Modern Portrait Paintings

Initialed lower left, 'A.S.' for Anton Schroder (Danish, 1893-1965) and dated 1953. A substantial, modernist oil painting of a young woman, shown seated and gazing to her left with ...

Original painting on canvas by French artist Françoise Collandre. A graduate from the Ecole Nationale Supérieure des Métiers d'Arts in Paris, Françoise Collandre entered the fine a...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

Amitabh Sengupta - Untitled - 36 x 48 inches (unframed size) Oil on Canvas ** This work will be shipped in roll form to save on shipping cost. Mythscape Series : This series emerged...

Dated and titled on stretcher: "'37/ Mr + Mrs Chas. Coolidge/ Allison/ -Belmont". In 1929 Molly Luce and her husband, Alan Burroughs, moved from Garden St...

Rabin Mondal - Couple ; Oil & Acrylic on Canvas 42 x 36 inches ; 2015 (unframed) ( Typically frames to be 48 x 42 inches with a 3 inch frame ) (Shipment will be in roll form) Style : Mondal`s works are mainly figurative. He paints in bold strokes and creates tableaux, whose themes are universal. The faces of his figures stare at you out of the canvas, strange and pensive, but also strong and defiant. Not yet beaten, surviving by sheer force of spirit. He mostly uses dense pigments in blacks and reds, with only occasional moss green and turquoise colors seeping through. About the Artist & his works : Born : Rabin Mondal (1929 – 2019) was born in Howrah, Kolkata. Education : 1959 : Completed his Art Appreciation Course, Ashutosh Museum, Kolkata University, Kolkata. 1956-58 : Attended Evening Classes, Indian College of Art and Draughtmanship, Kolkata. 1952 : Bachelor of Commerce, Vidyasagar College, Kolkata University, Kolkata. Art Career : The industrial belt of Howrah, with its inherent tendency towards violence, anguish and suffering influenced him deeply, and found its way into his works. So did ugly street battles fought by political parties. Mondal discovered that his artistic temperament was out of keeping with the hostile environment and situation. Besides a debilitating knee injury in his childhood created a sense of isolation in the artist, which also finds expression in his canvas. He says what saved him from sheer madness was his talent in art. In 1949, he joined the Vidyasagar College of Art in Kolkata. At that time, a festival of French artists was being held in the city. It exposed him to the works of French modernist artists. Prior to this, he had no exposure to the international art world. He was only familiar with different schools of Indian art, particularly the Bengal school. As a young painter, Mondal was attracted by Jamini Roy`s folk style and Rabindranath Tagore`s disquieting paintings and drawings. But the show by French artists was virtually a turning point in his artistic career. "This was like opening a window to an astounding, astonishing, unsuspected world," he says. This encounter with avant-garde Western art helped him to later incorporate elements from it in his own work. Art Works : Mondal worked out of his Howrah studio, churning out a series of "kings" and "queens" painted with oil on canvas. These are perhaps Mondal’s best known works, depicting tragic looking figures, seemingly suffering from paranoia and fear, yet ironically termed kings and queens. Some of the highlights of this series were the works Man Acting as King, King Being Appeased, King Making Confession, and King and his Assassin. Mondal also produced a series of "deities", which sometimes seem to merge thematically with his "queens". The artist’s deities are generally depicted with radiate crowns, whereas his kings and queens are not. Other favorite subjects of the artist were the brothel and the harem, which he depicted in canvases such as Event in Red Light Area and Orgy. For someone who hates all forms of pretentiousness, he has done a series of painting on queens and empresses. "Though they belong to the past, queens live in virtual isolation, and I feel sorry for them," he says. "It is this isolation that makes the queen, for me, a fascinating subject." One of the criticisms leveled against him is that his works are not pleasing to the eye. To which he replies, "Painting is for communication and not for decoration." Solo Exhibitions : Rabin has had several solo exhibitions:
 From 1961 - 1973, 1976, 1987, 1993 and 1999 he exhibited solo at various places in Kolkata. In 1974, 1977, 1982, 1983, 1987 and 1991 he showcased solo in several place in New Delhi. From 1978 - 1980 and in 1984 he had solo exhibitions at Birla Academy of Art and Culture in Kolkata. In 1980 he had a solo show at Max Mueller Bhavan, Mumbai. In 1989 and 1990 he exhibited solo in Mumbai. In 1993 he had a solo show at Jehangir Art Gallery, Mumbai. In 2014 - 2015 and 2016 he exhibited 'Kingdom of Exile: A Retrospective' at Delhi Art Gallery, Mumbai and at DAG Modern, New York. Group Exhibitions : He has participated in several group exhibitions:
 In 1955, 1969, 1970 - 1972, 1975, 1976, 1978, 1983, 1988, 1995, 1998 - 2002 and 2010 he participated in various group exhibitions in Kolkata. From 1963 - 1965, 1971, 1973, 1980 - 1982 and 1985 he exhibited in group shows at Lalit Kala Akademi in New Delhi. In 1964, 1969, 1994 and 1996 he took part in group exhibitions at All India Fine Arts and Crafts Society (AIFACS) and LTG Gallery in New Delhi. In 1968 and 1972 he participated in group exhibitions at Kala Bhavan, Santiniketan. In 1972, 1974, 1976, 1978 - 1980 and 1983 he took part in several group shows at Jehangir Art Gallery, Mumbai. From 1975, 1979, 1988, 1989, 1992, 1998, 2001, 2002, 2009 and 2010 he participated in multiple group shows in New Delhi, Mumbai, Kolkata, Bangladesh and Bangalore. In 1975 he took part in the 3rd Triennale in New Delhi. In 1984 he participated in the Tokyo Biennale, Japan. From 2003 - 2005, 2010 and 2011 he took aprt in Manifestations I - VI’ at...

