1880s Portrait Paintings

A beautiful and sensitive study of a country girl by William Feron. William Feron was born in 1858 in Stockholm, Sweden. He was the son of the famous jeweller Ludwig Constantin Fero...

An amazing antique portrait of a mariner. This is an atmospheric old original oil painting on canvas in its original gold frame. The artist is Henry Jacquier and his signature is i...

This finely observed dog portrait, attributed to Richard Aistrop, captures the alert intelligence and character of a Jack Russell Terrier. Shown in profile against a dark, subdued ba...

This early watercolour portrait by Anders Zorn depicts Mrs Veronica Heiss (née Reiner, 1841–1927) in a bust-length, oval composition. Zorn portrays the sitter wearing a vivid madder-...

Antique portrait painting of a woman by French artist, Adolpe Millot (1857-1921) in a very attractive gold frame. A beautiful woman looks out at the viewer, her head covered by a lar...

Antique European realist portrait oil painting. Oil on canvas. Framed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to hang ...

Antique French impressionist landscape oil painting by Leon Richet (1847 - 1907). Oil on canvas. Signed. Framed. Measuring 22 by 29 inches overall and 15 by 20 painting alone.

This late 19th-century French portrait depicts a distinguished gentleman on horseback, elegantly dressed in a green riding coat, gray trousers, and a black top hat, exuding aristocra...

RAIMUNDO DE MADRAZO Spanish, 1841 - 1920 ALINE CON SU PERRO signed "R. Madrazo" (lower left) oil on canvas 32-3/4 x 28 inches (83 x 71 cm.) framed: 42-1/2 x 37-3/4 inches (108 x 96 ...

Ohio-born painter William J. Forsyth (1854-1935) spent most of his life in Indianapolis and initially trained at the Indiana School of Art. But by 1882 Forsyth wanted to hone his drawing and rendering skills abroad. He enrolled at the Royal Academy in Munich, Germany. Fellow Hoosier students in Munich included artists T. C. Steele and J. Ottis Adams, which helped the new arrival’s transition. Forsyth painted figures like this one while in Munich. One intriguing indication that this piece may have been done during the artist’s Academy period is that a very similar portrait of a remarkably similar sitter was described at auction as "German School, 1891" with the inscription "G. Büttner/Munich '91." However, while there Forsyth shifted his interest to landscapes under the influence of American artist J. Frank Currier...

This superb British 19th century equine oil painting is by noted horse lover, George Gascoyne. Painted in 1889, this French born chestnut horse is Phoenix. While he was essentially a miler, Phoenix (sometimes seen spelled as “Phenix”) came from a family that had produced Classic winners in France at up to 15 furlongs. He proved an excellent sire following his export to Argentina, becoming the foundation stallion for Guillermo Kemmis' breeding program at Haras Las Rosas. This painting is from his time in Argentina with Kemmis. Phoenix is depicted in a flat landscape against a vivid blue sky. A gentleman, possibly his owner, Guillermo Kemmis, stands smiling in front of him holding his reigns and gives perspective to how tall Phoenix is. Although in profile, Phoenix is turning to look at the viewer, his chestnut coat gleaming and his anatomy perfectly portrayed. This is a superb Victorian equine portrait of a noted horse in the 19th century and is a lovely example of Gascoyne's work as a horse lover. Signed with initials and dated GG 1889 lower right. Provenance. Inscribed "Phenix" (Cymbal -- Belle-Etoile) by George Gascoyne, Sittingbourne, Kent to reverse. Condition. Oil on canvas, 36 inches by 28 inches and in good condition. Frame. Housed in a wooden frame, 44 inches by 36 inches and in good condition. HORSE BIOGRAPHY Phoenix (FR) 1875 – 1893? Chestnut horse. Cymbal (GB) x Belle Etoile (FR), by First Born (FR) Family 25. While he was essentially a miler, Phoenix (sometimes seen spelled as “Phenix”) came from a family that had produced Classic winners in France at up to 15 furlongs. He proved an excellent sire following his export to Argentina, becoming the foundation stallion for Guillermo Kemmis' breeding program at Haras Las Rosas. Race record. Complete record unavailable but as follows: 1878: Won Prix de la Forêt (FR, 1600mT, Longchamp) 1879: Won July Cup (ENG, 6FT, Newmarket July). Won Rous Memorial Stakes (ENG, 8FT, Ascot). Won Bunbury Stakes (ENG, Newmarket). 2nd Rosebery Handicap (ENG, Epsom) 1880: Won Lennox Stakes (ENG, Goodwood) As a stallion: Phoenix was the Argentine champion sire six times, reaching the top in 1887-1890, 1892 and 1895. Notable progeny: Hawk Eye (ARG), Lenape (ARG), Marinera (ARG), Osiris (ARG), San Martín (ARG), Surplice (ARG) Connections: Phoenix was owned by Comte Frédéric de Lagrange. After being exported to Argentina, he stood at Haras Las Rosas, the stud farm of leading Argentine breeder Guillermo Kemmis. His last known foals were born in 1894. Pedigree notes: Phoenix is outcrossed through five generations. Sired by Cymbal, a son of 1861 Derby Stakes winner Kettledrum, he is out of Belle Etoile, whose half sister Garenne (by Gladiator or Ethirion or Freystrop) is the second dam of 1894 Prix Royal-Oak (French St. Leger) winner Gouvernail and the third dam of 1894 Prix du Jockey Club (French Derby...

