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Henry WyattHenry Wyatt (1794-1840) - 1817 Oil, Georgian Gentleman1817
1817
$2,476
$3,09520% Off
£1,880.72
£2,350.9120% Off
€2,167.23
€2,709.0420% Off
CA$3,486.82
CA$4,358.5320% Off
A$3,865.66
A$4,832.0720% Off
CHF 2,031.55
CHF 2,539.4420% Off
MX$47,309.30
MX$59,136.6320% Off
NOK 25,372.04
NOK 31,715.0520% Off
SEK 23,814.20
SEK 29,767.7520% Off
DKK 16,177.04
DKK 20,221.3020% Off
About the Item
A truly exquisite example of Georgian portraiture, this characterful painting is in remarkable condition, an overall, beautiful, historical object. The painting, by the renowned Henry Wyatt, shows the sitter (S. S. Lloyd Esquire), in a red high backed chair in front of luxurious red velvet drapery. Wyatt has executed this portrait with his notable skill and technique that was clearly influenced by his time spent learning under Sir Thomas Lawrence. Incidentally, this painting was executed in 1817, two years after the first came under Lawrence's tutelage and the beginning of his career as an established portrait painter in his own studio in Birmingham.
The painting has been handsomely presented in its original gilt frame with brass hanger. The artist has faintly signed (H. Wyatt) and dated to the upper left of the reverse of the wood panel and there is a later inscription across the back with the name of the sitter (upper left), the location (possibly Bank High St, Birmingham) and a further inscription reading "Assistant to Sir Thomas Lawrence).
On wood panel.
- Creator:Henry Wyatt (1794 - 1840, British)
- Creation Year:1817
- Dimensions:Height: 13 in (33 cm)Width: 9.85 in (25 cm)
- Medium:
- Period:
- Condition:Truly remarkable condition, given its age. The painting has very light craquelure to the surface but is in otherwise fine condition with excellent colour retention and no discolouration. The frame has some minor scuffing to the surface and has a high.
- Gallery Location:Corsham, GB
- Reference Number:Seller: rd2051stDibs: LU881311178642
Henry Wyatt
Henry Wyatt entered the Royal Academy Schools in 1812 and studied under the care of Sir Thomas Lawrence in 1815. It is easy to see the influence of the master within Wyatt's work, and Lawrence thought highly of Wyatt. Wyatt went on to exhibit extensively over the next 20 years.
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