Canvas Portrait Paintings

Portrait Of Gilbert Talbot 7th Earl of Shrewsbury (1552-1616), 16th Century Circle of George Gower (c.1540–1596) Huge 16th Century Portrait Of Gil...

"Toy Seller" Oil Painting 35" x 45" inch by Andrey Remnev ARTIST BIO: "My birth place is Yakhroma town, in the vicinity of Moscow. It is situated on high hills, from where broad Bruegelian vistas are open. The uneven terrain with significant differences of high and low; a canal between the Moskva river and the Volga; small rivers, woods and villages; a nearby ancient town of Dmitrov, which is equal to Moscow in age; ships cruising the canal and trains outdistancing them – all this I saw from my window since my early years. It was a view that embraced all the diversity of the world. This is why I can say that the impressions of my childhood and youth – beautiful nature and remarkable people – are the most important ones. In the museum of Moscow's St. Andronic Monastery I copied the best examples of the old Russian painting...

L. FROSSARD (active in Vienna around 1870) Portrait of Adelina Patti (1843-1919) Oil on canvas H. 100.5 cm; L. 73.5 c Signed lower left If the artist maintains a certain discretion ...

Oil paint on canvas Hand-signed by the artist on the back “At first glance, we are invited to a colorful carnival. Everything is movement here! As if Julien Wolf had tried to captur...

Diego Glazer's "Rage" is an original, handmade oil painting that is framed and ready to hang. The framed measurements are 13.25 in H x 17 in W.

MARILYN by Fabio Modica is a Oil on Canvas measuring 60.00 X 60.00 in and is priced at $18,000.00 "I came up with this representation of Marilyn by accident. It was my first black&...

Oil paint on canvas Hand-signed on the back “At first glance, we are invited to a colorful carnival. Everything is movement here! As if Julien Wolf had tried to capture the essence ...

Oil paint on canvas Hand-signed on the back by the artist “At first glance, we are invited to a colorful carnival. Everything is movement here! As if Julien Wolf had tried to captur...

An old bearded man, a philosopher, in dark green and black shades. Smooth lines and geometrical forms , by E. Malafouris. Oil on canvas ,ready to hang. A closer look at Malafouris’...

Masri is a passionate Italian, US-based artist whose work has been exhibited in USA, the UK, Germany, Lebanon, Italy and Norway. His work is varied and known especially in Europe, an...

The theme of "La Stanza" ("the Room"), from which the exhibition takes the title, wants to resume intimacy and introspection that only a domestic environment manages to give. The wal...

Original painting on canvas by French artist Françoise Collandre. A graduate from the Ecole Nationale Supérieure des Métiers d'Arts in Paris, Françoise Collandre entered the fine a...

Portrait of a Gentlemen - Oval oil on canvas cm.50x40, Italia, 2006 Eugenio De Blasi Wooden frame available on request The portrait of Eugenio De Blasi is inspired by one of the many portraits painted by Guillam Francois Colson, a French historian painter, who painted portraits of families...

"Dekadans" Oil Painting 35" x 25.5" inch by Andrey Remnev ARTIST BIO: "My birth place is Yakhroma town, in the vicinity of Moscow. It is situated on high hills, from where broad Bruegelian vistas are open. The uneven terrain with significant differences of high and low; a canal between the Moskva river and the Volga; small rivers, woods and villages; a nearby ancient town of Dmitrov, which is equal to Moscow in age; ships cruising the canal and trains outdistancing them – all this I saw from my window since my early years. It was a view that embraced all the diversity of the world. This is why I can say that the impressions of my childhood and youth – beautiful nature and remarkable people – are the most important ones. In the museum of Moscow's St. Andronic Monastery I copied the best examples of the old Russian painting of the 15th-17th centuries. My own style evolved from the ancient icon...

Study for a Man, perhaps Italian School , Follower of Caracci. Old Master Painting. In a Golden Frame, 52 x 46 cm.

Ranjeet Singh (b. 1984 in Bihar, India ) holds a Bachelor of Fine Art (Painting), 2006 and a Master of Fine Arts (Painting), 2008, from the Faculty of Visual Arts, Banaras Hindu Un...

Atteone e Diana Oil Painting on Canvas Mythology Rome In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, father, sister and unc...

Portrait of A Girl, 19th Century Italian / Spanish School Large 19th Century portrait of a young lady, oil on canvas. Excellent quality and condition oval study of the young girl wearing a green dress, red beaded necklace...