Francois Martin-Kavel (1861 - 1931) was active/lived in France. He was a profiling painter of woman, especially orientalism His auction records have exceeded over $20,000 Such a ...

George Dunlop Leslie (1835 - 1921) Antique English realist oil painting. Oil on canvas. Signed. Framed. Measuring 17 by 20 overall and 12 by 15 paining alone. Artist Bio: George Dunlop Leslie RA (London 2 July 1835 – 21 February 1921 Lindfield, Sussex) was a British genre painter, author and illustrator. He was born into an artistic family; his father was the notable genre painter Charles Robert Leslie RA, and his uncle Robert Leslie was a marine artist. He studied art first at Cary's Art Academy, then from 1854 at the Royal Academy. His first exhibition at the Academy was in 1859, and he showed his work every year thereafter. He became an Associate (ARA) in 1868 and a full Royal Academician (RA) in 1876.George Dunlop Leslie lived early on in St John's Wood (London), and was part of the St John's Wood Clique, a group of artists who favoured light-hearted genre subjects. From 1884–1901 he was resident at "Riverside", St. Leonard's Lane, Wallingford, Oxfordshire. His sister Mary Leslie (1833–1907), also an artist, lived at "Cromwell Lodge" next door. Fellow artist, James Hayllar, was also a resident of the village and they painted a portrait of Queen Victoria together for her Golden Jubilee in 1887. From 1906 he lived at "Compton House" in Lindfield, SussexHis early works, such as Matilda (1860) showed the strong influence of the Pre-Raphaelites, but he settled into a more academic, aesthetic, style of painting with the aim of showing "pictures from the sunny side of English domestic life". He often used children as subjects and his work was praised by John Ruskin for its portrayal of the "sweet quality of English girlhood". One of his pictures, This is the Way we Wash our Clothes, was used as a poster in an advertising campaign for soap. Despite its apparently trivial subject matter, however, Leslie's work was highly regarded by critics of the time.In 1889 during his time at Riverside house in Wallingford Leslie is credited with painting four angel murals in St Leonards Church.Leslie was also an author and had several books published. Our river (1888), Letters to Marco (1893) and Riverside letters (1896) were all illustrated by him in black and white, and based on personal observations of life and nature in his local area. He also wrote a history of the early years of the Royal Academy - The inner life of the Royal Academy.Leslie was married to Lydia. They had a daughter Alice (depicted in his painting Alice in Wonderland) and a son Peter Leslie...

Very refined and delicate oil on panel depicting a signed male portrait. The man is depicted in three-quarters, with a serene expression. He appears elegantly dressed, wearing the p...

This painting titled "Portrait of a Girl" by the Danish realist painter Peder Mørk Mønsted captures an enigmatic young woman whose identity remains unknown. The girl, elegantly posed...

This stunning British Victorian Pre-Raphaelite oil painting is by noted artist Arthur Hughes. It was painted circa 1874 and has extensive provenance. The composition is of a novice n...

William Merritt Chase Portrait of Louis Prang, 1884 Signed center right "WM M Chase" Oil on canvas 41 1/2 x 30 1/2 inches Provenance The artist Louis Prang Gift from the sitter to R...

On offer is a portrait of renowned English jurist Sir William Blackstone (1723-1780). Any attorney worth their standing with the state bar will recognize from law school days the aut...

