1990s Paintings

River in spring. 1993. Cardboard, oil, 23x32 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different se...

Angel Bertran Montserrat (1928-1994) - Marsh - Oil on canvas Oil measures 46x55 cm. Frameless. Precocious artist who from the early age of 15...

La Plage d'Arromanches, Oil on canvas by H. Claude Pissarro Oil on canvas 130 x 195 cm (51 ¹/₈ x 76 ³/₄ inches) Signed, titled and dated on the reverse Executed in May 1992 This work is accompanied by a certificate of authenticity from the artist. Artist biography Hugues Claude Pissarro, also known professionally as H. Claude Pissarro, is the grandson of the Impressionist painter Camille Pissarro and son of Paulémile Pissarro. Born in Neuilly-sur-Seine and enveloped in an artistic environment, he inevitably spent his childhood and youth with brushes in hand. Carrying on the family tradition established by Camille Pissarro, H. Claude’s father frequently took his son on painting excursions, often accompanied by his numerous artistic friends which proved formative for him. Initially taught by his father, Hugues first exhibited his work at the age of fourteen. He subsequently studied art in Paris at prestigious establishments, in particular the École Normale Supérieure, a unique French institution dedicated to the pursuit of achievement and excellence to which only the academic elite have access. He also studied art restoration under Henri Linard, head of the laboratory at the Musée du Louvre. It was inevitable that this educational background would lead him to become a professor of art for much of his professional life and in 1963 he accepted an official invitation to teach art in Monaco. Throughout his teaching career he remained a prolific artist, exhibiting on several occasions in Paris and London. As with many of his family predecessors the scope of his work and talent is wide-ranging: from engraver, lithographer, publisher and landscape painter to portraitist. He was even commissioned in 1959 to paint a portrait of President...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 55"L. Duayne Hatchett was a visual artist whose work...

Clifford Singer. Quartic is a mathematical curvature.

Non-Euclidean Triangle is a complex integration of mathematical elements through collinear intersects completing a geometric picture with vivid colors.

'The Port of Honfleur', oil on canvas, by Gervais Leterreux (1993). This is a charming painting of the port of Honfleur. Especially known for its old port, Honfleur is characterised ...

Signed lower right, 'Leslie H. Van Nimwegen' (Dutch-American, born 1951) and painted circa 1990. A large oil landscape showing a group of male big...

Millennium is a complex integration of mathematical elements through collinear intersects completing a geometric picture with vivid colors. Is an interpretation of the world approac...

"Luis Miguel Valdes (Cuba, 1949) 'Strong Tower', 1998 acrylic, marbel dust on canvas 78.8 x 78.8 in. (200 x 200 cm.) ID: VAL- "

Sergii Druziaka and Sergii Litvinov. ART tandem "Still life. Pans."

OIl on paper mounted on canvas

Sergii Druziaka and Sergii Litvinov. ART tandem "Spring"

Sergii Druziaka and Sergii Litvinov. ART tandem "March"

Sergii Druziaka and Sergii Litvinov. ART tandem "Field of cropped sunflowers."

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is included in numerous private and museum collections, among them the Burchfield-Penney Art Center, the Albright-Knox Art Gallery, the Castellani Art Museum of Niagara University, and the UB Anderson Gallery (all of which are located in Western New York...

Frame size 62x85 cm. About the artist: He was born in 1950, Valencia (Spain) but his destiny did not seem to point to the fine arts. His family was quite poor, so he had to start working at a very young age. Following the family tradition he was employed at the local cigarette factory; he also worked as a kitchen assistant. However, he admired the impressionist masters (like Joaquin Sorolla...

Canyon Country by Lu Haskew Pastel 16x20" image size Landscape view of the Grand Canyon ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career. Since 1992, she has studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike, and others at the Scottsdale Art...

Signed lower left, 'DeVee' for Robert DeVee (American, 1940-2017) and painted circa 1995. Robert DeVee first studied painting at the California College o...