Girl Portrait by Bernard Labbe (French mid 20th century) original gouache on artist paper size: 26 x 19.75 inches condition: very good and ready to be enjoyed provenance: the artist...

Badminton by Bernard Labbe (French mid 20th century) original oil on artist paper size: 13 x 10 inches condition: very good and ready to be enjoyed provenance: the artists atelier/ ...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

My artworks allow me to express myself freely, to express my emotions and explore my identity. While working on my art piece, I trust myself completely. This is the one when I was g...

Dancer 1969. Oil on canvas, 92,5x92,5 cm The artist's portrayal of the dancer captures the grace and elegance associated with ballet. The ballerina's pose and body language convey ...

A very engaging Post Impressionist portrait painted in 1938 by the Belgian painter Jean Van den Eeckhoudt. The details of the work are as follows: Jean Vanden Eeckhoudt (Belgian, ...

Bernard Krigstein (March 22, 1919 – January 8, 1990) was an American illustrator and Ashscan school painter who received acclaim for his innovative a...

Monogrammed center left, 'PT' for Pearl Took (American, 1928-2012); additionally signed, dated 1977 and titled verso 'Portrait of Jade' with artist card. Born in England, Pearl Took...

Colorful abstract modern pop art painting by Texas artist Robert Sandman. The title refers to when Jor-El and Lara watch as their son Kal-El, better kno...

The painting “Still Life with Crab” combines elements of piquancy and intrigue. The central place is occupied by a vase of flowers, depicted in the fo...

A woman. 1962. Oil on canvas, 80x60 cm Laimdots Murnieks has said: "I am a sunny artist. The sun and a woman are the center of the world. It is not for nothing that the sun always ...

Robert Glick (American, born 1950) "Emerging" 2024 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. "Emerging" by Robert Glick is a captivat...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Suhas Roy - Radha - 20 x 16 inches ( unframed size) Dry Pastel on Imported Paper , 2006 World Wide shipping in Roll form. Suhas Roy 's mystic woman which he calls 'Radha', either...

"Where are you?", at a place where there are an arched bridge, a pyramid-shaped glass building and a portrait of the Mona Lisa. The lady in the painting asks or is asked in the phone...

