1980s Paintings

Beautiful scene of the ocean shore, with light from the sunset shining through the waves by Evelyn Woodward (American, 20th Century). Signed lower right: "Evelyn Woodward." Displayed...

Hand signed and dated lower right. Henry Bermudez's production is usually characterized by a strong interest in the visual representations of cultures and mythologies. Bermudez real...

While McNeil was a pioneer of the New York Abstract Expressionism movement, later in his life his work became more figurative, he focused on dancers and discos, like this piece. Alth...

ONE WEEK ONLY SALE "Midtown III" is a vibrant abstract work by David Kapp that captures the immediacy of his native New York City and the fast-paced lifestyle that can blur before a...

Signed lower left, 'Aung Aung Taik' (Burmese, born 1948) and dated 1981. Exhibited: San Francisco Cultural Center, 1981. A major work by this celebrate...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

Teal, yellow, and red gestural abstract painting of different geometric shapes. The work is signed and dated by the artist. It is framed in a black frame. Dimensions without Frame: H...

Acrylic on Canvas

This vibrant abstract work is by Gustavo Ramos Rivera (1940-) The work is a mixed media composition on paper. It measures 20.5 x 26.5 inches. It is mounted on heavy matboard that measures 26 x 33 inches. There are various techniques and materials employed in the creation of this painting. Collage, drawing, painting with oil paint, pastel crayon cardboard and other materials that I cannot identify. The painting is in very good condition. The matboard mounting has a bit of time stain on the edges. It is not presently framed. Gustavo Ramos Rivera was born in Ciudad Acuna, Mexico in 1940, and immigrated to the United States in 1969. He has lived and worked in San Francisco for over 40 years. Ramos Rivera’s work is in the permanent collections of prominent institutions including the Fine Arts Museum of San Francisco, The Mexican Museum in San Francisco and The Nevada Museum of Art. In 2006, the San Jose Museum of Art presented a retrospective exhibition of the artist’s work, which then traveled to additional institutions in California and Mexico. Through his use of color and a personal symbology, Ramos Rivera has created a language that is written throughout his paintings, monotypes, and collages. This singular expression functions on both an intellectual and emotional level and its deployment is reminiscent of the work of Paul Klee, Joan Miró, and Cy Twombly.(1) It also harkens back to the pre-Columbian Mesoamerican art...

Graham Dean 1984 Porter Acrylic on canvas Image size: 40 x 29 inches The model in this painting is the same as the one in the painting Camouflage. The artist researched a lot about ...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

Bob Peak is one of the true giants of post-war American Illustration. He is a virtuoso artist, with a heightened level of skill and talent that very few living artists today possess...

Frame size 48x53 Is born in Madrid on the 21st july 1951. After attending primary school, he starts to grow an enormous tendency for drawing. At the age of 14 he begins to work in ...

Coq de Bruyeré, acrylic on canvas, 72” x 55”, 1988. Minimalist Abstract Acrylic Painting Claude Vermette R.C.A. (1930 - 2006) is a Canadian ceramist a...

Wave Square #1 Jackie Battenfield, American Date: 1981 Mixed media on paper, signed and dated in pencil, titled verso Size: 22.5 x 30 in. (57.15 x 76.2 cm)

This painting was created by American artist Lowell Blair Nesbitt. His most well known series, and perhaps his most beautiful and poetic, are the more than four hundred works he crea...

A painting by Jae Kon Park. This untitled, abstract painting is executed in a lush and deep palette primarily in oranges, reds, yellows and greens by Korean artist Jae Kon Park. Jae ...

Medium: Oil on Board Cover Illustration for the New York Times Best Seller, The Dinner Party written by Howard Fast, published by Dell Books

Across the panels of this large diptych by Milly Ristvedt, passages of crimson, indigo, orange and burnt umber move and vibrate in a contemplative narrative. The piece is made more p...

Untitled II Judy Wahl Date: 1980 Acrylic on Canvas, signed lower right Size: 48 x 62.5 in. (121.92 x 158.75 cm) Frame Size: 48.5 x 63 inches

A rich, painterly scene of the mission at San Juan Capistrano, California by listed artist Jane R. Hofstetter (American, 20th century). Signed "J. ...

Compelling abstract expressionist painting "Crows on the Field" by Kristin Cohen (American, b. 1963). Thick impasto oil and Alkyd acrylic paints in this colorful abstract. Kristin is...