Agent X has created a bright and brilliant mash-up of iconic Pop Art aesthetics and digital collage techniques. Agent X intercuts Pop art imagery with panels of poppy pattern, colour...

This large, horizontal painting measures 55 inches high and 90 inches wide. It is hand signed and dated by the artist on the back. It is stretched and ready to hang. The sides are painted black and it does not require framing. The fusion between angular geometric abstraction and softer, anatomical forms, like faces, spawned an original and intriguing new aesthetic. His innovative, fashion-forward style has been described as a modern synthesis of Op Art, Pop Art, Street Art, Geometric Expressionism and De Stijl. “I was curious to explore the relationship between a very controlled technical aesthetic and facial features, with the inherent symmetry of the latter providing a shared language between these two worlds.” Tim Christie is a New Zealand based designer and artist. His artwork adorns the walls of the new Hilton hotel in Wellington, New Zealand. He has developed some of New Zealand's most iconic brands including identities for The Interislander, Radio New Zealand, New Zealand Wine and the city of Invercargill. His work has been featured in New Zealand and Australian design...

Konstanty Swewczenko (1910-1991), signed oil Judaica Oil Painting, Polish. Konstantin Shevchenko studied at the Institute of Fine Arts in Warsaw in the years 1927 - 1928. Then, in 1932 he studied painting under the guidance of Kowarski and Pruszkowski at the Warsaw Academy of Fine Arts. Practiced easel painting, mostly portraits, genre scenes. Among others, a portrait Moscicki, Rydz - Rydz, and after the war Rokossowski. He worked as a set designer. In the years 1934 - 1935 was production designer Variety Theatre. He collaborated with publishing houses with illustrations. He exhibited in Warsaw, Vienna, New York. In 1947 he took part in Exhibition Independent Artists Group) and abroad (solo exhibition at the Gallery G. Tomalsky in New York, 1964) . His works are in the collection of the Museum of the Polish Army.

This is a possible self portrait by the famed female surrealist artist. It is also strikingly similar in style with it's exaggerated eyes to her portrait of Jean Genet, ( Leonor F...

Acrylic paint on canvas Hand-signed lower right by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly according to ...

One Queen (2) Black is an Original on Canvas by Agent. ’One Queen (2) Black’ depicts silhouette of the Queen. As snipped from the pure black background, Agent X creates the illusion of a cut-out to reveal a Baroque, floral painting underneath. With its bold composition of the antique with the contemporary, the artwork is a powerful transference of street to Canvas. Agent X, painter, is available for sale online and in our art gallery at Wychwood Art. Agent X, cultural explorer and agent of the unknown, creates experimental, multimedia collages, paintings, and 2D artwork. Described as ‘Pop Art with thought,’ Agent X juxtaposes pop culture, technology, fashion, and music in visually complex amalgamations expressing the anxieties of the global, post-modern world and the dark side of consumerist, media-obsessed culture. His work occupies a unique intersection between the aesthetics and philosophy of Futurism, the social critique of the Dada movement...

Signed lower left, "E. Brown' and dated 'May, 1844'. A fine, mid-nineteenth century portrait of a lady of quality wearing the hairstyle made popular by Queen Victoria in the early years of her reign; the lady shown relaxed, standing beside a velvet-draped, Neo-Classical column and wearing a satin ball...

One Queen (17) is an Original on Canvas by Agent. ’One Queen (17)depicts silhouette of the Queen. Agent X digital artworks available with Wychwood Art online and in our gallery. Agent X creates the illusion of a cut-out to reveal a Baroque, floral painting underneath. With its bold composition of the antique with the contemporary, the artwork is a powerful transference of street to Canvas. Agent X, cultural explorer and agent of the unknown, creates experimental, multimedia collages, paintings, and 2D artwork. Described as ‘Pop Art with thought,’ Agent X juxtaposes pop culture, technology, fashion, and music in visually complex amalgamations expressing the anxieties of the global, post-modern world and the dark side of consumerist, media-obsessed culture. His work occupies a unique intersection between the aesthetics and philosophy of Futurism, the social critique of the Dada movement...

