11 3/4"H x 16"W

Benjamin Chasen American, 1911-1962 Still Life Oil on Canvas Signed & dated 1941 28 by 36 in. w/frame 34 by 42 in. Provenance: Private Collection Greenwich CT Le Trianon...

Tempera mixed with gum arabic and alcohol on Renaissance Panel "Robert Riggs was awarded the Gold Medal for Excellence by the New York Art Directors Club for ten consecutive years and received many additional awards." He was elected to the Society of Illustrators' Hall of Fame. His work is in the permanent collections of the Metropolitan Museum of Art in New York, the Philadelphia Museum of Fine Arts and the U.S. Library of Congress. Riggs's compositons are "monumental" Walt Reed Riggs was a Gay Artist...

ABRAM ADOLPHE MILICH 1884-1964 Tyszowce, Poland 1884-1964 Paris (Polish) Title: The Young Woman from Arles / La Jeune Arlesienne (Homage to Van Gogh), 1941 Technique: Original Sig...

Date: 1948 Medium: Gouache on Board Dimensions: 14.00" x 18.00"

Medium: Oil on Canvas Approximate Date: 1943 Dimensions: 35.00 x 22.00" Signature: Signed Lower Left American Junior Red Cross, Poster Illustration

Men Who Plan Beyond Tomorrow” Advertising campaign for The world’s incredible technological inventions that we take for granted today ….. Provenance: Edgar Bronfman Sr. former C...

Date: 1945 Medium: Gouache Dimensions: 21.25" x 16.50" Signature: Signed Lower Left Cover of The Saturday Evening Post, February 3, 1945