Unframed Portrait Paintings

Italian painter (18th century) - Chrono. 90.5 x 106 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Lined canvas. Good state of conservation of t...

Sisterhood is also about growth and transformation. As we go through life, we change and evolve as individuals, and our relationships with our sisters change and evolve with us. The ...

Oil on cardboard realized by Francesco Settimj in 1930s. Painted on both sides, recto and verso. Good condition.

The Family Group German School, late 19th/ early 20th century oil on board board: 17.5 x 13 inches provenance: private collection condition: sound condition but with various surface ...

Winged Angels European artist, late 20th century (possibly a copy after an earlier painting) oil on canvas, unframed canvas : 24 x 36 inches provenance: private collection, Wiltshire...

"Triple Elvis" (Denied) Silkscreen Painting by Charles Lutz Silkscreen and silver enamel paint on canvas with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82 x 72" inches 2010 This important example was shown alongside works by Warhol in a two-person show "Warhol Revisited (Charles Lutz / Andy Warhol)" at UAB Abroms-Engel Institute for the Visual Arts in 2024. Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis...

Halloween - an iconic American painting by James Torlakson who is known for his photorealist oil paintings, watercolors and aquatint intaglio etchings. Torlakson’s photorealism subj...

Original art by Daria Kusto. acrIcrylic on wotercolor paper. The magic flow reality... Shipped free well protected unframed.

"Eyed Wide" is an original artwork by Akira Gordon made from acrylic and oil on wood panel. This piece is a diptych and measures measures 48"h x 46"w complete. Akira hopes to give black people images that they can relate to in some way without making an overt political statement; instead, showing figures in leisure, doing the mundane and the ordinary. She finds the most authentic way to do this is through self-portraiture and referencing her experiences. She uses herself as a reference for her paintings because she believes examining your own life is important. Her artworks delve into the complex emotions associated with her struggle to transition into adulthood while clinging to the familiarity of "childish" things. It's an introspective journey, an attempt to reconcile the inevitability of growing up with the desire to preserve the youthful spirit that continues to reside within her. Akira Gordon, a Philadelphia-born painter and recent graduate of the University of the Arts, is a captivating artist driven by a passion for contemporary art and self-portraiture. Inspired by Kerry James Marshall and Sasha...

Signed in red, u.l. Oil on canvas mounted to Masonite Price includes $650 additional cost of framing. This work is offered by ClampArt in New York City

Original artwork by Daria Kusto. Acrylic markers, ink on paper. Unframed. The painting will be shipped directly from Thailand – safely and promptly."

The Artists Model Nude Lady Model French School, circa 1970's signed oil painting on card, unframed size: 17 x 24 inches condition: overall very good, a very few light markings to ...

Original French Artwork signed initials by Robert Ladou (French 1929-2014) original oil pastel painting on artist paper, framed overall size: 15.5 x 12.5 inches size: 9.5 x 8 inche...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authentici...

This artwork elegantly blends classic and contemporary elements, depicting a young woman in a stylish black outfit holding a phone to her ear. She stands against an endless blue sky...

In his work, Tetteh condenses the internal sentiments and tensions of his characters and focuses them, using the eyes as the outlet for expression. In this way his subjects become in...

Oil on canvas Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has ...

Appearance defines what you are made of, being black, made of dressing, our way of approaching, respect, and how we react to things are what we inherit from our four fathers and we are happy and proud of who we are. Black is beautiful, I love black. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issue by The Galley) About Artist Ajenifuja Abiodun...

In her evocative painting titled "By Love, We Endure," French artist Natalya Mougenot delves deeply into the emotional and psychological landscape of womanhood. Rooted in a bold fusi...

Ricky Hunt’s string artworks are influenced by Egyptian hieroglyphs, graffiti, and his tumultuous past that led to a paradigm shift in creativity and life. On his sculptural and thre...

Mystery Artist Tennessee, 9/12/86 Oil on canvas 34 x 43 3/4 x 1 in. Titled and inscribed upper left

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sam...

This portrait is truly mystic. A young, beautiful person—let's call her Angel—is playing an invisible violin. The surroundings are dark, yet a strong light illuminates only her face ...

A mesmerizing fusion of elegance and mystery, this painting captures a woman draped in flowing turquoise fabric, standing on a rooftop, her presence seamlessly merging with the city’...

Lady Reading by Jacob Markiel (Polish 1911-2008) *See notes below oil on board, unframed board: 29 x 24 inches provenance: the artists estate, south of France condition: very good an...

Henri DELUERMOZ (Paris 1876 – Paris 1943) At the blacksmith's Oil on metal. Two welded plates H. 145 cm; W. 100.5 cm Signed lower left Trained under Alcide-Joseph Lorentz and Charle...

This elegant English 19th-century portrait of a young boy dressed in a Cavalier costume, painted circa 1860, is a striking example of Victorian portraiture that seamlessly combines h...

'Morning Amusement' English School, circa 1800's after the painting by Sir Joshua Reynolds, British 1723-1792 oil painting on canvas, unframed please...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

In this painting, a girl is portrayed deep in thought, contemplating the nature of love, creating an atmosphere of tenderness and gentle introspection. Her dreamy gaze reflects her i...