Portrait of Grace Saunderson, Viscountess Castleton (1635-1667) c.1665-67 Sir Peter Lely and Studio (1618-1680) Titan Fine Art present this work, which formed part of a collection of family pictures and heirlooms of the Saunderson, Viscount Castleton family and their descendants, the Earls of Scarbrough, at their magnificent family seat Sandbeck Park, where the Earls still reside today almost four hundred years later. It was painted in the studio of Sir Peter Lely...

Our mindsets dictate our product and output. The mind presides over our endeavors The Power of mindsets should be trained and nurtured towards achieving the best and making great imp...

Acrylic paint on canvas Hand-signed lower right by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly according to ...

JOHN ISIAH WALTON was born in 1985 in New Orleans, where he currently lives and works as a fine artist. He attended St. Augustine H.S. (1999-2002) and graduated from Sarah T. Reed H.S. (2003). Walton received an AA degree in 2012 from Delgado College, New Orleans. Walton has been a member of Second Story Gallery (2012- 13) and The Front, New Orleans (2014-2017) Level Artist Collective (2015-Present). He has lectured about his work to the graduate program at UNC, Chapel Hill...

Aechmea fasciata. 2005. Oil on canvas, 50x40 cm Dagnia Cherevichnik (1974) Born in 1974 in Riga. Professional education: 1986-1993 – J. Rozentals Riga Art Secondary School; 1995 - 2...

Acrylic paint on canvas Hand-signed lower right by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly according to ...

Peters was born in Freshwater, Isle of Wight, the son of Matthew Peters (born at Belfast, 1711), a civil engineer and member of the Royal Dublin Society; by Elizabeth, the eldest daughter of George Younge of Dublin. The family moved from England to Dublin when Peters was young, where his father "advised on the improvement of loughs and rivers for navigation" and published two treatises on the subject. Peters received his artistic training from Robert West in Dublin; in 1756 and 1758 he received prizes from the first School of Design in Dublin. In 1759, he was sent by the Dublin Society to London to become a student of Thomas Hudson and won a premium from the Society of Arts. The group also paid for him to travel to Italy to study art from 1761 to 1765. On 23 September 1762 he was elected to the Accademia del Disegno in Florence. Peters returned to England in 1765 and exhibited works at the Society of Artists from 1766 to 1769. Beginning in 1769, Peters exhibited works at the Royal Academy. In 1771 he was elected an associate and in 1777 an academician. He returned to Italy in 1771 and stayed until 1775. He also probably traveled to Paris in 1783–84, where he met Léopold Boilly, Antoine Vestier, and was influenced by the work of Jean-Baptiste Greuze. On 27 February 1769, Peters became a freemason, and he was made the grand portrait painter of the Freemasons and the first provincial grand master of Lincolnshire in 1792. In 1785, he exhibited portraits of the Duke of Manchester...

Prayer for peace in Ukraine

Genre: Classic Subject: Portrait Medium: Oil Surface: Canvas Dimensions: 20.25" x 17.25" Dimensions w/Frame: 25.75" x 22.75"

Judaica oil painting Rabbi portrait.

“The Sun That Never Goes Out” 2023 30x40 in Acrylic on canvas $3000 ------ Camila Rosa is a Brazilian Artist and Illustrator based in Sao Paulo, Brazil. She started her life as an a...

“As One” 2023 30x40 in Acrylic on canvas $3000 ------ Camila Rosa is a Brazilian Artist and Illustrator based in Sao Paulo, Brazil. She started her life as an artist in 2010 with a ...

Artist: Jack Graves III (American, 1988-) Title: "Louise Follain Icon II" Series: Icon *Signed by Graves lower left. It is also signed, dated, and titled on verso Year: 2022 Medium: ...

Artist: Dan May (American, 1955-) Title: "Criminal #23" *Signed by May lower left. It is also signed on verso Year: 2018 Medium: Original Acrylic Painting on C...

English School, 18th/ 19th century Portrait of Sir Wolstan Dixie, 4th Baronet *see notes below on sitter oil painting on canvas, unframed 50 x 40 inches condition: the painting is in very satisfactory condition without any damage, tears or punctures to the canvas. It is very original and would benefit from a clean ideally, slight scuffing to the edges of canvas. provenance: private collection, Leicestershire, England * The sitter is Sir Wolstan Dixie (4th Baronet, born 1700). Although the family came from a yeoman family of Huntingdonshire, his ancestor, also Sir Wolstan, made a fortune in the City as a merchant, and served as Lord Mayor of London in 1585-6, Sir Wolstan (the 1st Baronet) acquired the manor of Market Bosworth in west Leicestershire and in 1592, having no children...

