Abstract Paintings

Abstract. Mixed media. Unique depiction of Shelter Island sunrise. About the Artist: I began sketching with a #2 pencil and lined paper in the first g...

Lee Sang Yeop is an emerging South Korean artist that at his young age has reached a highly sophisticated level of composition and technique. We can appreciate his tranquil but yet c...

Oil on canvas

Artist: Stefan Vladescu, Romanian (1952 - ) Title: String Symphony Year: 2006 Medium: Oil on Canvas, signed and dated Size: 36 x 48 inches

A ballet of colorful squares and rectangles float on a wash of turquoise streaked through with mauve. A conversation about visual balance emerges from this bold acrylic painting titl...

These series of paintings are the result of Javier Hinojosa's ongoing research around Modern Architecture in Mexico. Specifically the Tacubaya series are sketches drawn from memory o...

David Collins' 2016 move from the bustle of New York City to Long Island influenced a change in his palette that reflects the peaceful, natural atmosphere of his new surroundings. Hi...

Layered shapes in turquoise, yellow, periwinkle, rust and and black are brushed, stenciled, sprayed and curated into a playful narrative by Fiona Ackerman. The bold acrylic compositi...

Artist: Stefan Vladescu Title: The Future of Time Year: 2006 Medium: Oil on Canvas, signed and dated Size: 36 x 48 inches

Michael Gloeckner American, 1915-1989 Martinique No. 2 Oil on canvas 20 by 20 in. W/frame 25 by 25 in. Michael lived in NYC, he also had a home and studio in West Cornwall, CT....

Blue Navy Abstract, Size: 31x36.5 framed 32x37.7 Walter Swyrydenko was born in Sloviansk, Ukraine in 1942. A graduate of Kent State University, receiving a B.S. in Art Education and an M.A. in Painting. Studied in Paris, France. Professor of Art at Lakeland Community College. He was awarded the rank of Professor Emeritus in 2002 by Lakeland Community College, and held a retrospective of his work, "A Look Back 1965-2001," at the LCC Gallery in 2003. Listed in Marquis’ “Who’s Who Dictionary of International Biography,” “ Leaders of America,” “Who’s Who in the Arts, 1971-1972,” Artists/USA, 1972-1973, 1974-1975,” “Outstanding Young Men of America,”1971,” International Who’s Who in Art and Antiques, 1972,” Annuaire De L’Art International, 1974-1975, 1975-1976,” “Library Of Human Resources...

David Collins' 2016 move from the bustle of New York City to Long Island influenced a change in his palette that reflects the peaceful, natural atmosphere of his new surroundings. Hi...

Acrylic on linen. The textured appearance of her paintings emanates from the intervention of common household products such as paper towels during the painting process. Marcy Rosen...

Dynamic and motion filled nature inspired contemporary acrylic abstract. Afar and close perspective. Painted by segments to make more contrast and depth. Lot of green, beige, white, ...

Nico Munuera’s pictorial practice relates to the tradition of abstraction that pierces through the whole avant-garde and neo-avant-garde. He understands painting as an autonomous obj...

Wise's "Dance On Water" is a square 24 x 24 inch oil painting in soft yellows, lavenders and blues depicting the reflections from a sailboat...

Tom Nussbaum is known for a variety of work including drawings, paper cuts, prints, sculpture, children’s books, animations, functional design objects, and site-specific commissions....

93 Million Miles II by artist Leroy Projects is a blue and white contemporary abstract mixed media on panel that measures 24 x 24 and is priced at $1,200. The goal of Leroy Projects...

