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20th Century Paintings

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Period: 20th Century
By the Beach, Oil on Canvas Painting by André Hambourg
Located in Atlanta, GA
This elegant oil on mounted canvas is by André Hambourg (France, 1909-1999) and features a seaside composition. The artwork is signed in the bottom left corner. The landscape is a lo...
Category

Post-Impressionist 20th Century Paintings

Materials

Canvas, Oil, Board

HANS WACKER-ELSEN Germany (1868-1958) Antique oil on canvas Seascape, Gold Frame
Located in Palm Coast, FL
Up for sale is an antique original oil painting on canvas depicting a seascape - Figures in a sailboat in the open water. Signed in a lower-left corner H. Wacker, DF. DF - "Duesse...
Category

Impressionist 20th Century Paintings

Materials

Oil

Russian Landscape (abstract painting)
Located in Wilton Manors, FL
Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.75 x 18.25 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lo...
Category

Abstract 20th Century Paintings

Materials

Paper, Watercolor

Still Life
Located in Bryn Mawr, PA
Provenance Private Collection (acquired directly from the artist); Parke-Bernet Galleries, New York, Sale #2326, 27 January 1965, Lot 168; Private Collection (acquired from the abo...
Category

American Modern 20th Century Paintings

Materials

Canvas, Oil

Emile Gruppe, Schooner in Gloucester Harbor, Seascape
Located in Rockport, MA
A striking original oil painting by renowned American Impressionist painter Emile Albert Gruppé (1896–1978), featuring a classic Gloucester Harbor scene in Massachusetts. This atmosp...
Category

American Impressionist 20th Century Paintings

Materials

Oil

Antique American School Ashcan New York Cityscape Signed Street Scene Painting
Located in Buffalo, NY
Wonderfully painted American impressionist street scene oil painting. Framed. Oil on board. Signed. Image size, 12H by 16L.
Category