People believe money is power in my society - because the leaders steal money to oppress and suffer the poor. But I realize the opposite of this is the purpose of living. We are all alive to put smiles on other fellow human faces, so If you are blessed with any resources, use them to improve other people’s lives and make them happy. With this, inner fulfillment sets in and the purpose of existence is achieved. The face and the skin of this piece depict the harmony between the colors and with this, they can make a great image and impression, which is the purpose of the existence of these colors (Written by the Artist) Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issue by The Galley) - About the Artist Damola Ayegbayo...

Losing Face Oil Painting on Canvas Portrait Woman Girl In Stock Caroline Westerhout (Weert, 1970) studied Reproduction Drawing at the Graphic Lyce...

A Rare Orientalist Portrait of a Nubian Guard, by Edmund Walenta, 19th Century. Oil on canvas. Extremely high quality and attractive orientalist painting by American / German artist Edmund Walenta. In the style of Ludwig Deutsch...

The Christ Child as Redeemer of the World Oil on Canvas, 69.3 x 49.7 cm Provenance Private Collection, Belgium The present painting is known in different versions. One of them is ...

"Jennifer", portrait of a woman with long brown hair and a blue dress with bouquet of flowers in a green vase, vintage 1970s original painting by Marcel Ronay...

Artist: Jack Graves III (American, 1988-) Title: "Audrey Hepburn x2 Icon" Series: Icon *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2023 Medium: ...

After Jean-Baptiste Van Loo, A Portrait of King Louis XV of France (1710-1774) A magnificent quality three-quarter length portrait of King Louis XV of France and Navarre, painted in the 18th century after Jean-Baptiste Van Loo. Oil on canvas, in the original carved and gilt wood frame. Canvas: 40" high x 32" wide Frame: 46.5" high x 39" wide Very good condition, ready to hang. No damages noted. The present composition follows a portrait of Louis XV painted by Jean-Baptiste Van Loo in 1726-1727, today in Versailles. (Oil on canvas. 198.5 by 143 cm. Inv. no. MV 6942.) There were several full-length portraits painted by Van Loo of the young Louis XV, and all were executed in the years of or after his majority, 1723, when he took full control of government, wresting power from the Régent, his great-uncle Philippe, Duc d'Orléans. A slightly larger version (205 by 171 cm), in which the pose and surrounding paraphernalia mirrors that of the present work, is in the Château de Versailles, while another, in which Louis stands more front-on, his pointing right index-finger now tucked in, and with a different background arrangement, is also in Versailles. Further versions of this latter are in Nice, Musée Chéret and the Musée de Perpignan. The composition of all of these full-lengths would appear to derive from Van Loo's large equestrian portrait of Louis XV, painted in collaboration with Charles Parrocel, which was commissioned in 1723 by the Surintendance for Charles de Lorraine. Louis is depicted in similar armour and costume, astride his horse, similarly turned three-quarters to the left and his right arm outstretched. Most subsequent depictions of Louis followed this original design, including, for example, Carle Van...

Attributed to Jacques DUMONT aka DUMONT LE ROMAIN (Paris 1701 - 1781) Presumed portrait of Louis-Joseph de Formanoir (?-1732) Oil on canvas H. 91.5 cm; ...

Large Format Oil painting Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicolas Coper...

Innocent is an artist who harnesses the beauty of colours to create a certain brilliance in his work that portrays the graceful ambience of the African culture. Using his dexterity a...

America Martin "Woman with Bell Flowers" Oil & Acrylic on Canvas 37.5" x 37.5" Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspirat...

CHRISTOFFEL LUBIENIECKI (1659-1729) Pair of portraits of a gentleman and a lady, both in silk kimono, before a country house (circa 1680) Indistinctly signed “C.......” on a box under the man’s left hand Oil on canvas, 79.5 x 67 cm each Both sitters are portrayed wearing a silk “Japanese” coat. During the second half of the seventeenth the Japanese silk coat, an adapted Japanese kimono, became a real vogue in the Dutch elite. The exclusive Dutch trade contacts with Japan can explain the popularity of the kimono-style silk coats in the Netherlands. Everybody who could afford one, dressed in such a fashionable and comfortable coat and, like the present sitters, some proud owners had themselves portrayed in a “Japanese” coat often together with an oriental carpet to underline their standing and international connections. These portraits are the work of the Polish-born portraitist Christoffel Lubieniecki (also known as Lubienitski, Lubinitski or Lubiniecki) Lubieniecki was first trained in Hamburg under Julian Stuhr and after 1675 in Amsterdam under Adriaen Backer and Gerard de Lairesse. He specialized in landscapes, generally of an Italianate character, and in portraits. The loving execution of these contented burghers, enjoying the garden vistas of their country house, places him alongside Amsterdam portraitists such as Constantijn Netscher and Michiel van Musscher...

