Pen Portrait Paintings

A work by contemporary African-American artist Bai (Carl Karni-Bain) a portrait of a black indigenous Indian chief. Acrylic, oil pastel, and ballpoint pen, The Black Indian Chief, 20...

Brian Kenny, (German-American, 1982-) MIxed Media Painting with Drawing, Oil or Acrylic on Canvas. Hand signed On Verso and Dated 2015, NYC Dimensions: Sight- 30" x 24", Frame- 36" x 30" Brian Kenny (born 1982, Heidelberg, Germany) is a NYC-based American multidisciplinary artist exhibited in galleries, museums, theaters and alternative venues in the US, Canada, Russia, Israel and across Europe. In 2004 Brian began an ongoing collaboration with artist Slava Mogutin as SUPERM, and in 2016 with writer Rich Juzwiak as BOYFRIEND HOUSE. Using an array of mediums including drawing, painting, sculpture, textile, video and performance, Brian’s artwork is bright and vividly expressionistic; often autobiographical and reflective of his current states of mind which include themes of his queer identity, shifting societal perceptions about gender, sexuality and politics, urban living and free-associative wanderings of thought and creative experimentation. New York-based artist Brian Kenny’s work is a visually striking exploration of gender, sexuality, and politics in contemporary North America. Known for his experimental and expressionistic practice, Brian mixes mediums such as painting, illustration, collage, sculpture, and textiles – oftentimes all at once. Brian’s foundation in drawing is evident across his portfolio, with nearly every piece incorporating some signature scribblings from the artist. He has experimented with drawing, collage, photography, performance and, more recently, painting. “All the other mediums I’m exploring like, painting, textile art, and animation all branch out from drawing,” he explains. This focus is what makes Brian’s vast collection of work all feel so cohesive. "Both of my parents were in the US military and we moved around a lot in the US. But most of the places I lived were rural, far from big cities and art museums, so I had no idea who Andy Warhol, Mark Rothko, Chuck Close, David Hockney or Damien Hirst were. The few small art museums I visited as a child were full of old-school oil paintings; all life-like portraits, rural landscapes and historical recreations. It wasn’t until I met Slava Mogutin and moved to New York that I began to meet artists, see exhibitions at art galleries of living artists near my age, and tour lot of contemporary art museums like MoMA and begin learning about contemporary art history". Brian says. “I’m definitely not a minimalist and lean toward more narrative and figurative artwork than abstraction or decoration”. Minimalist, he is not: Brian’s work pops with vibrant colours, characters and shapes, evoking a Warholian play on pop art culture. Kenny’s signature line drawing style is reminiscent of Keith Haring and LA Ortiz and evokes comparisons to early Jean Michel Basquiat. Brian's commercial and fashion work includes art and design commissions and collaborations with Onitsuka Tiger (Japan...

Even without the punch line, Gahan Wilson's highly stylized paintings are marvelous to behold. He is one of a few artists with a unique style instantly re...

Immerse into the blue, with this outstanding piece from Delphine Rocher., from the Series "Blue Ocean". She uses a blue ballpoint pen over acrylic, on a wood panel. Already framed ....

Immerse into the blue, with this outstanding piece from Delphine Rocher., from the Series "Blue Ocean". She uses a blue ballpoint pen over acrylic, on a wood panel. Already framed ....

Immerse into the blue, with this outstanding piece from Delphine Rocher., from the Series "Blue Ocean". She uses a blue ballpoint pen over acrylic, on a wood panel. Already framed ....

Immerse into the blue, with this outstanding piece from Delphine Rocher., from the Series "Blue Ocean". She uses a blue ballpoint pen over acrylic, on a wood panel. Already framed ....

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Study for Days of Dust and Diamonds is a maquette by Canadian artist Dwight Baird, executed in watercolor and ink on paper. This smaller-scale work serves as a preparatory piece for ...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Created in the spirit of Christmas, this painting irradiates the positive energy of the season as well inspires strength, love, courage, and happiness. Painting Ships in a well-prot...

"HOW DO YOU KNOW MY NAME?" (FRAMED) Painting 24" x 30" inch by Antonio Pelayo Medium: Marker on paper Size: 24" x 30" inch Size framed: 27.5" x 34" inch From Pelayo VS Pelayo exhi...

Adetayo's "To The Wonders" is a symphony of colors that immediately draws the eye and engages the senses. The artist masterfully employs a kaleidoscope of hues, from deep, rich purples and reds to bright, vivacious yellows and greens. These colors blend harmoniously, creating a vibrant tapestry that envelops the viewer and sets a joyful and celebratory tone. At the center of the artwork, we find a woman elegantly seated, her posture exuding confidence and grace. Her face is illuminated, and her eyes are partly closed with a sense of merriment and anticipation. In her hand, she holds a wine glass, gracefully raised in a toast, as if inviting us to partake in a moment of celebration and reflection. The wine glass in the woman's hand is a focal point of the artwork. It glistens with the play of light and shadow, almost inviting the viewer to join in the toast. Wine, often associated with conviviality and communion, becomes a symbol of the simple joys and pleasures that life has to offer. Adetayo's meticulous attention to detail in rendering the glass reflects his commitment to capturing life's fleeting moments in all their brilliance. "To The Wonders" is more than just a representation of a woman raising a glass; it is an ode to the wonders of life itself. It encourages us to pause, savor the present, and find beauty in the everyday moments that often go unnoticed. Adetayo's work is a reminder that life is worth celebrating, whether it's a personal achievement, a gathering with loved ones, or the simple act of raising a glass to a new day. Adetayo's artwork also prompts us to consider the deeper layers of human existence. Beneath the surface celebration, there may be an underlying message about the importance of cherishing the beauty of diversity and the wonders that come from sharing our lives with others. The woman in "To The Wonders" appears to be inviting us not only to celebrate but also to embrace the interconnectedness of humanity. In "To The Wonders," Adeniyi Joshua Adetayo...