Oil on canvas original painting by the Soviet born artist, Oleg Vukolov. Done in 1984. Signed and dated top right. In good unrestored condition. Vukolov’s paintings are in the Ludwi...

At the center of this large-scale black and white charcoal and pastel painting, a diver launches himself from untold heights, frozen at the peak of action against an ecstatic plume of clouds. Zalopany excels at painting with light, often abstracting areas of a composition with explosions of brush strokes and impossibly smooth blending. The cloud mass at the center of Diver is at once a liquid pool and O’Keefe’s Jimson Weed...

Flames Michel Picotte, Canadian (1947) Date: 1984 Acrylic on paper, signed and dated in pen Image Size: 28.5 x 21 inches Size: 30 x 22.5 in. (76.2 x 57....

Artist: Lowell Blair Nesbitt Title: Lemons and Limes on Quilt Year: 1988 Medium: Oil on Canvas, signed and dated verso Size: 39 in. x 48 in. (99.06 cm x 121.92 cm) Frame Size: 40.25 ...

Kimono monoprint by Patricia A. Pearce (American, b. 1948). This piece has an iridescent quality to the coloration. This piece is unsigned, but was acquired with a collection of othe...

Legendary illustrator Wilson McLean depicts "Celestial Bodies" of all sorts floating in the inky black expanse of space. This is a story about a transition from a human to plant. A nude female holds a flower and she becomes the flower she holds while she floats in an inky black void framed by planets. This is a story about a transition from a human to a plant. The painting looks better in person... A Stellar Experience. During the 1970s and 1980s, McLean was a dominant force in American Illustration with his work gracing the covers... Sports Illustrated, Time, The Saturday Evening Post, Look, Playboy...

An oil on canvas painting by contemporary artist Leonid Lamm. "State Power" is an abstracted work executed in greens, yellows and reds and depicts an abstracted, mask like face abov...

Oil on canvas painting of red, white, and yellow flowers in a vase next to a bottle of wine and a glass by California artist Molly E. Brubaker (American, 1922-2000). from aFcollecti...

Rich, colorful, expressionist still life by American artist Warren Brandt featuring a decorative vase with white flowers, an assortment of fruit, and a small wooden sculpture...

This meticulously rendered work depicts a three-quarter view of a young woman lost in deep introspection. Inscribed on verso: " The Captain's Lady" Leslie of ____________ St. ...

This painting was reproduced as the paperback cover for Love Lyrics by Mary Curtis, Silhouette Special Edition #424, Harlequin Books, 1987. Man hold...

Artist: Ronald Mallory, American (1939 - ) Title: Grace Building on West 42nd St. Year: 1981 Medium: Oil on Canvas, signed l.r. and verso Size: 48 in. x...

One of 30 copies. FRANCISZEK BUNSCH (born in 1926) Franciszek Bunsch was born in Bielsko in 1926. He studied painting under the guidance of prof. Eugeniusz Eibisch and graphic art as...

This painting by Michasel Tyzack (1933-2007) is a bold composition with an equally bold palette. It measures 36 in x 64 in (91cm x 162 cm) and is composed of acrylic on canvas. The background colors are some kind of wash The piece is titled "Small Nocturnal #2" and dated 1981. It is signed en verso on the stretcher "Michael Tyzack...

A work by Donald Sultan. "Yellow Tulip #18" is an oil and tar on paper executed in primary green and yellow on a black ground and depicts an abstr...

Unique vintage abstract with burnt sienna and cobalt blue expressive strokes by Carmel, California watercolor artist Richard Brace (American, 20th-century...

This lush still life pastel is by Phyllis Plattner (1940-2022), a noted artist who lived in the Washington, DC area. It is a work of light and shadow ...

Artist: Tom Holland Title: Garner Tullis Year: 1988 Medium: Acrylic on paper, signed and dated in pencil Paper Size: 42 x 82 in. (106.68 x 208.28 cm)

This meticulously rendered work depicts a three-quarter view of a young woman lost in deep introspection. Inscribed on verso: " The Captain's Lady" Leslie of ____________ St. ...

Artist: Pamela Schermer, American XXth Title: Vanitas Still Life Year: 1986 Medium: Oil on Canvas, signed and dated verso Size: 36 x 48 inches/ 91 x 122 cm

Beautiful figurative painting of a female nude figure standing with a vibrantly colored and patterned quilt by Rebecca Hall (American, 20th Century). Signed "Rebecca Hall 1984" on ve...