José Puyet Padilla (1922-2004) - Girls - Oil on canvas Oil measures 81x65 cm. Frameless. Puyet was born in Malaga, Spain. He was the grandson of Professor José Padilla, a Spanish artist who began painting in the nineteenth century. As a child, Puyet learned to paint by watching his grandfather, whose company he preferred to that of children his age. At the age of eight he had started working on paencils and oils. At the age of 20, Puyet entered the Spanish army...

Oil on canvas Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has ...

A Visit To The Fortune Teller, 19th Century ERNEST GUSTAVE GIRARDOT (FRENCH, 1840-1904) Large 19th Century French interior of two wealthy young women visiting a fortune teller, oil...

Julius EXNER (Copenhagen, 1825 - Copenhagen, 1910) Model stripping Oil on canvas H. 122 cm; L. 74 cm Signed and dated 1842 lower right Exhibition: most likely Charlottenborg Salon of 1845, under number 110, titled Modelfigur, awarded with a silver medal Provenance: Emilio Fernando Bolt (c.1860 - 1944), acquired from the artist around 1900, then by descent Our painting was produced as part of the summer sessions organized between 1839 and 1850 by Christoffer Wilhelm Eckersberg (1783-1853), the master of Danish painting of the first half of the 19th century, in his private studio-apartment on the ground floor. floor at the Royal Academy of Fine Arts in Copenhagen. The master brought together a few students there between June and September, rented one or two models for the season, which were painted from different angles, the artists (including Eckersberg himself) sitting side by side. Eckersberg used to paint a fairly small version, the pupils of the larger formats. The work fits more generally into the legendary context of the research and reforms carried out by Eckersberg concerning the studies of nudes and in particular of female nudes, to make this exercise a genre of painting in its own right. Following his two-year stint in Jacques-Louis David's studio in Paris in 1811, Eckersberg had been made aware of work on the nude and in particular on live models, in natural light, while in Denmark the drawings were then only made from casts of antique models or other mannequins. In 1822, when he had been a professor there since 1818, it was he who had the Royal Academy of Copenhagen authorize the study of nudes, no longer in the evening by candlelight, but in natural light; from 1833, it was still he who allowed students to work on nude female models, even if the official authorization of the Academy did not take place until 1839. It was this same year that he instituted his summer sessions, on a private basis, to orient his painting and that of his students towards a new conception of the representation of models: even if the nude remains the real theme, it does not however, this is more than just an academic exercise. The subject is placed in a contemporary interior, with a rather sophisticated decor, and occupied with an intimate activity (it is this type of intimate vein that we will find later in Degas or Cassatt for example); thus in our painting, the young woman is supposed to take off her clothes to wash. The objective is that the viewer forgets that the master and his students are painting a model during a posing session, and that he instead has the impression of being alone with the model, but invisible, almost like a voyeur in spite of himself. Moreover, in these paintings, the model never looks towards the spectator, inducing a psychological distance with him, whereas model and artist are actually physically very close. On the other hand, it is not a question of idealized nudes either, even if Eckersberg, proof of his debt to the antique, chooses fairly classic models and poses. The sensuality is real and very present, with dreamy, even innocent, and timeless expressions (the models do not seem to have a defined age), suave and slow attitudes and movements, and especially with clothes that hide or reveal skillfully parts of the female body: upper buttocks, pronounced hips... Made by an artist under 20, our sensual painting is probably one of the most beautiful and spectacular produced by the students of Eckersberg during these summer sessions. With a perfect balance between the firmness of an ancient statue (it recalls the Venus de Milo) and the softness of the feminine forms, highlighted by a harmonious palette, it captures the attention with many details: the almost photographic folds white clothing...

Gazing at Lebanese American artist Sally K's floral portrait is consuming and empowering. Inspired by strong, feminine women, she creates pop-realistic paintings that speak to the en...