American Impressionist Paintings

A beautiful antique impressionist painting by American artist Joseph Varga

Buffalo, New York native John Folinsbee received his artistic training at the Art Student League in New York City with John F. Carlson, Birge Harrison, Frank DuMond, and Jonas Lie. A...

Fran Dinhofer Untitled (Seaside Lighthouse), c. Late 20th century Oil on artist board 16 x 20 in. Framed: 23 x 27 x 1 1/2 in. Signed lower right, inscribed verso This painting was ...

A fine impressionist coastal painting of the New Jersey coast by Australian / American artist Heyley Lever (1876-1958). Lever was born in Adelaide, Australia, and studied at Adelaide's Prince Alfred College and attended James Ashton’s Academy of Art. He traveled and studied in England, eventually exhibiting at the Royal Academy of Arts in London.Lever moved to New York around 1910, painting scenes of the city. He summered in Gloucester, MA, where he painted and taught sketching and painting classes at his summer studio. He became well known for his post-impressionist marine and landscape paintings. Lever’s works hang in several museums/institutions, including: The White House, Yale University Art Gallery, Syracuse Museum of Fine Arts, Detroit Institute of Art, Colby College, and the Corcoran Gallery of Art. Oil on canvas, signed lower left, artist placard, title and date inscribed on verso “Coast of New Jersey below Asbury Park...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY PAYS FOR SHIPPING. Garden of Roses is a Floral Painting, in the style of Representational Oil Painting. The artist was selected in 2015 as one of the top 21 under 31 Young Artists to watch in Southwest Art Magazine..BoldBrush Signature Artist Artist Zac Elletson...

Gorgeous pair of two 1920's watercolor portraits of Gibson girls, one in blue and one in pink, by Charles Hollman (Dutch, 1877-1953). Each portrait renders...

Small Bouquets by Lu Haskew Oil 16x16" image size Still Life of spring flowers, pansies, daffodil, in blue vases. This painting is unframed, canvas on gator board, the price reflects that it is unframed. ​Online Order Only, not in gallery display. ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is...