Doug Freed attempts to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. In his luminescent multi-paneled oil paintings Freed tries to find the grey area between traditional landscape painting and its abstraction into color fields. Artist Statement For nearly twenty years, I made non-objective grid structured paintings. I started to see references to landscape in these works. I've literalized those references by painting oil landscape vistas of horizons, clouds and bodies of water. These paintings consist of two or more vertical panels. Usually one panel is landscape imagery. The adjacent panels are often atmospheric voids with vestiges of recognizable landscapes. I try to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. My intent is to create paintings imbued with a meditative, spiritual presence suggesting issues about time and ecology. I do this by softly modulating color, tone and value. The color varies from quiet, monochromatic works to fully orchestrated chromatic ones. By blending from one hue to another I create color which makes its self gradually felt, weeping forth. In this manner, I create illusions of mysterious emanations of light, places where ones eyes and spirit are invited to linger. I try to imbue my work with a monumental presence, epic in both size and scope. I do this by orchestrating the separate elements of color, texture and structure into a harmonious whole. I seek a somewhat reductive image rich in value and contrast. The surface of the work is devoid of textural incidence. I don’t want anything to distract from the illusion of depth so I deny any marks which would hold the viewer on the surface of the painting. In my luminescent multi- paneled oil paintings I try to find the grey area between traditional landscape painting and its abstraction into color fields. The compositions are about ambiguities of form and void, foreground and background and surface and deep space. My roots lie in tonalism, color field painting and minimalism. However, my work contains an ever-present awareness of the dramatic use of light of the post-renaissance chiaroscurists. It combines a classical awareness of structure with a romantic use of color always in combination with a unique sense of ambiguity. My work continues in its evolution of style the search for an abstract means of probing the ambiguities of physical and spiritual experience of light, and its power to foster a more intense life of the spirit through profound emotional experience of form, color and composition. SELECTED PUBLIC COLLECTIONS K.U. Medical Center, Wichita, KS Museum of Art & Archeology University of Missouri, Columbia, Missouri Hoecht Marion Roussel (Commission), Kansas City, Missouri FBL Financial Group, Des Moines, IA Kemper Museum of Contemporary Art, Kansas City, Missouri Wichita Center for the Arts, Wichita, Kansas Daum Museum of Contemporary Art, Sedalia, Missouri The Newark Museum, Newark, New Jersey St. Louis Art Museum, St. Louis, Missouri Springfield Art Museum, Springfield, Missouri Mildred Lane Kemper Art Museum, Steinberg Collection, Washington University, St. Louis, Missouri Arkansas Art Center, Little Rock, Arkansas College of Architecture and Design, Kansas State University, Manhattan, Kansas Fort Hays, Kansas State University, Hays, Kansas Memorial Union Collection, University of Missouri, Columbia, Missouri Norman R. Eppink Art Gallery, Emporia State University,, Emporia, Kansas Hutchinson Community College, Hutchinson, Kansas Johnson County Community College, Overland Park, Kansas Lincoln College, Lincoln, Illinois State Fair Community College, Sedalia, Missouri Hallmark Cards Inc., Kansas City, Missouri Sprint Corporation, Kansas City, Missouri MacGraw Hill Publishing Co., New York City, New York Pioneer Hybrid, Des Moines, Iowa Pella Corporation, Pella, Iowa Fort Smith Public Library (Commission), Fort Smith, Arkansas Deloitte & Touche (Commission), St. Louis, Missouri Publishing Enterprises, Inc. (Commission), Sedalia, Missouri Parks & Recreation Department, Columbia, Missouri United Telephone Systems, Inc., Kansas City, Missouri American Family Doctors, National Headquarters, Kansas City, Missouri DST Corporation, Kansas City, Missouri Crown Center, Hallmark Art Collection, Kansas City, Missouri Hewlett Packard Corporation, St. Louis, Missouri Emerson Electric (Commission), St. Louis, Missouri Mark Twain Bank, Creve Coeur, Missouri Boone County Bank, Columbia, Missouri Landmark Bank, Madill, Oklahoma Septagon Industries (Commission), Sedalia, Missouri KEO Building Corporation (Commission), Sedalia, Missouri D & W Leasing, Sedalia, Missouri 1st National Bank, Rockford, Illinois Mark Twain Bank Shares, Ladue, Missouri Bank of Olathe, Olathe, Kansas Blue Cross/Blue Shield of Missouri, St. Louis, Missouri Cessna Aircraft...

A unique original oil painting on aluminum by Andreas Nottebohm, created in 2012. Andreas Nottebohm is an American-German artist whose work is a...

In "Out of the Blue," Lori Dubois depicts the late morning moment when the sand is still wet from the tide, but the marine layer lifts and the depth of bl...

These series of paintings are the result of Javier Hinojosa's ongoing research around Modern Architecture in Mexico. Specifically the Tacubaya series are sketches drawn from memory o...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-it also suggests an appreciation of certain 'outsider' artists, as with her improvisational approach to composition. Like quilters of Gee Bend, John often begins a work with little idea of where it will take her pictorially. She might find a composition’s repeating pattern needs to be squeezed to fit within a pictures margins or detoured around a corner for completion as if the papers edge were merely a slight obstacle. In their unrestricted manner, the paintings have much more in common with childhood doodles, mindless of convention and heedless of expectations. that is not to say they are directionless. Guided by insight, they recall the paintings of visionary artists like Howard Finster or J.B Murray...

93 MILLION MILES VI by artist Leroy Projects is a contemporary blue and white abstract mixed media on panel that measures 24 x 24 and is priced at $1,200. The goal of Leroy Projects...