Harold Feist’s Offering is a striking, lush abstract painting rendered in rich colours. The fan-like form radiates from the base of the canvas in golden h...

the painting is being offered with a work and authenticity certificate

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

Well painted English late 20th-century marine scene of a Yacht racing off The Fast Net Lighthouse which is situated off the coast of Ireland. Ian McLean wa...

the painting is being offered with a work and authenticity certificate

Beautiful California seascape with bright sunset by Roger Budney (American, b. 1945). The glowing sun is just about to dip below the horizon, surrounded by purple skies and mountains...

the painting is being offered with a work and authenticity certificate

Oil on canvas, signed and dated lower left. b. 1941, British Born in the East coastal town of Bridlington in Yorkshire, England, and largely self-taught, Michael Whitehand is one of England’s top maritime artists. He has successfully exhibited his work internationally and his paintings are in important collections, like Britain’s recent Prime Minister, John Major...

the painting is being offered with a work and authenticity certificate

In the evening. 1990, cardboard, oil, 85x137 cm with minor defects Liga Purmale (1948) Was born on October 4, 1948 in Dundaga. She graduated from the secondary art school of Janis R...

Simonpietri's abstract work on paper glued to canvas. Pascal SIMONPIETRI is a painter from Corse Island, France. He is a figure very discreet of the Figurativisme Libre Mouvent durin...

One of the most exciting races between American clipper ships took place between October, 1852 and January, 1853. The vessels involved were the crack clippers FLYING FISH, JOHN GILPIN and WILD PIGEON. Departing New York, each a few days apart, the three ships met up off Cape Horn and proceeded, often in sight of one another, to fly up the west coast to San Francisco. The JOHN GILPIN gambled by heading farther west into the pacific where a strong northerly got her to San Francisco first. FLYING FISH and WILD PIGEON remained in sight of one another for most of the voyage in their dash up the coast. FLYING FISH arrived a day after GILPIN, but having left New York three days behind her adversary, was declared the winner. This view shows an excellent starboard view of the great FLYING FISH on her entry into San Francisco Bay. The water has superb light and reflection while the Marin headlands show as her backdrop, with the ever-present misty atmosphere of this important California port. A well captured moment of one of the fastest and most powerful 19th century great sailing ships created. Sight Size: 18 x 34 inches Vallejo Gallery...

Searching the Waters ​by Lu Haskew Pastel 18x22" image size, 26x30" framed Figurative Portrait of young children on a dock looking into the water. ABOUT THE ARTIST: Lu Haskew 1921...

Woodworking Golden wooden frame 85 x 58 x 4.5 cm

Beautiful floral still life by American artist, Jo Spiller. Watercolor on wove paper, sheet measures 23 x 30 inches; 35 x 44 inches framed. Signed lower lef...

Oil on canvas and the canvas size is 31"H by 27"W.

Miguel Serra Escribá (1947) - Landscape with river - Oil on canvas Signed lower left Oil measures 65x81 cm. Frameless.

The artwork size is 19.5" x 25.5", with watercolor and ink on paper. Signed lower right.

Signed lower right, ‘Zenteno’ for Sergio Zenteno (Mexican-American, born 1955), additionally signed, verso, titled, ‘Trinity’ and dated 1994. Zenteno i...

SALE ONE WEEK ONLY This is one of Stanley's exquisite watercolors of the women he painted: friends, students, family, colleagues, models surrounded by their specific interest, their line of work, their area of expertise. Only upon close inspection can the detail and introspection of the artist in relation to his subject be appreciated. Stanley's work is of the quality that can be enjoyed and lived with forever. These women may be specific, but they are also every woman, strong women, and the care and tenderness with which he has rendered them comes through with great power. Stanley Rosenthal...

Signed lower left, 'Edward Glafke' (American, 1925-1997); additionally signed, verso, titled, 'Point Lobos, China Cove', and dated 1993. Edward Glafke w...

Juan Varea (1956) - Almond trees in bloom Riells - Oil on canvas Oil measures 46x55 cm. Frameless. Licensed in fine Arts. Faculty of Fine Arts. Barcelona. His painting is preferab...

Tunisin Landscape is an original oil painting realized by Alexander Sergeev in 1994. Hand signed and dated on the lower right margin. Mixed colored oil painting on canvas. The ar...

