American Impressionist Paintings

'Ghost Town' is a vintage painting with a lone Prospector with his pack mule standing in the ruins of an abandoned mining town, probably set in Colorado, set within a Mountain landscape with late summer, early autumn foliage by Harold Skene (1883-1978). Signed by the artist in the lower right corner, titled and dated by the artist verso. Colors include blue, green, golden yellow, pink, red, brown and white. Oil on board. Presented in a mahogany frame, outer dimensions measure 30 x 35 1/2 x 2 3/4 inches. Image size is 24 x 30 inches. Expedited and International shipping is available - please contact us for a quote. A native of Massachusetts, Harold Vincent Skene graduated from Harvard University School of Architecture in 1906. After relocating to Colorado, he studied at the Denver Art Academy, the Broadmoor Art Academy and served as an assistant to artist, Allen Tupper True.

Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...

Look for Free Shipping at Checkout Kit is an American Impressionist figurative painting by Stuart Fullerton. The artist is known for his landscape, still-life, portraits and citys...

Portrait of an Elegant Lady original pencil drawing on paper by Marjorie Schiele (1913-2008) *see notes below signed inscribed verso piece of paper is...

An Artist and His Tools - Vintage Figurative Portrait Signed upper right Wonderful expressionist figurative of a painter at work - deeply focused on his subject - is captured by Cal...

This original oil painting by renowned American artist Randall Vernon Davey (1887-1964) was painted circa 1927 and depicts a serene scene of a wood cabin near Estes Park, Colorado. I...

Wonderfully vibrant Taos, New Mexico landscape painting by unknown artist , Circa 1940. Unsigned. Unframed. Image size: 6"H x 8"W.

Gorgeous mid century floral still life in soft spring palette with roses and apple blossoms by J. Herron (American, 20th Century), circa 1960. Signed lower right. Unframed. Image siz...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right and is Illustrated in the Ashley John Gallery catalog titled "The Pennsylvania Impressionists". George William Sotter (1879 - 1953) Born in Pittsburgh on September 25, 1879, Sotter began his art education with local teachers and with Henry G. Keller, who had studied in various German academies. Keller, known for his superb, atmospheric watercolors, taught at the Cleveland School of Art but Sotter studied with him in Pittsburgh. Later Sotter would exhibit between 1903 and 1937 at the Pennsylvania Academy of the Fine Arts. His works were also shown at the Corcoran Gallery (1912-23), the Carnegie International (1901-26), the National Academy of Design (1913 and 1921), and at the Art Institute of Chicago (1911-27). In 1915, Sotter exhibited four works at the Panama-Pacific International Exposition in San Francisco, where he won a silver medal. Sotter was known mainly as a stained-glass artist; his work may be seen from New York City to Salt Lake City. Around a dozen craftsmen worked under him for these commissions. Sotter spent the summer of 1902 with Pennsylvania impressionist Edward Redfield in Boothbay Harbor, Maine. Between 1910 and 1919, Sotter taught at the Carnegie Institute of Technology. His paintings often feature large areas of sky filled with clouds and he frequently painted winter night scenes, such as Moonlight, Bucks County (Beacon Hill Fine Art), a perfectly successful depiction of a quiet, moonlit landscape filled with twinkling stars. Star-studded skies, although rare in landscape painting, go back at least to 1600 when they appear in the oeuvre of Adam Elsheimer...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Serene landscape by notable California artist Tom Olson (American, b. 1927). Signed and dated in the lower right corner. Titled on verso in upper right corne...

Floral Still Life with Blue Vase and Mirror in Acrylic on Paper Bright still life by acclaimed bluegrass musician Katherine "Kathy" Kallick (American, b. 1952). A dark blue vase with a flower arrangement sits on a trunk with a tablecloth. There is also a smaller yellow bottle alongside. A mirror leans in a corner, reflecting part of the scene. This composition has a cubist feel, with somewhat exaggerated angles and lines. Unsigned, but was acquired with a collection of the artist's work. Paper size: 22.5"H x 28.38"W Katherine Kallick...