"I WANT TO WATCH CARTOONS" (FRAMED) Painting 30" x 24" inch by Antonio Pelayo Medium: Marker on paper Size: 30" x 24" inch Size framed: 34" x 27.5" inch From Pelayo VS Pelayo exhi...

"WHY IS THE SKY BLUE?" (FRAMED) Painting 24" x 30" inch by Antonio Pelayo Medium: Marker on paper Size: 24" x 30" inch Size framed: 27.5" x 34" inch From Pelayo VS Pelayo exhibiti...

"NO WAY JOSE!" (FRAMED) Painting 24" x 30" inch by Antonio Pelayo Medium: Marker on paper Size: 24" x 30" inch Size framed: 27.5" x 34" inch From Pelayo VS Pelayo exhibition: The ...

"KITTY" (FRAMED) Painting 24" x 30" inch by Antonio Pelayo Medium: Marker on paper Size: 24" x 30" inch Size framed: 27.5" x 34" inch From Pelayo VS Pelayo exhibition: The exhibit...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Jules Disso 1995 - Current Bébé Anaëlle, 2024 Pen and acrylic on canvas 120 x 130 cm 47 1/4 x 51 1/8 in

Jules Disso 1995 - Current Claire, 2022 Pen and acrylic on canvas 130 x 110 cm 51 1/8 x 43 1/4 in

Jules Disso Waiting at dusk, 2023 Ball-point pen and acrylic on canvas 110 × 120 cm 43 3/10 × 47 1/5 in

Jules Disso 1995 - Current Meeting in the Forest, 2024 Pen and acrylic on canvas 110 x 100 cm 43 1/4 x 39 3/8 in

Jules Disso Super mamy, 2022 Ball pen and acrylic on canvas 110 x 100 cm 43 1/4 x 39 3/8 in

Jules Disso Muna mama, 2022 Ball pen and acrylic on canvas 50 x 60 cm 19 3/4 x 23 5/8 in

Immerse into the blue, with this outstanding piece from Delphine Rocher., from the Series "Blue Ocean". She uses a blue ballpoint pen over acrylic, on a wood panel. Already framed ....

In "Backyard," the central figure—a woman—commands attention against a backdrop of natural beauty. She stands in her own space, seemingly lost in thought, creating an atmosphere of both stillness and introspection. Adetayo's portrayal of this woman invites viewers to consider the emotions and thoughts that might be coursing through her mind. Is she reflecting on memories? Contemplating her place in the world? The interpretation becomes a personal journey for each observer. The landscape that envelops the woman is not just a passive backdrop but a powerful metaphor. Just as the external world shapes our internal experiences, the landscape symbolizes the myriad influences that contribute to one's sense of self. The woman's connection to the environment around her mirrors the intricate relationship between identity and surroundings. The notion of a "backyard" often evokes a sense of familiarity and intimacy. It is a space that is uniquely personal, and this artwork invites us to ponder what this personal space means for the woman depicted. In much the same way, we are all shaped by our own "backyards"—our histories, cultures, and experiences that come together to form our individual identities. The tranquility of the artwork encourages viewers to embrace the beauty of stillness and contemplation. In a world that often moves at breakneck speed, "Backyard" reminds us of the value of taking a moment to disconnect, reflect, and connect with our own thoughts and emotions. The woman's posture, relaxed and poised, suggests that she is attuned to this moment of quiet introspection. Adetayo's choice to depict a woman adds an additional layer of significance. Historically, women have been portrayed as subjects of scrutiny and objectification, often with their thoughts and emotions overlooked. "Backyard" challenges this norm by presenting a woman as the focal point of a scene that radiates depth and complexity. While "Backyard" is a singular artwork with a specific subject, its themes resonate universally. Regardless of gender or background, the artwork invites viewers to reflect on their own personal landscapes, the spaces they occupy, and the introspective moments that shape their lives. Adetayo's ability to capture such universal themes while maintaining a unique and personal touch is a testament to the power of art to bridge gaps and foster connections across diverse audiences. Adeniyi Joshua Adetayo...

This painting is a quick reminder that people should not be afraid to use their voices. Your thoughts, opinions, and ideas are just as important as anybody else's. When you speak, sp...

Born in 1979, Denis Meyers is a Belgian urban artist. He studied at the National Superior School of Arts and Visuals of la Cambre, in Brussels, city where he currently lives and wor...

Unique and original painting, in acrylic and mixed media on canvas. Signed, stretched on custom-made wooden base frame.

Unique and original painting, in acrylic and mixed media on canvas. Signed, stretched on custom-made wooden base frame.

Hand-signed by artist, Signed at the lower right corner of the painting.