Sarah Amos(Contemporary Australian/American) Untitled Monotype, 1995 Monotype or painting on paper 12 x 9 inches on a 22.25 x 15 inches sheet size, Hand signed and dated lower right Provenance: Garner Tullis Workshop This appears as a abstract expressionist landscape or seacape. A lovely, moody, piece Sarah Amos, originally from Australia, lives in Vermont, and maintains an active International and National exhibition schedule. Sarah left Australia, after receiving a BFA in Printmaking from RMIT, to attend the Tamarind Institute of Lithography in New Mexico. In 1992 she became a certified Tamarind Master Printer in Lithography working with Joyce Kozloff and Barton Lidice Benes . In 1998 Sarah became the Master Printer for the Vermont Studio Center Press until 2008 and during this time she also received an MFA from the University of Northern Vermont. Sarah has been an Adjunct Professor at Dartmouth, Williams and Bennington Colleges teaching Printmaking and Drawing since 2007. She has led workshops on monoprint collagraph printing techniques with Joel Janowitz. Amongst her inspirations in her work are El Anatsui, Peter Doig, American Outsider Artists, Vermeer, Hokusai’s ghost prints, Kabuki Theater, African ritual dress and sacred objects. She is passionate about textiles from around the world, soft sculpture and African masks and architecture. This was done with Garner Tullis of Experimental Press. Tullis worked with many masters including John Walker, Sean Scully, Friedel Dzubas, Helen Frankenthaler, Sam Francis, William Wiley, and others. She was included in the show A Complex Weave: Women and Identity in Contemporary Art. Painters, sculptors, photographers, of different races, from diverse ethnic and cultural traditions. Artists in the exhibition are: Blanka Amezkua, Sarah Amos, Helene Aylon, Siona Benjamin, Zoë Charlton, Sonya Clark, Annet Couwenberg, Lalla Essaydi, Judy Gelles, Sharon Harper, Julie Harris, Fujiko Isomura, Tatiana Parcero, Philemona Williamson, Flo Oy Wong and April Wood. The Feminist Art Project. Selected Solo and Group exhibitions include: CUE Art Foundation NY (2019), BCA, Vermont (2019), Huntington Museum, WV (2019), ICA San Jose (2018), Flinders Lane Gallery, Australia (2017), Cynthia Reeves Projects Mass MOCA, Massachusetts (2015), Fischer Museum USC, Los Angeles CA,(2012), Penn State University (2011), Monash University, Australia (2011), Gebert Contemporary, Santa Fe NM( she showed with Magdalena Abakanowicz, Jennifer Bartlett, Isabel Bigelow...

A beautiful large acrylic on canvas board depicting a view of London from the River Thames by George Allen. Signed lower right and presented in it's original painted frame. Royal Academy Summer...

Georges Terzian House on the Hill (Cubist Composition) Oil on canvas Signed bottom right Signed and titled on the back On Canvas 55 x 46 cm (c. 22 x 1...

Garden Splendor and wonder abstract and visual Stimulation Abstract Garden Splendor by New York and California artist Ross Martin Fink (American, B-1935). An in depth abstract and Ga...

Paritosh Sen - Untitled - 7 x 10.5 inches (unframed size) Mixed Media on Paper Pasted Board, 1991 ( UNFRAMED & DOOR DELIVERED ) An illustrator and a painter, Paritosh Sen is one ...

Frame size 73x81 cm. Oil on canvas laid on cardboard. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of the also painter Rafael Benet. He is a di...

Flowers, garden, children, turquoise,green, spring No frame 80 x 90 cm Framed cm. 94 x 100 GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found...

Artist: George Dannatt Title: Cancelled Calendar Collage Reference no: 1079 Date: 1992 Medium: Collage on paper & card Image: 13 7/8 x 8” 35.0 x 20.2 cm Frame: 18 5/8 x 12 ½” 47.4 x...

Work on canvas Black wooden frame 150 x 117 x 3 cm

Signed lower center, 'D. M. Hildreth' for Donald Hildreth (American, born 1941), additionally signed, verso, titled, 'Provincetown' and dated 1997. Los Angeles native Donald Hildreth worked as an aerospace engineer and in real estate before following his career as an artist. He then studied under Kim English, Ovanes Berberian and Ted Goerschner...

Paritosh Sen - Untitled - 8 x 10 inches (unframed size) Mixed Media on Paper Pasted Board, 1991 ( UNFRAMED & DOOR DELIVERED ) An illustrator and a painter, Paritosh Sen is one of...

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

Prokash Karmakar – Untitled – 18 x 12.5 inches (unframed size) Watercolor, Acrylic on Paper, 1991 Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely respo...

Vibrant and dynamic monoprint by David Stephens (American, 20th Century). Sand (or a similar medium) was used in the pressing of this monoprint, creating a pocked texture in multiple...

Prokash Karmakar – Untitled – 17 x 22 inches (unframed size) Watercolor Acrylic on Paper, 1991 Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely responsi...

Jovial abstract expressionist figurative painting by C. Cole (American, 20th Century). Signed and dated "C. Cole 92" on verso. Titled "Leaping in Joy" on verso. Acrylic on artists ca...