1960s Paintings

Gorgeous mid century abstracted landscape of adobe homes by S. Gallotti (American, 20th Century), 1963. Signed and dated lower right "S. Gallotti 5-14-65." Condition: Good; minor cra...

Oil on canvas painting done in heavy impasto paint. Signed lower right. Has 2 patches that are much bigger than actual holes. Each repair is half the size of a dime and is not visible from the front of the painting. Original bill of sale from the Gallerie Ferrero in Geneve comes with the painting. Titled in French verso "La Cartomancienne" which translates to the fortune teller...

This Modern Abstract Expressionist painting by Stanley Bate is made with gouache on paper and features a cool, muted palette and light texture. The painting itself is 13" x 22" and measures 21.25" x 29.25" x 1" framed. It is signed by the artist in the lower left-hand corner of the painting and is framed in a black frame with an acid-free mat. It is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Latin American school Oil on canvas Mother carrying child Circa 1960s – 1970s Geometric style 27.75×31.5 framed 23.25×27 unframed

Head is an original contemporary artwork realized by Gianni Dova in 1960. Mixed colored oil and malta painting on canvas. Hand signed, titled and date...

Signed lower left, 'C. de Bruck' (?) and painted circa 1965. A view of the Place du Tertre in Montmartre with new, spring growth on the trees and various elegant figures shown walki...

Finely painted bright and brilliant modernist painting. Oil on canvas. Framed. No signature found.

Original oil paint and gouache on heavy archival textured paper abstract by the American artist, Martin Rosenthal. Bold, vibrant colors. Signed lower right by the artist and dated 1...

Antique American modernist still life painting. Oil on canvas, circa 1960. Unsigned. Image size 24L x 20H. Housed in a period modern frame.

Lou's Landing - Original Watercolor On Paper Original watercolor on paper by Ray Skelton (American 20th c.), depicting a boat harbor with numerous boats tied up, some sailing. Lou's...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

Gorgeous plein air landscape of California East Bay Hills titled "Waning Light" by Francis Woodcock (1906 - 1983), circa 1960s. Signed lower right and on vers...

Adrian HEATH (1920-1992) Untitled Composition Mixed media Signed and dated '64 Image 11.25" x 9"

Orange Infusion - Watercolor and Ink On Paper Abstract painting depicting colors of orange, black and green. The black contrasts against the orange burst. Signed and dated on verso...

Bob Thompson Untitled, 1964 Felt tip pen on printed paper 11 x 20 1/2 inches Provenance: The artist Kathy Komaroff Goodman (gift from the artist) Hollis Taggart, New York Exhibited...

Multi-Color Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer A bold mid-century abstract expressionist piece exploding with heavy texture and vivid color by San Francisco artist Peter Witwer (American, 1928-1968). Darker colors are layered atop each other, building up from white, yellow, and red through greens and blues into dark purple and black. The composition is surrounded by an orange field, creating a strong contrast. Unsigned, but was acquired with a collection of Witwer pieces. Displayed in a vintage wood frame. Linen size: 30"H x 16"W Framed size: 31.25"W x 17.25"W Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Then to a San Francisco Collector and then to Robert Azensky fine Art Born George Peter...

Frame: 23 x 19 x 2 Picture: 12 x 16 Frame has minor wear. original oil on board

Oil on canvas painting of a young girl with a yellow scarf by the well known Italian artist, Edgardo Corbelli. Signed lower right. Titled on canvas verso, “The Proud Girl”. Circa ...

Oil on canvas, 1961. Signed in oil in lower right. Signed and dated in oil on verso. Per the Guggenheim Musuem (New York), whose collection has works by Sugai., he "was part of th...

GEOMETRIC NEIGHBOURHOOD Size: 40 x 72.5 cm (including frame) Oil on Canvas A playful and brilliantly executed mid-century composition of a neighbourhood, painted in oil onto canvas ...

Les Roses Mixed bouquet of roses, Oil painting PROVENANCE: Purchased at Findlay Galleries in Chicago, Illinois late 1960’s bears their label verso and has their original price tag ...

Lithograph on Arches paper Exemplaire B/165 Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, ...

Charming French oil painting c1960. Beautiful French frame.

Oil on canvas good condition comes from the James Lechay

Risa Propst Kraid (Romanian - Israeli, 1894-1983) Jewish Israeli Woman artist. enigmatic picture of either women picnicking or refugees huddling together. Painting and Sculpture Week, 1969 Painters and Sculptors Association in Israel, Haifa and the North Artists: Mordechai Avnieli, Irene Awret...

Saturated, intimate depiction of sharing a bed with a partner by Narcissus Robert Quagliata (Italian-American, b. 1942). While four fingers dominate the composition, the focus of the...

Der begnadete Zeichner Karl Anton Fleck wurde vor kurzem mit einer Personalen in der Albertina geadelt. In dieser Ausstellung fehlte allerdings etwas ganz Entscheidendes: Eines der w...