Impressionist 20th Century Paintings

Materials

Canvas, Oil

'Radiant Abstraction', Kinetogenics, AIC, SFMoMA, SFMA, São Paulo Biennial
By Richard Irving Bowman
Located in Santa Cruz, CA
Signed lower left, 'R. Bowman' for Richard Irving Bowman (American, 1918-2001), titled, 'Kg. 55' (Kinetogenics 55) and dated February 1962. Additionally titled, on stretcher bar verso, 'Kg 55'. Accompanied by a first edition copy of 'Richard Bowman: Radiant Abstractions', by Patricia Watts and Stefanie De Winter, published 2018. Richard Bowman's work is featured in the July/August 2024 issue of Architectural Digest, in an article titled, 'Inside a 1920s LA Respite, Re-envisioned by Jamie Bush. Richard Bowman was awarded a scholarship to study at the Art Institute of Chicago and received his Bachelor's degree in 1942. He subsequently attended the University of Iowa, receiving his Master's degree in 1945. Over the course of a long and distinguished career, Bowman exhibited internationally with success and was the recipient of numerous gold medals, prizes and juried awards. With the Kinetogenics Series, which he began in 1956, Bowman explored the intersection of color and light using contemporary advances in light theory and fluorescence technology. "For this series, he started using fluorescent enamel alkyd paint, which, Bowman stated, emitted an actual, measurable energy from the canvas. He combines his early concept of elemental radiants with the gestures of a mature Abstract Expressionist. Incorporating bold fluorescent strokes of orange, yellow and blue, which are activated by the ultraviolet in daylight, Bowman's new abstractions represented a synthesis of the physical and sensorial transmissions of energy. The combination of the artist's interests in nuclear physics, atoms, and dynamism with these vibrant colors reflected Bowman's increasing confidence as an unconventional artist working in an unconventional medium." (Richard Bowman: Radiant Abstractions, p. 13) "The 'kinetogenic' series which Bowman has been painting recently, are whorls of pure energy in colors from the violet edges of the spectrum in vibrant relationship to the vivid primaries of the center. These paintings have much less sense of place or landscape than Bowman paintings we have seen before. The “Environs” group accompanying the energy pictures in this exhibition, are, on the other hand, specific about place: are of flower beds and branches of trees, painted with the same brilliant color intensity. This use of vibrant colors gives an all-over electric, textural effect in contrast to the after-image jump which obtains when the vibrants are painted flat and geometric. This textural mosaic effect is close to the vision of heat and passionate rhythm which was central to pre-Columbian art, and is still present in the Mexican arts and crafts, which were one of Bowman’s formative sources. It is interesting to note that several of the painters who have influenced many others to experiment with vibrancy and glow in color, found their own impetus in this direction while painting in Mexico. Bowman was one of the painters who was working with fluorescents when the general tendency was to paint with muck. One feels that using color thus leads the artist, as it did his pre-Columbian esthetic ancestors, in the direction where the ecstatic becomes mystic." (courtesy: Artforum, April 1964) Thomas Albright writes of the artist, "Visiting Mexico on a traveling fellowship in the early 1940s, [Bowman] met Gordon Onslow-Ford, with whom he renewed a friendship after moving to San Mateo County in the early 1950s. His paintings, although gestural and abstract, were close in spirit to those of the Dynaton artists than to the mainstream of Abstract Expressionism. They constituted an intensely lyrical and metaphorical abstract Impressionism inspired by Bonnard and an intimacy with the natural environment. Bowman was also influenced by jazz improvisation and the jazz poetry of Kenneth Patchen, a close friend" (p. 263) EDUCATION Art Institute of Chicago, BFA, 1944 University of Iowa, MFA, 1949 AWARDS 1942 Edward L. Ryerson Foreign Traveling Fellowship, Art Institute of Chicago (Mexico) 1945 William M. R. French Memorial Gold Medal, Art Institute of Chicago 1952 Modern Painting Prize, Montreal Museum of Fine Arts 1972 Gift of Time Grant, Roswell Museum and Art Center, Roswell, New Mexico SOLO EXHIBITIONS 1945 The Pinacotheca Gallery (Rose Fried Gallery) New York 1946 Milwaukee Art Institute, Wisconsin 1949 Swetzoff Gallery, Boston 1949 Bern Porter Gallery, Sausalito, CA 1950 Kinetic ... A commentary on the relationship of SCIENCE and ART. Stanford Art Gallery, Stanford University, Palo Alto, CA 1956 Stanford University, Palo Alto, CA 1957-1977 (every 18 months) Rose Rabow Galleries, San Francisco 1961 Richard Bowman: Paintings and Reflections.1943-1961. San Francisco Museum of Art 1970 Richard Bowman: Paintings from 1966-1970. San Francisco Museum of Art 1972 Richard Bowman: Paintings, 1943-1972. Roswell Museum and Art Center, New Mexico. Traveled to the Museum of Texas Tech University, Lubbock, 1972; and Sacred Heart Convent Gallery, Menlo Park, 1972 1986 Richard Bowman: Forty Years of Abstract Painting. Harcourts Modern Gallery, San Francisco 2000 Rock and Sun: Richard Bowman's Pioneer Abstractions of the 1940s. Steven Wolf Fine Arts, San Francisco 2019 Radiant Abstractions, Curated by Patricia Watts. the Landing Gallery, Los Angeles TWO-PERSON EXHIBITIONS 1945 Room of Chicago Art: Paintings by Richard Bowman and Russell Woeltz. Art Institute of Chicago. 1947 Joan Mitchell and Richard Bowman: Oil Paintings. Harry and Della Burpee Art Gallery, Rockford, Illinois. Traveled to University of Illinois. Sponsored by Rockford Art Association. 1959 Gordon Onslow Ford and Richard Bowman. San Francisco Museum of Art 1990 Independent Abstraction: A Survey of Paintings by Richard Bowman and Emerson Woelffer. Harcourts Modern & Contemporary Art, San Francisco. SELECT GROUP EXHIBITIONS 1943 Ras-Martin Gallery, Mexico City 1945 56th Annual American Exhibition of Oil Paintings. Art Institute of Chicago 1945 Art of This Century Gallery, New York 1947–48 Abstract and Surrealist American Art: Fifty-Eighth Annual Exhibition of American Paintings and Sculpture. Art Institute of Chicago. Curators: Daniel Catton Rich, Frederick A. Sweet, and Katherine Kuh. Catalogue. 1948 Fourth Summer Exhibition of Contemporary Art. State University of Iowa, Iowa City. Organized by Lester D. Longman. Included Milton Avery, Max Beckmann, Leonora Carrington, Max Ernst, Hans Hofmann, and others. Brochure. 1948 Joslyn Memorial Art Museum, Omaha, NE 1949 2nd Biennial Exhibition of Paintings and Prints. Walker Art Center, juried show, Minneapolis, 1949. Brooklyn Museum. 1951 [Group exhibition of University of Manitoba, Winnipeg, artists.] Montreal Museum of Fine Arts. Included William McCloy, Robert Gadbois, John Kacere, and other instructors from the School or Art, University of Manitoba. 1952 Sixty-ninth Annual Spring Show. Montreal Museum of Fine Arts. Bowman awarded Modern Painting Prize. 1953 Annual Exhibition of Canadian Painting. The National Gallery of Canada, Ottawa. Included John Kacere, William McCloy, Roland Wise, and Takao Tanabe. 1953 Winnipeg Group. Vancouver Art Gallery. Included William McCloy, John Kacere, Cecil Richards, Roland Wise. 1953–54 São Paulo Biennial of Modern Art, Second edition. Canadian section. Traveled to Caracas, Venezuela, and the Palacio de Bellas Artes, Mexico City. Catalogue. 1954 [Group exhibition of Winnipeg artists.] Art Gallery of Ontario, Toronto. Included Oscar Cah n, William McCloy, and Cecil Richards. 1954 Royal Ontario Museum, Toronto 1958 Esther Robles Gallery, Los Angeles 1959 Rabow Galleries, San Francisco. Included Julius Wasserstein, Gordon Onslow Ford, and Fred Reichman. June 18, 1960 David Cole Gallery, Inverness, CA. Included Ruth Awasa, John Baxter, Nankoku Hidai, Onslow Ford, Fritz Rauh, David Simpson, and Jean Varda. 1961 Paintings from the Pacific: Japan, America, Australia, & New Zealand. Auckland City Art Gallery, New Zealand. Catalogue. 