Anatoly Varvarov Viktorovich

Amen, Contemporary Art, Original oil Painting, One of a Kind

2022

Artist: Varvarov Anatoly Viktorovich Title: White and Black Sise: 41.5x53 inches, (105x135 cm) Medium: Oil on Canvas Hand painted, original, one of a kind. Who said that black and white can't be beautiful? This stunning oil painting "White and black" will prove them wrong! The chessboard is drawn in a blurry way, making the chess pieces look even more realistic. It's a perfect piece of art for anyone who loves playing chess or simply appreciates beautiful things. About the artist: Varvarov Anatoly Viktorovich was born on February 12, 1967 in Kremenchuk, Ukraine. Attended Dnepropetrovsk Art School. EV Vuchetich from 1983 to 1987, and National Academy of Fine Arts and Architecture from 1990 to 1996 graduated with Masters degree in Fine Art. After becoming a member of the Union of Artists of Ukraine, Mr. Varvarov received the category of artist-restorer of easel painting in 1999...

Artist: Artyom Abrahamyan, Work: Original Oil Painting, Handmade artwork, One of a Kind Medium: Oil on Canvas Year: 2025 Style: Impressionism, Title: Still Life wit Cherries Size...

A technical masterpiece, Santibanez exhibits his prowess in creating amphoras of different sizes hanging in space in front of a striped background. The pottery, examples of indigenou...

Doug Newton’s hyper-real oil paintings observe reality, explore translucency, reflections and luminosity, and dazzle the viewer with all the ways light can transform our perceptions. His subject matter concentrates on still lives of food, toys, candy and household objects. In addition to many group shows across the country, Mr. Newton’s show, “HARD CANDY and other confections” represents his fifth solo exhibition. His paintings have been collected in numerous private collections. Dr. Sonia Coman writes in her essay, Doug Newton’s hard candy: the confection of painting Doug Newton’s paintings are about… painting. The hyperrealist technique of trompe l’oeil or “trick the eye” is knowingly playful. It simultaneously calls attention to the illusion of a different material—for example, translucent candy wrappers—and the reality of the layers of paint, masterfully applied to the canvas. In that, Newton’s paintings pay homage to an esteemed series of trompe l’oeil masters, from Inquisition-era Spanish painter Francisco de Zurbarán to Gilded-Age American painter William Michael Harnett...