Portrait of Joan Brown Bay Area Expressionist Seated Nude in Oil on Canvas Heavy impasto painting of a seated nude woman (Joan Brown) by Honora Berg (American, 1897-1985). Bold depiction of a nude woman with dark hair. She is sitting in a dark blue chair, body slightly angled towards the viewer. The wall behind her is a deep red. Both the chair and the model are made out of many small brushstrokes of varying colors, creating a pointillist feel. Honora Berg also painted and portrait of Manuel Neri (Joan's Husband) which we acquired also from the Larry Miller Estate. Unframed. Canvas size: 30"H x 24"W Signed and dated "Honora Berg 60" in the lower right corner. Signed "H. Berg" on verso. Tag from Larry Miller Fine Art on verso. Provenance: Estate of Honora Berg, David Carson...

Acrylic on canvas painting by Washington DC artist Joe Shannon (b.1933). The painting is titled "In Bad Spirits" and dated 1969. The painting was exhibit...

Man With Music Box II Abraham Straski Polish (1903–1987) Date: circa 1960 Oil on canvas, signed Size: 24 x 20 in. (60.96 x 50.8 cm)

Artist: Harry Lane, American (1891 - 1973) Title: Intermezzo Year: circa 1965 Medium: Oil on Masonite, signed l.r. Size: 39 in. x 24 in. (99.06 cm x 60.96 cm) Frame Size: 50 x 34.5 i...

Antique American abstract expressionist oil painting. Oil on canvas, circa 1950. No signature found. Image size, 24L x 20H. Framing available.

Antique American modernist abstract signed oil painting. Oil on canvas. Signed. Framed.

Wonderful mid century impressionist floral still life of zinnias by Polish artist Stefania Kaja-Bilanska (AKA, Bilania) (Polish, 1922-1995), ...

In this Modern abstract painting by Stanley Bate, a bold palette is married with imperfect shapes and large brush strokes. Sandy beige rectangles blend with yellow and deep blue, on ...

Nicely painted American school abstract geometric painting. Oil on canvas. Framed.

James Douthitt Wilson (1903-1973) Fort Worth, Dallas, San Antonio Artist Image Size: 24 x 30 Frame Size: 30.5 x 36.5 Medium: Oil on Masonite Please view my 1stdibs store front for other Great Vintage Texas Paintings...

Richard Joseph Ericson (American, 1922-2010) Untitled, 1962 Oil on canvas 18 x 16 in. Framed: 20 x 18 in. Signed lower left: RJE '62 Richard Joseph Ericson (b. October 22, 1922-d. November 21, 2010), born in Chicago, Illinois. Son of Claire (b. 1899) and Arthur Ericson (b. 1899). His father was an accountant for a food products company and the family moved to Mount Vernon, Westchester County, New York, when he was a young child. Ericson, a twin, first began to draw at age five and took up painting in oils at age twelve. He studied at the Art Students League in New York City in 1941, where he received an honorable mention during the annual scholarship competition held that year. During this period he worked as a commercial artist. After America's entry in World War II Ericson enlisted in the Army in 1942, where he served as a warrant officer. He saw service in North Africa, France, and Germany. While overseas, he did many drawings of the places in which he was stationed. He eventually found himself guarding Italian prisoners of war who had been captured in Sicily and southern Italy. While performing his duties during 1943 and 1944 he found time to paint several important, large scale portraits of the prisoners who were happy to pose for him. As the war concluded he was able to visit Holland to study. After nearly three years overseas, Ericson returned to America and traveled back to his home town of Chicago where he furthered his studies at the Art Institute of Chicago. He married in 1948 and moved his young family to Mexico, where he attended Mexico City College. He studied art and exhibited while living there, receiving his Master of Arts degree, cum laude, in 1953. For a time after his return to the United States he taught art in Dutchess County, New York, where he and his wife built their own house by hand. Eventually the family, which would come to include seven sons, settled in Hicksville, Long Island, New York. Ericson joined the staff of Hicksville High School as the art teacher in 1962, a position he would hold until his retirement in 1983. As a teacher, Ericson was open to all fields and styles of art, constantly experimenting and experiencing new forms and styles. He had started printmaking in the late 1940's and continued to work in this medium for many years, producing mezzotints, etchings, and wood block prints. He also continued to paint, creating portraits, scenes in southern Dutchess County, and Long Island landscapes - for which he would become well known. Ericson grew to love the area in which he lived, and depicted it quite often in his paintings. He became enamored with the historic village of Cold Spring...

magnificent abstract, painting by the well listed Italian artist Paolo Buggiani relationship relationship. Born in Italy in 1933, but worked in America from the 1950s. He has auction...