1961–62. Pittsburgh International Exhibition of Contemporary Paintings and Sculpture. Fine Arts Gallery, Carnegie Institute. 1962 50 California Artists. Whitney Museum of American Art, New York. Organized by the San Francisco Museum of Art, with assistance of the Los Angeles County Museum of Art. Traveled to Walker Art Center, Minneapolis, MN; Albright-Knox Gallery, Buffalo, NY; and Des Moines Art Center, IA. Catalogue. February 1966 Contrasts. San Francisco Art Institute. Included Hassel Smith, Gordon Onslow Ford, and Ruth Asawa. October 1967 Arleigh Gallery, San Francisco. Included Lee Mullican, Fred Reichman, Amalia Schulthess, and John Baxter. 1975 Gallery 865, San Francisco 1976 Painting and Sculpture in California: The Modern Era. San Francisco Museum of Modern Art. 1978 Creation. Galerie Schreiner, Basel, Switzerland. Included Joan Mir , Fritz Rauh, John Anderson, Ruth Asawa, J.B. Blunk, Roberto Matta, Lee Mullican, Gordon Onslow Ford, Wolfgang Paalen, Fritz Rauh, Yves Tanguy, and others. Accompanying book by Onslow Ford. 1984 A Personal Selection/Collection. David Cole Gallery, Inverness, CA. Forty-eight artists including Richard Diebenkorn, Claire Falkenstein, Richard Faralla, Sam Francis, Arthur Holman, Frank Lobdell, Ed Moses, Gordon Onslow Ford, Fritz Rauh, David Simpson, Amalia Schulthess, Jean Varda, Jack Wright, J.B. Blunk. 1987 Visions of Inner Space: Gestural Painting in Modern American Art. Wight Gallery, UCLA. Fifteen artists including Sam Francis, Morris Graves, John Anderson, Lee Mullican, Gordon Onslow Ford, Mark Tobey, and Ed Moses. Co-curated by Merle Schipper and Lee Mullican. Catalogue. Traveled to National Gallery of Modern Art, New Delhi, India, 1988 1997 Through the Light: An Exploration into Consciousness. Arts and Consciousness Gallery, John F. Kennedy University, Berkeley, California. Curated by Farbiba Bogzaran. Catalogue. 1998 Lee Mullican Memorial Exhibtion. Herbert Palmer Gallery, Los Angeles. 2007 The Rose Rabow Galleries Retrospective: 1959-1977. The 8 Gallery, San Franicsco. 2008 Landscapes of Consciousness: A Circle of Artists at the Beginning of Lucid Art. Weinstein Gallery, San Francisco. Included Gordon Onslow Ford, Fritz Rauh, John Anderson, and Jack Wright. Catalogue. 2016 Palm Springs Fine Art Fair, the Landing Gallery, Palm Springs, CA 2018 Ship of Dreams: Artists, Poets, and Visionaries of the S.S. Vallejo. Sonoma Valley Museum of Art, Sonoma, CA. Catalogue. 2019 FOG Design+Art. the Landing Gallery, San Francisco, CA 2020 FOG Design+Art. the Landing Gallery, San Francisco, CA 2022 FOG Design+Art. the Landing Gallery, San Francisco, CA MUSEUM COLLECTIONS Nora Eccles Harrison Museum of Art, Utah State University, Logan Oakland Museum of California San Francisco Museum of Modern Art Santa Barbara Museum of Art, California The Smart Museum of Art, University of Chicago Taubman Museum of Art, Roanoke, Virginia BOOKS AND CATALOGUES 1947 Rich, Daniel Catton. Abstract and Surrealist American Art: Fifty-Eighth Annual Exhibition of American Paintings and Sculpture. Chicago: Art Institute of Chicago. 1948 Fourth Summer Exhibition of Contemporary Art. Iowa City: State University of Iowa. 1956 Porter, Bern. Kinetic: A commentary on the relation of Science and Art in conjunction with a retrospective exhibition of paintings by Richard Bowman. Palo Alto: Stanford University Art Gallery. 1986 Kim Eagles-Smith, ed. Richard Bowman: Forty Years of Abstract Painting. San Francisco: Harold Parker in association with Harcourts Modern Gallery, Inc. 1961 Culler, George D. Richard Bowman, Paintings and Reflections, 1943-1901. San Francisco: San Francisco Museum of Art. 1962 Culler, George D. 50 California Artists. New York: Whitney Museum of American Art. 1972 Nordland, Gerald. Richard Bowman, Paintings, 1943-1972, Roswell, NM: Roswell Museum and Art Center. 1978 Onslow Ford, Gordon. Creation. Basel: Galerie Schreiner. 1987 Schipper, Merle. Visions of Inner Space: Gestural Painting in Modern American Art. Los Angeles: Frederick S. Wight Art Gallery, UCLA. With introduction by Lee Mullican. 1997 Bogzaran, Fariba. Through the Light: An Exploration into Consciousness. San Francisco: Dream Creations. 2008 Bogzaran, Fariba. Landscapes of Consciousness: A Circle of Artists at the Beginning of Lucid Art. San Francisco: Weinstein Gallery. 2018 Bogzaran, Fariba, ed. Artists, Poets, and Visionaries of the S.S. Vallejo: 1949-1969. Inverness, CA: Lucid Art Foundation. ARTICLES AND REVIEWS [Review of Solo Exhibition at The Pinacotheca Gallery.] Art News. March 1945. “Joan Mitchell, Richard Bowman Open TwoMan Show Tomorrow at Art Association Meeting.” Rockford Morning Star (IL). January 1947. Robert Ayre. [Review of Exhibition, Montreal Mu-seum of Fine Arts.] Montreal Daily Star. 1951. Ben Metcalfe. "Varsity Art Shock —A Morbid Hoax?" Winnipeg Tribune, December 3, 1951. Beverly Wright. "Richard Bowman, abstract painter, has one-man show at Stanford Gallery." Palo Alto Times. February 17, 1956. "Atomic Art Show at Stanford." San Francisco Chronicle. February, 19, 1956. "P.A. Artist Portrays Energy in Oils." San Jose Mercury News. July 25, 1958. Neita Crain Farmer. "A Solitary Voice: Richard Bowman's Paintings Say Something, In A New Way." Palo Alto Times. May 30, 1959. Barbara Bladen. "Dick Bowman's Paintings Show Atomic Awareness," San Mateo Times. July 18, 1959. Arthur Bloomfield. "Two Top Painters at San Francisco Museum." San Francisco Call Bulletin. July 31, 1959. Alfred Frankenstein. "Slow and Fast Sculpture and Kinetogenics." San Francisco Chronicle. May 24, 1959. "Paintings on Display: Bowman and Onslow Ford Show." San Francisco Weekly. July 1959. Herman Wong. "Bowman's Art Seen At Show, Artist Builds Studio Near Hillside House." Red-wood City Tribune, September 15, 1960. Dean Wallace. "Four Bring Their Art to Perfec-tion." San Francisco Chronicle. September 30, 1960. Dean Wallace. "A Painter Looks at the Atom." San Francisco Chronicle. May 29, 1961. Alfred Frankenstein. [Review of retrospective at San Francisco Museum of Art.] San Francisco Chronicle. November 12, 1961. "International Art." Pittsburgh Post-Gazette, Sunday Magazine. October 29, 1961. "Pacific Paintings Show Common Character-istics." The Press (Auckland, New Zealand). August 5, 1961. Naomi Baker. "San Francisco's Art Is Viewed." San Diego Evening Tribune. January 26, 1962. John Canaday. "Visitors From the West." New York Times. October 28, 1962. Arthur Bloomfield. "Lost in a World They Were Never Made For." San Francisco News-Call Bulletin. August 3, 1963. Arthur Bloomfield. "Bowman Paints His Own Path." San Francisco News-Call Bulletin. February 11, 1964. "The Rockford Fifty States of Art Exhibition." Palo Alto Times. October 5, 1965. Alfred Frankenstein. "Bowman's Radiant Ab-stract Art." San Francisco Chronicle. November 12, 1965. Thomas Albright. "A Kind of Non-Art Show: Brilliant Work by Bowman." San Francisco Chronicle, February 14, 1970. Paul Emerson, "Menlo Gallery Shows Bow-man Art: Major Retrospective Show." Palo Alto Times. October 6, 1972. Arthur Bloomfield. "A Luxuriant Impact to Bowman Paintings." San Francisco Examiner. November 20, 1972. Thomas Albright. "Two Artists Views of Na-ture." San Francisco Chronicle. October 9, 1974. Arthur Bloomfield. "All But the Kitchen Sink." San Francisco Examiner. September 24, 1974. Thomas Albright. "Realism Moves In." San Francisco Chronicle. Thursday, September 4, 1975. Suzanne Muchnic. "Inspired Visions of Inner Worlds at UCLA." Los Angeles Times. January 10, 1988. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 1, page 404; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 2, page 701; Art in the San Francisco Bay Area: 1945-1980, Thomas Albright, University of California Press, 1985, page 263; A Dictionary of Contemporary American Artists, Paul Cummings, St. Martin’s Press: New York 1966, page 66-67; Mallett’s Index of Artists, Supplement, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1940, page 31; Richard Bowman: Radiant Abstractions, essays by Patricia Watts and Stefanie De Winter, published by Watts...
Category

