Items Similar to Fine Victorian English Fruit Still Life Grape, Lemons & Raspberries Oil Painting
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Oliver ClareFine Victorian English Fruit Still Life Grape, Lemons & Raspberries Oil Painting
About the Item
Still Life of Fruit
by Oliver Clare (British 1853-1927)
oil on canvas, framed
framed: 11 x 14 inches
canvas : 6 x 9 inches
Provenance: private collection, England
Condition: very good condition
Description:
This elegant still life oil painting captures a timeless arrangement of fruits, showcasing the artist's mastery in composition and texture. A cluster of pale green grapes rests alongside two vibrant lemons, their rich yellow tones radiating against the dark, textured background. Scattered nearby are ripe, red raspberries, adding a delightful pop of color and contrast to the scene.
For more any more information please do contact us with any questions you may have. Thank you.
- Creator:Oliver Clare (1853 - 1927, British)
- Dimensions:Height: 11 in (27.94 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Cirencester, GB
- Reference Number:1stDibs: LU509315552202
Oliver Clare
Oliver Clare was born in 1853, to the renowned still-life artist George Clare. The Clare family members were Victorian artists who specialized in, and were well known for their highly finished and precisely detailed still life and flower paintings. Oliver spent most of his artistic life in Birmingham. Though there are no records indicating where he received his training, one can be quite certain that most, if not all, of it was from his father. Their stippling technique and choice of subject matter are almost identical. While Oliver lived in Birmingham he was commissioned by a local health firm "Health Food Stores" to paint still-lives to be reproduced on postcards and posters. Clare exhibited many paintings throughout his lifetime and is most often associated with the Artists of the West Midlands and the North. He exhibited: eighteen works at the Royal Society of Artists, Birmingham; three at the Walker Art Gallery, Liverpool and six at the Manchester City Art Gallery. Throughout the late 1870's and early 1880's he lived in London where he exhibited several works there at the Royal Academy and the Royal Society of British Artists, Suffolk Street.

About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1989
1stDibs seller since 2016
4,424 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Cirencester, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All1900's French Impressionist Signed Oil, Still Life of Roses Yellow & Pinks
Located in Cirencester, Gloucestershire
Artist/ School: French School, early 20th century
Title: Still Life of Roses
Medium: signed oil painting on canvas, unframed.
canvas: 17 x 21.75 inches
Provenance: private col...
Category
Early 20th Century Victorian Interior Paintings
Materials
Oil
Still Life Of Fruit In A Barrel Grapes Apples Signed Antique Oil Painting
Located in Cirencester, Gloucestershire
Fruit Still Life
Attributed to Ferdinand Cirel (Welsh 1884 - 1968)
signed bottom right
oil on board, framed
framed: 14 x 15 inches
painting: 10 x 12 inches
provenance: from a collect...
Category
20th Century Victorian Still-life Paintings
Materials
Canvas, Oil
Fine Antique French Flower Painting, signed oil Beautiful Flowers in Blue Vase
By Antique French
Located in Cirencester, Gloucestershire
Artist/ School: French School, late 19th century/early 20th century, signed by Barthelemy
Title: Profusion of flowers in a deep blue vase.
Medium: oi...
Category
19th Century Victorian Still-life Paintings
Materials
Oil
Victorian Still Life Oil Painting of Fruit Peaches Grapes on Platter
Located in Cirencester, Gloucestershire
Still Life of Fruit
by Frederick J Stanier (1830-c.1912)
oil on canvas, unframed
canvas: 8.25 x 10 inches
provenance: private collection, England
condition: a few minor scuffs and m...
Category
19th Century Victorian Still-life Paintings
Materials
Oil, Canvas
Charming Victorian English Still Life Oil Painting Flowers in Natural Setting
Located in Cirencester, Gloucestershire
Still Life of Flowers
by Frederick J Stanier (1830-c.1912)
signed
oil on canvas, unframed
canvas: 8.25 x 10 inches
provenance: private collection, UK
condition: a very few scuffs and...
Category
19th Century Victorian Still-life Paintings
Materials
Oil, Canvas
Vintage Roses Signed French Oil Painting Still Life Flowers in Glass Bowl
Located in Cirencester, Gloucestershire
Still Life of Roses
French School, circa 1930's period
signed oil on board, unframed
board: 10 x 15 inches
provenance: private collection, France
condition: very good and sound condi...
Category
Early 20th Century Victorian Still-life Paintings
Materials
Oil
You May Also Like
"Still Life" by Cornelis Le Mair 31 x 26 inch Oil on Board
By Cornelis Le Mair
Located in Atlanta, GA
Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 38 x 33 inches.
Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design.
Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began.
Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition.
After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.”
At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes.
Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services.
Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...
Category
21st Century and Contemporary Victorian Interior Paintings
Materials
Oil, Board
$12,000 Sale Price
52% Off
Antique French 19th century Still life of flowers in a basket
Located in Woodbury, CT
Lucienne Lemercier was a French painter from the latter part of the 19th century through the early 20th century.
She came from a family of creative people and took to painting at a...
Category
1880s Victorian Still-life Paintings
Materials
Canvas, Oil
"Still Life" by Cornelis Le Mair 31 x 24 inch Oil on Board
By Cornelis Le Mair
Located in Atlanta, GA
Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 31 x 38 inches.
Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design.
Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began.
Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition.
After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.”
At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes.
Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services.
Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...
Category
21st Century and Contemporary Victorian Interior Paintings
Materials
Oil, Board
'Still Life with Guitar', Art Deco Woman Artist, National Academy of Design, ASL
By Tosca Olinsky
Located in Santa Cruz, CA
Signed Upper Left "Tosca" for Tosca Olinski (American, 1909-1984) and painted in 1941.
Provenance: Mongerson Wunderlich Galleries, Chicago.
Exhibited: New Directions in American Pai...
Category
1940s Modern Still-life Paintings
Materials
Oil, Board
Vintage Italian Modernist Impressionist Hydrangea Still Life By P.Russo
Located in Douglas Manor, NY
6010 Vintage Modernist Impressionist still life hydrangea bouquet in a torquoise vase, oil on canvas signed by P.Russo
Unframed
Category
1980s Still-life Paintings
Materials
Oil
Paule's Table - Yellow Orange Flowers Fruit Blue Dining Room Still Life, 2015
By Melanie Parke
Located in Kent, CT
Contemporary painting in oil on canvas of a bright and inviting interior scene with a botanical still life arrangement of two vases with yellow daffodils and orange tulips, a pair of...
Category
2010s Contemporary Interior Paintings
Materials
Canvas, Oil
Recently Viewed
View AllMore Ways To Browse
Antique Fruit Paintings
Antique Lemon
19th Fruit Still Life
Raspberries Art
Antique Olive Color
Very Yellow Lemon
Victorian Grape
Raspberries Painting
Raspberry Painting
Still Life Fruits 19th Century
Greek Vase Paintings
Jewish Woodcut
Louisiana Landscape Photography
Manuel Bravo Alvarez
Marilyn Pink
Mexican Eagle
Mickey Mouse Print
Miro Tapestry