Artist: Nick Wallis Title: More Afterthoughts 14 Year: circa 1980 Medium: Acrylic on Canvas, signed l.r. Size: 36 x 48 inches (91.44 x 121.92 cm)

Sunflower Field is an original artwork realized by Claudio Palmieri in 1985. Original oil on canvas. Very good conditions. Sign, title and date on the back. The painting is a beau...

Women in Motion (The Three Graces) - Nude Figurative in Oil on Canvas A wonderful abstract expressionist take on the Three Graces by California artist Lora Sprague (American, 20th ...

We are proud to present a series of early original mixed media works on paper, just released from the private collection one of the contemporary masters of Belgian avant-garde painting, Belgian/American artist Jessica Rice (1941-2016.) "Midi", is an original mixed media painting on artists paper, signed, dated 1989, with an image dimension of 20 x 30 inches, excellent original condition. The painting has been custom framed set into a antiqued silver art...

Unique modernist depiction of an abstracted bull by California artist Dick Crispo (American, b.1945), 1981. The earthtoned animal is outlined in bold strokes of black, and is rendered in an interesting fractured geometric style evocative of cubism's handling of perspective. Signed and dated lower left "D. Crispo '81", and on label on verso. Presented in a dark copper metal frame. Image size; 22.5"H x 28.75"L. An award winning artist, Crispo has studied at the Carmel Art Institute under John Cunningham and Sam Colburn...

Hand signed and dated by the artist. Unique hand embellished with acrylic paint on serigraph. Framed. Artwork is in excellent condition. Certificate of authenticity included. All ...

An oil painting by Harry McCormick from 1990. A quiet scene of a young woman sitting in a restaurant with dramatic lighting. Artist: Harry McCormick, American (1942 - ) Title: Emil...

Hand signed and dated by the artist. Unique hand embellished with acrylic paint on serigraph. Framed. Artwork is in excellent condition. Certificate of authenticity included. All ...

Artist: Dan Teis, American (1925 - 2002) Title: Floating Abstract Shapes on Brown Year: 1980 Medium: Oil on Canvas signed l.r. Size: 73.5 x 55.5 in. (186.69 x 140.97 cm)

Artist: Branko Bahunek, Croatian (1935 - ) Title: Cancan Year: 1989 Medium: Oil on Canvas, signed Size: 18 in. x 15 in. (45.72 cm x 38.1 cm)