Sunil Das - Durga 97 - 10 x 8 inches (unframed size) Durga the Third Eye. Mixed Media on Board Inclusive of shipment in ready to hang form. In Indian Mythology the Goddess Durga h...

A set of portraits of four cards characters - "the king, the queen, the jack and the joker". Each of these four acrylic figurative cubist paintings measures 65 cm x 54 cm. A graduate from the Ecole Nationale Supérieure des Métiers d'Arts in Paris, Françoise Collandre...

"Reflet" is an African abstract portrait painting by the talented Togolese artist Daté kodjo AMOUZOU. Through his art, he has a very sharp and unique style...

Modern abstract style painting of a woman fishing. The work is signed by the artist Lynwood Kreneck, who is known for printmaking. The painting is framed in a wooden frame with a silver trim. Dimensions Without Frame: H 40 in x W 30 in. Artist Biography: Lynwood Kreneck (born 1936) received his BFA and MFA from The University of Texas at Austin. Kreneck is Professor Emeritus of Art at Texas Tech University, Lubbock, where he taught printmaking for nearly forty years. He is founding curator of the exhibition series Colorprint USA and was instrumental in the development of water-based screen print inks and methods. Kreneck is represented in numerous collections, including the Art Institute of Chicago (IL), Philadelphia Museum of Art (PA), High Museum (Atlanta, GA), Mabee-Gerrer Museum of Art (Shawnee, OK), Museum of Contemporary (Knoxville, TN), Silvermine Guild Arts...

Shuvaprasanna Bhattacharya - The Golden Flute - 12 x 12 inches (unframed size) Oil, Acrylic and Charcoal on canvas Inclusive of shipment in a roll form. One of the most popular seri...

"Until Morning Comes" is a captivating artwork by Boluwatife Victoria Lawal that depicts a tender and intimate moment between a man and a woman. In this evocative piece, the couple i...

Jogen Chowdhury In Surprised Mood, Dry Pastel on Paper 10 x 6.3 inches , 2022 ( Framed & Delivered ) Style : He has immense contribution in inspiring young artists of India. Jogen ...

Maurice Newman was active/lived in Massachusetts / Lithuania. Maurice Newman is known for sculpture-abstraction, impressionist landscape painting, diorama. Born in Lithuania, Mauric...

Suhas Roy - Radha - 10 X 8 inches ( unframed size) Oil on Canvas , 2006 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft coloured pastel on Paper or ...

Study of a man's face, shown wearing horn-rimmed glasses and gazing to the viewers left and painted in monochromatic tones of ochre against a vibrant coral-red background. Signed lo...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

This is a painting work by French artist Françoise Collandre. A graduate from the Ecole Nationale Supérieure des Métiers d'Arts in Paris, Françoi...

A graduate from the Ecole Nationale Supérieure des Métiers d'Arts in Paris, Françoise Collandre entered the fine art workshops in the city of Paris in painting and engraving and has ...

This is a painting work by French artist Françoise Collandre. A graduate from the Ecole Nationale Supérieure des Métiers d'Arts in Paris, Françoi...

Suhas Roy - Radha - 10 X 8 inches ( unframed size) Oil on Canvas , 2006 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft coloured pastel on Paper or ...

Jean-Baptiste VALADIE (French, 1933) Girls with Ribbons in the Hairs, 1975 Oil on canvas Signed lower left Countersigned, titled and dated on the back On canvas 35 x 24 cm (c. 14 x ...

Portrait of a Man by Jean Marc (French 1949-2019) signed with initials gouache paint/ Watercolor painting: 15.75 x 16 inches provenance: private collection, South of France Superb ...

Samuel Seiberger, (Seeberger) was a known artist and post-card designer who lived in Paris and was active circa 1900-1940. He was arrested for being a Jew when the Germans occupied Paris in the 1940s. He was brought into a concentration camp...