Signed lower left, 'Pauline Palmer' (American, 1867-1938) and painted circa 1915, two years after the artist's first solo exhibition at the Art Institute of Chicago. Exhibited: Chicago Galleries Association and titled, 'Sunny Yards' (attached, partial label from original frame) A staunch proponent of pure Impressionism at the turn of the twentieth century, Pauline Palmer influenced the world of American art far beyond her Midwestern art community. Primarily known for her landscapes and portraits, Palmer rejected the waves of modernism that hit the United States in the teens and twenties, remaining true to the traditions of Impressionism. In 1923, she established the Association of Chicago Painters and Sculptors as an alternative to the increasing number of institutions celebrating Abstraction and Cubism. Pauline Palmer was enrolled at the Art Institute of Chicago from 1893 to 1898, and studied with some of the most prominent artists of the period, including William Merritt Chase and Frank Duveneck. Following her graduation, Palmer moved to Paris and attended the Académie de la Grande Chaumiére and the Académie Colarossi, where she studied under Raphael Collin. While in France, she exhibited with success including at the Paris Salon each year from 1903-06 and, again, in 1911. Her principal teacher and friend in Paris was the American Impressionist, Richard Emil Miller, whose shimmering handling of light made a profound impression upon her. Palmer also traveled extensively throughout Europe, a rite of passage for aspiring artists of her time. Returning to Paris, she studied with Gustave Courtois and Lucien Simon, both exemplars of compositional structure. Upon her return to the United States, Palmer set up her first American studio in the legendary Tree Studios building in Chicago. The artist's husband, Dr. Albert Palmer, whom she had married in 1891, both supported and encouraged his wife's artistic development. The couple kept a summer home in Provincetown, Massachusetts, where she made friends with many of the Portuguese fishermen's families, often using their children and the routines of their daily lives as subject matter for her painting. Pauline Palmer exhibited widely and with success, including in Italy, France, Norway and throughout the United States. Her works were shown at the National Association of Women Painters and Sculptors and, beginning in 1899, she exhibited at the Art Institute of Chicago for twenty-seven consecutive years. Over the course of her long career, she exhibited over 250 paintings at the Art Institute of Chicago, including at two solo exhibitions. She was the recipient of numerous prizes, medals and juried awards including nearly all the AIC's major awards, purchase prizes and honorable mention citations. Palmer also received a gold medal from the Colarossi Academy in Paris. Involved in numerous artist organizations, she was a member of the Chicago Municipal Art League, the Chicago Art Guild, the Chicago Arts Club and a charter member of the Chicago Women's Salon. Elected the first woman president of the Chicago Society of Artists, she went on to serve as president of both the Art Institute Alumni Association and the Chicago Association of Painters and Sculptors. Considered by the Modernists of her day to be a traditionalist, Pauline Palmer remained true to her artistic vision and she continues to be regarded as one of the leading women of American Impressionism. Her light-filled, colorful compositions captured landscapes and scenes of American daily life with unusual freshness and seeming effortlessness. Celebrated during her life as "Chicago's Painter Lady," Palmer was honored twelve years after her death by a posthumous retrospective at the Art Institute of Chicago and the establishment of an annual scholarship awarded in her honor by the Art Institute of Chicago. (with thanks to Hali Thurber) CHRONOLOGY 1867, Born in McHenry, IL 1885, Moves to Chicago to teach art 1891, Marries Dr. Albert Elwood Palmer 1893, Exhibits, World's Columbian Exposition, Chicago 1896, First exhibits at the Art institute of Chicago 1898, Exhibits at Exposition in Omaha, NE 1899, First exhibit, Pennsylvania Academy of Fine Arts 1900-1902, Studies with various artists in Paris 1901, Exhibits at Exposition in Buffalo 1903-1906, Exhibits at Paris Salon 1904, Exhibits at Universal Exposition in St. Louis, 1907, Four prizes at the Art Institute of Chicago 1911, Exhibits at the Paris Salon 1911, Exhibits at the Expositione de Belle Arti, Naples 1913, Solo exhibition, Art Institute of Chicago 1915, First prize, Society of Western Artists 1917, Opens first American studio in Chicago 1918, First woman president, Chicago Society of Artists 1918-1929, holds position of president for 11 years 1918-1921, Silver medals, Society of Chicago Artists 1921, Silver medal at Peoria Society of Allied Artists 1927, President, The Art Institute Alumni Association 1929-1931, President, Chicago Association of Painters and Sculptors 1938, Dies, Trondheim, Norway AWARDS 1904, Universal Exposition in St. Louis, bronze medal 1907, Art Institute 's Chicago Artists' Exhibition 1915, Society of Western Artists exhibition, first prize 1918, Society of Chicago Artists, silver medal 1921, Peoria Society of Allied, silver medal Solo Exhibitions: 1913, Art Institute of Chicago 1939, Art Institute of Chicago, memorial exhibition Union League Club of Chicago, memorial exhibition Group Exhibitions: 1893, World's Columbian Exposition in Chicago 1896, Art institute of Chicago 1898, Exposition in Omaha, NE 1899, Pennsylvania Academy of Fine Arts 1899-1926, Art Institute of Chicago 1901, Exposition in Buffalo 1903-06 Paris Salon 1904, Universal Exposition in St. Louis 1911, Paris Salon 1911, Expositione de Belle Arti, Naples 1915, Exposition in San Francisco 1950, Chicago Galleries Association 1984, Lakeview Museum of Arts and Sciences, Peoria Memberships: 1918-29, First woman President,Chicago Society of Artists 1927, President of The Art Institute Alumni Association 1929-31, President of Chicago Association of Painters and Sculptors Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. X, page 523; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. XXVI, page 129; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. III, page 2512; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 708; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. II, page 1047; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 326; Pauline Lennards Palmer...

Beautiful vintage California landscape of Carmel Mission with native plants in soft neutrals and subtle muted colors by Kathleen J. Canepa (American, 20...