Abstract Expressionist 20th Century Paintings

Materials

Canvas, Oil, Alkyd

PORTRAIT OF REBECCA AT THE FOUNTAIN - In the Manner of Guffens - Oil on paint
Located in Napoli, IT
Portrait of rebecca at the fountain - I. Di Matteo Italia 1998 - Oil on canvas cm. 80x60 This magnificent painting by I. De Matteo is the rein...
Category

Romantic 20th Century Paintings

Materials

Canvas, Oil

1900s French Atelier Life Drawing Academic Sculpture of Male Nude Figure
Located in Cirencester, Gloucestershire
Life study drawing original atelier drawing by the French artist, Jeanne Nachat (1898-1984) Nachat attended the prestigious Académie des Beaux-Arts in Pa...
Category

Academic 20th Century Paintings

Materials

Charcoal, Pencil

Horse Guards, London - Mid Century French Naif Parade City Street Oil Painting
Located in Sevenoaks, GB
A beautiful 1960's oil on canvas by Paul Lucien Dessau depicting the famous entrance to Horse Guards in central London, with mounted Guardsmen on watch and parade. The work is signe...
Category

20th Century Paintings

Materials

Canvas, Oil

Beautiful French Impressionist Signed Oil Couple Walking in Flower Garden
Located in Cirencester, Gloucestershire
Artist/ School: Signed by Guy Benard (French, contemporary) Title: Jardin en Mai Medium: oil on canvas, unframed Canvas: 25.5 x 32 inches Provenance: private collection, France ...
Category

Impressionist 20th Century Paintings

Materials

Oil

Original 1970's French Abstract Composition with Dense Geometric Patterns
Located in Cirencester, Gloucestershire
Artist: Claude Lagouche (French 1943-2020) Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition for his talent and his work, exh...
Category

Abstract 20th Century Paintings

Materials

Ballpoint Pen

Couple Dining By The Vibrant Cagnes Sur Mer Harbour French Signed Oil
Located in Cirencester, Gloucestershire
French Harbour by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 25.5 x 18 inches Colors: Green colors, blue, yellow, beige, ora...
Category

Post-Impressionist 20th Century Paintings

Materials

Canvas, Oil

Dipinto di Giuseppe Ronchi, Allegoria prima metà del 900
Located in Milan, IT
Olio su tela. Firmato in basso a sinistra. Il grande dipinto propone due figure : sulla destra un uomo seduto ad tavolino, vestito di una rossa giacca da camera, con un'espressione ...
Category

Modern 20th Century Paintings

Materials

Oil

Antique English Signed Oil Painting 1902 Tranquil Derwentwater Lake District
Located in Cirencester, Gloucestershire
Friars Crag, Derwentwater English Lake District by Arthur Graham (British, 1902 signed oil on canvas, framed Framed: 17 x 23 inches Canvas: 13 x 19 inches inscribed verso with title ...
Category

Victorian 20th Century Paintings

Materials

Oil, Canvas

Nude Portrait of a Lady - 1930's French Post-Impressionist Oil Canvas Painting
Located in Sevenoaks, GB
A beautiful large 1930's French post-impressionist oil on canvas nude portrait of a lady in the artist's studio, by Bertrand Py. Excellent quality and very good condition portrait ...
Category