This still life painting composed of oil on canvas is by well-known contemporary realist Langdon Quin (1948- ). The painting was done in 1984. It measures...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right and dated '81. Charles Searles (1937-2004) He was born in Philadelphia, PA and received his fine art education at the Pennsylvania Academy of Fine Art (PAFA) from 1969-72. He also attended the University of Pennsylvania for liberal arts studies, where he worked in the labs beside the scientists and engineers creating technical illustrations for text books. His early paintings embraced the tumultuous 60's and also reflected his own family life and surroundings. Before graduating the PAFA, Searles received the Cresson Memorial Traveling Scholarship, and the following year, the Ware Memorial Traveling Scholarship. He was the first student to use these funds to travel to Africa. His travels in Africa marked his life and work forever -- the life, the rhythms, the patterns, and the energy. Searles returned to Philadelphia and began teaching at the Ile Ife Cultural Center. It was then that he began his "Dancer" Series. This series marked a change in his life, celebrating his new sense of renewal and the African experience. He was awarded his first mural commission at the William G. Green Federal Building. This work, entitled "Celebration" is still on view today. At that time, he was also hired as a drawing teacher at the (then) Philadelphia College of Art, where he remained a professor for over twenty years. In 1978, Searles moved to New York City. He found a large, raw space -- an old sewing factory -- on Broadway and Bleeker where he would remain for the rest of his life. He continued to commute to Philadelphia teaching part time. He met Kathleen Spicer, an art student, in 1983. They married in 1985. Together, they shared a wonderful, open, artistic, social, and creative experience. Searles gradually moved away from painting and into sculpture. His sculptures maintained the vibrant color and patterns from his paintings, but seemed to dance in three dimensions. These new works embodied a live sense of rhythm and energy -- trademarks that he maintained throughout his career, whether in wood, bronze, or aluminum. In his lifetime, Charles Searles participated in over 60 group shows, and 25 solo exhibitions. He was represented by the Sande Webster Gallery in Philadelphia for over 20 years. His paintings and sculptures can be found in innumerable public and private collections. Public commissions include the Delaware River Port Authority, the NYC Mass Transit Authority, the First District Plaza in Philadelphia, and the Amtrak station in Newark, NJ. He was the recipient of many awards, including ones from the Pollock-Krasner Foundation, the Adolph and Esther Gottleib Foundation, the Creative Arts Project Fellowship, and the National Endowment for the Arts. His wife of 23 years, Kathleen Spicer adds: "Charles was his work, and his work was him. Inseparable. Our lives were all about art. We lived each day as if it was a gift. To me, he was enchanted. His vision was clear -- he could envision something and make it come to life as easy as breathing. Genius. Charles made the world a better place. Charles speaks loud and clear." Bio courtesy of Kathleen Spicer (Searles) Selected Periodical Citations: Newhall, Edith, "Dual Celebration of Self-expression", Philadelphia Enquirer, May 2013 Fabbri, Anne, "A Farewell to Charles Searles", Art Matters, January 2005 Cornell University Review, August 2000 O'Neill, Denise I., "Black Experience Puts Soul Into the Heart of Christmas", Chicago Sun-Times, December 1996 Gleuck, Grace, Review, The New York Times, December 1996 McBride, Octavia, "An Artist Acclaimed", Philadelphia Tribune, April 1993 Fox, Catherine, "National Black Arts Festival Program Guide", The Atlanta Journal, July 1990 Wilson, William, "Black Artists in Tune with Ancestors", Los Angeles Times, January 1990 Jamusch, Ann, "Special Show-Legacy of Black Art", Dallas Times Herald, January 1990 Binkley, Barbara, "Colors, Bright and Bold", The Daily News, April 1986 Grafly, Dorothy, "Charles Searles at Neumans", ART in Focus, Summer 1978 Crittendon, Denise, "Back Home from Nigeria", The Michigan Chronicle, December 1977 Garrett, Bob, Art Section Review. Boston Sunday Herald, November 1975 Patry, Louise, "A Jubilee of Afro-American Art in Boston", New England Journal, December 1975 Wright, Charles, "Paint Art Racist", The Village Voice, April 1971 Nelson, Nells, "Black Artists Rise Above the Tempest", Philadelphia Daily News, April 1971 Canaday, John, "Black Artist on View in Two Exhibitions", The New York Times, February 1970 Collections: - Philadelphia Museum of Art - The Woodmere Art Museum - Smithsonian Institute of American Art - Pennsylvania Academy of the Fine Arts - LaSalle University Art Museum - Howard University Gallery of Art - Dallas Museum of Art - Delaware Valley Arts Alliance - Montclair Museum of Art - Afro-American Historical & Cultural Museum - Museum of Afro-American History - 35 + corporate collections - National & international private collections 75+ Group Exhibitions, Including: - Woodmere Art Museum - Pennsylvania Academy of the Fine Arts - Whitney Museum of American Art - Museum of American Art - Boston Museum of Fine Arts - Brooklyn Museum - Art Alliance - National Afro-American Museum - Liberty Museum - National Blacks Fine Arts Show - Institute of Contemporary Art - Ackland Arts Museum - Arnot Art Museum 30+ Solo Exhibitions, Including: - Philadelphia Museum of Art, Philadelphia PA - The State Museum of Pennsylvania, Harrisburg, PA - LaSalle University, Philadelphia, PA - Temple University, Philadelphia, PA - Montclair Art Museum, Montclair, NJ - Noyes Museum, Oceanville, NJ - Delaware Valley Arts Alliance, Narrowsburg, NY - North Carolina State University - Winston Salem State University, Winston Salem, NC - G.R. N’Namdi Gallery, New York, NY - Sande Webster Gallery, Philadelphia, PA - June Kelly Gallery, New York, NY - Noel Gallery, Charlotte, NC - Malcolm Brown...

Wonderful naive painting of a chalet with clock tower by unknown artist. Signed lower left illegibly ("Milford or Hilford Jackson"), circa 1960. Unframed. Size 18"H x 24"W.

Oil on panel

Oil on canvas, signed, dated, and titled verso, unframed (gallery wrapped).