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C. Dimitri
Flowers7, bold composition, textural collage elements

2025

About the Item

Abstract sculptural still-life: a pot of flowers. Mixed media on canvas. Neutral tones, cheerful simplicity, boldly poetic

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Coralcello, richly colorful music themed abstraction
By C. Dimitri
Located in Brooklyn, NY
The artist began this painting in 2010. Oil and resin on wood panel. Dedicated to David Lynch and coral reefs. Rich brushwork in image of stringed musical instrument within the abst...
Category

2010s Abstract Abstract Paintings

Materials

Resin, Mixed Media, Oil, Wood Panel

Sinatra & Ava Gardner, colorful circular patterns on neutral ground
By C. Dimitri
Located in Brooklyn, NY
At the intersection of still-life, portrait, and landscape, Sinatra & Gardner is one of the earliest paintings in a series focused on limited palettes and maximum negative space.
Category

2010s Abstract Still-life Paintings

Materials

Charcoal, Oil

Pink and Black, colorful, super realism
By Douglas Newton
Located in Brooklyn, NY
Oil on canvas, color superrealism Doug Newton’s hyper-real oil paintings observe reality, explore translucency, reflections and luminosity, and dazzle the viewer with all the ways li...
Category

2010s Photorealist Still-life Paintings

Materials

Canvas, Oil

Two Picardie Glasses, colorful, photo realistic
By Douglas Newton
Located in Brooklyn, NY
Doug Newton’s hyper-real paintings observe reality, explore translucency, reflections and luminosity, and dazzle the viewer with all the ways light can transform our perceptions. Hi...
Category

2010s Photorealist Still-life Paintings

Materials

Canvas, Oil

Birds on a Wire
By C. Dimitri
Located in Brooklyn, NY
Oil paint and mixed media mounted to repurposed stainless steel.
Category

2010s Contemporary Abstract Paintings

Materials

Stainless Steel

Memorial, yahrzeit candle, gold leaf, trees
By Audrey Anastasi
Located in Brooklyn, NY
This small-scale, slightly textured, intimate painting could be a Hanukkah or Christmas gift. Audrey Frank Anastasi is a prolific a visual artist, curator, gallerist, educator, philanthropist, and arts advocate. She works primarily in 2-dimensional mediums: painting, drawing, collage, mixed media, focusing on the human subject. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has exhibited in over 20 solo & 200 group shows. Her original “ref-u-gee” series of forced-migration–themed artwork was shown in a solo exhibition from October, 2022 through January, 2023 at the Brooklyn College library gallery in collaboration with the Valentine Museum of Art (VMoA.) Accompanying the show, a limited-edition monograph with over 180 images of passport sized paintings, four 8 foot tall works on panels, and a foreword by Phyllis Braff. The book was printed in 2023 by SIZ Industria Grafica, Verona, Italy. Additional book and catalog publications include "Stations of the Cross", SPQR press, with an essay by Amir Bey, BREUCKELEN magazine, “Audrey Frank Anastasi” catalog with an essay by renowned feminist art critic Cindy Nemser, and "Collage" with an essay by Giancarlo T. Roma. Born in a predominantly Jewish suburb of Baltimore, Maryland, Audrey was always drawn to art. Her parents had an innate sense of style. Her father's side of the family were immigrant merchants. They owned what was called, in those days, a junior department store. Audrey’s father would arrange creative window displays. And he was a snappy dresser, looking surprisingly elegant in his patterned or pastel sports jackets. Audrey’s mother, on the other hand, came from a more rural upbringing. Although her maternal grandmother was from Eastern Europe, her maternal grandfather was born in the USA. “Mr. Jew Arthur,” as he was referred to by locals, owned a tavern in a predominantly African-American community, Fairfield, Maryland. Not only did he sell spirits, he definitely partook of them, as well. While still a teenager, Audrey’s mother, Rose Gussie, changed her name to Joyce and headed to Atlanta, Georgia, and later to New York City to be a cosmetician and hosiery model. She also had an impeccable sense of style. And in her picture albums, beside the photographs, were pages upon pages of charming ink drawings of stylish ladies. Of her own formative years, Audrey expresses, “I'm forever grateful that when I was a child, my mother indulged me with regular outings to the library where I emerged with armloads of books, and weekly visits to the Baltimore Museum of Art. There I would pass the gorgeous bust of Queen Nefertiti and the scary mummies on the way to my art lessons. There isn't a single moment of my conscious life when I didn't think of myself as an artist.” Audrey also studied with a local artist, “Miss Mary,” who soon asked Audrey to become a teaching assistant, instructing other students how to observe shapes and tonalities, while faithfully drawing charcoal drawings of classical plaster casts...
Category

2010s Contemporary Still-life Paintings

Materials

Gold Leaf

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