Post-Impressionist 20th Century Paintings

Materials

Canvas, Oil

"Rolleboise le Remorqueur" 20th century French Post Impressionist oil on canvas
Located in New York, NY
Oil on canvas 14 3/4 x 21 1/2 inches (37.5 x 54.6 cm.) Framed: 20 x 26 inches (50.8 x 66 cm) Signed: Luce Provenance: Private West Coast collection Literature: This painting will b...
Category

Post-Impressionist 20th Century Paintings

Materials

Canvas, Oil

"Winter Landscape" William Lester Stevens, Cape Ann Snowy Landscape
Located in New York, NY
William Lester Stevens Winter Landscape Signed lower right Oil on canvas 32 x 36 inches Born on June 15, 1888, in Rockport, Massachusetts, Stevens displayed his artistic abilities ...
Category

Modern 20th Century Paintings

Materials

Canvas, Oil

Winter Landscape Oil Painting by Michael Budden Sunlight & Shadow Winter Trees
Located in Chesterfield, NJ
Sunlight & Shadow Winter Trees oil/canvas 9 x 12 image unframed, 15.5 x 18.5 framed SELLERS STATEMENT I have been in the art business as an artist and dealer since the early 80's. ...
Category

Impressionist 20th Century Paintings

Materials

Oil

Double - Oil Paint by Salvatore Travascio - 1996
Located in Roma, IT
"Double" is an oil painting on paper with a wooden stand, a wooden rod serves as a frame. This painting is part of a series of works where the human figure is at the height of its st...
Category

Contemporary 20th Century Paintings

Materials

Oil

Mid-Century Modern Geometric Abstract Oil Painting - Mountain Monastery
Located in Bristol, GB
MOUNTAIN MONASTERY Size: 74 x 52.5 cm (including frame) Oil on canvas A large and captivating mid-century modernist geometric abstract painting, executed in oil onto canvas. The co...
Category

Modern 20th Century Paintings

Materials

Oil, Canvas

"Tranquil Sailing" Realist Oil Painting on Canvas Board of Sailboat in Open Sea
Located in New York, NY
George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found...
Category

Realist 20th Century Paintings

Materials

Canvas, Oil, Board

Mischievous Child French Impressionist Portrait, Signed Oil Painting
Located in Cirencester, Gloucestershire
Mischievous Child, Impressionist Portrait, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the lower right hand corner Oil painting on board...
Category

Impressionist 20th Century Paintings

Materials

Oil

Odalisque - Woman in a Harem - French 1900 Orientalist art portrait oil painting
Located in London, GB
This charming ex Christie's Victorian Orientalist oil painting is by noted French exhibited artist Lucien Laurent Gsell. The painting dates to around 1900 and portrays a beautiful yo...
Category

Realist 20th Century Paintings

Materials

Oil

Signed English Oil Painting Children Feeding Horse With Terrier Dog Lovely image
Located in Cirencester, Gloucestershire
Artist/ School: Martin Spencer Coleman, British b. 1952, signed. Title: Young Companions. Medium: oil painting on canvas, unframed. Size: painting...
Category

Victorian 20th Century Paintings

Materials

Canvas, Oil

Antique American Pointillist Forest Landscape Signed Framed Early Oil Painting
Located in Buffalo, NY
Rare and wonderfully painted pointillist landscape by Carmelo Vegas. Thick impasto and a fine composition. Housed in a period giltwood frame. Ready to hang. Oil on board. Signed.
Category

Impressionist 20th Century Paintings

Materials

Canvas, Oil

Large Mid 20th Century French Cubist Oil Painting Sailboats in Abstract Harmony
Located in Cirencester, Gloucestershire
Sailboats Abstract French cubist artist, circa 1950's oil on board, unframed board: 33 x 48 inches provenance: private collection, France condition: all four corners are worn but sho...
Category

Cubist 20th Century Paintings

Materials

Oil

"HILL COUNTRY RANCH ROAD" TEXAS HILL COUNTRY AUTUMN LARGE SIZE FRAMED 37 X 49
Located in San Antonio, TX
Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 24 x 36 Frame Size: 37 x 49 Medium: Oil Dated 1957 "Hill Country Ranch Road" Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields...
Category

Impressionist 20th Century Paintings

Materials

Oil

'Point Pinos Lighthouse', Paris, Louvre, Salon d'Automne, LACMA, SFAA, Carmel
Located in Santa Cruz, CA
Signed lower right, "Di Gesu" for Victor Di Gesu (American, 1914-1988); additionally, signed, verso, titled, 'One Last Look (Lighthouse + Dickman, Now Monterey) and inscribed with th...
Category

Post-Impressionist 20th Century Paintings

Materials

Oil, Board

Red Cactus Flower
Located in Stockholm, SE
A fauvist still life painting of a red cactus flower by Agda Holst (1886-1976). Oil on panel, signed Agda Holst. Probably painted somewhere around 1912-1920 when she had returned to Sweden after her studies abroad. It is painted on a Swedish panel...
Category

Fauvist 20th Century Paintings

Materials

Oil, Panel

Reclining Nude
Located in Douglas, Isle of Man
Alfred Aaron Wolmark R.A. 1877-1961, was a portrait and decorative genre subject painter. Born in Warsaw and travelled to England in 1894 where he remained. He was a painter of impre...
Category

20th Century Paintings

Materials

Oil, Wood Panel

Still life. Paper, watercolor, 72.5x89 cm
Located in Riga, LV
Still life. Paper, watercolor, 72.5x89 cm Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued her stu...
Category

Post-Modern 20th Century Paintings

Materials

Paper, Watercolor

African Contemporary Figurative Oil Painting by Zacharia Mbutha Kenya 1980
Located in Portland, OR
African contemporary oil on Panel figurative painting by Zacharia Mbutha, Born 1949, Kenya. A colorful painting by one of East Africa's most famous artists depicting three figures o...
Category