Rosemarie Beck (1923-2003). Yaddo Portrait of a Man (possibly Larry Osgood). Oil on canvas, 18 x 22 inches. Without frame. Minor rippling of canvas with...

Portrait of a Country Lady, depicted Seated wearing a silk glove and with a Quill Pen English artist, circa 1820's, unsigned oil on canvas, unframed canvas: 35 x 29 inches provenance...

Jessica Oliveras (b. 1991) is a Spanish visual artist whose work explores the intersection of the spiritual and physical realms through a unique blend of figuration and abstraction. ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

“Orientalist Portrait of an Arab Man” Half-length, turned to the left, oval Jean-Horace Vernet (French 1789-1863) Circa 1830s Watercolor heightened with touches of white on paper Sig...

English School, circa 1930's period Portrait of a Lady oil painting on canvas, unframed canvas: 27.5 x 22 inches provenance: private collection, England condition: very good and soun...

This captivating work of art presents a surreal dialogue between the mundane and the fantastic. A casually dressed woman sits confidently on a vintage chair, wearing dark sunglasses...

A charming oil study depicting a woman gathering grape vines in a field. Part of a pair of oils depicting women harvesting. Unsigned. On panel.

The Virgin of Kataphyge with Saint John the Evangelist, after a Bulgarian Byzantine icon of the 14th Century. Egg tempera and gold leaf on gesso and wood. Author: Oliver Samsinger...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Wesley Lea (1914-1981). Self-portrait, ca. 1940. Oil on canvas, 12 x 17 inches. Signed lower left center "WESLEA" as was his practice in 1930s-40's. Unframed.

"Garment of Hope," a poignant masterpiece crafted by the skilled hands of artist John Ali, invites viewers into a world where innocence and resilience converge. This evocative artwor...

Joseph Idowu’s Persistence Of Expectations is a striking original acrylic on canvas measuring 60 x 48 x 1.50 inches (152.40 x 121.92 x 3.81 cm). Born in Nigeria, Idowu explores theme...

Erin Hammond is a contemporary abstract expressionist artist whose free-form paintings capture the essence of her inner, subjective realities. With a vibrant palette and dynamic mark...

Kasia Mazur is a very young artist, she is still studying painting at the Academy of Fine Arts in Gdansk, where she also lives. She has already had exhibit...

Ohio-born painter William J. Forsyth (1854-1935) spent most of his life in Indianapolis and initially trained at the Indiana School of Art. But by 1882 Forsyth wanted to hone his drawing and rendering skills abroad. He enrolled at the Royal Academy in Munich, Germany. Fellow Hoosier students in Munich included artists T. C. Steele and J. Ottis Adams, which helped the new arrival’s transition. Forsyth painted figures like this one while in Munich. One intriguing indication that this piece may have been done during the artist’s Academy period is that a very similar portrait of a remarkably similar sitter was described at auction as "German School, 1891" with the inscription "G. Büttner/Munich '91." However, while there Forsyth shifted his interest to landscapes under the influence of American artist J. Frank Currier...

Gustave Jaquet Jacquet was born on 25th May 1846 in Paris. He was a pupil of Bouguereau and for his debut at the Paris Salon in 1865, he exhibited 'The Reverie' which was very much i...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authentici...

“The Luminous Moment #1 Blue and Orange” is an original oil on canvas from a new series that explores the connection between human and animal forms through the interplay of two compl...

Portrait Of Mrs Diana George (nee Atkinson), dated 1930 by John Maler Collier OBE (1850-1934) National Portrait Gallery Exhibition, reference: 323, 1930 Large 1930 Pre-Raphaelite ...

Alexandra Telgmann's "Ocean Reflection - Immerse Yourself" (2022) is an oil painting on aluminum, measuring 80 x 100 cm. The unframed artwork featur...

A Fauvist-inspired contemporary life study by the St Ives artist Cynthia Davis. Signed. On paper.

Figurative Surrealism Original Painting Artist: Ashot Yan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Portrait Surrealism, T...

John Tarantola's original nude portrait "Wood Nymph" (2018) is a beautiful realist painting done with oil on panel, which depicts an athletic nude male figure standing in a forest, p...

An evocative oil study by the artist George Weissbort (1928-2013). Unsigned. (Provenance: Studio Sale, George Weissbort). On canvas board.

Portrait of a Lady by Maurice Delavier (French 1902-1986) stamped verso with the artists studio mark oil on board, unframed board: 7.75 x 9.5 inches provenance: private collection, F...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: signed and dated 47' oil on board, unframed Size : 14 x 10.5 inches Double sided Provenance: private collection, France ...

His confidence shines bright, a beacon in the night Unshakable and strong, his presence commands respect and light With unwavering conviction, he conquers every fear His confidence r...

"Where Silence Meets Soul" is a contemplative piece that invites viewers to step into the sacred space within. This artwork was inspired by the idea that silence has the power to awa...

Museum-quality gold ground painting from the Renaissance period by Smeraldo di Giovanni. It depicts the “Virgin of the Roses” seated on a throne h...