This bold, graphic-based painting of an aqua polygon on a round, white panel is rimmed with gold leaf. The gold casts glowing highlights like a halo around this dynamic tondo that si...

The perspective of 'Frozen' could be that from the deck of a ship as land is revealed, or from the beach looking out at the breakwater. Either way, Dubois' seascapes always contain m...

In "Undertow" by Sarah Alexander, vibrant turquoises and blues meander throughout this 30 x 40 x 1.5 inch abstract botanical watercolor on canvas. T...

Alfredo Aya's Nocturno 1 is a 35 x 15 inch abstract oil painting on canvas. The main colors are different shades of green, with the delicacy of pastel colors. The painting has the s...

A sparse treed landscape displayed on a colorful sky backdrop boasting hues of lavender and blues. The painting has a liveliness that is enhanced by the resin on the surface of the w...

(b. 1956) Vinci is a Phoenix-based mixed media artist and a recipient of the prestigious Pollock-Krasner Foundation Grant. Through his abstract work, Vinci documents what he feels i...

Oil on linen

Acrylic on paper. Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, har...

Acrylic paint on raw canvas, 2018. Ready to hang. It comes directly from the studio of the artist. Height 66.93 in ( 170 cm ), Width 90.55 in ( 230 cm ), Depth 1.56 in ( 4 cm ) Matr...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and peopl...

Acrylic on canvas. Unframed. Using the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between foreground and background, center and edg...

"The End or the Beginning" is an original 13in x 13in painting by Kelly Kozma with mixed media elements. Please note: The last three photos show images of the full "Tiny Particles...

Acrylic on paper. Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, har...

Louisiana non-figurative artist Ken Tate’s art explores the more emotional aspects of the human condition. The impetus for the current work comes from the writings of Beats such as Kerouac and Ginsberg, the writing and short stories of Jorge Borges, the works of abstract expressionists Robert Motherwell, William de Kooning, John Chamberlain and David Smith, as well as the works of Robert Rauschenberg. Another influence is the art of cinema, especially in the framing and editing of film. But when Ken works in the studio, the art often has a “mind of its own”. Tate's paintings have been featured in magazines such as “House Beautiful”, “Traditional Home”, “Coastal Living” and “New Orleans House & Home”. His work is in private collections in New Orleans, New York, Los Angeles, Tulsa, Nashville, Houston and Jackson...

Acrylic on canvas. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, hard-edged s...

A staccato of fine horizontal and vertical dashes in crimson, white and turquoise light up a horizontal composition of pastel blue, pink, yellow and green on a blue-slate ground in t...

"Negative Blue" Soft Geometry Series 2017 OIL on canvas 24X24" Signed, dated and titled on the reverse side Robert Petrick's paintings create a link between the street culture of ...

Jeffrey Pitt’s intricate paintings evolved out of the artist’s desire to interpret culture based on artistic and ceremonial expression. With a B.A. in Anthropology, Pitt has a great ...

Louisiana non-figurative artist Ken Tate’s art explores the more emotional aspects of the human condition. The impetus for the current work comes from the writings of Beats such as Kerouac and Ginsberg, the writing and short stories of Jorge Borges, the works of abstract expressionists Robert Motherwell, William de Kooning, John Chamberlain and David Smith, as well as the works of Robert Rauschenberg. Another influence is the art of cinema, especially in the framing and editing of film. But when Ken works in the studio, the art often has a “mind of its own”. Tate's paintings have been featured in magazines such as “House Beautiful”, “Traditional Home”, “Coastal Living” and “New Orleans House & Home”. His work is in private collections in New Orleans, New York, Los Angeles, Tulsa, Nashville, Houston and Jackson...

Oil and pastel on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intui...

A California native, Peter Lodato began making work in the late 1960s as part of the West Coast-specific Light and Space movement. Aligned with the concerns of his contemporaries, Lo...

Louisiana non-figurative artist Ken Tate’s art explores the more emotional aspects of the human condition. The impetus for the current work comes from the writings of Beats such as Kerouac and Ginsberg, the writing and short stories of Jorge Borges...

Louisiana non-figurative artist Ken Tate’s art explores the more emotional aspects of the human condition. The impetus for the current work comes from the writings of Beats such as Kerouac and Ginsberg, the writing and short stories of Jorge Borges...

Louisiana non-figurative artist Ken Tate’s art explores the more emotional aspects of the human condition. The impetus for the current work comes from the writings of Beats such as ...

Born in Belgium, Charlotte Culot works in Provence in Southern France. She has exhibited in Paris, Brussels, and Stockholm, among many other European cities, as well as in Nantucket,...