Modern 20th Century Paintings

Materials

Oil

Garden's coffee by Paul Chevallier - oil on wood 45x64 cm
Located in Geneva, CH
Work on wood sold with frame Total size with frame 80x62 cm Paul Chevallier is a French artist from the 19th to 20th century
Category

Impressionist 20th Century Paintings

Materials

Oil

"Porte Saint-Denis" Post-Impressionist Parisian Street Scene Oil on Canvas
Located in New York, NY
Beautiful oil on canvas painting by the French artist, Henri Alexis Schaeffer. This painting is a wonderful example of his work from the prime o...
Category

Post-Impressionist 20th Century Paintings

Materials

Canvas, Oil

Portrait of a Young Man
Located in Wilton Manors, FL
Gilbert Lewis (b.1945). Portrait of a Young Man, ca. 1990s. Gouache on illustration board, 18 x 24 inches. Signed upper right. Excellent condition. Measures 24 x 30 inches in custom frame. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks...
Category

Realist 20th Century Paintings

Materials

Gouache

French Fauvist Post Impressionist Oil Painting Frederick Serger Ecole de Paris
Located in Surfside, FL
Frederick Serger Genre: Post Impressionist Subject: Flowers, Poppies Medium: Oil Surface: Panel Frederick Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of Jewish manufacturers in the village of Ivancice near Brno Moravia, a province of Czechoslovakia. Showing artistic talent at a young age, he attended art schools in Brno, Czech, Vienna, Austria and Munich, Germany. During World War I, Serger joined the Austrian Army and served in the Balkans. Once his service ended, he traveled to Paris where he resumed his art training and eagerly joined the Ecole de Paris (School of Paris) artists’ movement. During this period, he was greatly influenced by the Impressionist, Post-Impressionist, and Expressionist movements. While living in Paris, he met and married Helen Spitzer. Serger and his young wife moved from Paris to Scoczow, a city on the Polish-Czech border. They remained in Scoczow for 12 years and he continued to work as an artist, exhibiting in museums in Cracow and Warsaw, Poland. He also showed at the Paris Salon de Tuilleries and the Salon d’Automne. He was part of the generation of expat artists, mostly jewish known as the School of Paris. They created art in the styles of Post-Impressionism, Cubism and Fauvism. The group included artists Marc Chagall, Chaim Soutine, Amedeo Modigliani and Piet Mondrian. Associated French artists included Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. Many École de Paris artists lived in the iconic La Ruche, a complex of studio apartments and other facilities in Montparnasse on the Left Bank, at 2 Passage Dantzig, built by a successful sculptor, Alfred Boucher, who wanted to develop a creative hub where struggling artists could live, work and interact. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The core members were almost all Jews, included Emmanuel Mane-Katz, Abraham Mintchine...
Category

Expressionist 20th Century Paintings

Materials

Oil, Panel

M. Vidiella (Europe 20C) Oil painting on canvas, Genre Scene, Amazing Frame
Located in Palm Coast, FL
This painting portrays a refined 19th-century interior scene, where a group of elegantly dressed individuals gathers in an opulent drawing room. The richly decorated space, adorned w...
Category

Impressionist 20th Century Paintings

Materials

Oil

Vintage French Impressionist Paris Oversized Figural Park Scene Landscape 1960
Located in Douglas Manor, NY
3938 French Figural park landscape oil on canvas in a gilt wood frame Image size 19.5x29.5" I
Category

20th Century Paintings

Materials

Oil

"Along the Seine by Hotel de Paris" 20th Century Post-Impressionist Oil Painting
Located in New York, NY
In this piece, the artist depicts his subject in an abstract and impressionistic way, capturing the busy Seine by the Hotel de Paris. The streets of Paris are portrayed in the distan...
Category

