Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 14

Portrait Of A Noblewoman. Attributed To Carlo Ceresa. About 1640.

1660

$2,716.64
$4,816.7543% Off
£2,009.98
£3,563.7943% Off
€2,256
€4,00043% Off
CA$3,756.24
CA$6,660.0143% Off
A$4,123.89
A$7,311.8643% Off
CHF 2,151.44
CHF 3,814.6143% Off
MX$49,904.78
MX$88,483.6643% Off
NOK 26,964.97
NOK 47,810.2443% Off
SEK 25,408.10
SEK 45,049.8143% Off
DKK 17,177.25
DKK 30,456.1143% Off

About the Item

Portrait of a noblewoman. Attributed to Carlo Ceresa. (1609 - 1679, Bergamo) Oil on canvas. Size cm 110x86,5cm with frame Around 1640. This portrait depicts a middle-aged woman with great realism, typical of Lombard and Bergamo painters in particular. Carlo Ceresa, probable author of this unsigned painting, had studied with Daniele Crespi, a Lombard painter, from whom he inherited a way of painting with important shadows, characters with a melancholy-austerity attitude. But compared to his master, who died of the plague in 1630, he added a highly decorative coloristic vein, it is said that he was influenced by Venetian painters. In fact, there is a very interesting dialogue between elegance, magnificence and the bright red color of the dress with very rich trimmings and, at the same time, a dramatic light and chiaroscuro of the hands and face, which give a very serious, late Caravaggesque expression to the woman portrayed. Another point that suggests that it is a portrait painted by Ceresa are lady's hands, the shape and movements of her fingers, which tick a splendid black ribbon that the woman has on her chest an hold gloves in another. The bright white of the sleeves is painted with great depth and expressiveness. In a non-ancient handcrafted frame in carved and gilded wood.
  • Attributed to:
    Carlo Ceresa (1609 - 1679)
  • Creation Year:
    1660
  • Dimensions:
    Height: 43.31 in (110 cm)Width: 34.06 in (86.5 cm)Depth: 1.58 in (4 cm)
  • Medium:
  • Movement & Style:
  • Period:
    Mid-17th Century
  • Condition:
  • Gallery Location:
    Firenze, IT
  • Reference Number:
    1stDibs: LU2464212798052

More From This Seller

View All
Portrait of a Lady . Louis Ferdinand Elle the Younger. ( Paris, 1612-1689), attrib
By Louis Elle (Ferdinand)
Located in Firenze, IT
Portrait of a lady . Louis Ferdinand Elle the Younger. ( Paris, 1612-1689), attributed. Circa 1680. Oil on canvas, resting on cardboard. In 19th-century giltwood frame. A female...
Category

1680s French School Portrait Paintings

Materials

Canvas, Oil, Cardboard

Marie Aubry as Andromeda in Lully’s Opera Persée – French School, late 17th c.
Located in Firenze, IT
Singer in the Role of Chained Andromeda, Possibly from Persée by Lully (1682) Marie Aubry (c. 1650 – after 1684), renowned soprano of the Académie Royale de Musique and the original...
Category

17th Century French School Portrait Paintings

Materials

Oil, Panel

Portrait of a woman with red jacket trimmed with fur and braid German School.
Located in Firenze, IT
Portrait of a woman with red jacket trimmed with fur and braid German School, late 18th - early 19th century Oil on canvas, 64 × 48 cm Gilded wooden frame, not original Dressed in a...
Category

Late 18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Ca. 1820 Portrait of a Woman with Kashmir shawl.
Located in Firenze, IT
Ca. 1820 Portrait of a Woman. Léon Cogniet (1794-1880, Paris), attributed. French school of 19th century. Tecnicque: oils on canvas. Dimensions: 70cm x 61cm 20th century wooden frame. Old attribution to Léon Cogniet (1794-1880, Paris) is inscribed on the wooden frame. Portrait of the restoration period, post Napoleonic wars. Stylistically the painting is found in the transition period from the late Empire period to the beginning of Romanticism. The new artistic trends can be seen in the increased naturalism, representation of the landscape/nature, in the contrasts, and in a greater emotionality of the person represented. Detailed but loose is the way to describe the winter dress...
Category

1820s Romantic Portrait Paintings

Materials

Canvas, Oil

Austrian school. Portrait of a Lady with Floral Shawl. Ca. 1825
Located in Firenze, IT
Austrian or Central European School. Portrait of a Lady in White Dress with Floral Shawl and Long Chain with Pendant, ca. 1825-1835 Oil on canvas, relined Size: 76 × 62 cm Half-le...
Category