Niczky Edouard (1850 – 1919) Love date in 19th century Oil on canvas signed low left Old original frame gilded with leaves Dim canvas : 61 X 52 cm Dim frame : 76 X 66 cm Certificate of authenticity Niczky Eduard (1850 – 1919) German painter 19th century Birth on July 17th, 1850 in Kassel Died on May 16th, 1919 in Munich Painter of genre scenes, portraitist, landscapes and flowers. Eduard Niczky...

Oil on canvas Signed, dated and dedicated (upper right) 46cm × 38cm (59cm × 51cm framed) Forichon was a pupil of the Ecole des Beaux-Arts de Paris and was taught by Jean-Léon Gérôme...

We are delighted to offer a unique and evocative piece by the Swedish artist Ingeborg Westfelt-Eggertz. This small oil sketch captures a moment in time, portraying a young man seated...

Incredible quality American school portrait painting. Oil on canvas. Framed. No signature found.

Eastman Johnson John Van Schaick Lansing Pruyn, 1883 Initialed and dated lower left Oil on canvas 28 x 18 inches For many years the foremost genre painter in the United States, Eas...

Art: 30" x 24" Frame: 36.50" x 30.50" Oil on canvas signed and dated lower right.

Alphonse PELLET (1853-1926) The Little Ballerina Oil on wood panel signed low right Old frame regilded with leaves Size panel : 30 X 43 cm - Size frame : 40 X 55 cm Alphonse PELLET...

Herman Hyneman (1849-1907) Untitled, 1885 Oil on wood panel 13 1/2 x 10 1/4 in. Framed: 23 x 20 x 2 in. Signed lower left: H.N. Hyneman 85 The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master. In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay. In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...

Fleur de Neige by Jan Van Beers, painted in July 1880, stands out for the delicacy of its depiction. This remarkable portrait depicts a woman dressed in a sumptuous white costume, ad...

If Vogue magazine existed in the late 19th century, this sitter could be on the cover. The depth of her feminine beauty and sweetness is mesmerizing. She looks at you. You look ...

Jose Arpa (1858-1952) San Antonio Artist Image Size: 25 x 20 Frame Size: 29 x 24 Medium: Oil "Lady in Mantilla" From the Robert Tobin Collection. Robert Tobin (deceased) San Antonio, Texas Developer and Philanthropist. Details This painting was exhibited in 2016-2017 at Several Texas Museums including the Panhandle Plains Museum.  Exhibition tag on verso. Biography Jose Arpa (1858-1952) Born in Carmona, Spain, José Arpa y Perea was known as "The Colorist Painter" of figures and landscapes, especially in Texas where he brought a fresh approach to San Antonio painting in his bright, sunlit local scenes.  He was also an etcher, illustrator, and muralist as well as an art teacher, and he started and ended his career in Spain.  His subjects include the Grand Canyon of Arizona. He began his art study as the pupil of Eduardo Cano de la Pena at the Academy of Fine Arts in Seville and then spent six years in Rome followed by extensive travel through Africa and Europe.  His reputation was solid enough that the Spanish government sent four of his paintings as part of the exhibition to the 1893 World's Columbian Exposition in Chicago. In 1894, as an illustrator, he accompanied a Spanish army expedition to Morocco where the Spanish had been defeated by Rifi tribesmen.  In the mid-1890s, he was brought to Mexico City, reportedly by a special Mexican naval vessel, to head the Academy of Fine Arts, but declined the position once he understood the responsibilities.  Instead he joined one of his Spanish schoolmates and went to his home in Puebla, Mexico, where his use of bright colors earned him the name of "Sunshine Man."  He became close to the children of this man, and in 1903, accompanied them as a guardian to school in San Antonio.  After twenty years of traveling in Spain, Mexico, the Southwest, and South America, Arpa settled in 1923 in San Antonio, Texas, where he became Director of the San Antonio Art School and painted bright, sun-filled landscapes.  He taught landscape and portrait painting and was exceedingly prolific, and several San Antonio collectors accumulated large numbers of his works.  Among his close artist friends were Robert and Julian Onderdonk, Tom and Joe Brown, and Charles Simmang.  They were members of a San Antonio group who painted together and called themselves the "Brass Mug...

A wonderful three quarter portrait of a boy in a straw hat peeling a piece of fruit, probably an orange, by Italian artist Eugene Von Blaas (1843-1942). Von Blaas was born to Austria...

Portrait of A Man Wearing A Top Hat , attributed to Tom Roberts 1888 Thomas William Roberts ( 1856 – 1931) was an English-born Australian artist and a key member of the Heidelberg S...