Post-Impressionist 20th Century Paintings

Materials

Canvas, Oil

Antique French School Oil Painting Canvas Cliffs at Etretat Normandy France 1910
Located in Portland, OR
A fine & large antique oil painting on canvas by Raimond Louis Lecourt (1882-1946), the cliffs at the Atlantic Ocean, Etretat, Normandy, France, circa 1910. Lecourt was the quintessential painter of scenes of Normandy France, this is a large and very fine example of his work. The painting depicts the Falaise d' Amont located near Etretat, Normandy, the Falaises (cliffs) are on the Atlantic coast and are a very impressive formation of flint cliffs with huge naturally created archways. The painting is beautifully rendered and in some areas the artist has employed impasto technique (thickly applied paint) to provide texture to the ocean & cliffs, in the foreground of the cliffs is a flock of herring gulls circling overhead. The painting is signed "Lecourt" lower right with a dedication, the painting is housed in the original sponge decorated gesso frame, also created by the artist. Condition is excellent, this charming painting is ready to hang on your wall. The artist was born in Le Havre, and studied at the National School of Fine Arts and the Regional School of Fine Arts of Rouen, he studied under Charles Lhuillier and Léon Bonnat. He received the Croix de Guerre 1914-1918 Military medal during WW1. Lecourt studied at the Le Havre School of Fine Arts under the direction of Charles Lhuillier , then with Léon Bonnat at the Paris School of Fine Arts . He then lived in Fontaine-la-Mallet , where he painted in the Normandy region, which was his favorite subject. In 1899, Lecourt obtained the honorary prize for the upper course with the city's silver medal. A municipal scholarship which allowed him to enter the Paris School of Fine Arts in the studio of the painter Léon Bonnat . There he found his comrades from Le Havre who had preceded him there: Othon Friesz , Raoul Dufy , the brothers René and Henri de Saint-Delis . He debuted at the Salon of French Artists in 1901 with his painting Le Herseur . He completed his studies in the studio of Luc-Olivier Merson and it was around this time that he got into the habit of spending his holidays in Fontaine-la-Mallet with his comrade Othon Friesz . He settled there permanently in 1907, after a trip to Brittany from where he brought back numerous sketches and portraits. During the First World War , he was mobilized on August 1, 1914 in the same regiment and behaved like a hero, decorated with the Croix de Guerre and the Military Medal . During an engagement at Courcy - Brimont , September 14, he was injured by a gunshot to the right forearm. He continued to draw with his left hand then, after a long rehabilitation, he regained the use of his right hand. He became a member of the Society of French Artists, also exhibited at the Salon des Indépendants, and made regular submissions to the Salons. Many paintings by him appear in museums & galleries in Denmark , Germany, the United States, Japan, and in England where the "Dogs of the Duchess of Manchester" painting was exhibited and won Lecourt great acclaim. After the outbreak of World War II, Lecourt takes the German Occupation of France very badly. After General Philippe Petains's handshake with Hitler in Montoire-sur-le-Loir, he returned his military medal to the Chancellery, accompanied by this comment: "We have no need for decorations in a country which no longer has the sense of honor" During this period, he resided with Charles Toussaint, a Le Havre broker and companion from the 74th infantry regiment, at the Frescinet manor, a property which would disappear under the bombings of the September 11, 1944. At this time, he painted mainly on wood, as canvases were rare and expensive at this time. In the winter of 1943-1944, he was hit by a military truck which skidded on the ice, during the fighting for the liberation of the port of Le Havre, the village of Fontaine-la-Mallet, where he lived, was raised to the ground under heavy bombing. His house, his studio, his notes and sketches were destroyed. However he went back to work with courage, but something had broken inside him. The following winter, he caught a cold and contracted pneumonia which took him away in eight days, unable to be properly treated following the refusal of an American army colonel, to give to civilians penicillin that only the Americans had at the time. His friends mourned him and others said that he was a gifted painter of Cauchoise (Normandy) painting, and who knew so well how to render plough horses, Normandy cows...
Category

French School 20th Century Paintings

Materials

Canvas, Oil

Sailing Boats in South of France Harbor Vintage French Oil Painting 20th Century
Located in Cirencester, Gloucestershire
Sailing Boats French School, 20th century oil on board, framed inscribed verso framed: 20 x 24.5 inches board: 17 x 21 inches provenance: private collection, France condition: very g...
Category

Modern 20th Century Paintings

Materials

Acrylic

Woman and Child in the Woods - Midcentury Abstracted Landscape in Oil on Canvas
Located in Soquel, CA
Woman and Child in the Woods - Midcentury Abstracted Landscape in Oil on Canvas Dramatic abstracted painting of a woman holding a child in the woods by Maley (20th Century). This pi...
Category

American Modern 20th Century Paintings

Materials

Canvas, Oil, Stretcher Bars

Wedding (Authenticated Clementine Hunter Framed Black Folk Art Painting)
Located in New Orleans, LA
The first thing to ask about any Clementine is: is it authentic. Yes, there are fakes, and paintings by her son that are mistaken for (or presented as) hers. I won't touch anything by her that hasn't been verified, and this one has been verified by the #1 Clementine expert, Tom Whitehead. Of course it has my own guarantee as well; I have sold many Clementines. You can find fakes at auction houses (many of them outside of the New Orleans area) and other venues that don't ask questions, for a lot less money, but don't be fooled! Now, about the painting. This one has a clear, wonderful provenance, which is unusual for these. Weddings were a common theme for Hunter, but this one has a specific history. It was gifted to Mr. and Mrs. Merrill by Ann and Jack Brittain in 1967 as a wedding present; then went by descent to the estate of Mary Jane "Cookie" Grace Merrill of Baton Rouge, Louisiana. 18" x 24", slightly larger with frame. I will be including a free copy of the hardcover book (show in photo) by Art Shiver and Tom Whitehead about Clementine (Whitehead is the expert who verified this painting). Proudly presented by Guy Lyman Fine Art, New Orleans, with our firm guarantee of satisfaction. From AskArt: Often referred to as “the black Grandma Moses,” Clementine Hunter...
Category

Folk Art 20th Century Paintings

Materials

Oil

Champ - modern, contemporary, minimalist, abstract, acrylic on canvas
Located in Bloomfield, ON
This colorful abstract acrylic painting is by Canadian artist Milly Ristvedt. Inspired by modernist mentors, in the 1970s Milly Ristvedt used simple formats on raw canvas to displa...
Category

Abstract 20th Century Paintings

Materials

Canvas, Acrylic

City - 4 , 1977 Large Painting
Located in Rochester Hills, MI
Artist: Hilo Chen Title: City - 4 Year: 1977 Painting oil on canvas Size 54 x 54 inches 137 x 137 cm Contemporary photo-realist painter Hilo Chen (Yee-Lum) was born in 1942 in Taiwan and later became an American citizen. He is noted for his paintings of nudes and flowers. Chen's as painter is nothing less than superb. The skin tones of his nudes seem more "real" than life itself. You feel as though you can almost touch these women who are so oblivious to being observed. Chen's work is held in public collections at: The Solomon R. Guggenheim Museum, New York, NY; San Jose Museum of Art, San Jose CA...
Category

Photorealist 20th Century Paintings

Materials

Oil

White Lotus Lithograph
Located in Soquel, CA
White Lotus Lithograph A limited edition lithograph by listed artist Hoi Lebadang, (Vietnamese/French, 1922 – 2015). This print displays an ethereal lotus flower to center, known to ...
Category