The Goldfish Bowl by Richard Miller (1875-1943) Oil on canvas 37 ½ x 29 ¾ inches unframed (95.25 x 75.565 cm) 46 ⅝ x 36 ¼ inches framed (118.428 x 97.155...

Joseph Rodefer DeCamp (1858 - 1923) Summer Landscape Oil on board 11 x 15 inches Signed lower right Born in Cincinnati, Ohio on November 5, 1858, Joseph DeCamp began his artistic career in his teens and remained active throughout his life. Although he initially painted landscapes, Decamp became a renowned and respected portraitist. He was famous for his images of men of high society and women within domestic interiors. Decamp began his artistic training in 1873 when he enrolled in the McMicken School of Art and Design in Cincinnati. The head of the school, Thomas Satterwhite Noble, was a European-trained painter whose "insistence on rigorous draftsmanship, true to the academic manner in which he had been trained, exerted a lasting influence on DeCamp." DeCamp studied under Noble for five years, but was also a student of Frank Duveneck at the Ohio Mechanics Institute. He adopted Duveneck's bold, realistic style and many of his paintings executed throughout the 1870s and 1880s reflect this influence. Like most American artists of his generation, DeCamp went abroad to study. In 1878, following in the footsteps of Duveneck and other Midwesterners, he traveled to Munich to attend the Royal Bavarian Academy. Soon after his arrival, however, he gravitated away from the academy and towards Duveneck and eventually followed his mentor to Florence and Venice. During these years, DeCamp focused on landscape and portraiture as his primary subjects. These themes would continue to occupy the artist when he returned to America in 1883. When DeCamp arrived back in the United States in 1883, he first settled in Cincinnati, but soon moved to Cleveland to teach at what is now Case Western Reserve University. He then relocated once more to the Boston area, where he would remain for most of his life. DeCamp began teaching at Wellesley Female Academy and, in the fall of 1885, began as an instructor at the School of Drawing and Painting at the Museum of Fine Arts in Boston. He quickly established himself as one of the leading figures in the Boston art community and became a founding member of The Ten American Painters, formulated in 1897. This group included Childe Hassam, John Henry Twachtman, Julian Alden Weir, Frank Benson, Thomas Dewing, Willard Metcalf, Robert Reid, Edward Simmons...

Frederick Freder (American, 1895-1954) St. Tropez, France, 1921 Oil on canvas 26 x 32 in. Framed: 32 x 38 in. Signed verso: Frederick C. Freder, The Palm Tree, Saint Tropez, St. Trop...

Portrait of an Elegant Lady original pencil drawing on paper by Marjorie Schiele (1913-2008) *see notes below signed piece of paper is 12 x 9.5 inches In good condition, though with ...

Gorgeous mid-century Palm Springs desert painting by Dolores Martin (American, 20th century). Presented in a rustic wood frame. Signed "Do...

Beautiful mid century California landscape painting of a red barn tucked in the hills beneath Mt. Tamalpais, by an unknown American artist. Signed "Bloomf...

Old 17 Mile Drive, Carmel California Landscape Early 1900s Oil on Linen Gorgeous early 20th century landscape of rugged Carmel Old 17 Mile Drive coastline by Frank Lucien Heath...

Title: Sunday Street Medium: Oil on canvas Size: 24 x 24 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Outstanding American / English Impressionist, Sunset over a lake in Connecticut. Charles Bertie Hall is a painter from England and America. He pain...

Blue and Pink Floral Still Life in Acrylic on Canvas Vibrant still life by Ilana Ingber (American, b. 1984). An arrangement of bright blue flowers sit in a tall vase, against a pink...

This contemporary figurative painting, titled "Love Life", depicts a woman in a dress and is created by French artist Natalya Mougenot. It is part of her “Women” series, which explor...

A wonderful depiction of an Autumn landscape in Kent, Connecticut from the Mid-20th Century with puffed trees by the country side. For this beautiful depiction, we find distinct elements that are unique to the earlier works of George Lawrence...