A finely detailed portrait of a beautiful young woman with a fan by Franco-German artist Carl Ernst Von Stetten (1857-1942). Stetten was a Franco-German portrait and genre painter who worked in France. He came from the wealthy Stetten banking family. He began his studies on October 16, 1876 in the class of antiquities at the Royal Academy of Arts in Munich. He then left for Paris in the 1880s to study under Jean-Léon Gérôme. He attended the Académie Julian with Gustave Boulanger, Gustave Courtois...

Hans Zatzka (8 March 1859 – 17 December 1945 Young Lady With Cupid in The Park Oil on canvas circa 1880 signed low with pseudonym C.BRIAND Old Frame gilded with leaves Size canvas : ...

François MARTIN-KAVEL Paris, 1861 – 1931 Oil on wood panel 24 x 19 cm (33.5 x 27.5 cm with frame) Signed and dated upper left “Martin-Kavel / 85” Beautiful 19th century frame in gild...

A fine signed and dated 1880 Spanish oil on panel portrait of a man wearing a white shirt and waistcoat by Manuel Pla y Valor. The work is superbly ...

A nicely detailed portrait of a young man by German American artist William Anton Joseph Claus (1862-1926). Claus was born in Germany, Studied under Otto Grundmann in Boston; as well...

LEVIGNE Théodore (1848-1912) The Flower Girl and The Puppy Oil on canvas signed and dated 1883 low left Old Frame regilded with leaves Dimensions canvas : 120 X 70 cm Dimensions frame : 137 X 88 cm LEVIGNE Théodore (1848-1912) French Painter 19th-20th century Lyon School Born 1848 in Noirétable (Loire) - Died 11...

This superb 19th century portrait oil painting is by noted Manchester artist Annie Louisa Swynnerton. Her works have previously been bought by artists such as George Clausen and John...

Wonderful French period copy of the famous painting by Jean-Baptiste Édouard Detaille, which the original is now in a museum in Paris. This piece came from a private collection in New Jersey where it had been since it was purchased in France back in the 1950s. The previous owner was an Art dealer in NYC during the 1950s-70s and she kept some of her favorite paintings, this being one of them. The piece was re-framed in the 1990s In 35 years of dealing in paintings, I have never seen another example of this scene, it is very rare.! History of the scene: In the Siege of Hüningen (27 November 1796 – 1 February 1797), the Austrians captured the city from the French. Hüningen is in the present-day Department of Haut-Rhin, France. Its fortress lay approximately 2.5 miles (4.0 km) north of the Swiss city of Basel and .5 miles (0.80 km) north of the spot where the present-day borders of Germany, France, and Switzerland meet. During the time of this siege, the village was part of the Canton of Basel City and the fortress lay in an area contested between the German states and the First French Republic. The siege occurred within the French Revolutionary Wars during which Revolutionary France ranged...

Toulot Jules (1863-nc) Pianist officer in the Second Empire period Oil on canvas signed low right Old frame regilded with gold leaves Dim canvas : 65 X 43 cm Dim frame : 90 X 67 cm TOULOT Jules (1863-nc) French painter 19th century Born 11th November 1863 in Champeinx (Puy de Dôme...

'A Young Parisienne' by Christine Sundberg, 1888. Royal Academy of Arts, Academie Colarossi, Jeu-de-Paume ---- Signed center left, 'Christine Sundberg' (Swedish, 1837-1892) and date...

Oil on canvas on board Image size: 7 x 5¼ inches (18 x 13.5 cm) Framed This portrait of Thomas Gotch is by his lifelong friend and confidante, Jane Ross, whom he met at Heatherley’s...

"Oil On Canvas, Art Nouveau XIX Portrait Lady With Oval Frame" Oil on canvas Portrait of a lady, Art Nouveau style, signed Gustav Julius GRÜN (1823-1896) German school of the 19th c...

James Thomas Wheeler (1849 - 1888) Horse Carriage in the Yard Oil on canvas signed low right Old original frame gilded with leaves Canvas size : 55 X 65 cm Frame size : 85 X 95 cm

LEVIGNE Théodore (1848-1912) "Genre scene in 18th century" Oil on canvas signed low right Old original frame Dim canvas : 72 X 100 cm Dim frame : 103 X 127 cm LEVIGNE Théodore (1848...

Félix-Henri Giacomotti (1828-1909) Portrait of a Lady - Marie-Antoinette fashion in 1783. Signed low left Old frame gilded with leaves Dim canvas : 92,5 X 73,5 cm Dim Oval view : 86 ...