Abstract Expressionist 20th Century Paintings

Materials

Paper, Ink, Lithograph

French Expressionist Abstract Original Painting Artists Studio Provenance
Located in Cirencester, Gloucestershire
Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 12.75 x 10 inches condition: excellent provenance: all the paintings we ha...
Category

Abstract Impressionist 20th Century Paintings

Materials

Oil

COLORFUL 20th CENTURY FRENCH MODERNIST PAINTING - NUDE FIGURES IN DESERT
Located in Cirencester, Gloucestershire
"In the Desert" by Jean Marc (French 1949-2019) signed gouache paint dated 85' painting: 15.75 x 11.5 inches provenance: private collection, South of France Superb original paintin...
Category

Modern 20th Century Paintings

Materials

Gouache

French Abstracted Countryside Scene with Rolling Fields, Trees and Buildings
Located in Cirencester, Gloucestershire
Abstracted Landscape Scene Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 9 x 12 inches Suzanne Vattier (1901-1996) was a pupil of the famous paint...
Category

Fauvist 20th Century Paintings

Materials

Gouache

"VESPERS" TEXAS HILL COUNTRY FOREST
Located in San Antonio, TX
Barbara Mauldin Fredericksburg Artist Image Size: 12 x 16 Frame: 16 x 20 Medium: Oil "Vespers" Barbara and her husband Chuck moved to Fredericksburg in 2005 after living many years in Louisiana, where she taught art at Baton Rouge Lutheran School. Soon after moving home to Texas, she began painting seriously. She has studied with Ian Roberts, Kevin Macpherson, Jill Carver, Lori Putnam, and (of course!) Chuck Mauldin. Barbara’s work has been accepted in several art events, such as the Women Artists of the West National Show, Contemporary Masters Invitational Art Show in Fredericksburg, the Mountain Oyster Club Art Show, the Plein Air Artists Colorado National Juried Art Exhibition, The Museum of Western Art (Kerrville, TX) “The Party” Art Exhibition and Sale, and others. Her paintings are characterized by color. “I like to emphasize the color that I see, as a creative and emotional response to the landscape.” She works with a limited palette, using a small number of pigments to mix colors, which results in beautiful color harmony. Barbara has focused her attention on the Texas landscape, especially on prickly pear cactus. Cactus is fun to paint. It has a multitude of interesting colors, which are an expression of the harshness of the environment and the amount of direct sun. In spring the colors are lighter and more mellow, and the flowers of late spring are a vibrant yellow and rose, sometimes orange. She enjoys plein air work, accepting the challenges of color, design, and the environment (critters and weather). Texas abounds with variety and inspiration; there is always another painting just around the corner! Her interest in art had always been a part of the fabric of her life. She works mainly in oil, and she also dabbles in pastels, watercolor, church banner...
Category

American Impressionist 20th Century Paintings

Materials

Oil

"Jazz Musicians"
Located in West Hollywood, CA
Presenting a rare, early oil painting by Belgian artist Jessica Rice (1941-2016) This is the first time this painting has been seen and available in mor ethan threee decades. "Jazz...
Category

Cubist 20th Century Paintings

Materials

Oil

New England Landscape with Barn
Located in Sheffield, MA
Eric Sloane American, 1905-1985 New England Landscape with Barn Oil on panel 22 by 30 in, w/ frame 30 ½ by 39 in Signed lower right Eric Sloane was born, Everard Jean Hinrichs, on ...
Category

Naturalistic 20th Century Paintings

Materials

Oil

Boats in front of the 4 white houses by Jean Louis Getaz - Oil on canvas 40x60
Located in Geneva, CH
Work on canvas with frame Total size with frame: 86x66x6 cm Jean-Louis GETAZ is an artist born in 1931 and died in 2002. His works have been sold at public auction 60 times, mainly...
Category

Impressionist 20th Century Paintings

Materials

Oil

White Cottage Hidden in The Autumnal River Forest French Oil Painting
Located in Cirencester, Gloucestershire
White River Cottage Signed by Fanch Lel ( French School) Oil painting on board, unframed Board: 13 x 16 inches Inscribed verso Condition: The painting is in good condition, with mino...
Category

Impressionist 20th Century Paintings

Materials

Oil

Pink Roses in Green Vase 1940's French Impressionist Signed Oil Painting
Located in Cirencester, Gloucestershire
Vintage French Oil Painting signed by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 8.25 high by 6.25 inch...
Category

Impressionist 20th Century Paintings

Materials

Oil

19th Century English Sporting Art Oil Painting Gentlemen & Loyal Hunting Dogs
Located in Cirencester, Gloucestershire
The Country Squire English School, mid 19th century oil on canvas, framed framed: 30 x 26 inches canvas : 24 x 20 inches Provenance: private collection, England Condition: very good ...
Category

Victorian 20th Century Paintings

Materials

Oil, Canvas

Antique American School Fall Cat Still Life Framed Impressionist Oil Painting
Located in Buffalo, NY
Vintage modernist still life with a cat. Oil on canvas. Framed. Signed.
Category

Modern 20th Century Paintings

Materials

Canvas, Oil

Nude - Paint by Sirio Pellegrini - 1960s
Located in Roma, IT
Oil and tempera on paper realized by Sirio Pellegrini in 1960s. Hand signed lower left. Includes a wooden frame realized by the Artist cm. 58.5x48.5.
Category

Contemporary 20th Century Paintings

Materials

Oil, Paper, Tempera

French Impressionist Oil Painting of Honfleur Harbor Scene
Located in Cirencester, Gloucestershire
Title: French Impressionist Oil Painting of Honfleur Harbor Scene By Fanch Lel (French b. 1930) Size: 5.75 x 7.75 inches (height x width) Signed: Yes Oil painting on board, unframed ...
Category

Impressionist 20th Century Paintings

Materials

Oil

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