Guy Wiggins Clearing after a Shower Signed lower right, titled on verso Oil on panel 12 x 16 inches Guy Carleton Wiggins is best known for his impressionistic snow scenes of New Yo...

Charming portrait of a young girl with red hair wearing a typical mid-century frilly dress and high-cut bangs, by an unknown artist (American,...

Gorgeous nocturnal period oil painting landscape of a cabin in the San Rafael, California countryside surrounded by the blue mountains of Mt Tamalpais by Abbie (Adelaide) Crocker (American b-1834-1909), c.1886. Faint signature on verso in lead pencil. Unframed. Image, 18"H x 26"W. An early and significant Oakland artist whom studied with Thaddeus Welch...

Provenance: This is an early painting by Huldah Mae Cherry (also known as Huldah Cherry Jeffe), done in her "Impressionist years" and painted after a painting by another American I...

Sweeping mid century landscape of a lone house in an expansive desert scene with colossal mountains in the distance by Alice M. Fink (American, 1880-1968). Signed "Alice M. Fink" low...

Gorgeous plein air landscape in oil of the coast in Davenport, California, by Brian Rounds (American, b. 1968). Signed by the artist in lower right...

A beautiful portrait of a woman named Wilda Leiner, a pianist (1908-1994) by longtime Santa Cruz, CA resident Cor de Gavere. Signed "Cor de Gavere" lower right. Provenance listed on ...

Vladan Stiha: 1908-1992. Well listed New Mexico artist with auction records over $12,000. He was born in Yugoslavia and tried to emigrate to the U.S. duri...

PROVENCAL Series: “In [this] series I was exploring the classical influences of the impressionist masters, to build on their ideas to move them forward, yet being true to the many ap...

Gorgeous late 19th Century landscape of cows near watering hole with birch trees and puffy clouds in background by Wesley John Straight (American, 1855 - 1922). Signed lower left corner and on verso. Title "Autumn in New England" on verso lower stretcher bar. Condition: Good; professionally cleaned and restored; minor abrasions repaired and in-painted (see images). Unframed. Image size: 40"H x 32"W. Born in Wisconsin on May 20, 1855. Straight appears to have migrated to northern California in the late 1870s. While a resident of San Jose and Grass Valley, he painted scenes of the northern coast and other scenic spots. After moving to southern California in 1912, he lived at the Southern Hotel in San Bernardino until his demise on April 5, 1922. Exhibitions: Delavan Wisconsin County Fair 1874 (painting of the Wisconsin State School for the deaf and countryside), Calif. State Fair, 1880-90, Placer California 1880...

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

Balboa Park Diptych - Original Vintage Oil Painting Pair Two artworks painted en plein air feature arches of Balboa Park in this vintage diptych. The cool hues of blue and purple su...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Shelli Langdale's "On a Flower of Recognized Faces" is an original, handmade oil painting that depicts an impressionistic face with fields of color. Artist Bio: Shelli Langdale is an oil painter living and painting in Chattanooga, TN. U.S.A. She has a Bachelor of Science in Computer Science from the University of Alabama...

Moonlight Marsh oil/panel 8 x 10 unframed 13.75 x 15.5 framed, is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a beautiful view ...

Gorgeous landscape of artist's interpretation of Santa Cruz and what appears to be Holy Cross Roman Catholic church during late 19th Century by Esther Roebuck (American 1902-1970), p...

“Temptation” (Cat) 10" x 10" gouache on Aquabord, sealed with Renaissance Wax.Also shown are other animal paintings in this series of gouache . Gouache (/ɡuˈɑːʃ, ɡwɑːʃ/; French: ...

"Happy Family", Mid Century Sepia Figurative Interior Scene, Illustration Art by Charles Kinghan A classic and heartwarming mid-century sepia toned figurative interior scene by Charles Ross Kinghan (American, 1895-1984). Circa 1940's. This mid-century piece exemplifies the classic style of illustrations and advertisements from the period, and depicts a family gathered in their living room. Signed "Kinghan" in the lower right corner. Acquired with other works by the artist. Displayed in a period giltwood frame. Linen size: 36"H x 30"W. Framed size: 45"H x 38.5"W x 2"D. Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign...