This Modern abstract painting Stanley Bate is highly textured and features a warm, vibrant palette. Thick layers of red, orange, and blue paint appear to have been scraped back to c...

After the Chores comes Cold Lemonade with Milking Stool Still Life Country Style Milk Stool and Hay Fork with the reward of cold lemonade after all the chores are done. P. Etheridge, a Pacific Grove art...

J. Robert Miller (1928 -2005) Abilene Artist Image Size: 16 x 20 Frame Size: 21 x 25 Medium: Oil "Going Home" Biography J. ROBERT MILLER (1928-2005) J. Robert Miller was an ...

Oil on canvas Handsigned by the artist in pencil Signed lower middle Signed, titled on the back 41.00 cm. x 33.00 cm. 16.14 in. x 12.99 in. (image) 47.00 cm. x 39.00 cm. 18.5 in....

This original Modern abstract piece by Abstract Expressionist Stanley Bate features a warm, earthy palette. In it, organic and rectangular shapes are layered with deep teal and creme...

This Modern abstract painting by Stanley Bate has a light beige, creme, and warm sepia palette. The textured painting has darker shapes that run the length of the bottom of the compo...

Field 1967, paper/watercolor, 20.5x29.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military co...

Oil on canvas, signed lower right. Né à Nice en 1924, Michel Gaudet est un acteur incontournable de la vie artistique, rôle qu’il assume depuis des décennies avec tact et discrétion...

Colored Conversions - Abstract Watercolor and Ink on Paper Abstract watercolor and ink painting depicting hues of yellow and orange, with a contrast of black paint in the center. Si...

Modern pastel blue abstract painting by Texas born artist Clark Fox. The work features an intricate geometric pattern in various tones of light blue against ...

Small Scale Mid Century Modern Multi-Color Geometric Abstract on Black Dramatic abstract painting by Virginia Sevier Rogers (American, 1917-2015). Vivid colorful squares in bright ...

CHARLES LEVIER – UNTITLED STREET SCENE Oil on Board ⚜ Signed Lower Right ⚜ Original Gilt Frame A VIBRANT MIDCENTURY CITYSCAPE BY A MODERN MASTER This original oil on board by Charle...

Rare Collectible by Bengal School Artist Artist : Dipen Bose Medium : Watercolours on paper Size : 7.5 x 5 inches Paintings on both sides of the paper. Extraordinary and Unique. Here the master artist shows very subtly the command he has over the brush. The dramatic effect that Monotone watercolours created, to play and tantalise all of our senses. Effortlessly executed, one cannot miss the expertise and uniqueness in the works. Even the less dense watercolours, speaks to its viewers. Its never been easier to connect with watercolours and its essence. Bengal Master Artist Dipen Bose (1921-1964)  Born in Calcutta, West Bengal. Education : Self-taught artist with no academic training in art. 1942 Completed Graduation, Calcutta. Grandfather, Nagendra Bose inspired him to start painting. Learnt the technique of oil painting from artist Debi Prasad Roychowdhury. 1947 Started to paint after giving up his job at Central Excise Service, Calcutta. His association with the Indian Institute of Art and Industry and Indian Society of Oriental Art played a vital role in his life. He was close to Indra Dugar. Associated with Art in Industry and Rachana till 1952. These associations inspired him towards traditional Indian Art, French Impressionism and Chinese Art. 1953 His painting was presented to the President, Federal Republic of Germany by Govt. of India. Dipen Bose Wrote articles on art in newspapers and journals. Style : For inspiration and evolving a personal style, Dipen looked at part of the history of art that seemed useful- Jain and Kangra painting...

Virgilian wood is an original modern artwork realized in the 1960s by the italian painter Luigi Venturini. Mixed colored oil on board. Hand signed by the artist on the lower left m...

Sunil Das - Early Horses I - 18.5 x 29 inches (unframed size) Conte on Paper Inclusive of shipment in ready to hang form. Sunil Das was one of India's most important postmodernist p...

Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1967. Signed and dated, lower right. 9 1/2 x 6 1/4 inches (image), 15 x 11 inches (sheet). In ex...

Gorgeous mid century oil landscape of hills of Melbourne Australia by James George Wilmot (American/Australian, 20th century). Signed "James ...

Artist: Trafford Partridge Klots, American (1913 - 1976) Title: Boats on the shore in Brittany Year: circa 1960 Medium: Oil on Canvas, signed l.l. Size: 18 in. x 24 in. (45.72 cm x 6...

Edward Avedisian ( 1936-2007 ) 17.5 X 8.75 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Alber...

Image dimensions: 31 x 22 cm. The Dancing Painter is an original artwork realized by Esy Beluzzi in 1963. Original tempera and pencil on cardboard. Hand-signed and dated on the lo...

Dynamic late 1960's mixed media abstract geometric collage, with mulberry paper cut into curved and angular shapes and adhered in layers, in a unique color palette of navy blue, dark...