Rabin Mondal - Face ; Watercolour on Paper 9.6 x 12.8 inches (unframed) ; 2008 ( Shipment will be in a ready to hang ) Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They came from far to work and earn their livelihood. He would observe them and was deeply moved by the labour and low rung working class who carried all the heavy load oriented work. He would paint the men and the women , some distressed , some gloomy but with a force that would uplift them to be the heros of the society. Surprisingly Mondal was never depressed himself although he painted people in hard labour and poverty . Style : Mondal`s works are mainly figurative. He paints in bold strokes and creates tableaux, whose themes are universal. The faces of his figures stare at you out of the canvas, strange and pensive, but also strong and defiant. Not yet beaten, survi...

This is a painting with mixed media collage by French artist Françoise Collandre. A graduate from the Ecole Nationale Supérieure des Métiers d'Ar...

Oil on wooden panel realized by Fausta Settimj in 1930s. Good condition except for some minor missing parts on edges.

A graduate from the Ecole Nationale Supérieure des Métiers d'Arts in Paris, Françoise Collandre entered the fine art workshops in the city of Paris in painting and engraving and has ...

A graduate from the Ecole Nationale Supérieure des Métiers d'Arts in Paris, Françoise Collandre entered the fine art workshops in the city of Paris in painting and engraving and has ...

Arwork sold with frame (81.5 x 60.5 x 7.5 cm) Konstantin Stoitzner (1863–1933) was an Austrian painter renowned for his landscapes, genre scenes, portraits, and still lifes. Born ...

Artwork sold with frame (114 x 93 x 6 cm) Jules-Ami Courvoisier was a prominent Swiss painter, illustrator, and poster artist, born in La Chaux-de-Fonds in 1884. He studied under Ch...

Artwork sold with original but damaged frame (95 x 119 x 5 cm) No information about the artist

Amitabh Sengupta - Untitled - 36 x 48 inches (unframed size) Oil on Canvas ** This work will be shipped in roll form to save on shipping cost. Mythscape Series : This series emerged...

Suhas Roy - Radha - 12 x 12 inches ( unframed size) Soft Dry Pastel on Paper , 2008 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft coloured pastel ...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