Early 19th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Spanish school. Secretary of Pope Pius V, abbot of Husillos, bishop of Córdoba.
Located in Firenze, IT
Portrait of Francisco de Reynoso y Baeza.   Secretary of Pope Pius V, abbot of Husillos and bishop of Córdoba. Francisci de Reynoso. Early 17th century. Small-format portrait from the late Renaissance period. Spanish school. Size: Cm 19 x Cm 13.5 Oil on wooden panel. On the back the fine tablet is strengthened (already in ancient times) by a sheet of parchment. About 1600-1610. As often in Mannerist / Late Renaissance portraits, the image of the character is accompanied by the writing that runs at the top, adding a celebratory, historicising touch to the effigy. Let's bring back the sentence here: DON FRANCISCO DE REINOSO. CAMARERO SECRETO IESCALCO PIO QUINTO OBISCOPO CORDOBA. 68 (? O 7?) (1534, Autillo de Campos, Spain - 1601, Córdoba) Francisco de Reynoso was a Spanish cleric, chief chamberlain, and secretary to Pope Pius V, abbot of Husillos, and bishop of Córdoba. He was the fourth of eleven children. His father was the seventh Lord of Autillo de Campos, and his mother was Juana de Baeza y de las Casas, daughter of Manuel de Baeza, a lawyer of the Royal Council and at the Court of Valladolid. Francisco de Reynoso was deeply devoted to the Virgin Mary and showed a strong inclination toward religion and piety from an early age. He studied Latin, arts, and theology at the University of Salamanca. In 1562, he traveled to Rome with his brothers Pedro and Luis. In January 1566, following the death of Pope Pius IV, Cardinal Antonio Michele Ghislieri was elected pope, becoming Pius V. From this period until Ghislieri's death in 1572, Francisco de Reynoso served as his chief chamberlain and secretary. After Pope Pius V died, Francisco de Reynoso returned to Spain and lived for several years in the city of Palencia, where his brother Manuel was a canon. He supported the Society of Jesus when it was established in Palencia, providing alms to the school's clergy and funding chairs of Letters and Theology at his own expense, as well as donating a significant number of books. During the brief outbreak of the Black Plague...
Category

17th Century Old Masters Portrait Paintings

Materials

Parchment Paper, Oil, Wood Panel

You May Also Like

Pier Francesco Cittadini (Milanese master) - 17th century figure painting - Lady
By Pier Francesco Cittadini
Located in Varmo, IT
Pier Francesco Cittadini (Milan 1616 - Bologna 1681) attributed - Portrait of a Lady. 80 x 61 cm unframed, 91 x 70 cm with frame. Oil on canvas, in a gilded wooden frame (not signe...
Category

Mid-17th Century Baroque Portrait Paintings

Materials

Canvas, Oil

Portrait Noblewoman Santi di Tito 16th Century Paint Oil on table Old master Art
Located in Riva del Garda, IT
Santi di Tito (Sansepolcro, 1536 - Florence, 1603) Portrait of a noblewoman, half-length, with a book in her hand 16th century Oil on panel 75 x 61 cm. - with frame 115 x 101...
Category

16th Century Old Masters Paintings

Materials

Oil

Portrait Duchess Woman 17th Century Paint Van Gelder Oil on canvas Old master
Located in Riva del Garda, IT
Jan van Gelder, Italianised as Giovanni Vangheldri (Antwerp 1621 – Modena 1685) Portrait of the Duchess Vittoria Farnese d'Este (Parma, 1618 – Modena, 1649) wife of Francesco I d'E...
Category

17th Century Old Masters Paintings

Materials

Oil

Portrait of Hortense Mancini, Duchess of Mazarin (1746-1699), 17th Century
By Jacob Ferdinand Voet 1
Located in Blackwater, GB
Portrait of Hortense Mancini, Duchess of Mazarin (1746-1699), 17th Century by Jacob Ferdinand Voet (1639-1689) Large 17th Century Italian portrait o...
Category

17th Century Portrait Paintings

Materials

Canvas, Oil

Portrait of Maria Vittoria Queen of Portugal - Italian Old Master oil painting
Located in Hagley, England
This lovely Italian Old Master portrait oil painting is by Domenico Maria Sani. Painted circa 1732 the sitter is of Maria Anna Vittoria (1718 - 1788), daughter of Philip V and Elisabetta Farnese, who in 1729 married Joseph prince of Brazil and king of Portugal...
Category

Mid-18th Century Old Masters Portrait Paintings

Materials

Oil

European School Early 19th Century Oil - Portrait of a Noblewoman
Located in Corsham, GB
This portrait features a striking contrast between the subject's vibrant red dress and the dark background, drawing the viewer's eye to the centre of the composition. Her unique hand...
Category

Early 19th Century Portrait Paintings

Materials

Oil