Leigh Ann Van Fossan's "Fire in the Sky" is an original, handmade oil painting that depicts a group of sailboats docked as a sunset colors the sky and water a vibrant orange hue.

Beautiful ca. 1970's portrait by American artist, Vito Tomasello. Oil on masonite panel measures 10 x 12 inches. Signed and dated lower right. A lifetime NYC resident, Tomasello ...

"Lazy Day in the Country" - Mid Century Pastoral Farm Landscape with Barn Pastoral mid-century landscape of a farm with an old barn by Shirley Gilman (American, 1924-2008), circa 19...

Charming vintage oil painting of the iconic La Canada Building on the corner of North Santa Cruz Ave and W. Main Street in downtown Los Gatos, California by ...

Two Early Massachusetts Paintings Boy fishing "Beaver Pool" - "The Conway" 1897 Pair of early Massachusetts paintings on walnut wood pane...

"Poppies in the Forest," painted by Willard Metcalf, is a vibrant and captivating depiction of nature's splendor. Metcalf, a prominent American artist associated with the Impressioni...

Clyde Steadman's "Bathsheba" is an original, handmade oil painting that depicts an impasto painting of a nude female model in an interior setting.

Earnest David Roth, American (1879-1964), View of Segovia, Spain, circa 1922. Signed lower right: "E. D. Roth". Gallery label verso. Panting dimensions: 30.25 x 30.13 inches. Framed dimensions: 37.75 x 37.75 inches. Roth studied painting at the National Academy of Design under Edgar Ward...

Evocative landscape of a glowing sunset over calm waters by California artist Max Flandorfer (American, b. 1962). Signed "Max Flandorfer" lower left. Signed, titled "In the Distance" and dated 2011 on verso. Presented in giltwood frame. Image, 16"H x 20"W. Primarily a plein air painter, Max is an avid outdoors man and is always seeking to capture that spiritual and the humble quality of nature. His work evokes a restful, contemplative stillness that he seeks both in life and his art. Growing up in Miami, Flandorfer spent most weekends and summers outdoors in the Everglades, or on the water soaking up the rich color and beauty of the tropical landscape. He moved with his family to Ocean Springs, Mississippi for a brief period before moving out to California where he has lived for over 20 years. Mostly self-taught, he was forever drawing and sketching as a kid, but the beautiful landscape and rich artistic heritage of the Monterey Peninsula's artist colony that was the deciding influence on his later works. An illustration instructor, Jane Miller of the Monterey Peninsula College encouraged him to study early California greats such as Granville Redmond...

This artwork titled "Viking Norse Oseberg" c.1960 is an oil painting on canvas by impressionist American artist Charles Beauvais, 1917-1976. It is signed at the lower left corner and titled on the back by the artist. The canvas size is 35.5 x 24 inches. It is in excellent condition About the artist: Charles J. Beauvais was born in Washington on October 28...

Henry Benson: 1930-1998. Listed American Impressionist artist. His technique involved applying a rough texture to his canvas before starting his works. After he would apply his beaut...

Summer Seas, Mid-Century Asilomar California Seascape by William Clothier Watts A beautiful and substantial mid-century seascape by William Clo...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Judd Mercer's (US based) "Treasure Island Beach," is an original, handmade oil painting that depicts blue waves crashing on the shore of a sandy beach filled with people. About the Artist: Judd Mercer is a watercolor painter based in Denver, Colorado. After attending art school for industrial design, Judd pursued a career in digital design and user experience and is co-owner of Elevated Third, a Denver-based digital agency. After committing to writing and illustrating a full-length fantasy novel in his spare time, Judd began watercolor painting around 2014, studying with teachers such as Alvaro Castagnet, Joseph Zbukvic and Herman Pekel...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Judd Mercer's (US based) "Parked," is an original, handmade oil painting that depicts blue waters meeting a land with trees and cars parked in their shade. About the Artist: Judd Mercer is a watercolor painter based in Denver, Colorado. After attending art school for industrial design, Judd pursued a career in digital design and user experience and is co-owner of Elevated Third, a Denver-based digital agency. After committing to writing and illustrating a full-length fantasy novel in his spare time, Judd began watercolor painting around 2014, studying with teachers such as Alvaro Castagnet, Joseph Zbukvic and Herman Pekel...