Oliver Messel 1904 - 1978 Portrait of a Young Man Oil on canvas, signed and dated 'Oliver Messel 1930' (on the stretcher) Image size: 30 x 25 inches (76.2 x 63.4 cm) Original frame Oliver Messel was born to Leonard and Maud Messel, née Sambourne, on the 13 January 1904 and was the youngest of three children. The family moved to Nymans, the Messel family home in Sussex, from nearby Balcombe in 1915. The house remained in the family until 1953 when it was bequeathed to the National Trust, following a fire in 1947 which destroyed a large portion of the house. The Messels originated from a line of German Jewish bankers on Leonard’s side, however, both family lines boast a number of artistic influences, including Maud’s father. Maud was brought up at 18 Stafford Terrace, Kensington (now known as the Linley Sambourne House Museum), amongst collections of antique porcelain and eighteenth-century furniture, and with a host of artistic visitors such as Henry Irving and Oscar Wilde. Oliver’s own upbringing appears to be influenced by his mother's, as the Messel family were also affiliated with artists and writers and were keen collectors of art, filling their home with textiles, paintings and collections of European and Asian fans from travels abroad. It was amongst such treasures that Oliver, Anne and Linley spent their childhood, in addition to the beauty of Nyman’s extensive gardens. Oliver was schooled at Eton but rather than going up to university was encouraged by family friends, gallery owner Archie Propert and painter and sculptor Glyn Philpot, to attend art school. In 1922 he enrolled at the Slade School of Fine Art in London, where he studied under Henry Tonks. Here, he met the artist Rex Whistler with whom he remained firm friends until Whistler’s death in WW2. Upon leaving the Slade in 1924 Oliver was apprenticed to the studio of portrait artist John Wells, where he learnt various Old Master painting techniques, and met artists such as Jacob Epstein, Augustus John and William Orpen. Whilst at the Slade Oliver developed his interest in Papier Mâché masks, a pastime popular amongst many art students at the time. Whilst apprenticed to artist John Wells several of Oliver’s masks were exhibited at the Claridge Gallery, London, alongside pieces by Whistler and other young artists. These were seen by Serge Diaghilev, director of the Ballet Russes, and Charles B. Cochran, a theatrical producer, both of whom made Oliver offers of work. His first job in the theatre was creating masks for the Ballets Russes’ Zéphyr et Flore, 1925, designed by the French artist Georges Braque, followed by numerous musical revues for Cochran, including Wake Up and Dream!, 1929, with music by Cole Porter. It was during these revues, working with Porter and Noel Coward, that Oliver also began to design headdresses and costumes. In 1932 he was rewarded with his first full commission to design both costume and sets for Helen!, directed by Max Reinhardt. The production design is still celebrated today for its innovative approach and ground-breaking ‘white on white’ aesthetic, which referenced ‘Greek temples, Rococo drapes, Baroque colonnades and Louis XIV carousels’. The success of Helen! led to further offers within the theatre including Reinhardt’s version of A Midsummer Night’s Dream at the Old Vic in 1937, starring Vivien Leigh as Titania and Robert Helpmann as Oberon, the Jean Cocteau play The Infernal Machine in 1940, and Christopher Fry’s translation of Jean Anouilh’s Ring Round the Moon, 1950. One of Oliver’s best-known productions during this period was the Russian ballet The Sleeping Beauty, performed by Sadler’s Wells Ballet in 1946 at the Royal Opera House, Covent Garden. Encompassing over 200 costumes and four set changes, Oliver’s romantic designs were celebrated for bringing colour back to post-war London, and variations on his designs are still used today. Additional designs for the ballet included Comus in 1940, for which he was released from war duties, and Homage to the Queen, choreographed by Frederick Ashton and performed in 1953 for the Queen’s coronation. His first opera was in 1940 for Mozart’s Die Zauberflöte at the Royal Opera House, followed by a series of productions at the newly founded Glyndebourne Opera House in Sussex, for which Oliver also designed the proscenium arch. He triumphed in 1956 designing a season of four different productions for their Mozart bicentennial, also providing illustrations for the programme covers. His popularity also spread beyond theatre to film, were he worked on over eight different feature films including Romeo and Juliet, 1936, directed by George Cukor. During a three-month research trip to Italy Oliver collected over 3,000 reference images including postcards of artwork by Piero della Francesca, Giovanni Bellini and Leonardo da Vinci, along with prints and photographs of textiles and architectural features. A production of Gabriel Pascal’s Caesar and Cleopatra, 1946, starring Vivien Leigh and Claude Rains, was celebrated for Oliver’s ability to recreate the opulence and luxury of ancient Egypt under the constraints of wartime rationing. Such was his skill that Vivien Leigh in a letter to Oliver declared that “I have of course told Pascal that nobody in the world must do the costumes except you.” He was later nominated for an Academy Award for his work on his final film Suddenly, Last Summer, 1959; an adaptation of Tennessee Williams’ American Southern Gothic mystery. Having started his artistic career as a portrait apprentice, capturing the faces of family and friends, Oliver continued to develop this practice until the end of his life.  His style is said to have been influenced by Glyn Philpot, the Messel’s family friend who encouraged Oliver from an early age in his pursuit of art and design. His most prolific period came in the 1950s during which he produced over 50 portraits, which were shown in exhibitions in New York, London and Barbados. The exhibitions included both well-known faces and anonymous sitters captured on Oliver’s travels, and a number of these works have entered private collections. He continued to paint after moving to the Caribbean in 1966, capturing society figures and the rich and famous including fashion designer Carolina Herrera and Bianca Jagger. His style remained unchanged throughout his career, using the same soft painterly strokes and subtle palette as in his theatre designs. By far his greatest contribution in addition to theatre and film was Oliver’s interior and architectural designs. Another, much celebrated commission included Rayne shoe shop in Old Bond Street, where he created jewel-like interiors using the same practice of scaled models as his set designs. Other notable interior designs include those for Norwich and Bath Assembly Rooms, Flaxley Abbey in Gloucestershire, Rosehill Theatre in Cumbria and the Reader’s Digest offices in Paris. However, upon moving to Barbados in 1966, Oliver embraced a new career envisioning architectural concepts for private houses, hotels and public buildings, utilising his experience with interior design to furnish them with bespoke items of furniture and textiles. His first project was Maddox, the deserted eighteenth-century plantation house bought by himself and his partner Vagn Riis-Hansen in 1964. The existing building and gardens were remodelled to Oliver’s designs embracing an inherent theatricality with views out to sea. These were framed by terraces and verandas which extended out from the living rooms creating what is often referred to as a Caribbean style of ‘indoor-outdoor’ living. For the woodwork he used a shade of green that is now known as ‘Messel green’ and often associated with the island of Barbados. Oliver was born into a wealthy family; he travelled extensively and was exposed to art and culture from a young age. A privileged youth, his name is often mentioned amongst the ‘Bright Young Things’, for whom costume parties at country houses and jaunts to Europe on a whim became a thing of fable. This informal group included people such as Cecil Beaton (a life-long friend whom Oliver first met at Eton), Lord Berners, Noel Coward, John Betjeman, Harold Acton, Nancy Mitford, Edith Sitwell, Stephen Tennant...