Jeremy Mann's "Composition #59" is an original, handmade oil painting that depicts a dark city setting filled with fog and passerby. About the artist: Je...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. Mustang Horses is a 16 x 20 oil painting by artist Joan Breckwoldt....

Seascape (Off Monhegan, Maine) Oil on canvas, mounted to board by the artist, c. 1940 Signed: George G. Adomeit lower right A view of the Maine coas...

Ocean Wave, Mid Century Modern Abstracted Seascape Beautiful abstracted seascape, a mid century modern oil painting of ocean waves breaking on ro...

An oil on board painting by Gustave Weigand (1870 - 1957), signed lower right. Painting measures 16 x 12 inches. Wiegand was born in Bremen, Germany in 1870. Wiegand studied at the R...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...

Turn of 20th Century American Impressionist Chicago Landscape -- Frost Bound Luminous turn of the century American Impressionism landscape of Chicago in winter titled "Frost Bound" by Henning Ryder (Swedish/American, 1869-1939), circa 1900. Signed lower right corner. Exhibited in the 1915 Panama Pacific...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928

Hurricane Point, Big Sur - Oil on Canvas Seascape oil painting depicting Hurricane Point, Big Sur, California by Kathleen Murray (American, b. 1958). Clear blue waters can be seen a...

Large scale mid-century floral still-life of black-eyed susan (Rudbeckia) by listed El Paso, Texas artist Lois Coleman Denton (American, 1897-1980). Signed "Lois Denton...

Redhead On A Yellow Blanket - Original Figurative Nude Study Original San Francisco figurative nude painting depicting a redhead model laying on a yellow blanket. Her hand lays over...

Southern California Home with Palm Trees in Acrylic on Canvas The front of a two story house by an unknown central California coast artist Maria Pavao Hadsell (Portugal/American, 20th Century). A simple blue house sits behind palm trees, set back from the street. There are flowers in the sills of the second story windows. The sky is a pale yellow, implying that the sun has just set. Maria Pavao Hadsell was born in Portugal and is mostly a self taught artist originally from Portugal. Later she immigrated to the USA and lived in Massachusetts, then she moved to Sunnyvale, California. Studied watercolor in Italy, and with Los Gatos artist William Wray Signed and dated "M Pavao...

Portrait with Piercing eyes

Vibrant landscape by Vern Hansen (American, 20th Century). A lone outcrop of trees stands proud on the hill, the base of the tree just below the horizon. Rendered in saturated greens and black, the trees contrast against the bright yellow field and the pale mountains. Note the donkey at the base of the tree for scale. Titled "San Gregorio...

C.W. Mundy's "Red Roses & Blue Vase" (2024) is an original, handmade oil painting that depicts a still-life featuring vibrant red roses in a dark blue vase on a wooden table. About ...

Charming oil painting of the Wells Fargo Express Office building in the gold country town of Columbia State Historic Park in Columbia, California by Cecil ...