Beautiful Orientalist painting - The Framed size: 47 inches x 34.5 inches. Magnificent ornate Frame The paint surface looks like the style of William-Adolphe Bouguereau Signed lower right. Provenance: Gallery Label with inventory number: Size on label is in centimeters, which indicates the painting came from a United Kingdom art gallery. Subsequently, Robert Funk Fine Art...

Sarah Anne Freeman Clarke Interior Scene with Lady and Two Children, 1883 Signed lower right Oil on canvas 32 x 27 inches Sarah Anne Freeman Clarke was born in Massachusetts in 180...

This striking and remarkably Western-style portrait of a distinguished Japanese elder was done in the winter of 1885. His layered clothing with subtle details suggests formal attire,...

Very well executed portrait of Jacob Dolson Cox. See the sitter’s biography below. Signed top right and dated 1881. Relined canvas, very good condition. The portrait is housed in a contemporary replica of a period frame. Overall framed measurements are 33.25 by 28.25 inches. Provenance: A East Hampton, Long Island collector. Biography George Peter Alexander Healy was born in Boston on July 15, 1813, the first of five children of William Healy, an Irish immigrant and captain of a merchant vessel, and his wife Mary Hicks. Healy showed an early artistic interest: by 1830 the self-taught painter had opened a portrait studio from which he hoped to help to support his family. Although commissions were at first sparse, young Healy received important encouragement from Thomas Sully (1783-1872)) who advised him to make painting his profession. His fortunes also improved in 1831 when Mrs. Harrison Gray Otis, a leader in Boston society, granted him permission to paint her portrait and recommended his talents to other potential patrons. In 1834 Healy went to France where he studied with Baron Antoine-Jean Gros (1771-1835). A year later he traveled through Italy, visiting museums and churches in the company of Lady and Sir Arthur Faulkner who soon provided his introduction to London society. It was in England that Healy met and, in 1839, married Louisa Phipps. The couple settled in Paris where Healy embarked upon the beginning of a long and happy marriage and thriving career. His diplomatic and affable demeanor, together with his obvious skill, brought him tremendous success throughout Europe and the United States. Prolific, as well as talented, he had by 1867 produced more than six hundred portraits. The constant stream of commissions included dignified, imposing portraits of such celebrated figures as Pope Pius IX and Queen Elizabeth of Romania, the latter of whom developed a warm friendship with Healy and his family. Although Healy, sometimes accompanied by his wife, traveled to the United States several times during the 1840s and early 1850s, it was not until 1856 that the entire family settled in America. They took up residence in the booming city of Chicago, which Healy used as a base for his work in Boston, Philadelphia, New Orleans, and other cities. During the Civil War years he often traveled to Washington to paint military figures and members of the President's cabinet. The family returned to Europe in 1867, but George Healy...

Oil on canvas with its original frame.

Portrait and history painter Charles Webber was born in New York State and moved to Cincinnati in the later 19th century. There he became a leader in that city’s art circles. He is ...

A dramatic, one of a kind oil study. Certainly not your run of the mill 19th Century portait! Depicted is a young man, whose face is brightly lit from what is likely is an open fire....

Title: Portrait of a Young Man with a Straw Hat Artist: Josep Cusachs i Cusachs (1851-1908) Year: 1884 Technique: Oil on canvas Dimensions (unframed): 18.1 x 15 inches Dimensions (fr...

This charming British male portrait oil painting is of a gentleman in an iconic bowler hat. Painted circa 1880 it is a wonderful soft focus realistic image of a man in a suit with a wide pale blue tie and handkerchief in pocket. We can also just see the chain of his pocket watch. He is positioned again a wall with wonderful brushwork. A really fantastic painting in a stunning gilded oak frame...

Outstanding painting depicts a small boy with a serene face and mischievous gaze, holding a ball in one hand while, with the other, he strokes or holds a large dog, probably a Saint ...

Portrait of Garibaldi is an original modern artwork realized by Artist of the late 19th Century. Mixed colored oil on canvas. Good conditions except for sign of times. Lettering "...

This charming late 19th-century oil painting by British artist Rowland Holyoake (1861-1928) depicts a girl carrying wildflowers while wearing a straw hat decorated with the same. It ...

Portrait of a seated man , oil on canvas painting from the 19th century Wonderful and large oil on canvas of a seated man, Flemish school from the end of the 19th century. Sold with...

PICOU Eugène Charles (1831–1914) - "Young Girl with parasol" - Oil on canvas signed lower left - Old frame gilded with leaf - Canvas size: 61 X 50 cm...