The biggest surprise for new parents is how much their child’s personality is already baked-in at birth. Croatian painter Vilko Šeferov responded to this toddler’s innate intensity i...

Prakash Karmakar - Untitled - 29 x 20 inches ( unframed size ) Dry Pastel on Paper , 1999 Prakash Karmakar was the most senior artist of Bengal . He was instrumental in the Bengal...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 12.5 x 9.5 inches condition: very good and ready to be enjoyed. pro...

On offer is a portrait of an unknown sitter who is rendered with profound dignity yet lifted from gloomy solemnity by a vibrant and intriguing background. Notably, artist Boris Deuts...

Julius Thiengen Bloch (American, born Germany, 1888-1966) Portrait of a Woman Oil on canvas, 32 x 25 1/4 inches Framed: 38 x 31 inches (approx.) Signed at lower right: "Julius Bloch"...

In this case an ordinary working Man, This alluring work in a 15 x 11 inches ( Unframed ) and 23 x 19 inches (framed) in Ink on paper is a signature work by the master artist Akbar P...

Mag 1999, canvas, oil, 74.2x80.3 cm "Mag" is an intriguing artwork created in 1999 by Igor Maikov. It is a large oil painting on canvas, measuring 74.2x80.3 cm. The painting depicts a portrait of an old lady set...

Initialled and dated lower right "a/60", countersigned and dated on the back "aguayo 60". A breath of modernity animates this iconic work, inspired by Velázquez' portrait of the Inf...

Everett Spruce (1908 - 2002) Austin Artist Image Size: 18 x 15 Frame Size: 28 x 25 Medium: Oil on paper / Mixed Exhibited at a University of Texas Faculty art show in 1947 Unsigned Biography Everett Spruce (1908 - 2002) The following, submitted by a researcher of the Ashworth Collection of Native American and Western Art, is from the artist's obituary in the Fort Smith, Arkansas "Times Record" newspaper, October 20, 2002. Everett F. Spruce, well-known artist, teacher, professor emeritus, died Friday, Oct. 18, 2002, at age 94. Everett Spruce was born on a farm in Conway to William E. and Fannie McCarty Spruce. He came to Dallas, at age 17, on a scholarship to study at the Dallas Art Institute, under Olin Travis and Thomas M. Stell Jr. In 1931, he became gallery assistant at the Dallas Museum of Fine Arts and in 1934 married Alice V. Kramer, a fellow art student. He was one of the "Dallas Nine" group of Southwest artists...