Charles Henry Miller (American, 1842-1922) Untitled, c. Late 1800s-Early 1900s Oil on board 9 x 12 in. Framed: 14 5/8 x 17 3/4 in. Signed lower right: C.H. Miller Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier. After the 1874 death of his father, Jacob Miller, who was a wealthy architect and builder, Miller received a large inheritance that allowed him to paint as an independent artist for the remainder of his long life. He worked seriously and exhibited regularly, including at international exhibitions. The majority of his oil paintings depict Long Island subjects, especially those in and around Queens Village. Fed up with the development of the eastern part of Queens (present-day Nassau County), he began to spend part of his summers in East Marion, Long Island, c. 1910. Here he spent his time sketching and painting the surrounding areas. In 1885 he published The Philosophy of Art in America, using the pseudonym Carl De Muldor (he was descended from the De Muldor family). His work was recognized: in 1873, he was elected an associate of the National Academy of Design and an academician in 1875. He served as president of the New York Art Club in 1879 and of the American Committee at the Munich International Exposition in 1883. Legacy and honors • In 1910 Miller founded the Queens Borough Allied Arts & Crafts Society. • A New York City public school, Queens P.S. 33, was once named for him. • 1878, gold medal awarded by the Massachusetts Charitable Association • 1885, gold medal at the World's Exposition in New Orleans. Following is a list, which includes many of his known exhibitions: • National Academy of Design, New York, NY, 1860-61, 1865-67, 1870-1921 • Brooklyn Art Association, Brooklyn, NY, 1872-84, 1891-92 • Artist's Fund Society, New York, NY, 1874 (exhibition & sale), 1886 (exhibition & sale) • Century Association, New York, NY, (1874-1917) • Philadelphia Centennial Exhibition, Philadelphia, PA, 1876 (prize) • Society of American Artists, New York, NY, (1878-1882) • Massachusetts Charitable Mechanic Association, Boston, MA, 1878 (prize) • Paris International Exposition, Paris, France, 1878, 1889 • American Water Color Society Exhibition, New York, NY, 1879 • Pennsylvania Academy of Fine Arts, Philadelphia , PA, 1879-99 • Boston Art Club, Boston, MA, 1880-1907 (prize) • Union League Club, New York, NY, 1880 • Lotos Club, New York, NY, 1880, 1896, 1899-1900, 1906 • Salons of Paris, Paris, France, 1882 • International Exhibition, Munich, Germany, 1883 (president & exhibitor) • New Orleans Exposition, New Orleans, LA, 1885 (prize) • Art Institute of Chicago, Chicago, IL, 1888-89, 1891, 1894-98, 1904 • Fifth Avenue Art Gallery, New York, NY, 1889 (exhibition & sale) • World's Columbian Exposition, Chicago, IL, 1892 • Frederick A. Chapman Gallery, New York, NY, 1898 (solo) • Miller Studio...

This captivating oil on board painting by Sister Mary Norbert, dated 1938, beautifully captures a serene summer mountain landscape. The composition feature...

Mid-century figure study of an African American man by American Impressionist artist Genevieve Rogers. Unsigned, but acquired with a collection of her...

A wonderful turn of century landscape of a stream in wooded glen by American artist Joline Butler Smith (American, 1849-1946). Signed lower right corner. Condition: Very good: One te...

This oil on canvas painting shows a dramatic scene of a sunset in the tropics: Cancun, Mexico. Deep reds and browns line the edge of the piece. Areas of purple combine with blue clouds creating a wonderful contrast. This is a small jewel of a painting that can be hung on its own, or in a group of others. This painting is signed by the artist on the front of the work, and is being sold with an elegant gold frame. William Pettit...

Stunning mid-century fauvist still life of flowers and fruit by California artist Virginia Sevier Rogers (American, 1916-2015). Signed and dated "VR 7/65" lower right. From the estat...

Delos Palmer Jr. Tree in Winter Signed lower left Oil on Masonite 10 x 8 inches Delos Palmer, Jr. was born January 26, 1890 in New York City. His father was Dr. Delos Palmer, a socially prominent Park Avenue dentist. His mother was Jennifer Emma Banta. His parents were both born in NYC, where they married in 1880 and had five children. There had three sons and two daughters. He was the fourth born. They lived in a private townhouse at 48 West 50th Street, with a cook, a waitress, and a nurse to assist in his father's dental practice on the ground floor. They lived a privileged life and the children all went to the best private schools. He graduated high school in June of 1908. He studied at The Art Students League from 1911 to 1915 with the renowned American Impressionist, George Bellows. According to the artist, "Bellows was a good influence on me. He taught me how to paint what I see and what I feel!" In 1916 Palmer moved to the historic Holbein Studios at 139 West 55th Street. He worked there until 1920, when he moved to the more fashionable Greenwich Village, where he became a successful society portraitist. He was 27 years old during the Great War, so he was not selected for military service. In 1923 Palmer began to sell interior story illustrations to Metropolitan Magazine, The Saturday Evening Post, and Liberty. In 1924 he married Helen Smith Romme and moved to Stamford, CT, where they raised a daughter and two step-sons. The fateful market crash of 1929 ended Palmer's high society portrait business, but he soon found work through his contacts at Liberty magazine's MacFadden Publishing, which also produced several crime and detective magazines such as Master Detective and True Detective. He then began to paint pulp covers for Dime Mystery, Clues, Frontier Stories, Action Stories, Western Trails, All Star Adventure, Complete Western Book...