Vibrant contemporary still-life with bold primary colors of a red apple and blue mug on a yellow table cloth with a bottle of wine by E. Star (American, 20th century). Presented in a...

Clyde Steadman's "What Are You Having" is an original, handmade oil painting that depicts the interior of a bar with a bartender at the counter.

Mid Century landscape featuring an English Cathedral with steeple and pond by Lynn Clark Winans (American, 1897-1982). Signed "Lynn Winans" lower lef...

Paulette Van Roekens Old Whaling Wharf, Newport, Rhode Island, 1921 Signed and dated lower left Oil on canvas 30 x 40 inches Painter Paulette van Roekens was born in France and attended the Philadelphia School of Design for Women (now Moore College of Art and Design) and the Pennsylvania Academy of the Fine Arts. Her talent was recognized early on, and in 1916, she was awarded the John Sartain Fellowship at the Philadelphia School of Design. Her early paintings often were of still lifes, using flowers...

Lake Street, c. 1920 -30s, oil on board, 12 x 9 inches, signed lower right and verso, titled verso About the Painting At the center of Oscar Daniel Soellner’s Lake Street, we see the stairway leading to an elevated railway station on what is now Chicago’s Green Line route. When its first section opened in 1893 as the second permanent elevated rapid transit line in Chicago, this route was known as the Lake Street Elevated Railroad. Chicago’s “L,” like the New York subway and rapid transit system, played an instrumental role in the development of the urban economy and the overall look and feel of the city. The formal aspects of urban railroads and the role they played in efficiently moving large number of everyday citizens across America’s growing metropolises were catnip for many American Scene painters during the first half of the 20th Century. Here, Soellner uses the techniques of the impressionists and the palette of the Ash Can School, to convincingly depict a classic Chicago scene...

Portrait of an Elegant Lady original pencil drawing on paper by Marjorie Schiele (1913-2008) *see notes below piece of paper is 8.5 x 6 inches In good condition, though with minor o...

American, b. 1942 John Charles Terelak is recognized as one of America's finest living impressionists. Born in Boston, Massachusetts, he received formal art instruction at the Vespe...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Charles Caryl Coleman (Buffalo 1840 – Capri 1928), Peasant woman at work in the fields of Capri (1901) Oil painting on canvas 35 x 49 cm, signed, located and dated Capri 1901 lower ...

Nude Oil on canvas, 1923 Signed and dated lower left: Wm. Wiessler, '23 (see photo) Condition: excellent Canvas size: 24 1/4 x 29 1/4" Frame size: 33 5/8 x 38 5/8" Provenance: Estate of the Artist Radecki Galleries, South Bend Thomas French Fine Art...

Signed lower right: 'C.E.L. Green'. Two labels verso: 'Brockton Art Center/Fuller Memorial/Cat. #19/C.E.L. Green:/Shore and Landscape/Painter of Lynn and Newlyn/Sept.9-Nov.1, 1980'; ...

Beach Path oil/canvas panel image 7.75 x 8 unframed, 13.5 x 13.5 framed Beach Path is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcas...

This painting depicts an impressionistic scene of Boats Docked in Portofino Italy, with beautiful brushwork and whimsical colors. The scene is captrued with a nostalgia, as the color...

A classic countryside scene with a vibrant red barn surrounded by verdant fields and tall trees. Puffy clouds drift across a bright blue sky, adding to the idyllic charm of the rural...

Coastal Cliffs and Lush Valley - Pacific Coast Big Sur Seascape in Oil on Canvas Gorgeous seascape of Hurricane Point, Big Sur coast by California artist Kathleen Murray (American, ...