Impressionist Still Life with Fruit and Spoon Autumnal Traditional still life with oranges, bananas, apples, and a spoon by an unkn...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only membe...

Linda Lillegraven's beautiful original oil landscape "Cows and Calves Near Antelope Creek" (2024) depicts a serene moment of a western plain in the afternoon, with a few cows crazing...

Poppy Fields Outside of Town - Landscape in Oil on Canvas This original painting is an idyllic landscape with wildflowers by M. Buckley (20th Century). The viewer looks out over a f...

A nude portrait of a demure young lady seated on an antique couch in a library setting by Margaret Wherry Ziegler (American, 1909-1989). Signed with monogram "MWZ" top right, and on verso. Unframed. Image, 24"H x 12"L. Ziegler studied at Cincinnati Art Academy, Minneapolis Art...

This oil on canvas by James Cobb features a stand of river birch trees at the height of fall color with sunlit yellow leaves against the white bark of the b...

Jim’s of Lambertville is proud to offer this artwork by: William Langson Lathrop (1859 - 1938) Deemed the “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887 at the Art Students League. Lathrop first moved east in the early 1880s and took a job at the Photo-engraving Company in New York City. While there, he befriended fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop’s early years as an artist were ones of continuing struggles. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together and traveled to Europe with Henry Snell in 1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...

Josh George's (US based) "Triplicate Trouble" is an original, handmade mixed media painting that depicts a colorful cityscape. About the Artist: Josh George is a contemporary reali...

A Still life painting of lilac blossoms in a clear glass vase. The vase sits on a pale pink table cloth that mirrors the highlights in the flowers. To the left of the vase of flowers lays a branch of lilac leaves. Square tiles are hinted at in the background of the painting. Framed in a white wood and gilded frame. Framed dimensions: 22.25 x 22.25 inches Painting dimensions: 16 x 16 inches Kelly Carmody has exhibited at venues including the Portrait Society of America and the Art Students League. Most recently, she was selected for the 2015 BP Portrait Award Show at the National Portrait Gallery in London and the 2016 Outwin Boochever Award at the National Portrait Gallery in Washington D.C. In addition, the historic Guild of Boston Artists elected her to become a member in 2015, she won the Edmund C. Tarbell Award in her first juried members show. The winning portrait is on the cover of July/August edition of Fine Art Connoisseur. In June of 2015 she received the Blanche E. Colman Award. She was invited to exhibit in the 2016 American Masters show at the Salmagundi Club. She currently has work at the Sloane Merrill Gallery in Boston, the Guild of Boston Artists, and the Ann Long Gallery in Charleston, SC. Publications that have featured her work include American Art Collector, Fine Art Connoisseur, International Artist Magazine, Fine Art Today, Southwest Art, Studio Visit Magazine, Boston Magazine, and The Boston Globe. Carmody has won grants from the Ludwig Foundation, Turkey Land Cove Foundation, and Massachusetts Cultural Council, as well as receiving an Edward G. McDowell Travel Grant and the Walter Feldman...

Trees at the Top of the Coastal Bluffs - California Coastal Landscape in Oil on Artists Canvas Board Dramatic Big Sur Bixby Bridge and coastal landscape by California artist Ken Lucas (American, 20th Century). Towering Big Sur Hills with the Bixby Bridge and the ocean framed behind. Well executed with dramatic brush strokes in greens and red muted tones. the bridge appears suspended in the sky above the gorge and the sea. "Ken Lucas" #65, 7/94 on verso From a collection of the artist's works purchased from the artists estate. Canvas size: 24"H x 30"W In a gold toned frame with white linen liner (some age spots to the linen.) Frame size, 29.5"H x 35.5"W x 1"D Ken Lucas was a school teacher and amateur painter from Monterey, California. He was primarily self-taught but became proficient as an artist and left a legacy of excellent paintings. He was a friend of and painted with Richard Lofton, Carmel...